Jesus The Sorcerer

Robert Conner

Jesus The Sorcerer
Robert Conner
Format: Softcover
ISBN: 978-1869928-957
£15.00+p&p / US$24.00+p&p
Subjects: Christian Magic/Religious Studies.

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The most complete summation to date of the New Testament evidence for magical practice by Jesus and the early Christians. The very notion of Jesus being a sorcerer runs so against the grain of the Western cultural myth that even non-Christians are likely to find it far-fetched or even vaguely disturbing. Nevertheless, scholars steadily accumulated evidence for magical practices in the New Testament throughout much of the 20th century. It is that ever-expanding body of knowledge that has made this book possible. This book examines the following: The nature of the earliest Christian documents, the defects of their transmission, and the evidence for the suppression of descriptions of magical acts.

The closely related problem of the New Testament accounts as historical sources.

The radically apocalyptic nature of Jesus’ message and the expectations of the early church.

The failure of the apocalypse to occur and the theological reaction to that failure.

The role of magic and mystery religion in early Christianity.

A revisiting of the story of the “beloved disciple” and what it may tell us about Jesus and suppression of evidence about his life.

 

Magic in The New Testament

A survey and appraisal of the evidence
Robert Conner

Magic in The New Testament
A survey and appraisal of the evidence
Robert Conner
Format: Softcover
ISBN: 978-1906958-275
£15.00+p&p / US$25.00+p&p

Click HERE for the UK edition

Click HERE for USA & Elsewhere

Early Christians were accused of practising magic by Jews, Pagans, and other Christians. Magic in the New Testament examines magical praxis common to the New Testament, the magical papyri, the Sepher Ha-Razim, the Book of Enoch, the apocryphal Acts and the pre-Nicene church fathers and surveys the professional literature on early Christian magic.

Additional topics include:

magic, family and sexuality /

the Old Testament background of early Christian magic /

the relationship between magic and apocalypticism /

veneration of relics and necromantic sorcery /

resurrection, ghost stories and polymorphism /

magic and mystery cult in early Christianity.

 

 

 

Judith Page

Judith Page was born in Sydney, Australia. She graduated from the Chelsea School of Art in London, and is a respected artist and painter in esoteric circles, with particular focus on Egyptian art.

Judith also designs her own one of a kind range of silver Setian jewellery, specially made to her requirements by Egyptian craftmen.

Exhumation of A Murder

The Life and Trial of Major Armstrong
Robin Odell
(Criminology) (True Crime)


Exhumation of A Murder
The Life and Trial of Major Armstrong
Robin Odell
Format: Softcover
ISBN: 186992892x New ISBN 9 781869 928926
£15.00/US$22.00
Subjects: Criminology / True Crime

Click HERE for UK edition

Click HERE for USA&AUS edition

”The case of Major Armstrong, the celebrated Hay Poisoner, the only solicitor ever to hang, is one of those classic, old-fashioned English murders which hail from the heyday of court-room drama when, with the hangman lurking in the pine-and-panel wings and the black cap an object of horrifyingly alarming currency rather than mere symbolism, the loser in ‘the black dock’s dreadful pen’ lost all. It comes straight out of the pages of George Orwell’s essayed nostalgia for the era of the Great British Murder, when, after a Sunday lunch of roast beef and Yorkshire, you put your feet up on the sofa and, with a good strong cup of mahogany-brown tea, read all about the latest ‘good’ murder in the News of the World. And the Armstrong case was unquestionably one of the best; right up there in the grand tradition of Dr Palmer of Rugeley, Neill Cream, Mrs Maybrick, Dr Crippen, Seddon, and George Joseph Smith.”
– Richard Whittington-Egan


”Now the case itself, as has been said to you, is a remarkable one, a deeply interesting one and I doubt whether any of us engaged here today have in recollection so remarkable a case in its incidents.”
– Mr Justice Darling, Herefordshire Winter Assizes, Thursday, 13th April 1922


”On the rim of the twentieth century loom the Titans – Seddon, Armstrong, Crippen, G.J. Smith and Landru, and then, in the era of booze and bullets, art descends literally to hack-work.”
– Dorothy Dunbar, Blood in the Parlour


Praise for EXHUMATION OF A MURDER

”This is, indisputably, a comprehensive study; embracing every aspect, exploring every angle; chronicling events and interpreting participants from remote and obscure beginnings to violent or peaceful ends. I advise anyone who has long subsisted on intriguing scraps and morsels about Armstrong to have this book ready to hand when leisure offers time for a satisfying repast…it is unique, and will inevitably become the last word on Armstrong and the case which bears his name.”
– Edgar Lustgarten

EXHUMATION OF A MURDER is the fruit of painstaking research over many years by J.H.H.Gaute, a well-known authority on the literature of crime and a former editor on the genre for a major publisher, and the late Dr Hubert Trumper who lived at Cusop, near Hay-On-Wye, the village where Armstrong lived and carried out his crime. This book contains a wealth of documents and photographs.

*******************************************************************************************

SPECIAL EVENT

Featuring ROBIN ODELL in HAY-ON-WYE, at Murder & Mayhem Bookshop, Lion Street.
*******************************************************************************************
Hay_clocktower
robin_odell3

On Saturday 2 September 2006, we travelled to the town of Hay-On-Wye to accompany Robin Odell for a book signing at the atmospheric Murder & Mayhem Bookshop, 39 Lion Street, where there is a good selection of True Crime and Murder & Mystery Fiction titles, by masters such as Dennis Wheatley, Sax Rohmer, Bram Stoker, and Robin Odell.

Robin was fresh from his lecture to the History of Medicine Society of Wales. Due to a booking mishap, it was relocated from Hay to Builth Wells! Even so there was a steady stream of interested customers and connoisseurs of the genre – some of whom, are shown in the photo: From left to right, Robin Odell, Anne & (sitting) Derek Addyman, Robin Odell’s partner ‘Non’, and holding glasses of wine are two lovely ladies, Joan & Friend. Thank you ; )
– Murder & Mayhem Bookshop, 5 Lion Street, Hay-on-Wye, Hereford, HR3 5AA.

Hay-On-Wye is a good place with a buzz to visit. There are lots of bookshops covering subjects for every interest, as well as eating places and shops for more retail therapy. We stayed up the road in Hereford and were directed to the Rose Garden pub just north of the Roman Road in Munstone. The beer was excellent – Flowers IPA and the home made food really was just that. In Hay we had another lovely pint, Old Black Lion Ale at the Black Lion in Lion Street – Major Armstrong’s ‘local’ so they say – although not too local as his wife didn’t like him drinking! The food there was also really good. The cafe opposite the Clock Tower (see below) is very user friendly – newspapers, real coffee –


For information about Hay-On-Wye, including town maps, books, the Literary Festival, places to eat, hotels, B&Bs, shopping, and things to do, please check out the Official Hay-On-Wye Website www.hay-on-wye.co.uk

*****

 

JACK THE RIPPER IN FACT AND FICTION

Robin Odell
(Ripperology) (True Crime) (Criminology)

Jack The Ripper in Fact and Fiction
Robin Odell
Format: Softcover
ISBN: 978-1869928-308
£15.00 / US $24.00
Subjects: Ripperology / True Crime / Criminology.

Click HERE for UK edition

Click HERE for USA edition

In the autumn of 1888, the streets of London were streets of terror. The cause – is a series of mysterious and apparently motiveless murders.

Respectable citizens cowered behind shuttered windows and multi-locked doors. Ironically, however, it was not respectable who were in danger.

The victims were all drawn from the trade which necessity still compelled to haunt dark alleys and doorways in dead of night – the prostitutes.

Theories on the identity of the murderer have been many and various: that he was a fashionable doctor, even that he was a she – a midwife.

Robin Odell has produced an absorbing factual reconstruction of all the crimes and a brilliant new theory, based on modern methods of detection,to solve the greatest mystery in British criminology. Most readers will accept his theory as the long-sought answer to a baffling real-life whodunit, as the most likely epitaph on a terror known as JACK THE RIPPER IN FACT AND FICTION.

***

RESOURCES FOR CRIME & RIPPEROLOGY SPECIALISTS

Featuring: True Crime & Ripperology Conferences, Conventions, Seminars, Lectures, Moots, Forums, Societies, Crime Writers Guilds, Journals, Books, Media, Archives, Museums, Tours, Walks, Murder Mysteries, Detective Fiction.

LORETTA LAY
– is a Specialist Detective Fiction and True Crime Bookdealer and a leading authority on Jack The Ripper.
www.laybooks.com
*****

MURDER ONE UK
– Murder One UK is an online, mail order only bookseller and a successor to the famous Murder One bookshop that traded in the heart of Charing Cross Road for over twenty years.
www.murderone.co.uk
*****

CASEBOOK
– is the Web’s largest public Jack The Ripper Archive.
www.casebook.org
*****

JACK THE RIPPER FORUMS
– The place to be for all things Ripper.
www.jtrforums.com
*****

RIPPEROLOGIST
– The Journal of Jack The Ripper, East End and Victorian Studies, is available in electronic format on subscription.
www.ripperologist.co.uk
*****

THE WHITECHAPEL MURDERS
– Karyo Magellan’s website dedicated to Jack The Ripper.
www.karyom.com/The%20Whitechapel%20Murders.htm
*****

THE WHITECHAPEL SOCIETY 1888
– organize conferences, lectures, moots and tours on Jack The Ripper.
www.whitechapelsociety.com
*****

THE MUSEUM OF CRIME
www.themuseumofcrime.com
*****

JACK THE RIPPER WALK
www.jacktheripperwalk.com
*****

THE JACK THE RIPPER TOUR
www.thejacktherippertour.com
*****

JACK THE RIPPER TOUR
www.jack-the-ripper-tour.com
*****

CRIME & INVESTIGATION NETWORK
www.crimeandinvestigation.co.uk
*****

MYSTERY WRITERS of AMERICA
www.mysterywriters.org
*****

RIPPER STREET / BBC TV series (DVDs)
– Haunted by the failure to catch Londonʼs most evil killer, Jack the Ripper, Inspector Edmund Reid (Matthew Macfadyen) now heads up the notorious H Division – the toughest police district in the East End. Charged with keeping order in the blood-stained streets of Whitechapel, Reid and his men fi nd themselves fi ghting to uphold justice and the rule of law; but always in the background lurks the fear of the Ripper – is he back for another reign of terror. The shadow of the Ripper is still felt in the neighbourhood by the vigilantes, the sensation-seeking newspaper hacks and the men who hunted – and failed to find – the notorious murderer. It seems that even though the notorious killer has disappeared, there are plenty more willing to stain the streets of Whitechapel with their victims’ blood…
*****

Robin Odell

 


Robin Odell was born in Hampshire in 1935. After working as a university laboratory technician and completing his National Service, he developed an interest in crime writing.

His JACK THE RIPPER IN FACT AND FICTION published by Harrap (1965), is still regarded as a major contribution to the subject. In a writing career spanning more than thirty-five years, he has written or co-written sixteen books. He now lives in South Oxfordshire and continues to write and lecture on crime and criminology.

He acknowledges his debt to the researches of the late Dr Hubert Trumper, a medical practitioner in Hay-on-Wye, and the late Joe Gaute, distinguished crime historian and publisher. Their combined efforts sustained over several years brought many insights to bear on the life and trial of Major Armstrong.

Robin Odell won the Gold Medal at the 2007 Independent Publisher Book Awards in the True Crime category for Ripperology: A Study of the World’s First Serial Killer (Kent State University Press) and is a nominee of the Mystery Writers of America 2007 Edgar Allan Poe Awards.

 

 

Pan’s Road

An Ancient Egyptian Adventure
Mogg Morgan

 


Pan’s Road
(Fiction complement to The Bull of Ombos)
Mogg Morgan
Format: Softcover
ISBN: 1869928-89x
£9.99/US$20, 234 pp 
Subjects: Occult Fiction/Egyptian Magick/Ancient Egypt.

Click Here for Pan’s Road / USA

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PAN’S ROAD
An Ancient Egyptian Adventure

The ancient hungry stones of Coptos in Upper Egypt have soaked up the stories of the inhabitants along with their blood. When archaeologists unearth a magician’s box in the rubble of an ancient Egyptian tomb, it propels Jay into a supernatural journey across space and time. She merges with the mysterious Zenobia, a native of ancient Coptos. Zenobia and her family are fleeing from the advancing Roman armies that are returning to their Egyptian frontier bent on punishing its rebellious citizens. The only escape from the frying pan of Coptos is into the fire of the Eastern desert. Their journey on Pan’s Road is fraught with new dangers but also new possibilities, as the protagonists are led to the heart of an ancient mystery in the lost city of Ombos – Citadel of Seth, the Egyptian god of Chaos.

Aleister Crowley,
Thelemic Magick

USA
ACTM £

Revised Edition

12 October 2022

(was Proceedings of the Oxford Golden Dawn Occult Society Thelemic Symposium)

Mogg Morgan 
Format: Softcover
ISBN: 186992844X
£15.00/US$22.00
Subjects: Aleister Crowley & Thelema/Magick/Enochian Magick.

Hell of a Guru

Do what thou wilt shall be the whole of the law
Aleister Crowley may have died in 1947, but his influence is still very much felt by the magician of the new aeon. The CD soundtrack The Beast Speaks sold 8000 copies since its release in 1993, and the paperback edition of Crowley’s Confessions was number two in Virgin Megastores top ten books. The modern magician is no slavish follower or member of some mind bending cult. Crowley’s watch word was Thelema (The Crowleian pronunciation is Theh-LEE-mah, the accent being on the vowel of the second syllable, Greek speakers say the accent should be on the vowel of the first syllable for it to be pronounced right….ThEH-lee-mah) – which means [free] Will. Those who choose to follow this magical path aim to de-condition themselves, to develop independence of spirit and ultimately to become their very own self. One of the many attractions of Crowley’s type of magick, was this advice to follow one’s own way and create your own life path. You don’t need a priest or a judge to tell you how to act – work it out for yourself.

As part of the process of developing self-knowledge, Crowley advocated the practice of magick. This he defined as ‘the science and art of causing change in conformity with will.’

Thelemic magick can be either a system or an approach to the magick of any tradition, e.g. Hermetic, Ceremonial, even Witchcraft. In Thelema, as in all other styles of magick, there are at least two different types of magical entity – the ‘Masonic’ and the ‘Rosicrucian’. The Masonic tends to be organized into definite hierarchical orders; whereas the Rosicrucian is more freeform, often a mere network of peers. The authors of what follows reflect many of these different styles of Thelemic magick and reading what they say is perhaps the best way to grasp what Thelemic magick is all about.
As part of the process of developing self knowledge, Crowley advocated the practice of Magick. This he defined as ‘the science and art of causing change in conformity with will.’ The history of magick is the history of human beings. Many of the things that are now labelled ‘culture’ began as experiments in ritual and magick viz. drama, music, art, dance, philosophy and poetry etc., etc. Magick has played a role in many key moments of our history, for example during the fourteenth century, it was the philosophy of the Renaissance. In our own time, many modern art movements have been driven by magical ideas, for instance, the first abstract painting was made by the Theosophist Kandinsky. Magick is a valuable and reputable activity to undertake.

Ayurveda: Medicine of the Gods

Basic Principles of Ayurvedic Medicine

Mogg Morgan

Medicine of the Gods

£15.00/US$22.00 

Format: Softcover/ ISBN: 1869928377 148pp

Subjects: Ayurveda/Indology/Tantra.

Click HERE for UK edition

Click HERE for USA&AUS editions

Click HERE for Kindle edition

Ayurveda is an Asian medical system which has its beginnings in the sixth century BCE and thrives even to the present day. There was once a celebrated doctor called Caraka who lived in the second century of our era. He was one of the greatest physicians that have ever lived. He recorded the fact that the gods themselves were perplexed by the continued existence of the disease, which was a hindrance to humanity’s progress to enlightenment. These same gods, he says, therefore prepared the way for Ayurveda, which literally means the ‘science of longevity’ to be taught to the human race. Thus the title of this book is Medicine of the Gods.

Praise for first edition:
‘The author’s main purpose, introducing ancient Indian medical theory in a relatively trustworthy manner to the interested general reader in easy language, while at the same time being intellectually challenging, is served well by this book.’
– Rahul Peter Das in Traditional South Asian Medicine Vol 6 2001


‘This book contains virtually everything you could want to know about the Hindu system of Ayurvedic medicine, which began on or about the sixth century BCE and is still thriving today. The history, correspondences or “humours’, and other intriguing aspects of this intricate system are described in easy-to-understand language for those unfamiliar with Ayurveda. There is also a catalogue of ailments and how Ayurveda views each of them, and illness in general. I found this fascinating reading, both as a western herbal practitioner, and as a reader fascinated by how other cultures’
– Reviewed by Cerridwen Connelly in The Pentacle

Chris Morgan

He was a Wellcome research student at Oxford, where his teacher was the later Professor B K Matilal, a widely respected expert on South Asian rational thought. He has published several books, articles, and even the odd poem (see ASHÉ).

Handbook for Rebels & Outlaws

Mark L. Mirabello
(Intellectual History) (Philosophy)

C

Handbook For Rebels & Outlaws
Mark L. Mirabello
Format: Softcover
ISBN: 9781906958008
Subjects: Intellectual History/Philosophy.

 £15.00 / US$25.00

Click HERE for Handbook for Rebels & Outlaws / UK

Click HERE for Handbook for Rebels & Outlaws /USA


Click here for Kindle UK Edition

Click here for Kindle USA edition


 

Handbook for Rebels and Outlaws is a book about freedom. Written for intellectual swashbucklers-men and women who are radicals in politics and infidels in religion-warriors who hammer the stake of fear into the heart of tyranny-this volume belongs in select book collections, between the black magic and the pornography texts.

Contents: Blasphemy; Terrorism (History and Practice); Megaterrorism (Biological Weapons, Chemical Weapons, and Nuclear Weapons); Survivalism and Weapons of Mass Destruction; Non-Violent Resistance (Hunger Strike, General Strike, Civil Disobedience); The “Temporary Autonomous Zone”; Communications, Clandestine; The Revolutionary Cell; The Assassin in History; “Dirty War” and the State; Coup d’Etat (Theory and Practice); Secret Police (Techniques and Tricks); Deception in War (Theory and Practice); Guerillas, Partisans, and Asymmetric Warfare (History and Practice); The Urban Guerilla; The Bandit and Pirate in History and Legend; Mafias and Organized Crime; White-Collar Crime (Non-Violent Crime); Violent Crime; Tyranny in History (Four Types Of); The Police in History; The Informant in History; Evidence (Physical and Eye-Witness); State-Sanctioned Killing; Torture (History and Practice); Prison and Punishment; Escape form “Controlled Custody”; Techniques of the Fugitive.

Mark Mirabello, who has served as visiting Professor at Nizhny Novgorod University in Russia, is a Professor of History at Shawnee State University in the U.S.A.He has a PhD from the University of Glasgow and an M.A. from the University of Virginia. Mirabello’s area of expertise is the “outlaw” history on the “frontiers and margins” of human civilization. He lectures on Alternative Religions and Cults, Terrorism and Crime, Banned Books, Intellectual History, and other subjects. According to Mirabello, “Never believe anything until it has been officially denied.”Mirabello’s publications deal with the supernatural (The Odin Brotherhood and The Crimes of Jehovah), the unnatural (The Cannibal Within), and the natural (Handbook for Rebels and Outlaws). The Cannibal Within has appeared in an Italian-language translation (Il Cannibale Dentro) by Stefania Marchini from Edizioni Clandestine.

Mark L. Mirabello

PROFESSOR MARK L. MIRABELLO

The author of The Odin Brotherhood and The Crimes of Jehovah, Professor Mark L. Mirabello lectures on Intellectual History, the History of Medicine, and Alternative Religions and Cults at Shawnee State University in the USA. Formerly a visiting Professor at Nizhni Novgorod State University in Russia, he has a Ph.D. from the University of Glasgow. This fictional narrative, The Cannibal Within,  is based upon a real life encounter with a person not unlike the anonymous antiheroine whose story Professor Mirabello retells.

www.markmirabello.com
www.shawnee.edu/academics/social-sciences/faculty/mmirabello.aspx

RC MCNEFF

RC MCNEFF was born in London. He is a published poet and short story writer, and has worked internationally in education and the art world. His interest in Crowley was sparked by contact with associates of the Beast at an early age.

CHAOTOPIA!

Dave Lee

Click Here for CHAOTOPIA! / UK

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Chaotopia!
Dave Lee
Format: Softcover
ISBN:
£15.00 / US$26
Subjects: Chaos Magick


‘Once one is fairly competent at practical sorcery, there is little of importance that remains to be said or read about the subject; the magician at this point tends to emphasize inner development in his work. It seems to me that Chaos Magic itself has reached this point; the basic ideas needed for anyone to construct his or her own system of sorcery and to hone their skills are already covered by the available books. What has been lacking so far, is a Chaos magical approach to the investigation of the ecstatic states that underlie magical gnosis. This book, rather than trying to provide yet another slightly different flavour of Chaos technique, takes as its starting point the relationship between ecstasy and magic; between Chaos Magic and Chaos Mysticism, if you like.’ from Chaotopia! page 8

Chaotopia! is neither Utopia nor its opposite. It is what Austin Osman Spare called ‘the chaos of the normal’, seen through an illuminated eye, the eye of the sorcerer.


Chaotopia! includes updates and evaluations of techniques in Chaos Magick and an exploration of ecstatic states in relation to both magick and mysticism.

Also chapters on:
Wealth Magick/Conflict and Exorcism/Sex Magick/Body Alchemy and Healing/Magick and Physics/Chaos Illumination/Spirits/Aeonics

Praise for Dave Lee’s Chaotopia!
‘A highly intelligent book by a leading Chaos Magician which will broaden and deepen Chaoist debate, theory and practice.’
– Peter J. Carroll

MORE REVIEWS

”Chaos magic has come magician and NLP maven Lee. This is not a primer or grimoire; instead, the book puts chaos magic in its conceptual context, explaining the theoretical and metaphysical vistas which have underscored the art’s development since its inception under the asgis of the late, great Austin Osman Spare.

It allows us to see chaos magic äs a form of autonomous mysticism; not so much a syncretic exercise in cosmic tourism äs a balancing attempt to make sense of what arrives in one’s head. This makes it more democratic than the intimidating acolytism of learned magic in the European tradition. Chaos magic rests on the principle that the practitioner can apply belief at will, rather than surrendering to any particular paradigm (thus the slightly wrenched meaning of ‘paradigm stuft’ in chaos practice). It also assumes that altered states permit a powerfui interaction with one’s own centres of power, and äs a result, chaos magicians experiment with psychotropic techniques, including drug use, meditation, hyperventilation and extreme exercise.

Lee shows us the intellectual underpinnings of a practical System, without rendering the art, or his discourse on it, abstract or arch. He sets out the theoretical contribution of Robert Anton Wilson et al, explains Aeonics, and the trajectory of its distillation from the baroque theatre of angelology, and expounds the vital notions of chaos and Illumination, äs Spare originally conceived them, and as practice has altered and matured them.

This is not for the beginner in chaos magic, but it is a good guide for the observer with a grounding in the history of European magic, and a grasp of its cultural milestones. If you ever wondered why magicians do what they do, it’s because it works. If it didn’t, the tradition would have died out with the birth of science; it hasn’t and is enjoying a fertile period. Chaos magic is central to the continuing health of magical traditions, and writers like Dave Lee are central to that influence. His observation that accomplishe magicians concentrate on inner development ties chaos magic firmly to the Spiritual traditions of alchemy, and suggests that the development of chaos magic as a Spiritual endeavour has a long future, as well äs a brilliantly energetic past. Great stuff.”
Review from Sly Delaney – FT214 – Fortean Times verdict 8.

—-

”Chaos Magick has been the “sorcery” of choice for some years; indeed it is feared by many to have become way too trendy. There have been many books coming onto the market supposedly outlining the Chaos Magick vision which seem to confuse incoherence with mystification.. However, I am very pleased to say Chaotopia! is not one of them indeed I consider it one of the better books on Chaos Magick I have read in quite a long time. It was originally published in 1997 but includes a very succinct but updated introduction which gives us a snapshot of the basic principles of Chaos Magick and how it works.

In many way I found Chaotopia! a real “debate starter” it covers so many subjects, all of which demand further thought, investigation and discussion, for a relatively small tome of 200 odd pages there is little “padding” and lots of content, no wasted words here ! There are carefully placed “interludes” which include all sorts of exercises, meditations and rites in addition to practices throughout the work so Chaotopia offers a solid balance of theory and practice.

Lee outlines a theory of magick based on Leary and Robert Anton Wilson’s model of Eight Brain Circuits; this is quite an intriguing model and does offer quite a lot of insight into how magick work. He also outlines later in Chaotopia! Carroll’s model of Aeonics and cultural evolution. For the budding Chaos magician I would suggest comparing these with such developments as Spiral Dynamics and Ken Wilber’s Integral Model, each has its benefits and drawbacks. The Eight Brain Circuits are more practical (i.e. psychedelic), while Wilber’s model is certainly more cerebral. Aeonics has a magical foundation but I think lacks some integration into the bigger picture which Wilber’s offer. As you can see there is a lot to think about in this work ! Every chapter I read made me what to read more, think more and practice more….

There is a very insightful chapter on wealth and money, a subject looked down on by “high” magick and yet so imperative in today’s busy and demanding work. There is a great section on cursing and exorcism which avoids the paranoid mood so often found in works on “psychic self defense” and offers down to earth guidelines and well as techniques if you really need them.

The section on sex and magick is impressively without pretense and covers all sorts of issues ranging from the use of sexual fluids to S & M. I especially found the section on sex and smell impressive and felt Lee explored area’s ignored by other works.

The theoretical chapter on Magick and physics is a real intellectual stimulator. It offers a new theoretical foundation for magick as found within the Bose-Einstein Condensate. It will trigger lots of discussion and debate.

I could continue chapter in this way. There is so much packed in here. Chaotopia! is how magical books should be written. No padding, no BS, no wasted space, lots of important information, practice advise and hints. An avoidance of pretense and an openness which leaves the reader eager to go out and learn more and practice more.
Dave Lee, Thank You !”
Review in Living Traditions


—–
You enjoyed reading Bright from the Well and Chaotopia! and would like to know more about the latest techniques, articles, resources, workshops, news and events from the author, then check out DAVE LEE’S CHAOTOPIA WEBSITE www.chaotopia.com

Bright from The Well

Northern Tales in The Modern World
Dave Lee

Bright from The Well
Northern Tales in The Modern World
Dave Lee
Format: Softcover
ISBN: 978-1869928841
£15.00/ US$22.00
Subjects: Northern Tradition/Chaos Magick.

Click Here for Bright from The Well / USA

Click Here for Bright from The Well / UK

REVIEWS

Attentive readers might have noticed me banging on about the collective & individual fading of memory, & the need to imagine an alternative language to talk about radical social change, entailing a re-memberance, or putting together of scattered parts strewn over a landscape of fragments.

Into my hands recently came a new book by Dave Lee, Bright from the Well – Northern Tales in the Modern World. Mandrake of Oxford (2008). It’s a retelling & reimagining of the creation & social origin myths of the Northern European tradition, including the Völuspá, & Rigsþula (Rig’s Tale). Comprising five short stories & five essays, it’s an odd but compelling read, combining a reworked & updated phenomenology of the myths with vividly told stories set in the contemporary world of would-be sorcerers & Chaos Magic.

Those with a suspicious turn of mind wrongly might detect a whiff of the Thule Society, & the romantic/reactionary projects dreamed up by the likes of W. B. Yeats & D. H. Lawrence, which often resulted in psychosomatic afflictions of the right arm. But Dave Lee is no New Ager, sharing my view that these are people with too many easily acquired beliefs to spend, who couldn’t think their way out of a paper bag. Think rather of the imaginative legacy & radical engagement of William Blake. Great stuff, ideas sparking off in all directions.
Klaus Bubblehammer, Bubblehammerblog
bubblehammerblog.blogspot.com/2008/11/recommended-reading.html


Bright From The Well
– Northern Tales in the Modern World
by Dave Lee
Review by Akashanath

A common difficulty for magicians moving from one tradition to another is reductio ad nauseum. With little effort, it is easy to nail the symbolism of one’s latest trip onto the pre-existing crucifix of one’s earlier experiences, eventually reducing every opportunity for novelty to a stale repeat of one’s preconceptions. Chaos Magick has often fallen into this trap, its dogma of ‘non-dogmatism’ leading adherents to strip belief-systems to their ‘essentials’, sometimes to the point where they lose much of their beauty and function. At the opposite extreme one can simply be overwhelmed by the strangeness and unfamiliarity of a new world-view, and fail to find a point from which to begin one’s assimilation. The Norse and Saxon myths, with their fragmented, archaic language and almost prehistoric themes, can often evoke this type of response. In his newest book, Dave Lee lithely navigates the pass between these twin peaks, taking time to pause and explore the dilemmas, or muse on them in the form of short fables. People expecting a book about the runes will not be disappointed. Those hoping for further expositions on the subject(s) of Chaos Magick will find plenty of interest. But for me where Bright From The Well comes into its own is as a series of reflections on dilemmas that will be familiar to many 21st century occultists.

For example, Chapter 5 is entitled “The Magician In and Against The World.” It’s essentially an analysis of the twin functions of the magician as anarchist, challenging the false autocracy of consensus reality, and the magician as priest, strengthening social traditions by helping the laity to connect them to their spiritual and cosmic sources. Within his complex analysis, Dave grapples with magicians’ tendencies towards transcendence on the one hand and immanence on the other. This rang loud bells for me; in my magickal quest I have often lurched from mind-bending hedonism to ruthless ascetic austerity and back again, struggling to marry my hungers and drives with some arbitrary construct of ultimate purpose. Dave also concludes that some sort of unification is necessary, describing this in terms of the intermarriage of the Vanir and the Aesir, the two Northern pantheons who exchange hostages somewhere near the beginning of time. Dave’s exegesis interprets the former as gods of immanence and the latter as deities of transcendence and consciousness (though not exclusively so). In a story from Snorri’s Prose Edda, Dave tells us how the Aesir (in the form of Odin) and the Vanir (in the form of Tyr) trick the Fenriswoolf (primal chaos) into allowing itself to be bound, creating the ordered universe that is a necessary precondition for human society and hence both esoteric and exoteric religious practice.

Students of Tantrika may find parallels here, and indeed Dave makes passing reference to the left and right hand paths. In many contemporary Hindu icons the transcendent Shiva is depicted sitting on his mountain, meditating and smoking Ganja, largely disinterested in the world. One myth tells us how the goddess Kali once went on a killing spree. Initially invoked by men seeking support in their war with the demons, Kali has lost sight of her original intention in an orgy of destruction. With all the demons slain, she turns her unstoppable fury on her former allies, slaughtering them with her many arms. Summoned from his mountain, Shiva is intrigued. Lying in front of her with his c**k erect, he looks up, turned on by her warped face and blood-stained body. Gradually her lust for killing turns into a different kind of lust, and the two deities begin to f**k. Separate from one another, they are aimless, functionless. In unity, Siva (transcendence) gains the capacity to manifest in the physical world, while Kali (immanence) transmutes her destructive power to generative.

Some of the other sections completely obviate the need for parallels by speaking directly to the magician’s experience. In Chapter 7, the author recounts a fascinating and credible list of magickal anecdotes spanning over 20 (and perhaps closer to 30?) years of workings, grouped into a rough typology of function. Several chapters take the form of stories, some obviously derived from Nordic originals, others less so. The style is engaging and entertaining, not laboriously educational or annoyingly whimsical, and each is short enough to be knocked off quickly (or omitted altogether) should it not be to the reader’s taste.

As well as re-telling stories from the northern traditions and presenting a novel method of working with the entities described as dwarves, the book contains a complete rune poem in English. Although it probably wouldn’t stand alone as a manual of rune magick, anyone genuinely interested in the subject could probably learn something new. The main strength, for those interested in Nordic traditions, will probably be for those looking for another perspective from which to triangulate dry, historical academic texts on the one hand and the often pedantic dogmatism of modern Odinists on the other. Overall, as the title implies, the collection is refreshing and inspired. Well worth a read!

Dave Lee


Dave Lee has over 20 years of experience in practical magick.  An early editor of Chaos International Magazine, he is the author of Magical Incenses and the Wealth Magic Workbook.

He has worked with the Illuminates of Thanateros for many years, and presents workshops and lectures in the UK, USA and mainland Europe. Dave lives in England, and is engaged in continual magical researches which will no doubt find their way into print in one form or another.

Dave Lee’s CHAOTOPIA website www.chaotopia.co.uk

Tantra for Westerners

A Practical Guide to The Way of Action
Francis X. King

Tantra for Westerners
A Practical Guide to The Way of Action
Francis X. King
Format: Softcover
ISBN: 978-1-869928-60-5
£15.00
/ US$24.00
Subjects: Tantra/Tantrism.

Click HERE for USA & AUS

Click HERE for UK

Tantra has been defined as “a mystical philosophy” and as “an unorthodox religious tendency”. Both definitions are incomplete.

While Tantra has mystical, philosophical and religious aspects it is, above all, a technique of action – a system of physical, mental and spiritual discipline incorporating meditation, yoga, and sacramental worship in the widest sense of the phrase. This system has one purpose: the transformation of the individual – his or her rebirth to a new existence.

There is no “tantric faith” to be accepted or rejected on the bases of thought and emotion. tantrics make the same claim as Western magicians: “if you follow a certain course of action you will be led back to the roots of your own identity and will learn the truth about yourself and the universe you inhabit.”

Tantra For Westerners is a complete theoretical and practical guide to the Way of Action, covering the concepts of pleasure and pain, power and passivity, esoteric physiology, Tantra and Qabalism, right-hand and left-hand Tantra, tantric ritual for westerners and the arousal of Kundalini – the serpent power.

Francis X King (1934-1994) was a well known authority on magick, mysticism and religion. His books includes Ritual Magic in England and The Magical World of Aleister Crowley.


Judith Page’s cover painting, title ‘Tristan’ 20″ x 24″ oil on canvas. It shows the Goddess Tsun’kie k’sai, a Burmese deity. The cat is a Burmese, sacred cat of Burma.
judith-page.com

The Flying Sorcerer

Being the magical and aeronautical adventures of Francis Barrett, author of The Magus

Francis X. King

The Flying Sorcerer, Francis Barrett
Francis X. King
Format: Softcover
ISBN: 9781869928209
£15.00 / US$22.00
Subjects: Hermeticism/Biography/Magick/Occult.

Click HERE for the UK edition

Click HERE for USA & Elsewhere

The Flying Sorcerer is the only biography of an enigmatic 18th-century magus Francis Barrett, whose book The Magus or Celestial Intelligencer, laid the foundation of the current magical revival. He was the first author since the middle ages to compile a manual or ‘grimoire’ of magick. The Magus or Celestial Intelligencer is widely read and still capable of providing insight.

Francis King offers a fascinating picture of Francis Barrett, a man who lived on the frontier of technology, both in terms of the inner landscape and his pioneering experiments in balloon flight. It discusses his teachers, peers, and the subsequent progress of his disciples.

Journal for the Academic Study of Magic 1-4

A wide and deep view of magic – rating 9.’ Fortean Times 176

‘A must-read for all those interested in an academic approach to the magical arts.’ The Cauldron

JSM1
ISBN 978-1869928-674
Format: Softcover/200 pages.
ISSN 1479-0750
£20/US$40

Click HERE for JSM1 / UK

Click HERE for JSM1 / USA

Contents
Beyond Attribution: The Importance of Barrett’s Magus/Alison Butler

Shadow over Philistia: A review of the Cult of Dagon/John C. Day

A History of Otherness: Tarot and Playing Cards from Early Modern Europe /Joyce Goggin

Opposites Attract: magical identity and social uncertainty / Dave Green

‘Memories of a sorcerer’: notes on Gilles Deleuze-Felix Guattari, Austin Osman Spare and Anomalous Sorceries. / Matt Lee

Le Streghe Son Tornate: The Reappearance of Streghe in Italian American Queer Writings/Ilaria Serra

Controlling Chance, Creating Chance: Magical Thinking in Religious Pilgrimage / Deana Weibel


JSM2
ISBN 978-1869928-725
Format:Softcover/410 pp.
ISSN 1479-0750
UK £20/US$40

Click HERE for JSM2 / UK

Click HERE for JSM2 / USA

‘8 out of 10 – A bit of magic dust sprinkled over academe’ – Fortean Times
Contents
Alien Selves: Modernity and the Social Diagnostics of the Demonic in ‘Lovecraftian Magick’:/ Woodman

Wishful Thinking Notes towards a psychoanalytic sociology of Pagan magic: /Green

A Shell with my Name on it: The Reliance on the Supernatural During the First World War. /Chambers

The Metaphysical Relationship between Magic and Miracles: /Morgan Luck

Demonic Possession, and Spiritual Healing in Nineteenth-Century Devon:/ Semmens

Human Body in Southern Slavic Folk Sorcery:/ Filipovic & Rader

Four Glasses Of Water:/ Snell

The Land Near the Dark Cornish Sea:/ Hale

Kenneth Grant and the Magickal revival:/ Evans

Magic through the Linguistic Lenses of Greek mágos, Indo-European *mag(h)-, Sanskrit màyà and Pharaonic Egyptian heka:/ Cheak

The symbolism of the pierced heart: Froome/Nicholas Roerich:/ McCannon
/ Book Review, etc.
Reviews of JSM2
‘After being dunked in a cauldron of magic potion, the JASM now has classier paper, a larger format and bigger type and has grown to almost 400 pages.
The 12 articles further the Journal’s remit to present and promote new academic writing, thinking and research on all aspects of the subject, and demonstrate again just how broad this ever-expanding field is. One would have to have completed courses in ancient history, anthropology, religious studies, linguistics, philosophy, post-modernism, art, literature, folklore, the sciences and quite probably mathematics to properly assess the material here.
So, as a film studies graduate, I feel perfectly placed to pass comment…
Articles include: an anthropological insider’s look at a troupe of archly post-modem HP Lovecraft- inspired magicians, and their relationship to our world and that of The Great Old Ones, as experienced through guided meditations and dead-of-night possession rituals; magic,superstition and supernatural belief in the trenches of WWI; the evolution of Tintagel as a mystical Celtic pilgrimage site; an overview of the Russian mystic and artist Nicholas Roerich; a critical deconstruction of Kenneth Grant’s oozy oeuvre; witchcraft in 19th century Devon; libertarian magical iconoclast Lionel Snell (aka Ramsey Dukes) on cultures of scepticism and belief, and more besides. Diverse materials, then, people who really know their stuff.

The Journal is not entirely unproblematic, however. most of the pieces are clearly and engagingly written, one or two are o presented in awkward academese; S in others, one’s eyes can hardly move for the tangle of footnotes scattered across the page. Perhaps my gripes are with the academe itself, but if JASM seeks wider readership, these issues wort considering. Otherwise, another fine emission.’
– Mark Pilkington, Fortean Times

The Pentacle 13
‘Don’t be put off by the academic titles these articles are well worth reading whatever your path and I can’t wait for Issue 3. – rated 5 Pentacles’


JSM3
ISBN 978-1869928-964
Format: Softcover/300 pp.
£20/US$40

Click HERE for JSM3 / UK

Click HERE for JSM3 / USA

JSM3 – Drs Dave Green (University of the West of England, UK) and Susan Johnston Graf (Penn State, Mont Alto, USA) are taking over as co-editors of the journal.
We wish to thank Dave Evans, founding editor, for all his wonderful work in getting the journal up and running and establishing its reputation. The new editors are also pleased to announce that Mandrake is continuing its involvement with the journal as publishers.
Contents:
Amy Lee – A Language of Her Own: Witchery as a New Language of Female Identity
Dave Green – Creative Revolution: Bergsonisms and Modern Magic
Hannah Sanders – Buffy and Beyond: Language and Resistance in Contemporary Teenage Witchcraft
Mary Hayes – Discovering the Witch’s Teat: Magical Practices, Medical Superstitions in The Witch of Edmonton
Penny Lowery – The Re-enchantment of the Medical: An examination of magical elements in healing.
Jonathan Marshall – Apparitions, Ghosts, Fairies, Demons and Wild Events: Virtuality in Early Modern Britain
Kate Laity – Living the Mystery: Sacred Drama Today
Research Articles:
David Geall – ‘A half-choked meep of cosmic fear’ Is there esoteric symbolism in H.P.Lovecraft’s The Dream-Quest of Unknown Kadath?
Susan Gorman – Becoming a Sorcerer: Jean-Pierre Bekolo’s Quartier Mozart and the Magic of Deleuzian and Guattarian Becoming
Book Reviews


JSM4
ISBN 978-1869928-391
Format: Softcover/400 pp.
£20/US$40

Click HERE for JSM4 / UK

Click HERE for JSM4 / USA

Contents
The Practitioner, The Priest, and The Professor: Perspectives on Self-Initiation in the American Neopagan Community/Laubach, Martinie’ and Clemons/
The Trinity of the Hebrew Goddess: A Guided Presentation Of Goddess Narratives and Submerged Beliefs : DeMente
The Topography of Magic in the Modern Western and Ancient Egyptian Minds : Stannish
The science of magic: A parapsychological model of psychic ability in the context of magical will : Luke
Is Magic Possible Within A Quantum Mechanical Framework? : Ash
Angels with Nanotech Wings: Magic, Medicine and Technology in The Neuromancer and Brain Plague : Lord
Rowling’s Devil: Ancient Archetype or Modern Manifestation? : Lauren Berman
“Delivered From Enchantment”: Cotton Mather, W. B. O. Peabody, and the Struggle against Magic : Sederholm
In a Mirror, Darkly : A comparison between the Lovecraftian Mythos and African-Atlantic mystery religions : Geall
The Journey of The Lion King and the Collective Unconscious : Marsh
The Third Time’s the Charm”: Mythic Operative Magic in the Merseburger Zaubersprüche : Moynihan
The Old Irish Impotence Spell: The Dam Díli, Fergus, Fertility, and the Mythic Backround of an Irish Incantation : Bernhardt-House
Reading the Turkish Coffee Cup and Beyond: The Case of North Cyprus : Karimova
Reviews
Issue 5 is now seeking contributions. Scholarly articles in English about any aspect of magic/occultism are welcome up to 8000 words in length.
Submission to the journal is by Email attachment, in Rich Text Format documents using Harvard Citation Style. Full submission details, an outline style guide can be found here
http://www.sasm.co.uk/styleguide.html
Could all submissions now be sent to Dave Green David2.Green@uwe.ac.uk
Please feel free to contact Dave or Susan – sjg9@psu.edu – about the suitability of any proposed article, but in principle we aim to be as inclusive as possible, welcoming submissions from any academic discipline concerning any aspect of magic/occultism from any geographic region in any historical period. Academic articles from magical practitioners are also encouraged.
Deadline for submissions is 21st June 2006, with early submissions welcome.
Society for Academic Study of Magic – elist
The Academic Study Magic e-list is back by popular demand. The list is now being managed and moderated by Amy Hale and myself, Dave Green. We felt that the list, despite its difficulties and personality clashes, was a valuable and exciting resource for academics and others interested in all forms of magical practice from any period of history, any geographic area and any disciplinary background. The new moderators will not tolerate the flaming of old and want to foster an open and tolerant attitude to what will always be an interdisciplinary topic with many divergent views – long may it stay so and let us learn from these differences.
If you wish to join you can do so at this url:
http://www.jiscmail.ac.uk/lists/ACADEMIC-STUDY-MAGIC.html
It might take a little time to recapture the old momentum of the list, but in the meantime we can start reacquainting ourselves so please feel free to post an introduction once you have joined and let’s see the academic magic phoenix rise from the ashes …
Please feel free to circulate this to any relevant lists and individuals.



JSM5
Format: Softcover
£20/US$40

Click HERE for JSM5 / UK

Click HERE for JSM5 / USA

JSM5 : Contents
Flavius Josephus’ Terminology of Magic: Accommodating
Jewish Magic to a Roman Audience, / Philip Jewell

The Role of Grimoires in the Conjure Tradition / Dan Harms

Hermetic/Cabalistic Ritual in Christopher Marlowe’s Doctor Faustus /
Dana Winters

Italian Cunning Craft: Some Preliminary Observations / Sabina Magliocco

Walking The Tightrope: A Study Of Secret Astrologers In Mainstream
Professions / J.A. Silver Frost

Martyrs, Magic, and Christian Conversion / Patrick Maille

“Worshiping the Devil in the Name of God”Anti-Semitism,
Theosophy and Christianity in the Occult Doctrines of Pekka Siitoin /
Kennet Granholm

“The Witching Hour: Sex Magic in 1950s Australia” / Marguerite Johnson

Reviews

Obituaries

Greg Humphries

Greg Humphries is an artist and magician who has over 15 years of experience exploring magical practices throughout the world. The work outlined within this book covers the years 1999 – 2002 and influenced his move to Cornwall, England where he currently paints happily in his studio at the bottom of the garden.
Check out Greg Humphries blog greghumphries.wordpress.com

Julian Vayne has been involved with the magickal world for over 20 years. He has published numerous articles, led a variety of esoteric workshops and courses and is a prominent figure in comporary British occultism. His interests include drugs and magick, permaculture and the politics of sustainability, teaching and graphic art. He lives in Devon where he tends his newly planted orchard.

Magical Dilemma of Victor Neuburg

Jean Overton Fuller
(Magical Biography)

Dylan1936The Magical Dilemma of Victor Neuburg
Jean Overton Fuller
Format: Softcover
ISBN:
£15.00 / US$24.00
Subjects: Biography/Aleister Crowley/Thelema/Magick.

Click to Buy in UK

Click to buy in USA & AUS

The Magical Dilemma of Victor Neuburg is really two books in one:
The record of Victor Neuburg’s extraordinary journey to magical enlightenment.         And the story of Aleister Crowley, the magus who summoned Neuburg to join
him in his quest.

‘The book opens with the author’s entry into the group of young poets including Dylan Thomas and Pamela Hansford Johnson. They gather around Victor Newburg in 1935 when he is the poetry editor of the Sunday Referee. Gradually the author becomes aware of his strange and sinister past, in which Neuburg was associated in magick with Aleister Crowley.

Contents: Beginnings / Mystic of the Agnostic Journal / Crowley and the Golden Dawn / Initiation / Magical Retirement / Equinox and Algeria / Rites of Eleusis / Triumph of Pan / Desert / Triangles / Moon Above the Tower / Templars and the Tradition of Sheikh El Djebel / Paris Working / The Sanctuary / Arcanum Arcanorum / Dylan Thomas


REVIEWS
Recently I found myself in Oxford on other business and met up with Mogg Morgan of Mandrake of Oxford Press, always a pleasure to talk to him about books and magic! During a chat about Aleister Crowley’s poetry, Mogg mentioned Victor Neuberg and reminded me this book is in Mandrake’s catalogue.
I was really glad to pick up my copy, which I’m enjoying very much at the moment. A good addition to my research library on occult literary modernism, it starts with an account of Victor Neuberg’s life in 1930s London as poetry editor of The Sunday Referee and the circle of young poets and writers whom he nurtured (including Dylan Thomas, Pamela Hansford Johnson and Jean Overton Fuller herself).
The book then switches to Jean Overton Fuller’s search for the truth about Victor’s magical association with Aleister Crowley. It’s a fascinating literary detective story – oh for the days (1960s) when a carefully-placed letter in the press would result in invites to tea with people who were personally involved!
In what is effectively a double magical biography, she pieces together Crowley and Neuberg’s journey on foot into the Sahara to perform rituals and then their ‘Paris Workings’, which prove to be dangerous and challenging.
Jean is a sympathetic and intuitive writer, providing a compelling portrait of Victor Neuberg and his literary/magical circles, not holding back on her critical comments on aspects of Crowley’s behaviour (eg abandoning Neuberg alone in the desert!), but appreciating the nature of his work and honouring the enduring love Neuberg maintained for Crowley. Reading this, I think I’d have really enjoyed meeting Victor Neuberg.
– Sue Terry, May 2023

‘Those interested in Western occult history will welcome this revised and expanded edition of an important work first published in 1965.

Overton Fuller’s biography of Neuburg paints an intimate portrait of this complex character who was as much mystic as poet. A prominent figure in London’s literary bohemia in the 1930s, Neuburg encouraged such writers as Dylan Thomas, Pamela Hansford Johnson, Hugo Manning and many others, including Overton Fuller.

In his earlier days, Neuburg had been a disciple, magical partner and possibly even lover of Aleister Crowley during a period of ground-breaking magical experiments.

‘Vicky encouraged me as no one else has done,’ Dylan Thomas declared on hearing of Neuburg’s death. ‘He possessed many kinds of genius, and not the least was his genius for drawing to himself, by his wisdom, graveness, great humour and innocence, a feeling of trust and love, that won’t ever be forgotten.’ ‘ . . . there was a whiff of sulphur abroad, and all of us would have liked to know the truth of the Aleister Crowley’s legends, the truth of the witch-like baroness called Cremers, the abandonment of Neuburg in the desert.’

– Pamela Hansford Johnson

‘No dry biography this but an illuminating and compelling account of a multi-faceted personality who lived during an exciting period of occult and literary history. An absolute must-have!’
– (ME) In Prediction Magazine November 2005

—————————–

To mark the centenary of Dylan Thomas, here’s an extract from JOF’s book that narrates her first meeting with the soon-to-be-famous poet:

“We agreed to Zoists”: Dylan Thomas & the Occultist Victor Neuburg (Aleister Crowley’s lover & collaborator)

“We agreed to Zoists.

Runia wanted us to have badges, ‘so that one Zoist can recognize another, if you meet outside, or if we have provincial centres.’

There was a murmur of dissent. Some of us felt this thing was getting inflated. And we didn’t want badges. We weren’t boy scouts; just a few people who wanted to come here and sit and talk to each other on Saturday evenings.

‘All right, no badges,’ she said. ‘But it is agreed we have a name?’

It was agreed but there was no enthusiasm for the name, our feeling being for the informal. Before we left Runia made us cups of tea.

When eventually we broke up, and I stood again in the road outside, I felt I could tell my mother I had been among distinguished people. But the truth was I felt something else as well. I felt I had been in ancient Egypt and for this feeling I could find no explanation.

Not all of those who had been present on the first evening returned the following Saturday, but as I attended every week I began to know the regulars. Arriving soon after 8 (dinner at the hotel where my mother and I lived, was at 7, so it was a rush), I always found a certain number of people there already, though there was usually some time to wait until Vicky and Runia came from the inner room. It was in this waiting time that I had to find my feet, as it were among the other young ones. Nobody was ever introduced at Vicky’s. One just found out for oneself. I did not find the young men easy although they made efforts to draw me into the circle, for they assumed an acquaintance with modern poetry and political authors greater than I possessed; I could not always follow their allusions, and I had the feeling they all participated in a form of culture slightly strange to me. I was therefore grateful when a good looking young man, quiet mannered and of a more ordinarily civilized demeanour, settled himself beside me and asked, simply, ‘How did you come to Vicky’s?’

I told him about the circular letter I had received. He knew Geoffrey Lloyd had sent some out and asked, ‘What do you do when you’re not writing poems for Vicky? What’s your background, so to speak?’

I told him I had been on the stage since I was seventeen.
He said ‘Fancy our having an actress among us!’

‘What’s your name?’ I asked him.

‘William Thomas’, was what I first thought he said, but then he added, ‘It’s a special Welsh name.’
There could be nothing very special about William, and I puckered my brows.
‘You’ll never have heard it before,’ he said. ‘Nobody in England ever has. It should really be pronounced Wullam, in Welsh.’ Or was he saying ‘Dullan’?

‘It’s a special Welsh name,’ he repeated. ‘I shall have to spell it for you. D-Y-L-A-N. In Wales, it’s pronounced Dullan. But I’d been corresponding with Vicky for some time before I came to London, and when I arrived I found he had been calling me Dillan, in his mind. I thought if Vicky didn’t know how to pronounce it nobody in England would, so I decided to take it as the standard English pronunciation of my name. Otherwise I’d spend all my time telling people it was Dull and not Dill, and I think perhaps Dillan sounds more elegant than Dullan. Only Idris objects and thinks it’s frightfully fancy! Because he’s Welsh, too, and he knows! but now I’m getting even Idris trained to call me Dillan, though it’s under protest!’
‘What part of Wales do you come from?’ I said.

‘Oh, I only come from a small town. Swansea.’

Whereas I had previously felt myself to be the most naive member of a group otherwise composed of sophisticated, bohemian intellectuals, I now felt I had, vis-à-vis Dylan Thomas, at any rate, an advantage in being a Londoner. ‘I should have thought Swansea was a large town,’ I said. ‘I was near there all last summer. If you had been to the theatre at Porthcawl you would have seen me on the stage!’

‘No, I’m afraid I didn’t’ he said. ‘What a pity!’

Giving the conversation a turn he did not expect, I said, ‘Have you ever been down a mine?’
‘No.’

‘I have!’ I explained triumphantly. ‘Near Crumlin. I once played a January date in the Rhondda. Or more exactly the Ebbw Vale.’ I told him how I had persuaded the men at a pit to take me down the shaft, and how, having arrived at the bottom, I was given a lamp to hold and escorted along a passage which had been hewed through the coal to a point where it became so low that one would have had to proceed on hands and knees. I was shown a fault seam, which I felt with my fingers.

‘You have seen something in Wales which I haven’t!’ said Dylan. He explained that his home was some distance from the mining regions. He described the part of Swansea where he lived, with a detail I cannot now recall, except that it sounded salubrious and agreeable. His father was Senior English Master at the Grammar School. ‘Living where I do one doesn’t really see anything of all that,’ he said, with reference to my allusion to the coal mining (and depressed) areas. ‘Idris comes from the Rhondda,’1 he said. ‘I haven’t been into those areas.’ As though he had been slightly shamed by my adventure, he added, ‘Perhaps I ought to have done.’

‘It’s because you live there that you wouldn’t think of it,’ I said. ‘When one is touring one feels one must see everything in case one never comes again. When I was sixteen, my mother and I made a tour of Italy, Pisa, Rome, Naples, Capri, and back through Perugia, Florence and Milan. We felt we had to go into everything, even the smallest church we passed on any street. We realized we had never “done” London half as thoroughly because we took it for granted.’

I have no ‘outrageous’ sayings of Dylan Thomas to record. His conversation with me was perfectly drawing-room and unexceptional. I remember him as a polite young man. Friendly, but not at all presuming.
He told me the origins of the circle of which I now formed part. ‘First one and then another of us found our way to Vicky’s through entering into correspondence with him or something like that, and so a circle grew up around Vicky. We’re all very fond of Vicky.’ He explained that, ‘always reading each other’s names in print we began to wonder what the ones whom we hadn’t seen were like.’ So they had had the idea ‘of sending out circulars to everybody who was a contributor. He thought it had brought in some interesting people. ‘Well, it has brought you!’ Perhaps one could name some kind of a regular thing of it. ‘The only thing I don’t like is the name Zoists!’ he said.

I laughed and said, ‘It does sound a bit like protozoa, zoophytes and zoids!’

Dylan pulled a funny face.

‘We’re always called “Vicky’s children”,’ said Dylan. ‘It’s a bit sentimental, but I don’t think we shall ever be called anything else.’

It had been at the back of my mind while he was speaking that his name, as he had spelled it out, was one which I had read in the Sunday Referee in a context more important than that of the weekly prizes. I had not taken the paper regularly before I joined the circle, or I would have known the whole build-up. I said, ‘Aren’t you the winner of a big prize? I believe you’re one of the distinguished people here!’
‘It was through Vicky and the Sunday Referee that a book of my poems has been published,’ he said. He explained that a prize was offered twice yearly, part of which consisted in the publication of the winner’s poems in book form. ‘The first was awarded to Pamela Hansford Johnson. She isn’t here tonight. I was given the second of them.’ He said that Vicky had helped him pick out what he thought were the best of the poems he had written.

‘What’s it called?’

‘Just 18 Poems. It was published just before Christmas, and I think it’s doing quite well.’ He added, ‘I’m very grateful to Vicky. It’s a big thing for me. One’s first book is the most difficult to get published. Everyone says so. Now that I have one book published, it should be easier to get the next accepted, perhaps by an ordinary firm.’

My sentiment for Vicky was already so strong that I was slightly shocked.

Dylan Thomas saw it. ‘Vicky doesn’t expect us to stay with him!’ he said. ‘This is a nursery school from which we are expected to go out into the world. When we can get published elsewhere nobody is more pleased than Vicky!’

Just then the moment for which we had been waiting arrived. The door from the inner part of the house opened and our hosts came out to join us.

Vicky came straight up to Dylan and me. I did not know which of us the distinction was meant for but it gave me joy. He stood by my chair, looking down on us beamingly, and said to Dylan, ‘You’re entertaining this little lady?’

Dylan said, ‘I’ve been telling her something of the history of the Poet’s Corner.’

*********************************

Laugharne,
Carmarthenshire,
Wales
19 June 1940
Dear Miss Fuller
I haven’t heard anything from Vicky and Runia for years, until about a fortnight ago.
Then Pamela Johnson wrote to tell me that Vicky had just died. I was very grieved to hear it; he was a sweet, wise man. Runia’s address is 84, Boundary Road, NW8. At least, I suppose she is still there. I wrote her a letter, but I haven’t had a reply yet; probably she’s too sad to write.
Yours sincerely
Dylan Thomas

#occult #literarymodernism #aleistercrowley #victorneuberg #poetry #magick #mandrakeofoxford

Jean Overton Fuller

– Writer, Biographer, Artist, Poet, Mystic, Astrologer, Theosophist, Ripperologist

Jean Overton Fuller is no stranger to controversy. For more than half a century she has been exploding myths in a manner than has often lead to a complete reappraisal of the establishment view. The only child of Indian Army Officer Capt J H M Fuller and the artist Violet Overton Fuller, she holds a degree in English from London University. She had a brief career on the stage and knew Victor Neuberg, (magical partner of Aleister Crowley) and his circle in the mid 1930s.

During World War II she used her eagle eye to search for espionage in sensitive postal communications. She later made researches into the fate of her friend Noor-un-Nisa Inayat Khan and other British agents in France under German occupation.

Jean Overton Fuller’s acclaimed biography Noor-un-Nisa-Inayat Khan (Madeleine) was first published by Victor Gollancz in September 1952, and because of the enormous public empathy to the heroic life and death of beautiful Princess Noor, had run into fourth impression by November of the same year. Several subsequent editions followed, including a Pan paperback entitled Born For Sacrifice, and a new hardback edition by East-West Publications in 1988.

Miss Fuller joined the Theosophical Society in 1940, and is a former vice-president of the Astrological Lodge of London.  She was a regular contributor to the scholarly journal Theosophical History www.theohistory.org founded by Leslie Price and edited by Professor James Santucci.  Jean Overton Fuller also contributed letters for ”Alpheus”, Govert Schuller’s excellent Theosophical website for Esoteric History www.alpheus.org

Jean was also well liked and respected among Ripperologists and she spoke at The Jack The Ripper Conference. See Mandrake Ripperology section for Jean Overton Fuller
https://mandrake.uk.net/sickert-the-ripper-crimes-2/


Check out these very good websites about Jean Overton Fuller

www.angelfire.com/va/violetteszabo/overtonfuller.html

www.jeanovertonfuller.com

www.rushdenheritage.co.uk/Villages/people/fuller-jean-overton.html

Cauldron of The Gods

A Manual of Celtic Magick
Jan Fries


Cauldron of The Gods
A Manual of Celtic Magick
Jan Fries
Format:Softcover
ISBN:
£24.99/US$40 (including post and packaging.)
Subjects: Celtic Magick/Druidism.


‘If you have only one book on the Celtic past and present, this has to be the one’- The Pentacle

‘Imagine the forest. As darkness falls, the somber beeches disappear in misty twilight and shadows seem to gather under their branches. Far away, the blackbird’s call tells of the coming of the night. The birds cease their singing, silence descends, soon the beasts of the night will make their appearance. Between tangled roots, hidden by nettles and brambles, the earth seems to ripple. A few humps of earth seem to emerge from the ground. They are the last traces of burial mounds, of mounds, which were tall and high 2500 years ago. Many of them have disappeared, hidden by tangled roots of beech and oak, ploughed flat by careless farmers, others again show caved-in tops where grave robbers have looted the central chamber. The locals shun these hills. There are tales that strange fires can be seen glowing on the mounds, and that on spooky nights, great armed warriors arise from their resting places. Then the doors to the deep are thrown open and unwary travelers have to beware of being invited into the halls of the dead and unborn. Here the kings of the deep feast and celebrate, time passes differently and strange treasures may be found. Who knows the nights when the gates are open? Who carries the primrose, the wish-flower, the strange blossom that opens the doors to the hollow hills?’
‘Highly Recommended’ – The Cauldron


Buy UK 

Buy USA Edition (& Rest of world)


From Pagan Dawn:
Anything by Jan Fries is these days immediately snapped up by most chaos magicians out there, and this one should be no exception. Fries is an expert in his field and his work is always widely explored and well presented. Occasionally, I find his writing style a little patronising towards those fluffy-bunny Pagans amongst us, but come on, we all have to start somewhere. As such, 1 would not recommend this book except for the serious occultist who perhaps has not looked too closely into Celtic magic and who wants to try something a little different. Fries knows that in order to be accomplished you need to know where your magick comes from as much as where you want it to take you, and his historical tracing of Celtic magick is knowledgeable and well-researched. The connections he makes to modern-day techniques and practises are seamless and appear almost effortless, except we know Fries did not get to be the specialist he is without a lot of hard work and extensive study. A must for all serious magical practitioners.

Cauldron of the Gods (Detailed contents)

Welcome to the Nemeton

People of the Mounds
The Mound Journey; Raising the Dead; Worship of the Height

Mysteries of La Tene
Talismans; Dangerous Dead and Unusual Burials; Offerings to the Deep; The Sanctity of Water; Exercise: Into the Deep; Places of Worship; Sacred Groves; Temples of Gaul Exploring Gournay; A Hoard of Trophies; Roquepertuse; Tracing Shadows Through a Maze; Teutates, Esus and Taranis ; A Deity of Horses; Rhiannon and the Morrigan; Lugus; Gods of the Land; Cernunnos; Matrones; Divine Beasts; Head Cults.

Druidic Dreams Druids in the Classical Period; Riddles from Antiquity; The Decline of the Druids; Druids in Legend; Druidic Revival;

Evolution of the Bards
Bards and Druids.

A Confusion of Faiths
A Christian Buried Alive; Bardic Christianity;Book of Taliesin

The Filid of Ireland
The Scholar’s Primer; Exercise: The Unique; Poets and Philosophers; Heritage of Babel; The Poet’s Path; Under a Golden Branch; Celtic Harps; From a Dark Cell Land of the Living.

Three Rays of the Awen
Bardic Frenzy; The Spirit of Prophecy; The Wild Man from the Mountains; Breath of the Awen; The Quest for the Muse; Hanes Taliesin; Three Inspirations of Ogyrven; The Trefoil Sign; Deity of the Poets; Ritual: Bride’s Bed; The Personal Muse.

Taliesin Penbeirdd
Who is the Historical Taliesin? The Mythical Taliesin; Trouble with Maelgwn; Chair of the Bards; Ritual: Chick of the Chair; A Torrent of Questions; Exercise: Riddle Magick; A Question of Identity;

Enchantment
The Fire of Motivation; The Gift of the Nettle; The Rite of Cursing; Bright Blessings; Lorica; Greetings for Sun and Moon; Spells of Healing; Gesture; Nightfears, Evil Eye and Spells of Destruction; Magical Battles;

Tales of Transformation
A Net of Romance; The Stupid One; Oral Tradition; Evolution of Song; The Once and Future King; Exercise: The Time Frame; Exercise: The Cultural Frame; Shaping Reality; Exercise: Your Story; Ritual Story-telling; The Enchantment; Therapeutic Storytelling Therapeutic Functions; Artful Vagueness; Tools for Hallucination; Stories and Self-Hypnosis; Stories as Spirits; Enchanting Others; A Forest Walk.

The Secret Arts
The Frith; Imbas Forosna; Dichetal Di Chennaib; Teinm Laeda; Cetnad; Toghairm The Ever Hungry Cauldron; Cauldrons of the Fili; Cauldron of the Underworld; Arthur’s Quest; Nine British Otherworlds; Books of Fferyllt; The Aeneid; Virgil the Magician; A Rite of Rebirth; Burials in Several Phases; Rites of Dismemberment; Siberian Initiations; The Chodpa Trance; The Cauldron Rite; Cauldrons of Creativity; The Hedge of Mist .

Trees of Eternity
The Battle of the Trees; Ogham Trees; Origins of Ogham; Tree Magic; A Tree Companion; A Hand Full of Forests; The Matrix of Nemetona;

Coda: The bed of Taliesin

Appendix
A rough time table regarding events mentioned in this book; Bibliography; Index

Part of ironage ringwall from the Taunus, Jan’s drawing from ‘Helrunar’. I remember climbing this with Jan during my initiation into the mysteries of the forest. – Mogg

Jan Fries

JAN FRIES
‘SHAMAN’ OF THE TAUNUS

‘Journey through the frozen land’ from Visual Magick

Jan Fries is the author five books and several articles that deal with some very interesting free-form shamanic techniques. Here’s what one of Jan’s students said about seething:

‘Seething is probably the most useful magical technique I have ever learned. I first was taken by the pleasure of it. My body felt warm and sensual, and seething in the hips felt quite sexual. I liked the feeling of my body taking over where the shaking was first voluntary – but I could still have some control, making the shaking stronger or more subtle. After a while I started to see visions – something that very rarely happens to me. I could see (with my physical eyes, not astrally!) the surface of the land in the centre of the circle rippling, like waves of energy. It was a really moving experience in a site that – until then – had not been particularly ‘special’ to me… it ..has had a major impact upon my magical work which used to be largely indoors, as at last I have found a way that I can work outdoors. This gives my magical work a potency that it simply didn’t have before.’

Jan lives in Frankfurt near the Taunus Mountains. He is a musician, artist and magician. I first met him sometime in the eighties at an ancient ritual site in Wiltshire called Silbury Hill. He was there along with several others to participate in a ritual with american sorceress Nema, author of Maat Magick. I heard from a friend about a short manuscript Jan had written on sigil magick. It was being privately circulated amongst the world’s ‘rosicrucian’ community and getting a very favourable response. I was immediately struck by its clarity, originality and above all humour. I asked if I could publish it and as it was a bit too short to make a complete book I suggested that maybe we could add some material from Austin Spare. But Jan would have none of that – he immediately went away and wrote enough for a full sized book – the result is Visual Magick – a manual of freestyle shamanism.

Mystical Vampire

The Life and Works of Mabel Collins
Kim Farnell

Mystical Vampire
The Life & Works of Mabel Collins
Kim Farnell
Format: Softcover
ISBN: 9781869928858
£15.00/US$26
Subjects: Biography/Theosophical History

Click HERE for the UK edition

Click HERE for USA & Worldwide

”I recommend the book to one and all whom have an interest in Victorian Society, for the off-beat origins of many institutions that are influential on our lives today. More than a few ideas found within Mystical Vampire such as the possibility of Annie Besant and Helena Blavatsky being more than just friends, make the book a good investment. For the Ripperologist, the two (and there may be other gems in there, so buy it!) items I mentioned on Collins / Stephenson are worth the price of the book alone. Few books (Sugden, Begg and Evans come to mind) are as well referenced and footnoted as this one. Ms Farnell has done an excellent job on her subject, Minna Mabel Collins.”
Howard Brown, Casebook: Jack The Ripper, the Web’s largest Jack The Ripper public archive www.casebook.org

”Kim Farnell has done devotees of gaslight and mediums a service in bringing Mabel’s world back to life.” Gary Lachman – The Independent On Sunday.
Gary Lachman’s works include:Turn Off Your Mind -The Mystic Sixties and The Dark Side of The Age of Aquarius (Sidgwick & Jackson) and The Dedalus Occult Reader: The Garden of Hermetic Dreams (Dedalus).

MYSTICAL VAMPIRE
The characters:
*Mabel Collins, Theosophist, novelist, fashion columnist, journalist and anti-vivisection campaigner
*Madame Blavatsky the extraordinary and highly influential Russian occultist and author, and other eminent members of her Theosophical Society
*Annie Besant, social reformer and Theosophist
*Robert Donston Stephenson, a suspect for Jack the Ripper and Mabel’s lover
*Frances Power Cobbe, social reformer, suffragist and anti-vivisection campaigner
*Charlotte Despard, social reformer, and anti-vivisection campaigner

Mabel Collins was an independent woman in the oppressive Victorian climate. She wrote many novels, but most will remember Mabel Collins, for her best selling mystical text Light On The Path published by the Theosophical Society. After her fall out with Madame Blavatsky,she carried on with her life as an esotericist, traveller and writer. She was moved by the plight and suffering of helpless creatures and became a campaigner for the abolition of vivisection.

Kim Farnell

Kim Farnell is a professional astrologer, writer and biographer. She provides a range of services through her own consultancy and can be contacted via her personal website www.kimfarnell.co.uk

Kim Farnell is also a popular lecturer and a contributor to the scholarly journal Theosophical History founded by Leslie Price and edited by Professor James Santucci. Ms Farnell’s previous works include a biography of the influential esoteric astrologer Sepharial.

Philip H Farber



Philip H. Farber is a writer, hypnotist, NLP trainer, ritualist, and consciousness explorer. He is best known for his book on ritual magick, Future Ritual: Magick for the 21st Century and as the creator of Meta-Magick, a system of practice combining elements of magick, NLP, hypnosis, and more.

For news, events, seminars, workshops and online courses, please check out

Phil Farber’s Meta-Magick website
www.meta-magick.com

and also Hawk Ridge Productions
www.hawkridgeproductions.com

Books of The Beast

Timothy d’Arch Smith

 


The Books of The Beast
Timothy d’Arch Smith
Format: Softcover
ISBN 9781869928179
£15.00 / US$22.00
Subjects: Aleister Crowley/Crowleyiana/Publishing History/Antiquarian Books/Occult.

USA & AUS $22.00

UK £15.00

Click HERE for Kindle USA edition

Click HERE for Kindle UK edition

Timothy d’Arch Smith is a well-known bibliographer, reviewer and antiquarian bookseller with a special interest in the by-ways of literature, notably the occult and the curious.

For Aleister Crowley a book was a talisman and their every part right down to colour, dimension, and price was symbolic. He also used magical techniques to gain literary success–thus new editions of Crowley’s writing multiply daily, tantalizing the bibliographer. All the more indispensable is this authoritative guide to his magical first editions.

Timothy d’Arch Smith, widely acknowledged as a leading expert on Crowley and on underground literature, offers several shorter articles on:
*Oxford’s demonologist Montague Summers;
*R A Caton and his Fortune Press;
*Sexual prophet Ralph Chubb;
*Florence Farr;
*The British Library Private Case;
*and Timothy d’Arch Smith.
*For this new edition, he also adds an extra chapter on Crowley.

REVIEWS

”…one could hardly wish for a more stimulating guide…” –The London Magazine

”One of the more immediately striking things about the book is its gentle humour.”- Time Out


The Books of The Beast. Timothy d’Arch Smith. (Mandrake).
The author of this collection of studies of twentieth-century occultists is a well-known antiquarian bookseller, bibliographer and reviewer with a life-long interest in esoterica and erotica. This collection has a bibliography of Crowley that gives the book its title and biographies of the Roman Catholic priest, playwright, schoolmaster, collector of homoerotic pornography, demonologist and closet Satanist, Montague Summers, the eccentric R.A. Caton, who shared Summer’s interest in young boys and was briefly his publisher, Ralph Chubb, writer, artist and pederast who tried to create a new religion based on the worship of a boy-god, and pioneering female occultist Florence Farr of The Hermetic Order of The Golden Dawn. There is also an account of Crowley’s disguised appearance as a character in Anthony Powell’s famous novel A Dance to the Music of Time (1951), one of many he made in fictional works, and a description of the private collection of erotica in the British Library. The book concludes with a fascinating autobiographical epilogue on the author’s adventures in the London occult scene of the 1950s and 1960s. These feature Michael Houghton from the Atlantis Bookshop (compared by the author to Grumpy in Walt Disney’s Snow White and The Seven Dwarfs because of his stature and demeanour!), Crowley’s forgotten biographer and cricket fan Charles Richard Cammel, who died during a Test Match at the Oval (what a way to go!), the writer and biographer Jean Overton Fuller, the Beatles (who attended a witchcraft exhibition organised by the author), and Crowley follower Jimmy Page of Led Zeppelin. Highly recommended.
The Cauldron # 136, May 2010.

Timothy d’Arch Smith

Timothy d’Arch Smith is a well-known bibliographer, reviewer and antiquarian bookseller with a special interest in the by-ways of literature, notably the occult and the curious.

For Aleister Crowley a book was a talisman and their every part right down to colour, dimension, and price was symbolic. He also used magical techniques to gain literary success–thus new editions of Crowley’s writing multiply daily, tantalizing the bibliographer. All the more indispensable is this authoritative guide to his magical first editions.

Timothy d’Arch Smith, widely acknowledged as a leading expert on Crowley and on underground literature, offers several shorter articles on:

*Oxford’s demonologist Montague Summers;
*R A Caton and his Fortune Press;
*Sexual prophet Ralph Chubb;
*Florence Farr;
*The British Library Private Case;
*and Timothy d’Arch Smith.
*For this new edition, he also adds an extra chapter on Crowley.

Nadia Choucha

Cefalu

Nadia Choucha grew up in the Middle East and Scotland, and has a degree in History of Art from Edinburgh University and a master’s degree in Digital Humanities from King’s College, University of London. She lives in London where she currently works as an editor and digital strategist for an academic research organisation.

© Carl Holmes

Kaos Hieroglyphica

Anton Channing


Kaos Hieroglyphica
Anton Channing
Format: Hardback Case Laminated.
ISBN:
£19.99/US$35
Subjects: Chaos Magick


‘Mr Channing plays Trotsky to my Lenin, and Luther to the most holy of Chaos Orthodoxies.’ – Pete Carroll

In the year 1564, Dr John Dee published his work, Monas Hieroglyphica. Its central symbol represented the unity which was the gnosis of the monotheistic aeon.

Now over four hundred years later, Anton Channing has published his long awaited debut work Kaos Hieroglyphica, within which he expounds a new symbol, the Kaos Hieroglyph. This symbol represents the plurality and freedom of the New Aeon. This work of magical alchemy draws on such diverse material as Thelema, the Chaos Current, the Maat Current, Timothy Leary, Witchcraft, Paganism, the Hermetic Tradition, Taoism, Shamanism and the author’s own Pineal Gland.

The Kaos Hieroglyphica offers the reader interpretations of Hermetic symbolism in a way that is both insightful and relevant to New Aeon Magic.

Contents
Forward by Jaq D Hawkins
0. Introduction
1. The Cybermorphic Kaosphere System
2. Pure Magick
3. Duality
4. Elemental Magick
5. The Eight Colours of Magick
6. The Kaos Hieroglyph
Appendix A – Aeonics
Appendix B – Eight Circuit Model
Appendix C – Training Programme
Appendix D – Divination
Appendix E – Kaobala

Peter J Carroll. December ’04:
Infamy! Infamy! Anton has surely got it in for me, in these two hundred pages of relentless revisionism. Here we see heresy of the most outrageous kind, Mr Channing plays Trotsky to my Lenin, and Luther to the most holy of Chaos Orthodoxies.

Methinks I may excommunicate him with extreme prejudice for revealing the secret asymmetries and imbalances in my Eight Magics which have propelled me to global notoriety, undeserved riches, and domination of the metaphysical realms.

May Baphomet dam his loins and may Eris make his balls explode, for he hath proposed a counter-reformation back into the antique concepts of soul, ‘being’, and symbo-realism.

He even proposes, and mark this, an alternative order completely lacking even the most basic dominance hierarchy, terrible secrets, and bloodcurdling initiation rites, yet he seems such a reasonable guy.

I have arranged to have a drink with him to see where it all went new-age shaped.

In the meantime read the book, I found it both provocative and entertaining but I have to warn you about the shockingly high ‘is’ count. That in itself provides a key to the symbolistic conceptual style of the author.

Anton Channing

Anton Channing has practised meditation from 1985, began psychic training and tarot in 1990, converted from Catholicism for Paganism and Magick in 1992 and underwent simultaneous training in Natural Magic and Chaos Magic with two different groups from 1996. In late 2000 he wrote the manifesto for the Kaotic Illuminated Adepts, which was officially launched in early 2001.

In 2003 his book Kaos Hieroglyphica was published. Leaving Chaos Magic behind, but still greatly influenced by sorcerers such as Austin Osman Spare he formed a new group from the old KIA, which he called the KIA Illuminated Adepts. Like the orginal KIA this is a non hierarchical networking organisation rather than a magical order.

Peter J. Carroll

Peter J. Carroll is one of the founders of The Magical Pact of The Illuminates of Thanateros (IOT) which he led for a decade. He has spent thirty-seven years in research and experiment and is the author of four other books; Liber Null & Psychonaut, Liber Kaos: The Psychonomicon, Psybermagic, and The Apophenion.

Peter J. Carroll Specularium website www.specularium.org

Merlin’s Mound

Nigel Bryant
(Magical Fiction)
(Arthurian Myths & Legends)

Merlin’s Mound
Nigel Bryant
Format: Softcover
£10.00/US$15.00
Subjects: Magical Fiction/Grail & Arthurian Myths & Legends/Spirituality.

UK edition

USA edition

“a wonderful book… in the same category as Alan Garner and Susan Cooper” Professor Ronald Hutton

‘This boy’s stupendous! He can see the past and see the gods. He’s seen the Lady of the Lake!’

A colossal Stone Age mound in Wiltshire is the legendary burial place of Merlin. When Jo’s father begins to excavate, Jo himself is drawn into an extraordinary adventure that unearths the mound’s true secret. It’s up to him to reveal it before it’s destroyed. And time is short.

‘A week ago he’d have laughed at this. Now he’s on the edge of a whole new world.’

This is a story for everyone with a taste for myth, visions and another reality…

About the book:
The Stone Age monuments at Avebury in Wiltshire are world-famous, attracting thousands of visitors each year. Two of the most dramatic are the enormous burial chamber known as the West Kennet Long Barrow, and Silbury Hill, the largest man-made mound in Europe. Less well known is Silbury’s “sister” mound at Marlborough a few miles due east, but this is nothing less than the legendary burial place of Merlin.

These extraordinary sites are the key locations of the novel Merlin’s Mound, in which an adolescent is awakened in startling fashion to their meaning and original purpose. It will appeal to everyone from the protagonist’s age upward with a taste for myth, legend and visions [Marlborough is surely the only town in Britain with an Arthurian motto – WHERE NOW ARE THE BONES OF WISE MERLIN – and Merlin’s Mound will appropriately be published on June 20th 2004, the 800th anniversary of the granting of Marlborough’s charter by King John who, as it happens, makes a crucial appearance in the novel…]

REVIEWS

From Dragon’s Wood Magazine:
‘Meet Joel (Jo). He’s a nice lad. He likes football, he misses his mother (who is no longer with his dad), and he has the misfortune to have an obsessive and arrogant archaeologist for his father. Jo’s dad takes him on a dig in Marlborough Wiltshire to excavate what is locally known been as Merlin’s mound. Jo really doesn’t want to be there, he would rather be watching football or playing computer games. Indeed he calls Silbury Hill ‘another pile of prehistoric pointlessness’. Jo’s relationship with his father is fraught at best and certainly not helped by some of the comments his father makes to his son.

Things start to happen…

Jo meets Dag, Gareth and Mort, three enigmatic characters who will play an interesting role as the story unfolds. Joe starts to realise that things are happening, things that he has no explanation for, things that will cause him to question and wonder. As time goes on Jo is more and more against the excavation of the Mound. He ‘knows’ that below the ground something or someone is still in residence. Is it Merlin? His father is convinced that the Marlborough site is a burial mound of someone pretty special and that somewhere in the mound four and a half thousand-year-old treasure is waiting for him to get his grasping hands on. He doesn’t subscribe to the Merlin theory however. Jo on the other hand becomes more and more convinced that digging the mound is the wrong thing to do. It becomes his mission to reveal the true secret of the site and time is running out. What is that secret and ce of will Jo succeed?

Published by Mandrake of Oxford, Merlin’s Mound is listed on their website under the ‘young fiction’ genre. Certainly the content of this book will appeal to teenagers. However that should not deter older readers. I found this both entertaining and interesting and certainly some light relief from all those other heavy books we pagans tend to read.

The author Nigel Bryant, whose involvement with Arthurian matters is long-standing and obvious from the way he writes, brings the reader a lively contemporary tale which often challenges our ideas on modern archaeology. I was left wondering whether or not digging up the past is always the right thing to do. This is the type of story that is great for us oldies to read on lazy summer afternoons in the back garden. Youngsters will no doubt identify with the often anxed adolescent that Jo is and I highly recommend it to anyone from about 15 years old. ‘

More reviews

Druid Network:
This is a book aimed at a ‘teenage’ audience, and it’s easy to see the central character appealing to many a surly teenager! But this the tale of a special teenager with special gifts, which link everyday events and archaeology – the never ending search for scientific ‘truth’ and knowledge – to the sacred within and around us all, and to the sacred landscape of Wiltshire.

But it is a work that can be read and enjoyed by any age, the story a timeless tale, one that holds the reader spellbound, fully involved with events and engaged with the participants. The monuments of Avebury and Merlin’s Mount at Marlborough come alive on the pages, and the less well known mound of Merlins Mount is central to the whole story, as the title suggests!

The tale is well written and flows beautifully and evocatively, pulling the reader in and giving real involvement with what is happening, and how the mystery will unravel. Highly recommended.

NIGEL BRYANT v DAN BROWN
MERLIN’S MOUND author Nigel Bryant appeared on ITV’s much-publicised programme The Grail Trail (25.9.05) to attack the vision of the Holy Grail in Dan Brown’s THE DA VINCI CODE.

“It may seem strange,” he says, “that I laid into Brown for using the Grail as a symbol of the womb, of the sacred feminine, when that very thing is central to MERLIN’S MOUND. But the difference is that I’m using it knowingly as a symbol. And I don’t claim that MERLIN’S MOUND is anything more (or less) than a story.”

“The trouble with Brown’s book is that it’s a prime example of a dire new literary genre of pseudo-fact. Unfortunately, in THE DA VINCI CODE Dan Brown has swallowed hook, line and sinker the central thesis of a best-seller of two decades ago – The Holy Blood and the Holy Grail – which can be demolished in 30 seconds. ”

“The theory depends entirely on a mistake caused by astonishingly sloppy scholarship. The play on words by which the SANGREAL (the Holy Grail) is supposedly a code for SANG-REAL (‘royal blood’) – leading on to the hilarious notion (after all, let’s just stop and think about it for a second) that a child born of Jesus and Mary Magdalene was the start of a bloodline which kept going in secret for 2,000 years – simply doesn’t work. Dan Brown lists a series of ‘facts’ at the start of his book; well here’s a fact he doesn’t mention: the spelling SANGREAL doesn’t exist in any French work. It’s a pun that works only in French, but no French writer ever used it. In French it’s invariably written SAINT GRAAL. The only person who ever did write SANGREAL was the 15th-century Englishman John Hardyng whose French wasn’t very good, so he heard ‘saint graal’, didn’t know how to spell it, had a guess and wrote ‘sangreal’. And on that simple mistake, almost akin to a typing error, is the whole wild theory based.”

“I’ve no problem with it, actually – the Mary Magdalene / bloodline of Christ idea’s a fun story – but claiming it (and other supposed ‘facts’ in Dan Brown’s book) to be ‘true’ is sad in the extreme. We’ve got to be able to distinguish fact from fiction. Pseudo-fact does no favours either for fiction or for history or, for that matter, for the world of symbols.”

“I’m seriously interested in the medieval Grail stories – hence my book The Legend of the Grail [Boydell & Brewer, 2004], which brings together the eight great French grail romances of the 12th and 13th centuries and creates from them a single, coherent narrative. Womb imagery is nowhere to be seen. But that doesn’t mean I can’t use the Grail’s potential symbolism and work it into a story of the sacred feminine in MERLIN’S MOUND. But I’m not going to do a Dan Brown and claim it to be ‘true’ in the sense of being a ‘fact’. Let’s all grow up a bit. The Grail doesn’t exist and never did. But it’s there even though it’s not there. It’s absolutely ‘true’, profoundly ‘true’, when you take it as a symbol.”

Nigel Bryant

Nigel Bryant’s involvement with Arthurian matters is long-standing. As theatre director and radio drama producer he has worked on Arthur-related plays and series by writers including C.S.Lewis, Rosemary Sutcliff, Susan Cooper and Kevin Crossley-Holland, and as a translator he has published modern English versions of The High Book of the Grail (Perlesvaus), the Perceval of Chrétien de Troyes and its Continuations, Robert de Boron’s Merlin and the Grail and a new compilation of the medieval French romances, The Legend of the Grail: Nigel Bryant versus Dan Brown.

Gateway to Hell

Margaret Bingley
(Occult Fiction) (Occult Thriller)


Click here for Kindle UK Edition

Click here for Kindle USA Edition


Gateway to Hell
Margaret Bingley
Format: Softcover
ISBN:
£9.99/US$18
Subjects: Occult Fiction/Egyptian Magick.


Child psychologist Nicola Grainger and her husband Howard have chosen to remain childless, but when Nicola’s sister and her husband are killed in a car accident in Egypt, Nicola feels duty bound to offer their young twin sons a home.

After their arrival, it quickly becomes clear that their upbringing in Egypt, their father’s country, has left them spoiled and difficult to handle. They also have the disconcerting ability to finish each other’s sentences and constantly answer to each other’s names. At times Nicola feels that they’re not two children at all, but in fact represent different aspects of one child.

As a child psychologist, Nicola knows that the boys need time to adjust to their new life, but she has failed to understand their ability to read the minds of people around them, playing on their most terrifying subconscious fears with horrific results.


In addition to these problems, Nicola finds that she is having to cope with the boys’ attachment to the handsome Sergei, a friend of their father’s in Egypt, who visits them regularly to provide a much needed link between their past life and their new one. Only Sergei truly understands these children, and only Sergei knows the truth about their past and what the future holds for them. As he draws Nicola into his magnetic web she is literally unable to get him out of her mind. To the astonishment of everyone, including herself, she abandons Howard and travels to Egypt with Sergei and her nephews. Once there, she is plunged into a world of dark eroticism and looming evil – the hidden, gaping gateway to hell.

John Barber

 

John Barber is a researcher and prolific writer. His popular and informative website, www.johnbarber.com features excellent articles on the socio-cultural history of Britain and its great metropolis London, interviews, bibliography, as well as showcasing a collection of absorbing murder mystery novels.

FIRECHILD

The Life and Magic of Maxine Sanders “Witch Queen”
Maxine Sanders
OUT OF PRINT

Out Of Print

Firechild
The Life & Magic of Maxine Sanders ‘Witch Queen’
Maxine Sanders


FIRECHILD. One of the world’s most influential and respected witches, Maxine Sanders first caught worldwide public attention while married to the celebrated – and controversial – ‘King of the Witches’, Alex Sanders.

A highly respected priestess of the Sacred Mysteries, in her role of teacher she has encouraged, enabled and inspired students of the priesthood to take on the conscious mantle of their spiritual potential.

In this long awaited autobiography Maxine reflects on her life and magical experiences spanning modern witchcraft, wicca, paganism, Gods and Goddesses, seasonal rituals, sabbats, ceremonial magic, kabbalah and the sacred magic of the angels.

This is a unique, poignant and often humorous memoir of an extraordinary life, by a rare, courageous and inspiring woman.

The Sanders were leading figures of the 1960s occult revival, popularising their own tradition widely known as Alexandrian witchcraft.

Alex and Maxine were much sought after teachers of the Arts Magical and initiated many spiritual aspirants into the Mysteries, when the Craft was still secretive and difficult to access for those seeking initiation.

Here many of the rumours regarding Alex and Maxine are either confirmed, verified and clarified, or denied; the real facts being far more interesting and humorous than hearsay.

”This is one of the most important books ever published on modern paganism: a full and candid autobiography by one of its most influential, and charismatic figures.”
Professor Ronald Hutton – Author of The Triumph of the Moon
(Oxford University Press)

Maxine Sanders official website maxinesanders.co.uk

Christopher Todd

Christopher Todd is a Solitary Witch who specialises in religious and historical writing, especially regarding magical traditions.

“As a young boy, I was always interested in religions and magical traditions and I practised magic from a very young age. I was a Christian and an altar boy when I was very young but always felt more drawn to Witchcraft and spellcraft as I secretly practised them alone in my private time. All my experience and knowledge compelled me to write my Witchcraft book in later life.”

“Witchcraft is for me largely the religious and spiritual side of my life, whereas magic is something I utilise to enhance my life and achieve my goals.”

Bull of Ombos

Set and Egyptian Magick II
Mogg Morgan

The Bull of Ombos
Set & Egyptian Magick II
Mogg Morgan
Format: Softcover
ISBN: 9781869928872 (2005) 360pp
£15.00 / US$24.00
Subjects: Egyptian Magick.

Click Here For The Bull of Ombos / USA

Click Here For The Bull of Ombos / UK

Click Here for Kindle edition / USA

Click Here for Kindle edition / UK

Naqada is a sleepy little town in Upper Egypt, that gives its name to a crucial period in the prehistory of Egypt. In 1895, William Matthew Flinders Petrie, the ‘father’ of Egyptian archaeology, stumbled upon a necropolis, belonging to a very ancient city of several thousand inhabitants. With Petrie’s usual luck, he’d made yet another archaeological find of seismic proportions – not just an ancient city a quarter the size of Ur in Mesopotamia, a rare enough find, but the capital of the earliest state established in Egypt! Petrie’s fateful walk through the desert led him to a lost city, known to the Greeks as Ombos, the Citadel of Seth. Seth, the Hidden God, once ruled in this ancient place before it was abandoned to the sands of the desert. All this forbidden knowledge was quickly reburied in academic libraries, where its stunning magical secrets had lain, largely unrevealed, for more than a century – until now.

This book is for all Egyptophiles as well as anyone with an interest in the archaic roots of magick and the sabbatic craft.

Contents: Gold in the desert / Sethians and Osirians compared / Cannibalism /Temple of Seth / Seth’s Town / Seth as Bull of Ombos / Hathor / The names of Seth / Animals of Seth / Seth – the red ochre god / Seth and Horus / Opening the mouth / Seven / The Boat / Heka & Hekau / Magical activities / Cakes of Light / Magick as use and misuse of the funeral rite / Re-emergence of the Hidden God / Five useful Appendices / Extended bibliography /Glossary

—–
Reviews

“The Bull of Ombos is an important and ground-breaking work. The figure of Set(h) has been of significance within Western magic for quite some time, even if he (it?) has appeared as the more controversial form of Satan. While the Temple of Set and The Storm have pioneered research into Sethian magick, the works of Mogg Morgan stand alone as major contributions to this field. What I find most unique is that they combine the fastidiousness of an Egyptologist with the experience of a modern occultist. Certainly Morgan knows his stuff, from Tantra to the modern O.T.O. from pagan and Left Hand Path magick to the Golden Dawn and traditional folklore and customs, but at the same time he approaches the subject cautiously and with the skills of a scholar even a folklorist.

What he offers in this work is what could be best described as a reconstruction of pre-dynastic Egyptian Sethian beliefs and practices . . . While Petrie’s discovery was of great significance he really didn’t appreciate nor understand it. Due to the unique practices of the “Sethians” he came to conclude they weren’t even Egyptians and hence saw them as some sort of foreign invaders. Due to this and the general ambivalence of Egyptologists to the figure of Seth, Petrie’s work in this field has remained largely untapped by later Egyptologists.

Morgan appreciating the significance of this unique resource with the eyes of a scholar as well as a magician has given us a glimpse of what the worshippers of Seth may have believed and praised. Moreover he shows the significance of these within a modern occult system, in his early work Tankhem: Seth & Egyptian Magick, he discussed how this system may have been originally Tantric in nature and its modern application. His research on the animals of Seth, images and names related to Seth, archaeological finds etc is extremely comprehensive and offers extensive clues which will take many years to fully explore and comprehend.

In Bull of Ombos: Seth and Egyptian Magick Voll II, he gives us quite an extensive intellectual framework for Sethian magick (including lots of source materials and some 78 illustrations) as well as giving us a means to bring the magick of Seth into our lives today. Living Traditions, Australia.

Recommended by The Cauldron #119

”I also want to personally thank you for your work . . . you have contributed to my practice and to my Coven’s rituals.’ – www.cotw.us, a teaching Coven, Denver, Colorado, USA.

Review in ASHÉ
“The publication of a book devoted to the Egyptian deity Seth (aka Set) is a rare enough event even in the rarified halls of academia. The publication of a modern magickal text focusing on Seth is even rarer. Despite the important role Seth played in the history of magick–his frequent appearances in the magical papyri of the Hermetic period–few modern texts have taken a serious look at the enigmatic god. This is not all too surprising, given the short-shrift and a good dose of bad PR both in antiquity and also in the Victorian mis-interpretations of the early Egyptologists. Two other modern texts come immediately to mind: Don Webb’s short treatise Seven Faces of Darkness and Mr. Morgan’s earlier work Tankhem. Mr. Morgan is an amateur Egyptologist who has long maintained and interest in the maligned figure of Seth. The Bull of Ombos begins with the 19th century discovery of an ancient city near Naqada, Egypt. The city proved to be the capital of the earliest Egyptian state. The lost city was known to the Greeks as Ombos, the Citadel of Seth. Once ruled by the Hidden God the site had been left to be swallowed by the sands of the desert–the image of the god transformed through later layers of Egyptian power and politics. As Mr. Morgan notes that most of the knowledge discovered at Ombos was quickly reburied in academic libraries. Bull of Ombos delves into these forbidden areas. Mr. Morgan painstakingly puts together the intricacies of early Sethian worship and the roll the god played in the Egyptians’ daily lives. He does not shy away from analyzing the more disturbing suggestions of previous archeological conclusions–even hints of cannibalism. From the scant clues available, the author has produced a detailed and intricate portrait of Seth that is at the same time very applicable to the modern Sethian. Mr. Morgan also provides retellings of the key Seth-related stories as appendix material–a welcome supplement to the text.”

Supernatural Assault in Ancient Egypt

(Also contains topics on Seth, Renpet & Moon Magick)
Mogg Morgan

Supernatural Assault in Ancient Egypt
Seth, Renpet & Moon Magick
Mogg Morgan
Format: Softcover
ISBN: 978-1-906958-32-9 (2011) 190pp
£15.00/ US$24.00
Subjects: Egyptian Magick.

Click Here for Supernatural Assault in Ancient Egypt / USA & AUS

Click Here for Supernatural Assault in Ancient Egypt /UK

Click Here for Kindle edition 

You’re in your bed. It’s dark, you hear footsteps coming up the stairs and into your room. There’s someone there – a presence. They lie on you or beside you, gripping you tightly, crushing you into the bed. You can’t move. There may be a sound, a grunt or a strange smell. Time passes, and you are paralysed with fear. Eventually, the entity changes, expanding or contracting, moving away from you, sinking to the floor. With a great effort of will, you manage to move the tip of your finger, then the hand until movement returns to your whole body and the experience ends. You have been visited by the old ‘hag’.

Dreams, the real theatre or perhaps battlefield of magick are influenced by cosmic tides that ebb and flow through us as they did the ancient Egyptians.


Contents: Kiss of the Vampire / Origin of the Vampire Myth / Egyptian Psychology / Lucky and Unlucky / Supernatural Assault/

Katon Shual

mogg

Katon Shual: pagan, researcher, author and sometime poet with an interest in folklore and sexual gnosticism. Sexual Magick, regarded by many as an innovative, compassionate approach to the subject of sexual gnosticism, is his only published monograph.

Mogg Morgan

I work for innovative ‘new edge’ publisher Mandrake of Oxford, recently described as a ‘respected literary catalyst’, and responsible for the discovery of many new authors, including his friend and onetime mentor Jan Fries.

I regard myself as a practitioner-cum-scholar of all aspects of occultism. I was a Wellcome research student at Oxford, where my teacher was the late Professor B K Matilal, a widely respected expert on South Asian thought. Over the years I have been exploring the connections between the popular magick of ancient Egypt and its continuation/crossover with the living magical traditions of the middle East, and the Kaula/witchcraft of south Asia and beyond

I have a particular interest in divination, dream interpretation and oracles. I’ve experimented widely in using some ancient oracles to address modern queries. Consequently I do sometimes prepare “horoscopes” in the original and authentic Egyptian manner. I also use dice oracles based on Greco-Egyptian and Tantrik sources. I interpret dreams and other omens. My direct email (mandox2000[@]yahoo.com)

Books, Ebooks, Bonus Essays, Lectures, Misc

Isis, Goddess of Egypt & India, ISBN: 978-1-906958-71-8, £17.99/$25, (2016) 256pp

Tankhem: Seth & Egyptian Magick I, ISBN: 1869928865 (2005) 234pp

The Bull of Ombos: Set & Egyptian Magick II, ISBN: 9781869928872 (2005) 360pp

Supernatural Assault in Ancient Egypt: Seth, Renpet & Moon Magick, ISBN: 978-1-906958-32-9 (2011) 190pp

The Ritual Year in Ancient Egypt: Lunar and Solar Calendars and Liturgy, ISBN: 9781906958138 (2011) 272pp

Phi-Neter: The Power of The Egyptian Gods, ISBN: 978-1-906958-56-5. (2014) 228 pp.

Seth & The Two Ways: Ways of seeing the demon god of Egypt, ISBN: 9781906958831, (2019) 300pp

Also:

Tantra Sadhana: A practical introduction to Kaula Magick Mogg Morgan (Sahajanath) (AMOOKOS) ISBN: 978-1869928-421 (2008) 180pp 

Ayurveda: Medicine of the Gods, Basic Principles of Ayurvedic Medicine,
ISBN: 1869928377 (2002, 2020) 148pp

Sexual Magick: Secrets of Sexual Gnosis in Western Magick, ISBN: 978-1-906958-48-0, (2012) 186pp
Fiction
Pan’s Road : An Ancient Egyptian Adventure,
ISBN: 1869928-89x, (2006) £9.99/US$20, 234 pp 

The English Mahatma: An Indian Adventure
Isbn 1869928458 (2001) 186pp

Forthcoming

The Demonic Calendar of Ancient Egypt

 

Lectures & Podcasts (available for booking)

Discussion of Egyptian Magick Podcast (click on link)

Seething & Seidr (workshop)

Sexuality & Magick

Write & Find Ecstasy in writing: occult writing after the Witchcraft Act

Art & the Occult

Cult of the Hidden God

Egyptian Magick – General Introduction

Isis In India

Lunar Mysteries of Seth

Seth: personification of evil?
Abstract:

Contemporary magical practitioners have always been interested in the ‘problem of evil’ – the nature of good and bad action. Take for example Helena Blavatsky’s statement – ‘demon est deus inversus’ to be found in her highly influential and monument work ‘The Secret Doctrine’ (1888:1.411). This was later adopted by the poet W B Yeats as his magical motto in the Hermetic Order of the Golden Dawn. Most practitioners believe that the ancient Egyptian god Seth is the prototype for the contemporary archetype of Lucifer, Satan or the Devil. I want to take a brief look, in context, at the famous image of Seth deriding Apophis, (the demonic / chaotic serpent of ‘non-being’) as a leitmotiv for the nature or ‘personification’ of evil in ancient thought.

View a short film on Typhonian Magick:



Spencer Kansa

Spencer has written for a wide variety of publications including Hustler, Mojo, Erotic Review, Vox, Headpress, Hip Hop Connection and the NME. He is the author of Wormwood Star, a biography of the American artist and occult icon Marjorie Cameron (Mandrake of Oxford). His debut novella, Zoning, is published by Beatdom Books. His interviews with literary legends William Burroughs, Allen Ginsberg, Paul Bowles and Herbert Huncke feature in Joe Ambrose’s book Chelsea Hotel Manhattan. His latest work, Out There, is a biography of Burt Shonberg, L.A.’s greatest lost artist/muralist (Mandrake of Oxford).

For more info: www.spencerkansa.com

Read Spencer Kansa Zoning with The Beats
blues.gr/profiles/blogs/writer-musician-spencer-kansa-talks-about-burroughs-paul-bowles

Read Spencer Kansa’s feature on David Sylvian on Dangerous Minds website
www.dangerousminds.net/comments/david_sylvian_sleepwalkers/

All Material on this page copyright © Spencer Kansa

Charlotte Rodgers

Charlotte Rodgers was born in New Zealand, received the PEN international young writers award for 1983 and after many years of travel, fast living and dodgy magick, now leads a life of quiet eccentricity commuting between England and Asia. She creates, exhibits, and occasionally sells art made from road kill and has had articles published in many magazines.
Charlotte Rodgers website www.perdurabu.com

Read an interview with Charlotte Rodgers on The Blog of Baphomet theblogofbaphomet.com/2017/02/20/an-audience-with-charlotte-rodgers/

Listen to Gordon White ”Talking Animism and Place with Charlotte Rodgers”
www.youtube.com/watch?v=7eh63XVJJvo

‘Charlotte at Play’. A film by Sean Kissling
www.youtube.com/watch?v=1bUx5u7b0DA

Vincent Ongkowidjojo

vincent_DOV3
Photo by Astrid Grunwald

Vincent Ongkowidjojo has been a long time student of Freya Aswynn and currently co-manages Freya’s School of Runes and Northern Mysteries. His vision is rooted in Western and Eastern esoteric philosophies. He practices and teaches Taiji and meditation. Vincent earlier published Secrets of Asgard, and Runen in de Noordse Traditie.

He graduated as a master in Assyriology, having studied both Ancient Hebrew and Aramaic. Visit Vincent’s website for latest updates on talks, courses and workshops in the UK, Belgium and the Netherlands.

www.alhaz.be

And read these short essays on scribd reading site:
Some supplementary essays on Norse mythology on scribd.

Nicholaj de Mattos Frisvold

Nicholaj de Mattos Frisvold is an anthropologist and psychologist with an inclination towards the metaphysics of faiths and cults of a traditional pedigree. He is a specialist in the works of Marsilio Ficino and is a practicing traditional astrologer. He has been deeply involved in the occult world with its orders and sodalities since the late 1980s. Since the turn of this millennium he discarded most modern occultism in favour of a focus on traditional forms of cult and faith, European and African. His involvement with Traditional Witchcraft leads to this presentation of Craft themes He is a sworn Brother of The Clan of Tubal Cain and Magister of the Lilium Umbrae Cuveen, its kinship group in the southern hemisphere.

Nick Farrell

nick-farrell

Nick Farrell was born in the UK and raised in New Zealand. At the age of four he suffered from a series of night-time terrors. He saw things that were particularly frightening. He knew they were not dreams but they appeared real. These visions lasted until he was 17 when he bought his first set of Tarot cards and suddenly found himself in a Golden Dawn offshoot called Builders of the Adytum. Nick started to read everything he could find on the Golden Dawn and Magic.

 
Nick moved to Hawkes Bay where he hooked up with the former members of the last surviving temple of the Golden Dawn, Whare Ra. In particular he joined the Order of the Table Round which was a side order of the now defunct Whare Ra temple. The head of the order was Percy Wilkinson who, along with Jack Taylor, had implanted the Golden Dawn’s initiatory formula over the top of the original ritual. Percy and a few of the other elderly Golden Dawn adepts shared a lot of ideas with Nick who at the time was not really that interested in the Golden Dawn and had signed up to join Dolores Ashcroft-Nowicki’s Servants of the Light School. Nick moved to the UK to take part in practical work of the SOL and found himself being trained by David Goddard.

 
In 1997, Nick visited the US where he carried out a few workshops and renewed his friendship with Chic and Tabatha Cicero and joined the Hermetic Order of the Golden Dawn forming a Temple of that Group in Nottingham. Around that time Nick wrote his first book Making Talismans which has turned out to be an esoteric classic. He moved to Sofia in Bulgaria where he wrote Magical Pathworking, The Druidic Order of Pendragon (with Colin Robertson), Gathering the Magic and Egyptian Shaman. He also began to work with the artist Harry Wendrich and his wife Nicola Golden Dawn Temple Tarot deck which is soon to be released.

 
In 2007 he wrote his first novel “When a Tree Falls“, which is an occult, fantasy based on his silly and at times black sense of humour. In 2008 he moved to Rome where he wrote two more books on the Golden Dawn “King over the Water” and “Mathers’ Last Secret“. Later that year he established the Magical Order of the Aurora Aurea which is a traditional Golden Dawn based order which already has five temples worldwide and a thriving correspondence course.During the day he makes money as a journalist for online technology magazines including Techeye and Fudzilla.

Tankhem

Seth & Egyptian Magick I
Mogg Morgan

Tankhem
Seth & Egyptian Magick I
Mogg Morgan
Format: Softcover
ISBN: 1869928865 (2005) 234pp
£15.00
/ US$24.00
Subjects: Egyptian Magick.

Click Here for Tankhem / USA

Click Here for Kindle edition / USA

Click Here for Tankhem / UK

Click Here for Kindle edition / UK



The Typhonian deity Seth was once worshipped in Ancient Egypt. Followers of later schools obliterated Seth’s monuments, demonised and neglected his cult. A possible starting point in the quest for the ‘hidden god’ is an examination of the life of Egyptian King Seti I (‘He of Seth’) also known as Sethos.

When looking for an astral temple that included all of the ancient Egyptian gods and goddesses, the temple of Seti I proved itself worthy of examination. Many secrets began to reveal themselves. The essence of the real philosophy of the Sethian and indeed what Satanism is, stems from the author’s astral wanderings in this temple.

The temple is a real place, and like any temple no part of its design is accidental. It is a record in stone and paint of the Egyptian wisdom. It also fits quite well with the Thelemic mythos and tells lots of interesting things about the ancient Seth cult – if you have the eye to see it.

 

Contents:

Prolegomena to Egyptian magick;

Setanism;

Tankhem;

Egyptian Magick and Tantra;

Sexual Magick;

Twenty Eight;

The Crooked Wand.

—–

Recommended by The Cauldron

THE VOICE OF THE STORM
“Considering how few modern metaphysical books are devoted to Sethian magic specifically, Storm initiates and other Sethians may find Morgan’s contribution to be of interest. Morgan also includes material relevant to the sexual mysticism of the left-hand path tradition which is relevant to the Storm’s transmission of the sinister current. Morgan’s approach is not in accordance with the purely religious vision of Seth that inspires the Storm movement (he seems to see Seth as a sort of Jungian archetype rather than a literal deity). Although we disagree with his connection of Seth to Satanism and Thelema, and some of his research in the book is dated (circa 1980s), many of Morgan’s insights and research concerning the historical cult of Seth will be illuminating to any reader interested in the Sethian phenomenon.’

SILVERSTAR
“A very personal exploration of the cult of the dark Egyptian god Set or Seth, covering ancient temples, tantrik and Crowleyan influences, sexual magick, sacred landscapes and astronomy, thought-forms, and the unjustly neglected work of the poet W.B. Yeats, who is seldom recognized as one of the most important and active members of the Golden Dawn. Mr. Morgan is an excellent example of how ancient magick can work for the modern individual: in exploring the past, you may find myths that resonate for you, that come alive in dreams and omens, appearing in unexpected synchronicities as you go through life. The Old Gods are not dead, they think we are. Mr. Morgan has also written several other works, including the thought-provoking Sexual Magick under the nom-de-plume Katon Shual.”

Gordon MacLellan

Gordon-01

Gordon MacLellan is a shaman, storyteller and artist whose work sets out to find ways of celebrating the relationships between people, place and wildlife. Gordon’s books include Talking to the Earth, Sacred Animals and Celebrating Nature (all with Capall Bann), StarMatter and the Piatkus Guide to Shamanism.

Susan Cross

Susan Cross is a poet, heritage and environmental interpretation consultant and occasional pirate. About a decade ago she realised that she has probably always been some kind of animist mystic and since then has endeavoured to make that a more conscious, clearer and brighter part of her life.

The Wanton Green
Edited by Gordon MacLellan
& Susan Cross

The Wanton Green
Edited by Gordon MacLellan & Susan Cross
Format: Softcover
ISBN:
£14.99 / US$23.00
Subjects: Contemporary Pagan Writings/Paganism/Spirituality.

Click Here for The Wanton Geen / USA

Click Here for The Wanton Green / UK

As our relationship with the world unravels and needs to take a new form, The Wanton Green presents a collection of inspiring, provoking and engaging essays by modern pagans about their own deep, passionate and wanton relationships with the Earth.

“Where do we locate the sacred? In a place, a meeting, memory, a momentary glimpse? The Wanton Green provides no easy answers and instead, offers a multitude of perspectives on how our relationships with the earth, the sacred, the world through which we move are forged and remade.” – Phil Hine.

About the editors:

Gordon MacLennan is a shaman, storyteller and artist whose work sets out to find ways of celebrating the relationships between people, place and wildlife. Gordon’s books include Talking to the Earth, Sacred Animals and Celebrating Nature (all with Capall Bann), StarMatter and the Piatkus Guide to Shamanism.

Susan Cross is a poet, heritage and environmental interpretation consultant and occasional pirate. About a decade ago she realised that she has probably always been some kind of animist mystic and since then has endeavoured to make that a more conscious, clearer and brighter part of her life.

The Wanton Green: Contemporary Pagan Writings On Place. Edited by Gordon MacLellan and Susan Cross (Mandrake). Since the 1970s modern forms of pagan witchcraft (Wicca) and the neo-pagan movement have defined themselves by an engagement and involvement with ecology, the environment and ‘green’ politics with their adherents claiming to be following a ‘nature religion’. This is a collection of essays on the genii loci, or ‘spirit of place’ in the natural world written by various Wiccans and neo-pagans including Shani Oates, Rufus Harrington, Emma Restall-Orr, Melissa Montgomery, Jan Fries, Julian Vayne, Barry Montgomery, Barry Paterson, Susan Greenwood, Mogg Morgan and others. The contents range from an experience of the faery folk in Devon to a psychogeographical guide to ‘occult London’. If you are interested in the non-traditional neo-pagan approach to nature and the environment then this book is recommended. – The Cauldron #144, May 2012.

Star Crossed Serpent I

Volume I
Origins: Evan John Jones 1966-1998
The Legend of Tubal Cain
Evan John Jones & Shani Oates

Click here for UK

Click here for USA 

NB: Free postage on all orders over £50/$75

The Star Crossed Serpent
Vol 1
Origins: Evan John Jones 1966-1998
The Legend of Tubal Cain
Evan John Jones & Shani Oates
Format: Hardback
ISBN:9781906958381
£25/US$32
Subjects: Cochranian Craft/Witchcraft/Magic/Occult.


Part One:


Dual-authorship of the Clan of Tubal Cain’s Legacy defining 50 years of its organic evolution. Originating from within an unpublished ms written by Evan John Jones, the former Magister of the Clan since Robert Cochrane’s death in 1966, it serves Testament to the Will of Fate and Tenacity of Spirit here expressed, from its inception under Robert Cochrane through Evan John Jones’ own record of the Clan’s beliefs and practises to those of the Current bearers of this mantle, depicting the interweaving of Wyrd in the vital process of its existence and continuity in Troth to its Tutelary Spirit: The Star Crossed Serpent.

Shani Oates

Shani Oates lives in Derbyshire (UK) where she is a devoted practitioner of the true art, a mystic, a pilgrim, artist, professional photographer and holistic therapist. She is also a life-long student and researcher of theology, philosophy and anthropology intrinsic to all praxes that engage the Mysteries proper. Providing valuable resources for her lectures at both moots and esoteric conferences, these disciplines serve to enrich her role and duties as the Maid of the Clan of Tubal Cain.

CLAN OF TUBAL CAIN WEBSITE www.clanoftubalcain.org.uk

As an author her published works are included within Hecate: Her Sacred Fires by Avalonia Press and other various popular pagan, folklore and occult publications for over a decade, including The Cauldron, Pendragon, The White Dragon, The Pentacle, The Hedge Wytch and The Wytch’s Standard. The second 2011 edition of Abraxas Occult Journal features her most recent contribution on the Mysteries. This, is her second book and she is currently busy on her fourth that continues to explore and explain the deeper aspects and histories of her Craft.

Tubelo’s Green Fire

Mythos, Ethos, Female, Male and Priestly Mysteries
of The Clan of Tubal Cain
Shani Oates

Tubelo’s Green Fire
Mythos, Ethos, Female, Male and Priestly Mysteries
of The Clan of Tubal Cain
Shani Oates
Format: Softcover
ISBN:
£15.00 / US$24.00
Subjects: Traditional Witchcraft.

Click here for Kindle Edition UK

Click here for Kindle Edition USA

Click here for UK

Click here for USA& AUS

This book explores historical and contemporary ideas of witchcraft through the perspective of the Clan of Tubal Cain a closed Initiatory group aligned to the Shadow Mysteries within the Luciferian stream. As students of arte we mediate the ancestral stream, teaching through practice with the sacred tenets of Truth, Love and Beauty. The Word is thus manifest in deed and vision.

“A driving thirst for knowledge is the forerunner of wisdom. Knowledge is a state that all organic life posesses, wisdom is the reward of the spirit, gained in the search for knowledge. Truth is variable – what is true now, will not be true tomorrow, since the temporal truths are dependent upon ethics and social mores – therefore wisdom is possibly eternal Truth, untouched by man’s condition. So we must come to the heart of the People, a belief that is based upon Eternity, and not upon social needs or pressures – the ‘witch’ belief then is concerned with wisdom, our true name, then is the wise people and wisdom is our aim.”
– Robert Cochrane (1931-1966)

Contents: Mythopoesis / Goda, the Clan of Tubal Cain and Robert Cochrane/ Hekate, Dark Mistress of the Soul/ The Wisdom of Courtly Love/Dance of the Seven Veils/ / Hand of Fatima / Sila na gigh /Dia de los Muertos / Abbots Bromley, the Wild Hunt and Saint Nick / Summer and Winter Customs / The Wild Hunt / Green Knight, Dark God of Light / The Fisher King: Gnostic Priest of the High Mysteries of the Graal / The Divine Duellists / Why Cranes? An Exploration into their Mythic Significance in / Legend and Lore/ The Fruit of Wisdom / Musings on the Sacred / The Mystery Tradition / A Man for all Seasons / The Three Rings of the Compass / Traditional Enigma / The Alchemy of the Compass / What is an Initiation?

Tubelo’s Green Fire: Mythos, Ethos, Female, Male and Priestly Mysteries of The Clan of Tubal Cain. Shani Oates (Mandrake).
According to the cover this book ‘explores historical and contemporary ideas of witchcraft through the perspective of the Clan of Tubal Cain – a closed initiatory group aligned to the Shadow Mysteries within the Luciferian stream.’ It is a collection of the writings of the present Maid of the Clan as published in various magazines such as The Cauldron, The Hedgewytch, White Dragon, Pendragon, The Witches Wynd, and The New Wiccan over the last ten years. Subjects covered include the dark goddess Hecate; The Wisdom of Courtly Love; The Dance of The Seven Veils; The Hand of Fatima; Abbots Bromley, The Wild Hunt and Old Nick; The Fisher King; Gawain and The Green Knight; The Three Rings of The Compass; The Alchemy of The Compass; and What is Initiation? Recommended.
The Cauldron #137, August 2010.

The Apophenion

A Chaos Magic Paradigm
Peter J. Carroll

The Apophenion
A Chaos Magic Paradigm
Peter J. Carroll
ISBN: 978-1869928650
Format: Softcover
£15.00 / US$24
Subjects: Chaos Magic

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From the Author

“My final Magnum Opus if its ideas remain unfalsified within my lifetime, otherwise its back to the drawing board.

Yet I’ve tried to keep it as short and simple as possible, it consists of eight fairly brief and terse chapters and five appendices. It attacks most of the great questions of being, free will, consciousness, meaning, the nature of mind, and humanity’s place in the cosmos, from a magical perspective.

Some of the conclusions seem to challenge many of the deeply held assumptions that our culture has taught us, so brace yourself for the paradigm crash and look for the jewels revealed in the wreckage.This book contains something to offend everyone; enough science to upset the magicians, enough magic to upset the scientists, and enough blasphemy to upset most trancendentalists.”

The Apophenion cover artwork by David Gough www.davidgoughart.com

”Apophenia is the experience of seeing meaningful patterns or connections in random or meaningless data. The term was coined in 1958 by Klaus Conrad,[1] who defined it as the “unmotivated seeing of connections” accompanied by a “specific experience of an abnormal meaningfulness”. Source Wikipedia

Praise for Peter J. Carroll’s works

“The most original, and probably the most important, writer on Magick since Aleister Crowley.” Robert Anton Wilson, author of the Cosmic Trigger trilogy.

“Magicians feared they had lost Him to the world of Theoretical Physics, but Zarathustra has come down from the mountain. The Apophenion is spoken – and proves the wait was worth it. Religion starts the hunt for Meaning, and with science Meaning is killed and served up as Truth. So we need magic, sowing the seeds of Meaning in everyday events, and we need art to cultivate them to public awareness. Thus does Apopheniareveal how to bring back meaning to our diminished lives.” Lionel Snell, Aka Ramsey Dukes, author of SSOTBME.

REVIEWS
THE APOPHENION
by Peter J. Carroll

“The most original, and probably the most important, writer on Magick since Aleister Crowley.”
             -Robert Anton Wilson, author of the Cosmic Trigger trilogy.

“Magicians feared they had lost Him to the world of Theoretical Physics, but Zarathustra has come down from the mountain. The Apophenion is spoken – and proves the wait was worth it. Religion starts the hunt for Meaning, and with science Meaning is killed and served up as Truth. So we need magic, sowing the seeds of Meaning in everyday events, and we need art to cultivate them to public awareness. Thus does Apophenia reveal how to bring back Meaning to our diminished lives.”
– Lionel Snell, author of SSOTBME.

‘Framed as the outpouring of insight generated by the novel Goddess ‘Apophenia’, Pete Carroll’s new work is a real gem. Coming from a science background, this is his attempt to create a falisfiable model of why the universe looks the way it does, and just why magick can operate successfully.

In the inimitable Carrollian style we have come to know and love, our author sets out to demolish the edifices of being, consciousness, causality, the big-bang and more. In toppling these ontological Titans Pete discovers a universe of panpsychism and intense meaning.

If nothing else this agrees with my own views and is therefore a Good Thing. Pursuing this process through the scientific style of exploration means that quantum physics, special relativity et al show up pretty frequently in the text. If you buy this book expecting lists of planetary correspondence and ritual-by-numbers instructions you’re going to be disappointed.

However this doesn’t mean that this is all physics and no esoterica. Rather the point is that the reading of the universe that the author presents is suffused with magick. (Nevertheless there are some reassuring illustrations of occult entities and one explicit ritual – a rather lovely evocation of the Goddess Apophenia herself).

My reaction in reading this book was one of excitement. The suggestions that Pete advances tickle the mind delightfully. Certainly this isn’t Liber Null. It’s not a manual of techniques but instead concentrates on theory, yet that doesn’t make for a dull read. The theorisation presented here can light the touch paper of a hundred disciplines: cosmology and magick for sure but also Fortean studies, ethnography and especially neuro-biology.

Algebra explodes across the appendices of the book scattering the non-mathematicians towards the Epilogue where things are nicely rounded off in laypersons terms. The truth may well be that we live in vorticitating hypersphere with three dimensional time that, as the author beautifully asserts, “…invites us to become apprentice gods.” The very fact that I can now say ‘vorticitating hypersphere’ and know what that means is a testament to the authors explicatory powers.

The final and perhaps most wonderful thing about The Apophenion is how it demonstrates the development and maturation of Pete Carroll’s earlier writing. If nothing else this stands as a testament to the work of an individual (or perhaps conspiracy of selves!) who’s magick really does seem to work.

Eight chaospheres out of a possible eight!’

– Julian Vayne

Aleister Crowley A Modern Master

John S. Moore
(Biography)


Aleister Crowley, A Modern Master
John S. Moore
Format: Softcover
ISBN:
£15.00/US$22.00
Subjects: Biography/Aleister Crowley/Magick/Thelema/Philosophy.

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Aleister Crowley’s appeal on the level of popular culture has been well catered for by a number of biographies that have appeared in recent years, but the more intellectual side to him, which is equally fascinating, has not received so much serious treatment.

Crowley, A Modern Master is neither an account of his life, nor a straightforward presentation of his teaching, but an attempt to place him clearly in the context of modern ideas as well as a number of older traditions.

Extracts

Even, or even especially if you have little interest in the occult, Aleister Crowley deserves your attention. He applied his powerful intellect to engage with some of the most pressing issues of his own day, many of which remain as vital as ever. His Magick, and his Thelema, outlandish as they might at first sound, are not just fringe ideas, they offer provocative answers and solutions to many of the urgent questions that still beset us.

His message is meant for all, as he firmly states in the introduction to Magick in Theory and Practice. He challenged received opinion, which responded by cutting him out of serious history. Untangle his ideas from their bizarre sounding setting, and we can see how unjust was his exclusion. Most importantly, while received opinion has somewhat changed its character over the past sixty years it is still powerfully subverted by the life and work of this badly underrated great man.

My object is to make Crowley intelligible in a mainstream context, to bring his creative achievement more into the light of sympathetic attention, render his ideas more accessible, and his religious outlook and experience available. This involves rewriting much recent intellectual history. The object is also to make excuses for him, defending what has been criticised as the more contemptible side of his character. While my main target audience is people who already know about Crowley and are intrigued enough to want to explore the context of his ideas, I am also writing for anyone interested in modern thought who is curious to discover if I really can make a case for his importance.

The plan for this book was first conceived in 1984 as a contribution to the Fontana Modern Masters series. This was a series of paperbacks about the people who supposedly defined modernity, what is most creative and distinctive in the age in which we live in. I felt strongly that Crowley deserved a place among these assorted gurus. It was annoying, reading much of what was taken so seriously and admired, that the writings of this unique genius should be so completely disregarded. Knowing the prejudice against him I didn’t have any serious hope, but sent off a proposal all the same. I was told Crowley was not a suitable subject for inclusion. ‘From a publishing point of view’, I was told, he was ‘simply too different from the other people we have included as subjects’. This was of course to be expected. Ezra Pound, high priest of modernism, had been adamant there should be no place for the Beast, far preferring Crowley’s nemesis, Mussolini. I meant to show that Crowley is not so out of place in such company as is said.

John S. Moore

REVIEW

‘That John Moore thinks Aleister Crowley is one of the most important thinkers of the twentieth century can be in no doubt after reading what amounts to a 200 pages attempt of a rehabilitation of the great beast.

Moore is the first to admit that his book is a defence of Crowley. ”The object is to make excuses for him”, Moore asserts, ”defending what has been criticized as the more contemptible side of his character.” Moore has no interest in the simple retelling of Crowley’s life and works: pointing out that this has been done many times.Instead he aims to try to put Crowley’s thought, work and behaviour into context. In an attempt to make Crowley ”intelligible”, Moore expends many chapters in highly detailed examination of Crowley’s output. Texts and behaviour are examined in the light of ‘Romanticism’, ‘Protestantism’ and ‘Philosophy’, while what Moore describes as ‘Crowley’s sexual Stalinism’ is given an equally thorough examination.

This is not a book for those with no knowledge of Crowley or his work. John Moore expects that you will have heard of (if not be familiar with) Crowley’s main texts and, after a short but informative description of Crowley’s life, lauches the reader straight into the nitty-gritty.

If you are a devotee of Crowley and can see no wrong in him, or any of his behaviour, you will find this book greatly to your taste. I, for one, however found some of Moore’s rather blithe assertions hard to take. One such was that Crowley’s execrable behaviour towards the women in his life could be glossed over with ”His was an aristocratic path. Sex lives of true aristocrats in all their complexity are not reducible to simple formula for democratic consumption.” I’m afraid that doesn’t quite do it for me. Quibbles aside this is a really thought-provoking take on Crowley as a thinker, ego and possible guru. It highlights his huge creativity and determination to live as he believed he should, no matter the consequences: whether of drug abuse, sexual ‘addiction’, megalomania or accusations of debauchery. Well worth a place in any collection of Crowleyana.’

Pagan Dawn Samhain-Yule 2009

Becoming Magick

New & Revised Magicks for the New Aeon
David Rankine

Becoming Magick / UK / £15.00+p&p

Becoming Magick / USA  / US $22+P&P

Becoming Magick
New & Revised Magicks for the New Aeon
David Rankine
Format: Softcover
ISBN:
£15.00 /US $22
Subjects: Magick/Occult


Drawing on over twenty years of magickal work in a variety of systems, this book is a forward-looking manual full of new material and techniques created to push the boundaries of contemporary magick. Inspired by the great magickal traditions of past millennia, Becoming Magick presents new techniques of sigilisation and gematria, as well as a new system of energy magick based on the lunar Kalas, and prime Qabalah, a new system of English gematria.

REVIEWS

In the acknowledgements to this book David Rankine writes:
Ian Read, for being the first person to publish my writings as Jack Dracula in Chaos International.‘It is, therefore, the least we can do to have a gander at Becoming Magick and give you our considered opinion thereon. The system put forward here has something for everyone, all explained in the free and easy way that is one of the few good things about modern literature. The reader is guided through anything and (just about) everything from Maat to Angle and Mantra Webs and from Qabalah to Grant’s take on the Kalas, and it all somehow adds to- gether to make a great whole. There is a fair bit of number working in this book but anyone but the worst idiot (surely not present in the occult world?) should be able to follow this. This book is of particular use to Chaos Magicians because it is formed from ideas and techniques lifted from so many diverse systems. Definitely worth buying.’
– Frank Erpel, Chaos International, 26

‘The author of this new work exploring “magicks for the New Aeon”, is well known on the esoteric scene in Wales and London for his lectures and workshops. He has also been involved with a wide variety of magical groups and he draws on this experience to convey the essence of practical magick in simple terms. The book presents new techniques of visualisation and germatria, as well as a new system of magical working based on lunar symbolism and the Cabbala.’- The Cauldron

‘This book is a wonderful propellant for those who wish to bring that magic with a K into their lives. Having the benefit of knowledge of many systems of magic, from kundalini to kameas and kalas to qabalah, Mr Rankine delivers hard and fast ideas regarding these and a myriad of other subjects…An instructive book, especially for those with pre-knowledge of the author’s chosen subject matter.’- Hyena, Witchcraft & Wicca Magazine, Beltane to Lammas 2005

MORE REVIEWS

‘David Rankine has been practicing magick for 25 years. His book Magick Without Peers was the handbook for his correspondence course on Progressive Witchcraft, a hands on primer. This book continues in the same vein, giving you some further study in some material that Mr. Rankine has developed over and above conventional practices. This book assumes you have some grounding in basic magical practices. It would be a good to have some idea of what the Hebrew alphabet has to do with the Qabalah, and how it works with gematria, or better yet, have an idea of what gematria is. It would also be a good idea to know a little about thought forms, a touch of Magic Squares, advanced mantras, and maybe some basics in the 9 Gates.

From these foundations David Rankine takes us a step further, exposing us to some out of the box thinking on these particular essentials to basic magic practice, and gives us something to ponder and possibly incorporate into our own practices. He also includes some “found” techniques he has devised from his own ponderings and practices, and he explains those rather well. Some topics of interest include The Prime Qabalah, The Kalas, The Mantra of Becoming, Magickal Ingestion, Magick Squares and so much more. There is much to digest here, and I am going to give but a brief overview. The Prime Qabalah is a look at a variation of gematria (Hebrew Numerology) applied to the English alphabet and using the 26 prime numbers. Mr. Rankine has some interesting results, which give one cause for reflection. Well worth checking out.

The Kalas chapter is interesting, being based on the concept given by Kenneth Grant. Mr. Rankine has developed his own 16 Kalas (five elements and eleven Astrological Planets) and gives all the properties and attributions of each. From his explanation of what the Kalas are (cycles of energy), to the explanation of each Kala, he presents us with an extraordinary new working that many will find fascinating. If you work with Kalas, you will want to check this section out. The Mantra of Becoming is a discovery of Mr. Rankine, incorporating a root mantra of Kia with some variations that progress on the magical “ia” and incorporates the next four Hebrew letters: L, M, N, and S. This revelation yields some very interesting analysis from the gematria aspect of the mantra, and Mr. Rankine goes a bit further to show the relationships suggested by the gematria analysis and gives us a very interesting mantra to work with.

Magickal Ingestion I found so basic that I wondered why someone else had not thought of it before. In Egyptian, Heka is magic. It is the spoken word that makes magic manifest. The ancient Egyptians would take a spell, and write it on a piece of papyrus and dissolve it in beer and drink it, imbibing the spell as part of themselves as well as being a working.

Bringing that into the present, writing our working, or sigal, or spell on food, writing our intent on a magical cookie, writing blessings on the cakes for ritual with various methods would be an excellent idea to bring the magic and the magician closer together, as suggested by Mr. Rankine. He gives some ideas, some uses and a whole new insight into “you are what you eat”. Much to ponder here and discover.

Magick Squares are the basis for much of our magical workings, be it talismans or creating sigals for personal work. The squares are based on the astrological information from hundreds of years ago and include Saturn, Jupiter, Mars, Sun, Venus, Mercury and the moon. However, since the discovery of Uranus, Neptune and Pluto, there has been no one who has updated these squares. Mr. Rankine gives us his version of the squares using the Prime Qabalah and also includes Earth, which seems to have been neglected by the astrologers of the past.

Again, more interesting material to ponder over, chew up, and possibly incorporate into our own magical workings. Note that if you do not understand the material discussed here, it is because this book is not a basic primer, and you are not at fault. This can get to be very deep, covering some more advanced material and concepts that knowledgeable practitioners will understand. I found this to be refreshing, and a bit challenging, as there was material here that went beyond my own basic knowledge.

I love a book that can teach me something new, or send me out looking for the basics so I can kick my own working knowledge up a notch. Mr. Rankine did an excellent job of explaining the concepts he is suggesting, and includes illustrations for much of what he discusses, and but for a few places where I had no working knowledge of what he was discussing, I did follow most of what he wrote. And after a bit of backtracking and research, the material I was not familiar with did fall into place.

The mark of a good teacher is his ability to make the unfamiliar understandable, and Mr. Rankine succeeded. If you are looking for new material for your own practice, if you are looking at what other working magicians are doing and are interested in some new concepts and ideas. If you want to challenge yourself with some new aspects to the magickal practices, then this book will definitely give you something to chew on. Again, this is not a magic 101 book, but is intended for those who have gone beyond that. This book is a wondrous look at another man’s discoveries and practices.’
– Boudica, The Wiccan/Pagan Times


David Rankine – Magician, Esoteric Author & Researcher and a leading authority on grimoires. davidrankine.wordpress.com

John S Moore

Born in 1948, John S Moore is a freelance writer and independent scholar living in Islington, North London. He studied philosophy at King’s College, University of London from 1966 to 1969. He has published several papers on Nietzsche and other figures like Crowley (an interest which goes back over 45 years), Edward Bulwer-Lytton, Schopenhauer and Wittgenstein, as well as 3 volumes of poetry.