Tom Bradley, David Aronson, Nick Patterson.
Format: Softcover/132 pp – illustrated – many in colour.
Subjects: Aleister Crowley & Thelema/picaresque graphic novel.
For better or worse, my fallopian fall into matter. . .
After making careful preparations to ensure himself a proper reincarnation,
the dying ALEISTER CROWLEY flubs one syllable of the magickal incantation . . .
and comes back as ELMER FUDD.
– Back story on this publication –
David Aronson has become ill, and is unable to complete the illustrations for ELMER CROWLEY. But the good news is that the great Nick Patterson has agreed to step in. Nick collaborated with Tom Bradley on a couple of books, including FAMILY ROMANCE (Jaded Ibis Press)–
Just by coincidence, this happens to work out perfectly.
After making careful preparations to ensure himself a proper reincarnation, the dying Aleister Crowley flubs one syllable of the magickal incantation…and comes back as Elmer Fudd.
The pictures David Aronson did before getting sick are black and white. They take Crowley from his death, through his judgement in the Hall of the Divine Kings, and stop just as he is being sucked into Looney Tunes Land.
At that point, Nick Patterson takes over, and the color is switched on. It’s like the old movie, when Dorothy gets out of Kansas and arrives in Oz. The different style of pictures announces the big change in scene.
– Praise for Elmer Crowley: a katabasic nekyia –
Reading Elmer Crowley is like reading Crowley’s inner dialogue at 3am, after an intensive journey into his own inner abyss. It is, therefore, a magickal working that Crowley himself would be proud of.
– Gwendolyn von Taunton, author of Northern Traditions
Of Aleister Crowley’s many fictionalizations, this novel gets best into his head. Erudite, prideful, lascivious, funniest man of his time, and the mightiest spiritual spelunker–he speaks and shouts from these pages as clearly as he did in his Autohagiography, which is paradoxical, given the irreal setting.
– Barry Katz, HTMLGIANT
This book…captures the feel of Crowley with his bawdy, politically incorrect irreverence, his arrogance and his committed magickal spirituality and awareness.
– Charlotte Rogers, author of P is for Prostitute
The voice is dead perfect…I can’t imagine a hip Thelemite NOT having this book in her library.
– Don Webb, author of Through Dark Angles, former High Priest, Temple of Set
This self-described “picaresque graphic novel” reads like an account of Crowley’s death-bed fever dream or an afterlife bardo journey gone terribly wrong, wherein the fifty-eight Wrathful Deities take on the aspect of warped and sinister versions of Looney Toons archetypes…. the result reads like a trippy, post-mortem, long-lost epilogue to The Confessions.
– Richard Kaczynski, author of Perdurbo: The Life of Aleister Crowley