Surrealism & The Occult

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Surrealism & The Occult

Nadia Choucha
Format: Softcover/164 pp.
ISBN: 9781906958749
£15.00
Subjects: Art/Art History/Surrealism/Occult.

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Many people associate Surrealism with politics, but it was also permeated by occult ideas, a fact often overlooked by art historians. This occult influence goes beyond general themes to the movement’s very heart.

This occult influence goes beyond general themes to the movement’s very heart. The antinomian stance of Surrealism can be traced directly to the influence of radical nineteenth century magi such as Eliphas Lévi, whose Dogma and Ritual of High Magic was widely read by Surrealism’s ideologues. Amongst these we find its progenitor André Breton.

The book shows how many Surrealists and their predecessors were steeped in magical ideas: Kandinsky, with his involvement with Theosophy, the sorcery of Salvador Dali; the alchemy of Pablo Picasso and the shamanism of Max Ernst and Leonora Carrington.

Surrealism did not establish itself in Britain until the 1930s but a select few felt something in the air. Almost ten years before the Surrealist experiments with automatic drawing, an obscure English artist, Austin Osman Spare had perfected the technique.

Nadia Choucha shows, convincingly, that occult and surrealist philosophies were often interchangeable. Surrealism and the Occult is seminal reading for art historians and occultists alike, while artists will find it a vital guide to the unlocking of the imagination.


Praise for Nadia Choucha’s Surrealism & the Occult
”Highly readable…seminal… fascinating” – Francis X. King
”alive, with the heady mixture of occult and pictorial symbolism treated with laudable lucidity.”- Art Book News

A Contemporary Western Book Of The Dead

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An Anthology
Edited by Charlotte Rodgers & Lydia Maskell

A Contemporary Western Book of The Dead
An Anthology
Edited by Charlotte Rodgers & Lydia Maskell
Format: Softcover
ISBN: 978-1-906958-04-6
£15.00 +P&P / US$22+P&P


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Click HERE for USA & Elsewhere

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‘I was musing on Singapore in all its affluent glory still having shrines for the dead on every street corner during ‘The Festival of the Hungry Ghosts’. Then I was musing on how the socially mobile of modern western society eschew death rites and grieving in the name of ‘holding it together’ and being progressive. I thought of which civilizations are falling and which are rising again, and wondered whether acknowledging death and the ancestors is a vital part of a maintaining personal identity and our place in society. I remember how my grieving father mourned for all the information he had relied on his deceased wife remembering; information which was now lost. I recalled Michael Crichton’s words ‘If you don’t know (your family’s) history, then you don’t know anything. You are a leaf that doesn’t know it is part of a tree.’

Then I thought maybe someone should write about the cults of the ancestors and death, perhaps an anthology, perhaps cross relate experiences of loss to personal spirituality and magick and history. I know that years of working with the dead in the name of art and spirituality, didn’t prepare me for the death of my mother. What helped me was the advice of someone from a long tradition of working with the ancestors. I think that collecting the experiences of spiritual practitioners in their working with grief and death is part of a living and necessary tradition that will give respect to the dead and strength, identity and support to our own personal spirituality.’

Within this book are rituals, stories, traditions and experiences of magicians’ scholars and artists who work with death. Some of the contributors such as Nema, Mogg Morgan, Louis Martine and Nevill Drury (to name but a few) have helped define contemporary transformative spirituality. Others are less well known but just as learned. As there should be in such a collection there is comedy, anger confrontation and practicality. This anthology is about who we are, and where we come from. It is also about how we change. A Contemporary Western Book of the Dead contains voices and visions that acknowledge our past, feed our present and guide the direction of our future.

Introduction/Charlotte Rodgers
Loved One/Nema
All a Do about Death /Josephine McCarthy
Clans For The Memory / Sarah Grimstone
Learning About Death / Nevill Drury
A Thoughtful Wake / Louis Martinie
Break On Through To The Other Side /Louise Hodgson
Death the Final Frontier / Sue Fox
The Bardo Thodol – Bon Voyage / John Power
You Only Live Twice / Ode bi Tola
On Speaking with the Dead: The Cult of the Dead in Traditional Culture / Michael Clarke
Body / Mishlen Linden
The Great Western Hoax / Ode bi Tola
The Book of Gates: A prose arrangement / Mogg Morgan
Biographies of Contributors

Photographers:
Sue Fox, Ruth Kenyon, Ariadne Spyridonos Xenou (Cover: Gerald Hutton)

The Grammar Of Witchcraft

David Parry
(Poetry) (Fiction)


The Grammar of Witchcraft
David Parry
Format: Softcover
ISBN: ISBN 978-1906958-053
£8.99/US$18
Subjects: Culture/Poetry/Fiction.



In this collection of poems and mini-sagas, Parry narrates the final journey taken by Caliban from a lesbian wedding in Liverpool, back to a London which doesn’t exist. Along the way, concepts of Saxon Witchcraft, Radical traditionalism and English ethnicity are discussed as the author unfolds his vision of an endlessly benevolent Spirit world.