Khemetic Chess
(aka Hypermodern Magick)
Steve Nichols

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Khemetic Chess
(aka Hypermodern Magick)
Steve Nichols
Format: Cased-bound/matt laminate/297pp
Illustrations many in colour.
ISBN: 978-1-906958-86-2
US$50/UK£40
Subjects: Chess/Enochian Magick/Golden Dawn/Aleister Crowley & Thelema.

Khemetic Chess (aka Hypermodern Magick) is a stand-alone book that
outlines my theory of magick, and sheds light on ‘active divinatory’
Enochian Chess. Exploring the 64 (8×8) paradigm, it looks at both
historical and recent Enochian Chess variants. Aleister Crowley features
prominently; and I look at strong Khemetic strands in Thelema such as
the Crowning of Horus. It also encompasses Tantra, and Tsakli pieces
(moveable shrines) for “No Self” Enochian Chess.

This book explains how 88 Ptolemaic emblemata gave birth to familiar
Christianised tarot designs. These 88 divide into four groups of 22
Atous, and these combine with the Minor Arcanaii of the Four Winds, 56
divination cards for each of the 4 Elements or Chessboards. Four packs
of 78 “Tarot of the Four Worlds.”

Khem, ancient Egypt, seems to be the fount of many magickal practices
and survivals in diverse cultures. I trace some Khemetic influences on
Tibetan Bonpo and Hinduism. Essential components and structure from
Kabbalah also seem to begin with the Khemetic game of Zenet, and the
Hymn to the Ten Bau of Amen-Ra rather than with such texts as Sepher
Yetzirah and Zohar of the Late Medieval Period. Horus, Isis and the
other Great Ones of Khem work better under governance of the
Tetragrammaton (word with four letters) “AMEN” rather than under the
arguably anti-Kemetic, Tetragrammaton YHVH.

Hypermodern Magick explains, continues and augments innovations that
began with the literary modernist and psychological experimenter, WB
Yeats and continued with political surrealist, Ithell Colquhoun, and Don
Kraig (Modern Magick).

Steve Nichols’ fully featured Windows ENOCHIAN CHESS SOFTWARE for one to
four players can be downloaded by using the coupon code instructions
inside together with evidence of purchase. The PC software makes this
advanced and complex game immediately playable. Steve Nichols was the
first to publish Enochian Chess sets in 1982 with support from Israel
Regardie and others. Steve has given many demonstrations, readings and
lectures about the game over the decades.

THE ENOCHIAN CHESS SOFTWARE CAN BE DOWNLOADED FROM chaturanga.com
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The Black Toad
Alchemy of Body, Spirit, & Stone
Ron Wyman

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The Black Toad
Alchemy of Body, Spirit, & Stone
Ron Wyman
ISBN 978-1-906958-84-8
Format: Hardback/138 pp/Illustrated.
£15/US$25
Categories: Alchemy/Magick

This book on spiritual alchemy presents an initiate’s undertaking of the internal alchemical process. It is a pathway of vision and illumination; and with particular emphasis placed on the induction of the alchemical dream, this movement becomes a visionary transition and passage. The practitioner’s psyche moves through the paths of the Opus Magnum, and these paths have a goal—the attainment of the Philosopher’s Stone. It is the internal alchemy that acquires access to the ethereal level of the body, and eventually to the enactment of the alchemical Will.

Ron Wyman is an artist and writer living in London. his writing on alchemy stems from his own experience of the alchemical dream process and its related effects. through his background in philosophy he has brought this into a methodical format for the occult practitioner, or for anyone interested in the transcendental effects of internal alchemy.

Bulwer-Lytton
Occult Personality
John S. Moore

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Bulwer-Lytton Occult Personality
John S. Moore
Softcover/square art book format
166pp/bw & full colour illustrations.
£20/US$28
Subjects: Biography/Occult

Edward Bulwer, Lord Lytton, once the most successful novelist in the English speaking world, now unfairly neglected and even derided, was also the central figure in the underground culture of magic and the occult. With his esoteric studies he built a reputation for deep learning in the history and philosophy of this alternative tradition, as well as passing for an adept in his own right. His creative influence, especially through his occult fiction, was surprisingly far reaching.

The book sets the achievement of this nineteenth century magus into a large historical context, exploring the intellectual and other influences on him as well as movements he inspired. Some chapters discuss aspects of Bulwer’s life, while some explore people and ideas that influenced him and others those he influenced. His seminal role in several cultural movements has been largely forgotten, not least in his home country. This book offers an often unfamiliar perspective on the Victorian era and hopefully succeeds in provoking some questions about our own times.

With Bulwer as its focus, and employing a wealth of illustrations, it manages to provide a whirlwind tour of much occult and esoteric culture, from Iamblichus to Symbolist art and literature, Theosophy and modern psychedelia.

Watch John Moore’s presentation of Bulwer-Lytton Occult Personality
on YouTube

https://www.youtube.com/watch?v=iufOV7EmT0Y&feature=youtu.be

Heart Vision: Tarot’s Inner Path
Michael Orlando Yaccarino

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HeartVisionFrontcover


Heart Vision
Tarot’s Inner Path
Michael Orlando Yaccarino
Foreword by Rachel Pollack
Afterword by Normandi Ellis
Format: Softcover
ISBN 9781906958817
US$22/£13.99
Subjects: Tarot/Tarot Readings/Divination/Spirituality.

Click here for Kindle UK edition

Click here for Kindle USA edition

Heart Vision: Tarot’s Inner Path

Each of us is traveling upon an ever-evolving path toward greater illumination. The Tarot can provide deep awareness on many levels. Performed effectively, a Tarot reading encourages individual strengths, while proposing options to overcoming unhelpful blocks. Revelation unfolds within the open heart.

The mystical deck has fascinated both nonprofessional and paranormal scholar alike since its early development in the 15th century. Today, a myriad of books on using the cards to read for others is readily available. However, few works focus exclusively on the process of self-reading. Heart Vision: Tarot’s Inner Path is your in-depth, hands-on guide for a balanced path of discovery through the art of the solitary reading.

Highlights include card-by-card message interpretations; a special focus on self-contemplation; the step-by-step process of self-reading unique to this work; and a variety of simple yet powerful spreads utilizing no more than six cards original to this book, many illuminated by actual self-readings. World-leading Tarot authority Rachel Pollack provides an insightful foreword. Award-winning author and specialist in Ancient Egyptian spirituality, Normandi Ellis offers an illuminating afterword. In addition to the wisdom of diverse spiritual traditions, the text includes exclusive comments by a variety of contemporary luminaries in the realms of the mystical and magical. And acclaimed artists Scot D. Ryersson, Gary Lund, and David Palladini all contribute to the book’s stunning illustrations. Enriched throughout by the wisdom of diverse spiritual traditions, in these pages you will find an innovative pathway to inner transformation.

Front-cover art: Gary Lund
Back-cover art: David Palladini
Cover design: Scot D. Ryersson

The author has read, taught, and written about the Tarot for many years. He holds degrees in psychology and film studies from New York University. Previous books co-authored with Scot D. Ryersson include: Infinite Variety: The Life and Legend of the Marchesa Casati, The Marchesa Casati: Portraits of a Muse, and The Princess of Wax: A Cruel Tale. Also with Ryersson, he co-edited Spectral Haunts and Phantom Lovers.

Visit www.marchesacasati.com to learn more.

Visit the official ​Heart Vision​ website
marchesacasati.wixsite.com/heartvisiontarot

TAROT, DIVINATION & SPIRITUALITY

Out There
The Transcendent Life and Art
of Burt Shonberg
Spencer Kansa

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Out There
The Transcendent Life and Art of Burt Shonberg
Spencer Kansa
Format: Softcover / 256 pp / illustrated in colour
ISBN: 978-1-906958-79-4
£30/US$45
Subjects: Art/American Underground/Biography/Film Studies.

From the late-1950s until his premature death in 1977, Burt Shonberg was one of the most highly admired artists in Los Angeles. During this period, his eye-popping murals graced the facades and interiors of popular coffeehouses and hip clubs on the Sunset Strip; his paintings adorned several notable rock album covers, and his haunting portraits featured prominently in Roger Corman’s film adaptations of Edgar Allen Poe’s The Fall of the House of Usher and The Premature Burial.

Born in 1933, Shonberg grew up in the all-American beach town of Revere, Massachusetts, where, according to his friends, he spent most of his time drawing and indulging in his love of monster movies. After graduating high school, he studied for two years at the Boston Museum of Fine Art, and then, after a brief spell in the army, he ventured to Los Angeles to pursue a career as a commercial artist.

Soon after he settled in L.A., Shonberg became the lover of the legendary occult artist Marjorie Cameron who turned him on to the teachings of the Edwardian magus Aleister Crowley and introduced him to the mind-warping properties of peyote. Shonberg also embraced the Fourth Way system of George Ivanovich Gurdjieff, and his canvases began to reflect the mystical illumination inspired by his higher states of consciousness.

In 1960, the artist was chosen by Dr. Oscar Janiger to participate in his groundbreaking study into the effects of LSD-25 on the creative process. Although Shonberg regarded himself as a magical realist, his remarkable renderings of his hallucinogenic visions led many of his acolytes to regard him as the preeminent psychedelic artist of the era, and in the words of his friend and fellow painter Walter Teller, “Burt was the artist of Laurel Canyon.”

Yet despite his popularity and status, Shonberg’s artistry has been criminally overlooked in all historical accounts of the Southern Californian art scene, until now. Out There redresses this injustice and brings some long overdue recognition to L.A.’s greatest lost artist, in a book illustrated with rare examples of his incandescent artwork.

“Spencer Kansa has time traveled. Knowing Burt as well as I did, it really does feel, from his assessments and descriptions, that Spencer actually knew him as well, and Burt for sure would have dug him. They would have had a good time. I can see Burt smiling. I’m serious.”
Hampton Fancher, screenwriter, Blade Runner and Blade Runner 2049.

Read Spencer Kansa interview about Burt Shonberg and Bohemian Los Angeles with the LA Review of Books
lareviewofbooks.org/article/burt-shonberg-and-bohemian-los-angeles-an-interview-with-spencer-kansa/

Author’s bio:
Spencer Kansa is the author of Wormwood Star, a biography of the American artist and occult icon Marjorie Cameron (Mandrake of Oxford). His debut novella Zoning is published by Beatdom Books. His interviews with literary legends William Burroughs, Allen Ginsberg, Paul Bowles and Herbert Huncke feature in Joe Ambrose’s book Chelsea Hotel Manhattan (Headpress).


#rogercorman

#edgarallanpoe

#aleistercrowley

#scifi

# Gurdjieff

# oscarjaniger

#forrestackerman

#psychedelic

#psychedelia

#beatniks
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#extraterrestrials

#arthurlee

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#monstermovie

Deeper Into The Underworld
Death, Ancestors & Magical Rites
Chris Allaun

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Click here for Kindle UK edition

Click here for Kindle USA edition


Deeper into The Underworld
Death, Ancestors & Magical Rites
Chris Allaun
Format: Softcover
ISBN: 978-1-906958-82-4
£12.99/US$23
Subjects: Shamanism/Magic/Healing/Afterlife/Death Customs/Spirits Communication/Spirituality.

Deeper into the Underworld we go…

The Underworld is home to our beloved ancestors, those who gave us our flesh and blood and our breath. Their blood flows through our veins and contains great magick and power. They have the ability to help us heal old karmic wounds of the past and aide us in our spiritual development. They can teach us many things about the world of spirit. All we have to do is honor them. All we have to do is call to them.

The cycles of Life are sacred to our pagan and magical cosmology, but what of Death? As we honor life, so, too, must we honor the sacredness of death and dying. As we go further in our Underworld studies, we will learn about the Angel of Death and energetic process of dying. Death is not the end. It is a magical transition into the world of spirit where we are rejoined with our beloved ancestors. The Ancestors are our link to our past. We will learn to honor them and create a sacred shrine so that we may commune with them in a magical and healing way. By honoring the ancestors, we will strengthen our bonds with the spirits and learn to heal our family karma that began long ago and affects us even today.

By learning to work with the ancestors, we will learn to work with the spirits of the dead for magick and healing. We will learn how ancient cultures summoned the beloved dead to heal grief and say final goodbyes. We will also learn magical techniques to summon the shades of the dead and the Hidden Company; those powerful spirits that can teach us ancient wisdom of long ago that can help us tread our spiritual path to find balance and healing.

—–

Read Alanna Wright’s review of Deeper Into the Underworld: Death, Ancestors and Magical Rites, published in Spiral Nature Magazine
www.spiralnature.com/reviews/deeper-into-underworld-chris-allaun/

Deeper Into the Underworld: Death, Ancestors and Magical Rites
by Chris Allaun
Mandrake of Oxford, 9781906958824, 203 pp., 2018.

”Chris Allaun has released Deeper Into the Underworld: Death, Ancestors and Magical Rites as a follow-up to his first book Underworld: Shamanism, Myth and Magick. In this book, Allaun brings to life, or rather life after death, the powerful practice of ancestral spirit worship and highlights the immense spiritual benefits that come from learning to commune with the deceased. The theme of death runs strong through the book yet Allaun has presented the material in such a way that allows the reader to open to the power of Underworld forces in much the same way as shamans, witches, and magicians have for countless centuries — with the knowledge needed to access this realm, courage to face the reality of death and wisdom to tap into the spiritual power of this domain.

Written in a very straightforward and easy-to-read style, Allaun provides the reader with real-life experiential advice on how to work with ancestors as part of their magical practices. He explains,

“Honoring the dead is one of the most important parts of spirituality. We often honor our gods and goddesses and even nature spirits, but sometimes forget the most important spirits to honor; our beloved dead. Our ancestors are our family. They are our grandmothers and grandfathers and our grandmothers and grandfathers before that. They hold an energetic and magical link to us. We may not realize it, but there is a current of power that goes from us to our ancestors and from them back to us. It is strong. It is powerful. Is it the bond of family.”

In no way does Allaun skimp on ideas for how to establish and strengthen this connection to our ancestors. He offers a variety of methods that can be easily incorporated into one’s magic to help the reader open the channel to commune with their ancestors. Detailed is the way to set up an altar, created sacred space and maintain a daily devotional practice to honour loved ones who have passed on. Allaun highlights the importance of sustaining an ongoing relationship with our ancestors, rather than only honouring them sparsely through the year, as the way to truly bring them into your home and spiritual life. In this way, we can begin to communicate with our ancestors about day-to-day happenings and this in turn provides nourishment for them and us alike.

The reader is reminded this is not a one-way relationship as our ancestors benefit too from our offerings to them in the Underworld. Allaun explains, “On an energetic level, what is happening is that our prayers open our minds, energies and our spirits to our Ancestors and higher beings to establish a strong and powerful connection. Through the connection we make with the spirits, they are able to use this energy and power to help our Ancestors evolve to a higher state of being.” Later in the book, Allaun ties in how we also carry ancestral patterns that we can transmute and heal by working with ancestors in the Underworld directly.

Beyond ancestral knowledge, this book is a rich resource for information on death rites, rituals, and cultural perceptions of death that have been carried through the ages. Allaun provides insightful understanding of the way death is portrayed today in comparison to how cultures of the past understood working with the Underworld, death, and the ancestors. These include pages on Egyptian embalming and also the Eleusinian Mysteries of Ancient Greece. By going back in time, the reader comes to understand how human’s cultural relationship to death has been worshipped, revered, and also feared throughout time.

Throughout the book, Allaun provides many mythological stories that highlight the importance of the Underworld spirits and knowledge of how to navigate this tricky realm. These include the story of Baldur’s dreams in Norse mythology, Those Who Come From The Mountains in Japanese and Shinto mythology and Asclepius and Diana bringing back the dead in Greco-Roman mythology. Allaun does an outstanding job of providing many cross-cultural narratives involving death, so the reader has a widened perspective of a variety of spiritual understandings of the Underworld. This includes a passage of the Ghost Dance of Native Americans from the Plains region of the United States, where they were able to perform this dance to summon their ancestors and gain a personal sense of empowerment through the connection.

In sharing his personal experience, Allaun works to dissolve the fear commonly associated with death and the Underworld. A fantastic aspect of the book is the fascinating meditations provided that can be applied in a ritual setting to gain insight into the energy of death, access the Underworld, and work with ancestors. These meditations include performing a eulogy at your own funeral, graveyard meditations, tracing back family karma through lineage, and connecting with ancestors in dreams, and tapping into the blood. For those who practice traditional witchcraft, Allaun includes a ritual to connect with the Hidden Company to seek their spiritual knowledge and also Ritual of the Rose Castle to connect with the Goddess of Death.

Allaun focuses on sharing with the reader how the misconception of working with the dead became linked to evildoing with rise of Judeo-Christianity. Yet, he is honest about the association that has existed between necromancy and black magickdea intended to harm others. While he does not advocate using ancestors or magical connections made to the deceased in this way, he does acknowledge the existence and possibility of the misuse of spiritual power, which include bringing the dead back to life.

Above all, Allaun maintains that it is of the utmost importance to treat the dead with the kindness the reader would show any guest in their home. This means being welcoming and never making unfair requests. While the ancestors can be strong magical allies, Allaun makes it clear that we should never force our ancestors to do things for us. It is important that honour is always maintained, as the spirits can communicate, and being disrespectful towards an ancestor could hinder future relations.

The information in the book covers what the reader would need to know on all fronts to begin establishing a spiritual connection with their ancestors. Allaun stresses the importance of carefully selecting the spirits with whom you share energy. He acknowledges that certain spiritual entities many want to ask favours or cling on to the reader in order to gain energy. While this does not always happen, Allaun has given the reader techniques that can be used to make sure the reader remains protected and the sacred space clear of unwanted energy. The information provided includes numerous measures of protection that range from simple techniques to create clear energy to elaborate banishing rituals. It is obvious that Allaun has the reader’s interest at heart and wants to provide the most honest and accurate account of the possibilities that can emerge from working with the energies of the Underworld to ensure the reader is prepared.

There are only a few downsides of note in regard to Deeper Into The Underworld. The first being quite a few spelling and grammatical errors scattered through the book that can be distracting. The other is that there is no reference section or bibliography provided, leaving the reader to research and verify the information themselves.

Overall, Deeper Into The Underworld: Death, Ancestors and Magical Rites is a great read for anyone who feels a connection to working with the deceased. There is much to be gained from tapping into the Underworld and bringing the wisdom of our beloved ancestors into the physical realm. Consider this a go-to book from which anyone with an interest in ancestral worship or necromancy would gain something.”

Celestial Arcana
Precession, Tarot
& The Secret Doctrine
Titus Salmon

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ORDER THIS BOOK




Celestial Arcana
Precession, Tarot & The Secret Doctrine
Titus Salmon
Format: Hardback
ISBN: 978-1-906958-80-0
£30/US$45
Subjects: Cosmology/Astrology/Tarot/Divination/Occult/Theosophy.

This book is an in-depth study of Tarot symbolism, with a particular emphasis on the various myths encoded within, and how they relate to the phenomenon of precession, and the Secret Doctrine of Aeonic succession. Much of the symbolism is shown to have been derived from ancient Egyptian, Celtic, Hellenistic, and medieval customs, rituals, and myths. One of the main theses developed within the book is that the ultimate source of the symbolism is preeminently Egyptian, and can be traced at least as far back to the Age of Taurus (c. 4200-2100 BCE).

The annual flooding of the Nile River, and its connection to the star Sirius was of paramount importance during this era, and it is demonstrated how much of the mythology and symbolism of later Ages and cultures are actually derivations from this fundamental mythos – in which the Mother Goddess was revered rather than vilified, as the case has subsequently become during the Ages of Aries and Pisces. For example, it is postulated that the Biblical account of the Fall of Humanity can be interpreted as a record in astromythological form of the usurpation of the ancient stellar and matriarchal cosmology – in which the Great Mother was preeminent – by the solar and patriarchal regime in which Jehovah became the central deity. Although it is undeniable that our current Age is characterized by many aspects of a bellicose patriarchy, it is suggested that this is a regime losing its foothold, to be supplanted in the (relatively) near future with a more egalitarian cosmology.

The ancient Egyptians were quite aware of the phenomenon of precession well before it was “discovered” by Greek astronomer Hipparchus during the Hellenistic era. In fact, Plato recounts how the Egyptian priests of the 7th century BCE maintained that they had knowledge of multiple precessional cycles (each one comprising 24-26,000 years; i.e. the Great Year), and the concomitant periodic destruction of humanity through various celestial cataclysms – from which they were invariably saved due to their proximity to the Nile. This cycle is shown to have been recognized by ancient Hindu cosmologists, leading to their development of the concept of Yugas – wherein each Yuga represents a portion of the Great Year, with its own celestial characteristics that determine the relative level of spiritual advancement of humanity as a whole. This in part constitutes the so-called “Secret Doctrine” of Aeonic succession throughout the course of the Great Year.

The structural components of the celestial sphere are shown to be keys to unlocking much of the symbolism behind various esoteric constructs and symbols, such as the Kabbalistic Tree of Life, Yggdrasil, the Enneagram, the Great Seal, and the Porta Alchemica. These keys are then applied to the Major Arcana in a multifaceted approach that considers astromythology, equinoctial precession, and ancient modes of chronometry in the examination of trump attributions.

Previous systems are discussed, drawing from various historical sources, such as Arthur Waite, Aleister Crowley, A. E. Thierens, Eliphas Levi, and Antoine Court de Gebelin. The tradition of ascribing a Hebraic letter to each of the 22 trumps is also addressed, and a new system is proposed. This system interprets the threefold categorization of the Hebraic alphabet into the “3 mothers”, “7 doubles”, and “12 simples”, according to the celestial mechanism of precession.

The work of Gerald Massey is drawn from throughout the book. Massey was considered to be a self-initiate into the “Secret Doctrine” by H. P. Blavatsky, and Crowley listed him as one of the Chiefs of the “Argentium Astrum”. Much that is obscure in Crowley’s Tarot doctrine is clarified via reference to Massey’s extensive writings on the astromythology of the ancient Egyptians.

The book is illustrated with over 270 images consisting of tables, diagrams, and pictures. Also included is a thorough bibliography and index; references include over 680 footnotes. Total word count = 103,623 (402 pages).

Visit Titus Salmon Official Website
bluehyperion.com/CelestialArcana/index.php

Rosicrucian Chess
of The Golden Dawn
Enochian Chess Series Vol 1
Steve Nichols

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ORDER THIS BOOK




Rosicrucian Chess of The Golden Dawn
Steve Nichols
Format: Cased-bound/matt laminate/256pp.
– over 200 illustrations many in colour.
ISBN: 978-1-906958-78-7
US$50/UK£40
Subjects: Chess/Enochian Magick/Golden Dawn/Aleister Crowley & Thelema.

This is the first in a trio of books that together form The Complete Enochian Chess. Enochian Chess in part comes from the Elizabethan system of Enochian Magic originated by the Court Astrologer, Dr John Dee. It was developed into its current form in Victorian times by SL MacGregor Mathers and William Wynn Westcott. This book includes a complete facsimile and commentary of Moina Mathers’s Alpha et Omega Enochian Chess papers together with a brief history of the game, notes on play and strategy, and instructions for Active divinatory methods utilised by this system. Notes and illustrations by Ithell Colquhoun (some previously unpublished) help explain this advanced and complete system of magick in its own right.

Originally it was only taught to Golden Dawn initiates who had risen to the rank of Zelator Adeptus Minor, and required a comprehensive knowledge of Tarot, Geomancy, Kabbalah, various magical formulae, the symbolism of the Candidate, the Ceremony of the Neophyte Grade, working knowledge of the art of Invocation and Banishing, Pentagram and Hexagram rituals, formation of Telesmatic Images, Sigils, and knowledge of the Enochian Tablets. Enochian Chess subsumes other Passive systems of divination such as tarot and astrology, and has powerful prophetic properties.

************************************************************************************************************
Steve Nichols’ fully featured Windows ENOCHIAN CHESS SOFTWARE for one to four players can be downloaded by using the coupon code instructions inside together with evidence of purchase. The PC software makes this advanced and complex game immediately playable.

THE ENOCHIAN CHESS SOFTWARE CAN BE DOWNLOADED FROM chaturanga.com

***********************************************************************************************************

Steve Nichols was the first to publish Enochian Chess sets in 1982 with support from Israel Regardie and others. Steve has given many demonstrations, readings and lectures about the game over the decades. This book includes new revelations about the Golden Dawn invention of Enochian Chess, with a particular spotlight on important Eastern occult sources previously hidden.

Drawing in Real Perspective
A new approach to space with natural and immediate application
Xavier Bolot

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Drawing in Real Perspective
Xavier Bolot
Format: Softcover/244pp
ISBN: 8781906958770
£14.99/$22
Subjects: Art/Art Theory.

In this book we learn how to draw using a natural technique that is amazingly efficient and simple. Real Perspective is a new approach to space as seen by our eyes.

Perspective is an integral part of drawing and painting. It is however poorly understood today. Our representation of perspective in western countries dates from the 17th century, enforced by an edict made by Louis XIV despot of France. It consisted of drawing receding straight lines starting from a vanishing point.

However, the ancient Greeks used specific curves. This heritage was not taken up during the Renaissance.

In an investigative atmosphere, this book unmasks beliefs we received on the Renaissance and our contemporary culture. We learn to believe what we see, using a natural technique that is amazingly efficient and simple.

We rediscover again the Greek knowledge, and the researches among others of Leonardo da Vinci, Henri Matisse and David Hockney.

Underworld:
Shamanism, Myth, Magick – Vol 1
Chris Allaun

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underworld-big-titlelr

Click here for Kindle UK edition

Click here for Kindle USA edition

SPECIAL DISCOUNT! ORDER: UNDERWORLD (Vol 1) & DEEPER INTO THE UNDERWORLD / THESE 2 BOOKS TOGETHER FOR £20.99/US$31


Underworld
Shamanism, Myth, Magick
Vol 1
Chris Allaun
Format: Softcover
ISBN: 978-1-906958-76-3
£12.99/$US22
Subjects: Shamanism/Myths & Magick/Healing/Afterlife/Death Customs/Spirituality.

– Synopsis –
The Underworld has always been thought of as a place of darkness and despair. Even today there are many misconceptions about what the Underworld is and what awaits inside. We will learn how different cultures around the world viewed the Underworld and the afterlife. Some cultures have there own unique perspective, but surprisingly, cultures that had no communications with each other form across the world had similarities. Can this be a coincidence? Most importantly, we will learn how to journey there in the astral and map this incredible world. But be careful! Along with its many wonders and beauty, there are things that lurk in the dark that myths through out the ages have warned us about. But for the Shaman or witch, are these warnings to keep us away or teach us how to commune with these ancient spirits and creatures?

As we journey deeper into the Underworld, we will discover places where the long forgotten dead will rekindle our spirit and teach us the ways of magick. They have been waiting for us and have much to say. We only have to sit and listen to the wisdom of ancient times. We will also discover places of healing and rejuvenation. Places where ancient hags guard magick wells and the waters of life and death spring from a source so old, no one remembers where it came from. Along with these wonderful and beautiful places there are places most dark and dreadful, the Hellworlds. These are the areas of the Underworld that test your spirit and what you thought was reality. You may never be the same, but you will transformed, renewed, and more powerful.

The Underworld is strange and wondrous and cannot be contained. Sometimes, those spirits of the dead will not be bound in such a place and stay in the world of the living. The poor lost spirits stay with us for a variety of reasons. You will learn why the spirits of the dead are still here and how to help them journey to a place of rest. You never know, a spirit of the dead may be right behind you…

”Chris Allaun’s book, Underworld: Shamanism, Myth, and Magick is truly a masterpiece. Chris has thoughtfully taken a huge subject and separated it into readable and manageable sections and chapters. He clarifies –What is the Underworld? Who resides in the Underworld? Where is the Underworld? and Why does it exist?” — all questions that have fascinated mankind since the beginning of time. And Mr. Allaun gives the reader exercises to deal with the dark side of the underworld, practical ways to cope with exploring one’s own fears and terrors, along with ways to help others. He also includes an extensive bibliography, something very useful. From psychologists to ceremonial magicians to spirit workers, to people just trying to navigate today’s complex world, Underworld creates a clear path full of information and help, to guide us through these often troubling times. I highly recommend this book!”- Janet Barres

Cover art/design Amanda Manesis

Chris Allaun, Author, Teacher, Medicine Man
www.chrisallaun.com
www.facebook.com/chrisallaun.author/”>https://www.facebook.com/chrisallaun.author/

PODCAST
Join Mathew Sydney and Michael Greywolf as they welcome author Chris Allaun to the show! They will be talking about his book ‘Underworld: Shamanism, Myth, Magick.’
blogtalkradio.com/witchschool/2018/09/24/walking-the-unnamed-path-episode-48-chris-allaun-author-interview

The Thornish Path
A Neo-Tribal Tradition
Jack Wolf

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The Thornish Path
A Neo-Tribal Tradition
Jack Wolf
Format: Softcover
ISBN: 9781906958756
£12.99/US$20
Subjects: Secret Societies/Odinism/Northern Tradition/Runes/Heathenism/Shamanism.

Wisdom from a hidden community …
From words of prophecy made in earlier times to the newsfeeds of the today’s internet, more and more people are becoming aware of the changes taking place in the world. The old and much abused industrial model, driven largely by human ignorance and greed, has placed the future of both humankind and the Earth herself on a path to a questionable future.
But there is hope.

Over the past handful of decades, a great many people have been awakening to the realities of the world but as well, also hearing – and heeding – the call from the wisdom that lies in the heart of all human beings. It is a call to an older way, a better way; a way of returning to the realms of deeper spirit; of magic and of tribe. As individuals and as groups, those who have heard this call of the heart are rising to once again take their place as true human beings: As stewards of the land.

Canadian author Jack Wolf brings us a collection of stories from one such group of Earth-stewards. He does so with the desire that what he shares will kindle the fires of awakening in the hearts and minds of those who are ready for the return of the primal spark-of-hope.

Known as the Thornish tradition, the tribal gathering into which Jack was initiated in the mid 1980s, this group of animist stewards, referred to as knights of the greenwood or even forest mages by some, practices a form of Deepening Tribalism; which is a Paganism deeply tied to the spirits and energies of the land. As well, practitioners of the Thornish way express a commitment to recovering threads of the First Knowledge; a hidden repository of ancient wisdom believed to have been gifted to all people in the forgotten, primordial past.

Told in the narrative form, The Thornish Path, is intended to provide the reader with an intimate glimpse into the workings and relationships found within this formerly secret society. It is also intended as an introduction to this unique tradition for those who may wish to explore further.

Thornish people believe that they are but one tradition of many emerging now, into the modern world in order to be of assistance in the ongoing battle to heal the Earth, and in the words of Jack Wolf: “The time has come for the folk of the green to come into their own – as protectors and managers of the Earth, not the despoilers of it.”


Praise for previous book The Way of the Odin Brotherhood

“Jack Wolf’s plunge into the deep past when Christianity drove pagans into hiding, reads like a page-turning novel full of suspense and intrigue. Will Odin and his followers rise again? You’ll definitely root for them as you speed through Wolf’s absorbing, yet entertaining, work.”

”The late P. D. Ouspensky noted that human evolution requires conscious effort. It is only degeneration which can proceed unconsciously in man.”

”Like the Odin Brotherhood, the Thornish tradition strives to recreate homo superbus (the superb man) in our decadent age. In contrast to the Brotherhood, however, the Thornish tradition draws upon the heritage and mysteries of the “First Nations” in the Americas.”

”Mr. Wolf’s book, the first detailed study of the “Thornish Path,” is required reading for all students of esotericism.”- Professor Mark L. Mirabello.


For more information on the Thornish Tradition
www.thornwoodpress.com
thornwoodpress.wordpress.com

P is For Prostitution
An A – Z of a harsh life survived
Charlotte Rodgers
Illustrated by Ruth Ramsden

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P is for Prostitution
An A to Z of a harsh life survived
Charlotte Rodgers
Format: Softcover/158pp (12 picaresque illustrations).
ISBN: 978-1-906958-26-8
£9.99/US$18 (includes postage unless otherwise stated)
Subjects: Counter-Culture/Memoirs.

‘The way to despair is to refuse to have any kind of experience…’
– Flannery O’Connor

P is for Prostitution is a primer unlike any you will have read before, the ABC approach far from simplistic. Through various episodes the author charts her own insights into addiction and the kind of existence that inevitably goes with this. Each letter marks a step on a journey into the lowest circles of hell in which the “author’s creativity and intellect is misdirected towards a chaotic, nihilistic and devastating existence” (reader’s foreword). There are moments of black comedy, sexual horror, and final, uneasy redemption in which the author reclaims the trajectory of her life.

“. . . the life you lived . . . represents the era you grew up in and the position of women in society and the rules they were expected to live by and the consequences of breaking these rules. Women are often regarded as objects, possessions and are expected to be submissive.” (Jane Hunt)

P is for Prostitution grew out of the author’s exploration of death and ancestral cults. It led her to acknowledge her own past, re-connecting and rescuing a catalogue of youthful dead or missing loved ones. “This was no surprise given the way we lived our lives at that time, but was no less saddening. Whilst the people concerned were not blood relatives, they were part of who I was and very much my family of choice in our shared inability or refusal to accept the terms of mainstream existence.”

“Daddy was an exclamation mark /
exploding on blank walls /
I was a biblioteque hero /
supporting Atlas’ balls /
Roller skating on Freudian slips /
Pussy footing through the fly leafings/
Of fellow social misfits.”

———————-
“Charlotte Rodgers was born in New Zealand.

Her mother was a war baby, abandoned at the Home of Compassion in Wellington and later adopted by a middle class couple with strong Catholic sensibilities and a desire to do good and moral things; a desire that didn’t encompass compassionate and kind child rearing.

Charlotte’s father was Scottish and from a coal mining family, he escaped this background through self education and by joining the merchant navy, and whilst on leave in New Zealand he met and married Charlotte’s mother.

Charlotte was brought up by two creative, intelligent and unstable individuals whose backgrounds created unhappiness and various manifestations of addictive and compulsive behaviours.

The family constantly moved house, the mother was addicted to a huge amount of pills, the father would regularly ‘run away from home’ and there were many times the only stability in Charlotte’s life was when she was sent to live with her grandmother who was rigidly and violently Catholic.

Charlotte was a shy frightened and introverted child and puberty hit her like the proverbial ton of bricks. At age 15 she made several suicide attempts and was put into psychiatric care to be treated for bulimia, a condition that would stay with her for many years.

She also developed addictions to alcohol and drugs, including heroin, and necessarily worked as a prostitute to fund the habit whilst living a peripheral existence travelling through Australia, Asia and Europe, before settling in England.

After 19 years as an active addict (15 of them as an IV user) she cleaned up with the help of various institutions and agencies, and eventually was able to take the risk to go back to what she always wanted to do; creating art and writing.”

Charlotte is author and editor of The Bloody Sacrifice and
co-editor of The Contemporary Western Book of The Dead, both published by Mandrake.

——————-

Illustrated by Ruth Ramsden

——————–

Daddy was an exclamation mark, exploding on blank walls,
I was a biblioteque hero, supporting Atlas’ balls,
Rolling skating on Freudian slips,
Pussy footing through the fly leafings
Of fellow social misfits.

Well read, intellectually fed neurosis,
Genetically perfected psychosis
Penis Envy
Poison Ivy
Piss and Raving.
Something in the woodshed gave you a fright,
Rumplestiltskin will tell you anytime
Its prick is worse than its bite.

Go-go virgins in discotheque cages
Venus in politically unsound furs
Lectures on the latest psychoanalytical magus
Romulus Remus Oedipus
Sucking dugs like common curs.

Psychoanalyse, disembowel and theorise,
Penis Envy Poison Ivy
Something in the woodshed gave you a fright,
Rumplestiltskin will tell you anytime,
Its prick is worse than its bite.

C.Rodgers 1985

Vowels, Consonants and Other Building Blocks: An Introduction
Several years of exploring and writing about death and cults of the ancestors have led to my putting this, more personal book together. As I looked at how necessary acknowledgement of the past can be to solidify the sense of self, both as an individual and a member of a community; flashes of my own, personal history came back to me. I started to re connect with this and found a catalogue of youthful dead and missing loved ones. This was no surprise to me given the way that we lived our lives at that time, but was no less saddening. Whilst the people concerned were not blood relatives, they were part of who I was at that time. They were very much my family of choice in our shared inability or refusal to accept the terms that mainstream existence at that time offered. I decided to reclaim this time and a lost part of myself, by going back and recording some of my rather erratic recollections.

Initially I was worried that writing this could be self-indulgence or an exercise in personal exploration and poor man’s psychoanalysis that shouldn’t be put out to a wider audience.

However the times and places I lived in, and the way I experienced them, hold things which I believe are core to many who struggle to find their place in this strange world.

Putting such a chaotic mass of events into order could have proved an impossibility until it became apparent to me that my early years were very much about finding a set of rules to live by, thus the subtitle, ‘A Modern Primer’.

Using the alphabet to give order to these memories was a continuation of the primer concept and works well for me. My life was not lived in a straight line and my rather scrappy memory would have rebelled against too linear a form of organisation.

The time span this book encompasses is the 1970s to the 1990s and the backdrop moves between Hong Kong, Australia, London and New Zealand.

This was a time when digital watches were rare and expensive things; China was hard line communist and undeveloped; the Internet was unheard of and there was still a wall dividing Berlin. Graphic novels were on the ascent; only the super-rich had credit cards, and AIDS was just a whisper that could kill in its utterance.

When I was diagnosed with bulimia it was a relatively unknown condition that the medical establishment were unsure how to approach.

I cleaned up as crack was just starting to make its presence known and I was already seeing changes it had made in the junkie community.

Drug using rapidly became even more associated with violence, users burned out much more quickly, if they survived.

When I stopped using drugs I was 30 and considered relatively young in the ‘recovery’ community, but 18 years later I see women burned out by the time they are 15 or 16.

I was one of the first waves of people to go into drug and alcohol rehab, and sad to say the women’s only treatment centre I was in, due to lack of funding, no longer exists.

However the core of the experiences in this book isn’t era specific but is more about one individual’s rather rocky road through her early years.

One thing that I feel I should add.

Readers may find my tone to be detached and even perceive a certain lack of emotion. I was and still am an internalised person, something that may have led to some of my problems over the years.

I look at old photographs of myself and I see a lovely looking girl who seemed locked in her own world. Eventually I couldn’t stay in that private place anymore, despite ever increasing amounts of emotion suppressing drugs. When I left rehab I had a graduation of sorts, a ceremony where I was presented with a butterfly brooch. As I was given my pin, Sister Rosemary who ran the home said that when I arrived at the facility I was like the survivor of a serious car crash; locked in trauma.

Walking away from my car crash life, with its explorations, adventures, and ever increasing horror was when I really started to live.

It was a very different world then, but in many respects, the way we all live and develop has not changed at all.

crogers2

Reader’s Comment
‘P is for Prostitution’ is a personal memoir, which explores episodes and experiences from Charlotte Rodgers’ difficult chaotic life, through her childhood and into early adulthood. At times this book made me feel incredibly sad and much of it was alien to my own comfortable, relatively trouble-free youth. However, her story captivated me and I found myself wanting to find out more about the girl being described. Also, as a woman who grew up during the same decades, I recognized the underlying misogyny of the era and the rules that women were expected to observe. Both Charlotte and her mother suffered in different ways because they were unable to live within narrow definitions of womanhood.

The Primer structure works particularly well and gives the impression of bringing order to a fragmented and chaotic existence. It comments on the nature of individual memory that is not linear and makes connections between disparate incidents and episodes. This form enables the reader to think for herself and reflect on how Charlotte’s childhood and formative experiences affect her situation as she grows up.

Throughout P is for Prostitution, despite the chaos of a life dominated by addictions and illnesses, Charlotte remains a creative and intellectually curious person. Her attraction to similar damaged anarchic souls both as friends and lovers can be seen at various points in her book. Near the end she refers to ‘the person from Porlock’, a debt collector who interrupted Coleridge whilst he was writing Kubla Khan. Charlotte writes, “I feel as if I too had a debt collector knocking on the door of my life, and breaking and permanently redirecting my concentration.” The book conveys a real sense that Charlotte’s creativity and intellect was somehow misdirected at a young age towards a nihilistic and savage existence. It also traces the constant, durable thread of spirituality in her life. This is fascinating given her early encounters with Catholicism.

The book powerfully communicates the devastating effect of physical and mental abuse on Charlotte’s whole family. The suffering her parents endured as children impacts on Charlotte’s life and leads to a lack of stability and security when she is growing up. Charlotte too is terrorized as a child whilst under the ‘care’ of her Grandmother. The sexual repression, religious fanaticism and cruelty that lie behind this abuse are horrifying. Children’s lack of power and the lasting consequences of adult neglect and brutality are recurrent themes.

The reader is able to observe how Charlotte’s eating disorders are caused by a desire to gain some control and how the perception that thinness equals happiness and acceptance actually appears to have almost the opposite effect. This is something that all women can relate to at some level. The book also gave me an insight into addiction and the kind of existence that inevitably goes with it. Her experiences are distinctive but they do reflect the times she lived in and the alternative lifestyle that seemed to be offered by the world of drugs and music. The attraction of losing control and finding a different reality is explored. However, the destructive power of addiction ultimately makes life unbearable.

Charlotte’s discussion of sex in P is for Prostitution is thought-provoking and brave. Her unconventional attitudes and approach made me think hard about the way women are condemned and vilified for sexual transgressions. Moreover, it made me consider how women and children are so often the victims of abuse and the hypocrisy that existed about this when we were growing up and still does to a large extent. Women who transgressed the sexual norms or accepted codes of behaviour were seen as to blame for the abuse they suffered, rather than as victims.

Fundamentally, this is a fascinating articulate and engrossing book. It describes experiences and feelings with which many people, especially women, will identify. I think people will enjoy Charlotte’s honesty and will want to read on and find out how she manages to get through and eventually change her life permanently. Charlotte takes you into divergent worlds, often frighteningly disordered; but the creative, compassionate and intelligent woman that she is today, is always there despite the destructive forces in her early life.

Jane Hunt
Librarian
Somerset
*************************************************************************

Mind-Sprung
A D Harvey
(Crime Fiction)

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Mind-Sprung
AD Harvey
Format: Softcover
ISBN: 978-1-906958-67-1
£9.99/US$15.99
Subjects: Crime Fiction/Entheogens/Counterculture.

An A-Level drop-out graduates from evicting immigrants during the heyday of the inner-city slum landlords during the 1960s to stripping redundant churches during the early 1970s, before moving to northern Sweden equipped only with the proceeds of selling stolen property and some hashish. He finds new sources of hashish even in Sweden but eventually the money runs out, and he returns to London: only to discover it is even worse than when he left.

Eric Naiman, a Professor of Russian and Comparative Literature at Berkeley, in a six-page attack on A.D.Harvey’s multitudinous literary crimes in THE TIMES LITERARY SUPPLEMENT in 2013, described Harvey’s account of drug-taking and other shenanigans in London and the Swedish Arctic as “unreadable”, but perhaps that was because he hadn’t actually read it. Another of A.D.Harvey’s novels, WARRIORS OF THE RAINBOW was described by THE GUARDIAN as “weirdly compelling” and by THE INDEPENDENT as “free-flowing and poetic….unforgettable.”

The Secret Gospel of Mark
Morton Smith,
Clement of Alexandria
and four decades of academic burlesque
Robert Conner

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The Secret Gospel of Mark
Morton Smith, Clement of Alexandria and four decades of academic burlesque
Robert Conner
Format: Softcover/160 pp.
ISBN: 978-1-906958-68-8
£10.99/US$22
Subjects: Religious Studies

While cataloging material in the library of the monastery of Mar Saba in 1958, Morton Smith discovered a quotation from a letter of Clement of Alexandria copied in the end pages of a 17th century collection of the letters of Ignatius. After more than a decade of collaborative analysis of the find, Smith published his conclusions in 1973, setting off a firestorm of controversy in the New Testament studies guild.

In 1975, a Jesuit scholar, Quentin Quesnell, claimed the letter had been forged and implied that Smith was the forger, moving the focus of debate off the text itself and onto Smith. Since then the pages containing the letter have been removed from the book and possibly destroyed, while Catholic and evangelical writers, none of whom have ever seen the pages in question, continue to claim that Smith forged the letter.

Following his death in 1991, accusations against Smith took on a considerably more personal tone, highlighting his alleged homosexuality and by implication his dishonesty and moral perversity. Although the question of authenticity remains unresolved, the controversy has opened a window on the intellectually corrupt nature of apologetic New Testament studies, a subject of greater importance than the authenticity of early Christian texts.

The Dionysian Spirit
Seán Fitton

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The Dionysian Spirit
Sean Fitton
Format: Softcover
ISBN: 978-1-906958-65-7
£12.99/US$22
Subjects: Ancient Greece/Greek Mysteries/Myths/Magic/Paganism/Spirituality.

For many people Dionysos is an obscure Greek god of wine and theatre. For others he is so much more.

The Dionysian Spirit examines, in an easy and accessible form, the essence of what Dionysos is all about, both as a deity and as a cultural and social force. It looks at the relation of Dionysos with his opposite number Apollo. The twin gifts of Apollos and Dionysos are ekstasis (ecstasy) and entheos (enthusiasm) and have informed and enlivened our lives and cultures from ancient times right to the present day and beyond.

The Dionysian Spirit – like the art of a good party – has always been with us and now, in many ways, we need it more than ever.

Contents: Devotional to Dionysos / The Visualisation / The Myths of Dionysos /
Dionysian Heroes / Dionysos Around the World / Dionysos Across The Millenium / Dionysos Goes Forth

William Lilly:
The Last Magician
Adept & Astrologer
Peter Stockinger & Sue Ward,
Foreword by David Conway

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William Lilly,
The Last Magician, Adept & Astrologer
Peter Stockinger & Sue Ward
Format: Softcover
ISBN: 978-1-906958-62-6
£14.99/US$28
Subjects: Astrology/Biography/Magic/Hermeticism.

Born less than a year before the death of Queen Elizabeth I in 1603, William Lilly lived during one of the most turbulent times in English history. Like so many of his generation, he had to deal with the plague, was drawn into the madness of the English Civil War and was forced to take sides, and witnessed the regicide of King Charles I. Lilly lived in a time of enormous religious and social upheaval, but his astrology remained the outer expression of a magical world-view, based on hermetic and neo-Platonic principles and rooted in the 16th century.

This book provides the reader with a thorough introduction to the world of William Lilly, the famous 17th century astrologer and magician. It brings together transcripts of his autobiography and of some of his most important works. It also includes Peter Stockinger and Sue Ward’s Monster of Ingratitude, an investigative journey offering new insights into the notorious contention between Lilly and the astrologer John Gadbury. Amongst other valuable information, the book contains:

· The Life of William Lilly, Student in Astrology

Transcribed from the autograph, with annotations, commentaries and biographical notes, including Elias Ashmole’s addenda. Nativities of some notable persons appended.

· The Nativity of Sir William Wittypoole
Transcript of a nativity, rectified and directed by William Lilly, a previously unpublished manuscript providing the reader with an exciting insight into the working methods of the master astrologer.

· Monster of Ingratitude
This research contains brief biographies of Lilly and Gadbury. It shows how their enmity began, developed and ended, including details of the rather one-sided pamphlet war. An in-depth study of published material, timelines and bibliographic entries of all primary sources used are also included and provide the grounds for a different explanation from that commonly proposed.

”The Last Magician is a very worthwhile work. Although some parts are hard going for the non-specialist, others are of value to anyone with an interest in Enlightenment esotericism and seventeenth-century English history in general. — Clive Prince.”

Read the full review from MAGONIA REVIEW OF BOOKS BLOG
pelicanist.blogspot.co.uk/2015/03/the-last-magician.html

and a review from Kirk Little in The Mountain Astrologer
www.skyscript.co.uk/rev_lilly.html

The Magical Universe
of William S. Burroughs
Matthew Levi Stevens

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The Magical Universe of William S. Burroughs
Matthew Levi Stevens
Format: Softcover
ISBN: 978-1-906958-64-0
£11.99/US$23
Subjects: Counter-Culture/Magic/Occult/Biography/American Underground.

——
“In the magical universe there are no coincidences and there are no accidents. Nothing happens unless someone wills it to happen. The dogma of science is that the will cannot possibly affect external forces, and I think that’s just ridiculous. It’s as bad as the church. My viewpoint is the exact contrary of the scientific viewpoint. I believe that if you run into somebody in the street it’s for a reason. Among primitive people they say that if someone was bitten by a snake he was murdered. I believe that.”
– William S. Burroughs

Fully revised and expanded from the limited edition chapbook that first appeared in 2012, The Magical Universe of William S. Burroughs is the first ever in-depth consideration of the significance of Magic and the Occult in the Life & Work of the writer and counter-cultural icon.

In Literary Outlaw: The Life and Times of William S. Burroughs, his biographer Ted Morgan wrote:

‘As the single most important thing about Graham Greene was his viewpoint as a lapsed Catholic, the single most important thing about Burroughs was his belief in the magical universe. The same impulse that lead him to put out curses was, as he saw it, the source of his writing…’

‘To Burroughs behind everyday reality there was the reality of the spirit world, of psychic visitations, of curses, of possession and phantom beings…’

From the Introduction to The Magical Universe of William S. Burroughs:

In talking about The Magical Universe of William S. Burroughs I am really thinking of two things:

Firstly, and probably most obvious, is the material that appears in the output of Burroughs the Writer that can be seen as describing or referring to some magical, mystical or occult idea – Invocations of Elder Gods of Abominations, descriptions of Sex-Magick rituals, references to amulets, charms, ghosts, omens and spells – all the thematic set-dressing that we all know and love, from Hammer Horror Movies to Weird Tales, from H. P. Lovecraft to Dennis Wheatley and The X-Files…

Secondly, there is the personal interest and involvement of Burroughs the Man with belief systems and practices that come from those strange ‘Other’ territories that lay outside the bounds of either conventional mainstream religion or scientific materialism – explorations of L. Ron Hubbard’s Scientology, Konstanin Raudive’s Electronic Voice Phenomena, Wilhelm Reich’s Orgone Accumulator; also partaking of the Vine-of-the-Soul with Amazonian shamans, attending the Rites of Pan in the Rif Mountains outside Morocco, participating in a Sweat-Lodge with Native American Indian medicine men – and, latterly, an engagement with that most Post-Modern of Occultisms, Chaos Magic.

The material considered has been distilled from archival sources, correspondence, interviews, and of course, published works. As well as his own personal contact with Burroughs and his lifelong study of the Man and his Work, the author also draws from a wide range of former associates – collaborators, friends, lovers, and students – including C. J. Bradbury Robinson, Michael Butterworth, David Conway, Phil Hine, Graham Masterton, Malcolm Mc Neill, and others.

As well as his own contact with the likes of Genesis P-Orridge, John Balance & Peter Christopherson of Coil, and writer Terry Wilson, back in 1980s London, he has also had unprecedented access to the papers of Cabell McLean, a young writer who was William’s companion, lover & student, c.1976-1983.

Sometime in the nineteen-seventies, following a reprint of my book, Magic: An Occult Primer, a letter was forwarded to me by my then publisher. Poorly typed and in an envelope which, unless my memory deceives me, bore no postage stamp, it came from William S. Burroughs. I still have it somewhere. In it the writer made plain his interest in magic. In real magic that is, not the smoke and mirrors kind.

Given that Burroughs’ tireless ambition was to encounter a reality beyond that accessible to our five senses, with magic perceived as an effective means to that end, it is remarkable that the subject has hitherto received but scant attention.

This work, by Matthew Levi Stevens, who must have encountered Burroughs at around the time he wrote to me, sets out to make up for that deficit. In it he chronicles the man’s interest and examines the part magic and occultism generally played both in his life and in his work.

Stevens sets about the task with gusto, indicative of his respect and, indeed, affection for “Uncle Bill”, as well as his familiarity with the topic itself. He draws on Burroughs’ own writings, and on those of the growing number of people, supporters and critics alike, who have commented on him and his literary output.

It is a job well done. And one that is all the more welcome because long overdue . . .

– David Conway, 2014.

Craft of the Untamed
An inspired vision
of Traditional Witchcraft
Nicholaj de Mattos Frisvold

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Craft of The Untamed
An inspired vision of Traditional Witchcraft
Nicholaj de Mattos Frisvold
Format: Softcover
ISBN: 978-1-906958-11-4
£12.99/US$24
Subjects: Craft/Traditional Witchcraft.

The Craft of the Untamed sets out to present the main pillars of traditional witchcraft. Its premise is that a proper tradition is defined as a timeless unity. Outwardly the tradition bears a great diversity across different lands and spirit. Traditional witchcraft is found in various sodalities and groups across the world. Even so it is possible to discern several harmonious, shared themes. These themes are the land, the crossroads, death, night and the mountain of Venus. It is witchcraft where a human and angelic blood mingles to form a special pedigree that has shaped the archetypical image of the witch.

Traditional witchcraft is largely a peasant craft. These “black arts” are works of the earth and the black soil with all its mystery of death, growth and change. This book aims to present the craft free for needless obscuration. I have endeavored to reveal the richness of the tradition as it flows down through time and geographical space.

The reader will come to appreciate and understand the wise arts both infernal and celestial; the powers wielded by the denizens of the night will be accessible; and you will come to value them for their beauty and power.

Contents: Foreword by Shani Oates/Introduction//At the Crossroads of the Worlds/Solomonic Magick//The Blood of the Living Bones/Within the Mountain of Dame Venus/The Vinculum of Eros/The Art of Timeless Tradition/Within the Veil of Night/Against the Current.

 

Magic in Christianity:
From Jesus to Gnosticism
Robert Conner

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Magic in Christianity
From Jesus to Gnosticism
Robert Conner
Format: Softcover
ISBN: 978-1-906958-61-9
£14.99/US$28
Subjects: Religious Studies/Gnosticism/Magic.

The world of Jesus and the early Christians swarmed with prophets and exorcists, holy men and healers, who invoked angels and demons, gods and ghosts. Magic in Christianity: From Jesus to the Gnostics explores that world through the surviving texts of the first Christians and their pagan and Jewish contemporaries.

Ecstatic spirit possession, handing opponents over to Satan, sending demons into swine, striking others dead on the spot by pronouncing curses, using articles of clothing and parts of corpses to perform magical healing and exorcism, invoking ghosts and angels for protection—these are all ancient Christian practices described in the New Testament, explained in detail by early Christian writers, and preserved by Christian amulets.

Pagans and Jews accused Jesus and his followers of practicing magic and Christians accused one another of sorcery. Both pagan and early orthodox writers describe the rituals of the gnostic sects in detail, including the magical passwords required to cross through the gates of the lower heavens.

Magic in Christianity: From Jesus to the Gnostics examines evidence from the New Testament, the first Christian apologists, early apocryphal works, curse tablets and amulets to reconstruct the apocalyptic magical world of Jesus and the first Christians.

“a compelling and striking exemplar of why independent scholarship is such an important facet of the academic studies…Recommended.”
– Dale Evans, Ph.D., review of Jesus the Sorcerer, Journal for the Academic Study of Magic.

“a fascinating and thought provoking read…one of the most learned works I have had the opportunity to read in this genre.”
– Eric W. Northway, Ph.D., review of Magic in the New Testament, The Pomegranate: The International Journal of Pagan Studies.

Wormwood Star
The Magickal Life
of Marjorie Cameron
(revised & enlarged)
Spencer Kansa

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9781906958602

This New Edition features fascinating new insights and info,
as well as over 20 new images.

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Ebook editions:
Click here for Kindle UK edition

Click here for Kindle USA edition


Wormwood Star
The Magickal Life of Marjorie Cameron
Spencer Kansa
Format: Softcover/302 pp/illustrated.
ISBN: ISBN 978-1-906958-60-2 (was 978-1-906958-08-4)
£13.99/US$24
Subjects: Biography/Magick/Thelema/Art/American Underground/Film Studies

In the first ever biography written about her, Wormwood Star traces the extraordinary life of the enigmatic artist Marjorie Cameron, one of the most fascinating figures to emerge from the American Underground art world and film scene.

Born in Belle Plaine, Iowa, in 1922, Cameron’s uniqueness and talent as a natural born artist was evident to those around her early on in life. During World War 2 she served in the Women’s Navy, and worked in Washington as an aide to the Joint Chiefs Of Staff. But it was after the War that her life really took off, when she met her husband Jack Parsons. By day Parsons was a brilliant rocket scientist, but by night he was Master of the Agape Lodge, a fraternal magickal order, whose head was the most famous magus of the 20th century… Aleister Crowley.

Gradually, over the course of their marriage, Parsons initiated Cameron into the occult sciences, and the biography offers a fresh perspective on her role in the infamous Babalon Working magick rituals Parsons conducted with the future founder of Scientology, L Ron Hubbard. Following Parsons death in 1952 from a chemical explosion, Cameron inherited her husband’s magickal mantle and embarked on a lifelong spiritual quest, a journey reflected in the otherworldly images she depicted, many of them drawn from the Elemental Kingdom and astral plane.

Throughout the 1950s and 1960s Cameron became a celebrated personality in California’s underground art world and film scene. In 1954 she starred in Kenneth Anger’s visual masterwork, ‘Inauguration of the Pleasure Dome’, stealing the show from her co-star Anais Nin. The budding filmmaker Curtis Harrington was so taken with Cameron, he made a film study dedicated to her artwork entitled, ‘The Wormwood Star’. He then brought Cameron’s powerful and mysterious presence to bear on his evocative noir thriller, ‘Night Tide’, casting her alongside a young Dennis Hopper.

Cameron was an inspirational figure to the many artists and poets that congregated around Wallace Berman’s Semina scene, and in 1957 Berman’s show at the Ferus Gallery was shut down by LA’s vice squad, due to the sexually charged nature of one of her drawings. Undaunted, she continued to carve a unique and brilliant path as an artist. A retrospective of Cameron’s work, entitled ‘The Pearl Of Reprisal’, was held at LA’s Barnsdall Art Park in 1989, and after her death some of her most admired pieces were included in the ‘Reflections Of A New Aeon Exhibition’ at the Eleven Seven Gallery in Long Beach, California. Cameron’s famous Peyote Vision drawing made its way into the Beat Culture And The New America retrospective held at the Whitney Museum in 1995. And in 2006, a profile of her work was featured in the critically lauded Semina Culture Exhibition. The following year an exhibition of her sketches and drawings was held at the Nicole Klagsbrun Gallery in New York.

With so much of her life and work shrouded in mystery, Wormwood Star sheds new light on this most remarkable artist and elusive occult icon.

All Material on this page copyright © Spencer Kansa

Cover of First Edition


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Elmer Crowley
a katabasic nekyia
Tom Bradley
(illustrated by David Aronson
& Nick Patterson)

Featured

9781906958558_cov


Elmer Crowley
Tom Bradley, David Aronson, Nick Patterson.
Format: Softcover/132 pp – illustrated – many in colour.
ISBN: 978-1-906958-55-8
US$16.99/£10
Subjects: Aleister Crowley & Thelema/picaresque graphic novel.

Bless me,
curse me.
For better or worse, my fallopian fall into matter. . .

After making careful preparations to ensure himself a proper reincarnation,
the dying ALEISTER CROWLEY flubs one syllable of the magickal incantation . . .
and comes back as ELMER FUDD.

———————–

– Back story on this publication –

David Aronson has become ill, and is unable to complete the illustrations for ELMER CROWLEY. But the good news is that the great Nick Patterson has agreed to step in. Nick collaborated with Tom Bradley on a couple of books, including FAMILY ROMANCE (Jaded Ibis Press)–

http://www.thedrillpress.com/sad/2012-08-01/sad-2012-08-01-romance-tbradley-01.shtml

Just by coincidence, this happens to work out perfectly.
After making careful preparations to ensure himself a proper reincarnation, the dying Aleister Crowley flubs one syllable of the magickal incantation…and comes back as Elmer Fudd.

The pictures David Aronson did before getting sick are black and white. They take Crowley from his death, through his judgement in the Hall of the Divine Kings, and stop just as he is being sucked into Looney Tunes Land.

At that point, Nick Patterson takes over, and the color is switched on. It’s like the old movie, when Dorothy gets out of Kansas and arrives in Oz. The different style of pictures announces the big change in scene.

—-

– Praise for Elmer Crowley: a katabasic nekyia

Reading Elmer Crowley is like reading Crowley’s inner dialogue at 3am, after an intensive journey into his own inner abyss. It is, therefore, a magickal working that Crowley himself would be proud of.
– Gwendolyn von Taunton, author of Northern Traditions

Of Aleister Crowley’s many fictionalizations, this novel gets best into his head. Erudite, prideful, lascivious, funniest man of his time, and the mightiest spiritual spelunker–he speaks and shouts from these pages as clearly as he did in his Autohagiography, which is paradoxical, given the irreal setting.
– Barry Katz, HTMLGIANT

This book…captures the feel of Crowley with his bawdy, politically incorrect irreverence, his arrogance and his committed magickal spirituality and awareness.
– Charlotte Rogers, author of P is for Prostitute

The voice is dead perfect…I can’t imagine a hip Thelemite NOT having this book in her library.
– Don Webb, author of Through Dark Angles, former High Priest, Temple of Set

This self-described “picaresque graphic novel” reads like an account of Crowley’s death-bed fever dream or an afterlife bardo journey gone terribly wrong, wherein the fifty-eight Wrathful Deities take on the aspect of warped and sinister versions of Looney Toons archetypes…. the result reads like a trippy, post-mortem, long-lost epilogue to The Confessions.
– Richard Kaczynski, author of Perdurbo: The Life of Aleister Crowley

Beneath the Pleasure Zones :
The Rupture
Paul Green

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Beneath The Pleasure Zones
The Rupture
Paul Green
Format: Softcover
ISBN: 978-1-906958-58-9 (ebook 978-1-906958-51-0)
£8.99/US$12.99
Subjects: Fiction/Science-Fiction/Cyberpunk.

When Lucas Beardsley blundered into the Qliphothic Forces of the Polyverse, Britain’s reality-consensus was drastically disrupted. Everyday causality was never quite the same again…

Now Londoners escape into the virtual-reality thrills of Pleasure Centres plc, while Borderland villages embrace an eclectic neo-paganism. Meanwhile Fundamentalist militias – Mo-Boys and Heavy Shepherds – battle for overall control.

In the Borderlands, Lucas works desperate magicks to win back his ex-lover Carla. In London traumatised computer wizard Dr Crowe seeks work with Pleasure Centres. For Lombard, CEO of Pleasure Centres, has a manic plan to restore the status quo by using Crowe’s cyber-skills to manipulate the ancient forces of the Borderlands.

‘A profound knowledge of the byways of pagan and magical thinking is integrated with an awareness both of current political trends and new technologies.’
– Tim Pendry

This first volume of Paul Green’s new fiction sequence ends with a bizarre and terrifying climax that defines the world of the sequel –
– BENEATH THE PLEASURE ZONES –THE POLYVERSE

Paul Green’s other work includes the novel The Qliphoth and the poetry collection The Gestaltbunker. His dramas, which have been broadcast on BBC Radio 3, CBC Radio, RTE Ireland and Resonance FM, have been collected in Babalon and Other Plays – the title piece being his evocation of occult rocket scientist Jack Parsons. Based in Hastings, he has performed at numerous esoteric and literary events. He is not to be confused with the esteemed psychic biker of the same name, whose fascinating book is also published by Mandrake.

The Ritual Year in Ancient Egypt
Lunar & Solar
Calendars and Liturgy
Mogg Morgan

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978-1-906958-13-8



The Ritual Year in Ancient Egypt
Lunar and Solar
Calendars and Liturgy
Mogg Morgan
Format: Softcover/272 pp.
ISBN: 9781906958138
£14.99/US$23
Subjects: Ancient Egypt/Egyptian Magick

The very oldest Egyptian ritual calendar was lunar. The evidence for this is very complex and in the words of Professor Leo Depuydt, “does not exactly jump out at you!” This ancient lunar calendar continued a veiled existence alongside the dominant solar or civil year. Many details are lost so the project of this book is to bring together what has survived. Revealed here is a very ancient pantheon of gods, including Set, Min, & Hathor, one for each month of the lunar year. I have provided for them a unique collection of liturgy, ritual and prayers as may have been offered in the homes, sanctuaries and temples of the original Egypt.

Many of these feasts of Ancient Egypt were celebrated on the phases of the moon – principally when it was new or full. So whatever your favorite god or goddess, make offerings on either of these days and you will be reviving an old and authentic form of the Ancient Egyptian magical religion.To complete the picture I present over several chapters all the technical details of the lunar month as well as its more well known civil replacement. Here you will find information on how certain key days were calculated when needed. These later chapters also provide related material on the mysteries of the Northern Constellations.

Finally there are descriptions of the thirty lunar days of each month and lunar omens. So in total this is the most complete and authoritative guide to the ritual wheel of the year at all stages of its use in the Ancient Egyptian magical religion.

Desert Fox Oracle

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desertfoxb

“The desert is so vast it can only be painted in miniature”
– Brion Gysin

The Desert Fox Oracle contains 30 cards. This number mirrors the number of days in the ancient Egyptian lunar calendar. The desert represents different things to different people. For example it can be the ultimate wilderness, the place of initiation and of the unconscious. The fox is the master of the desert and all its mysteries, he leads us on a journey through various archetypal images through which we can gain true knowledge of hidden things.

This is a prototype Limited Edition. A New Box-Set Edition with companion book is underway for 2019. Stay tuned !

Desertfox01_desertfox_web

Making Talismans
Nick Farrell

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Making Talismans cover


Making Talismans
Nick Farrell
Format: Softcover/284 pp/illustrated.
ISBN: 978-1-906958-57-2
£19.99 /US$28
Subjects: Magick/Occult.

Discover the secret keys and practical techniques to turn mundane objects into “living entities of power,” bringing real change in your life. By pooling magical practices from shamanism, paganism, the Order of the Golden Dawn, and Dion Fortune, Making Talismans offers training and techniques for performing advanced magical talismanic operations.

For many years this occult classic has been “out of print” and now has been reworked by the author to reveal more detailed and advanced magical work.

This book is nearly entirely practical and tells the reader how to create talismans which work and how this specialist form of magical work can be part of a spiritual path.

Nick Farrell is the author is the Chief Adept of the Magical Order of the Aurora Aurea which is a modern Golden Dawn dedicated to magical experimentation and development.

http://nick-farrell.blogspot.com/
Nick Farrell’s Blog – A blog providing training for all interested in the Golden Dawn, the magical writings of Nick Farrell and his Magical Order of the Aurora Aurea

Magic Of The Northgate
Josephine McCarthy

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NORTHGATE COVERlr


Magic of The Northgate
Josephine McCarthy
Format: Softcover/272 pp.
ISBN: 978-1-906958-54-1
£12.99/US$24
Subjects: Magic/Occult/Earth Magic/Death Customs/Ghosts.

Magic of the North Gate is a focussed look at magic that involves the body, the land, the living and the dead. Written for magicians/occultists, pagans, priests and priestesses, this book looks in depth at the techniques, contacts, methods and ritual actions that can be undertaken when approaching Earth Magic. Working with land spirits and faery beings, building shrines, living in a magical home, working with the magical elements, connecting with ancient deities, working with ancestral burials, understanding and living with resident ghosts, weaving power, plus learning how to connect and work with storms, are just some of the magical mysteries contained within the North Gate.

Foreword by Frater Acher
Josephine McCarthy is a seasoned occultist and author living in the Dartmoor National Park UK. She has taught and led magical groups in the USA and UK for over twenty years and has written a variety of books on magic/occultism including the Magical Knowledge trilogy, The Exorcists Handbook and The Work of the Hierophant.

Phi-Neter:
The Power of The Egyptian Gods
Mogg Morgan

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9781906958565_cov

 


Phi-Neter
The Power of The Egyptian Gods
Mogg Morgan
Format: Softcover/228 pp.
ISBN: 978-1-906958-56-5
£11.99/US$23
Subjects: Egyptian Magick

Phi-Neter, means ‘Power of the Gods’. In hieroglyphs this is represented by the hind-quarters of a leopard, a “Typhonian” creature, a predator who exemplifies the driving force of magick. In this book the author extends the core working material of Egyptian magick for himself and others to study and use. These techniques are manifest in the cult of Lord Seth – known as Typhon by the Greeks – and by all the other Gods of the Egyptian pantheon.

The Egyptian magician wields a power that was ultimately created by the Gods for the use of anyone who wishes to do their work. It is the same underlying power whether manipulated by Gods, priests, aristocrats, the common people or even the criminal. Same power, different ends.

“Ancient Egypt is an intellectual and spiritual world that is linked to our own by numerous strands of tradition.” – Jan Assmann, The Mind of Egypt

topics include: the false door; temple; abramelin; magick squares; aleister crowley; the heptagram; vowel song; cardinality; twilight language; seven charaktêres for “deliverance”; ring of power; hermeticism; colour symbolism; number; egyptian “kabbalah”; hermeneia; the star goddess; the book of nuit; ephemeris of egyptian decans; books of the nightworld (duat); book of gates; egyptian liturgy; a greco-egyptian dice oracle; Short Invocations, prayers, valedictions, maledictions etc
 

decans-philae

Deep Magic Begins Here . . .
Julian Vayne

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Deep Magic Begins Here
Julian Vayne
Format: Softcover
ISBN: 978-1-906958-52-7
£10.99/US$17
Subjects: ChaosMagick/Entheogens

One could read this as a collection of tales recounting magical experiments in practical occultism. But it is also a record of a magical crisis of confidence, a literal dark night of the soul. There are various milestones on this journey, from the mysteries of Witchcraft to tales of the Elder Gods. Deep Magick is a journal written during that long dark night of the soul.

As one might expect from such an articulate commentator, it also brings together practical how-to information, academic writing, and far reaching metaphysical exploration. This book touches on many different magical systems. Informed by the experiential approach of Chaos Magick and diving deep into the Mystery as presented through many traditions, this work explores:

Psychogeography and Magick
Transgressive bodywork
Our Vision of the End Times
Gender fluidity as spiritual process
The Boscastle Museum of Witchcraft
Zombies and the New Age movement
Buddhism meets Chaos Magick
Entheogenic magick, the law and social transformation
Mindfulness practice as the still point in the storm of chaos
The esoteric metaphysics of Pooh Bear, Tigger and Eeyore

…and much more!

The Way of
The Odin Brotherhood
Jack Wolf

Featured

Click here for Kindle UK edition

Click here for Kindle USA edition


The Way of The Odin Brotherhood
Jack Wolf
Format: Softcover
ISBN: 978-1-906958-53-4
£12.99/US$20
Subjects: Northern Tradition/Odinism/Secret Societies.

‘Would you know more?’

It began with a simple question, sent from an unknown e-mail address, and it kindled the fires of a quest that would take him on a journey of discovery spanning several years; a journey that would lead him closer to the enigmatic secret society known as the Odin Brotherhood.

Continuing a quest for understanding which had been started by his mentor years earlier, and following a trail of cryptic clues and mysterious lore, Canadian author Jack Wolf set out on a journey into the workings of this largely undocumented secret society. Accompanied by a mysterious informant known only as Crow, he embarks on a series of adventures that will ultimately draw him closer to penetrating the history, lore and secrets of this elder pagan fraternity – an entity which has existed for nearly six hundred years.

————–

Dr Mark Mirabello’s Foreword to Jack Wolf’s The Way of the Odin Brotherhood

“I have sometimes wondered if it were possible that unrecognized forces of the past or present– or even the future– work through the thoughts and actions of living men.”
– Robert E. Howard, December 14, 1933

Mysteries have always intrigued me.

For example, Vallalar, also known as Ramalinga Adigal, disappeared from his one-room residence in Mettukuppam, India on January 30, 1874. After he had given his last and most famous lecture on the “nature of the powers that lie beyond us and move us,” he locked himself into his home and told his followers never to open the door. He said anyone entering would find nothing.

Vallalar’s seclusion generated rumors, and the British Government finally forced the door in May. They found an empty room and no clues. The facts were reported in the Madras District Gazetteer.

*****

In my own life, I have experienced the enigma of the Odin Brotherhood. This secret society, composed of men and women who use darkness and stealth to preserve the lore of old gods and the purity of old ways, thrives on mystery.

Who are they? Why are they here? Why does legend surround their origin?

No one really knows the answers to such questions, but it clear that anyone who encounters the Brotherhood is never the same. Life has many moments of transformation–as an elderly Ethiopian woman once said to Leo Viktor Frobenius (1873 – 1938), the fabled scholar, when a woman is deflowered, or when a pubescent boy undergoes the ordeal of circumcision, each is changed forever–but when men and women encounter the Odin Brotherhood, they are transfigured.

Since publishing my little work on the Odin Brotherhood—in 1992—my contacts with the arcane have increased in number. I have been contacted by an alleged time traveler, I have been visited by a woman claiming to be from Odin, I have received cryptic verses (postmarked from Frankfurt, Germany) supposedly written by Odin himself, I have been offered membership in a French suicide cult, I have been asked to help with an exorcism of an adolescent deaf girl, and I have been visited by a traumatized woman who claimed to be a refugee from a subterranean world where humans are “bred like cattle and hunted like rabbits.” The list is extensive.

My hope was to be invited to join the Academy of Secrets, founded by Giambattista della Porta (1535? – 1615) and open only to those who had made important discoveries, but that has not yet happened.
Are any or all of these contacts connected to the Odin Brotherhood? As a believer in the process that Professor Karl Jung called “synchronicity,” or “meaningful coincidences,” I think that they are.
I cannot prove the linkage, but I do know that by publishing my slender book I did meet Jack Wolf. A Canadian, an acolyte of E. Max Hyatt, and an associate of Cassie Strong, a magician, Jack Wolf is the man who crafted the volume that you now hold.

And now, as my life has changed, so shall his.

***

After remaining hidden for so long, why is information on the Odin Brotherhood now emerging? Members still keep their involvement secret, but why is their “ancient lore” now appearing in books, articles, videos, and Internet sites?

Perhaps, as our civilization dies, we are being offered a “beacon of light.”

Many historians date the decline of the West from World War I, and is it a coincidence that weeks before the war, on July 20, 1914, that modern humans rediscovered Trois-Frères?

Used for 20,000 years as a religious site, this huge labyrinth, reached in total darkness via a narrow passage—only one foot high and 120 feet long—was dedicated to the old gods of Europe, when man hunted savage beasts, dressed in rawhide, and huddled around open fires.

Perhaps, in this time of distress, the old gods and goddesses from the era of the “Ice” are stirring once more.

And, they are using Jack Wolf to help us.

Mark Mirabello, Ph.D.
Year 591 of the Odin Brotherhood

The Peacock’s Egg
Ron Wyman

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Untitled


Format: Softcover
ISBN: 978-1-906958-34-3
£10.99/US$23
Subjects: Alchemy/Magic/Occult.

The Peacock’s Egg describes a transformation of the psyche. This is based in the alchemy in which an alchemical dream process is set into motion, acquiring highly resolute manifestation through phases of the opus. An intensive and lengthy occult praxis is entered in which dreams and dreaming practices are developed. Advanced levels of occult experience are attained in which ethereal energy becomes mastered, involving a purification. These attainments adhere to beliefs regarding this type of paranormal experience that include the author’s interest in the work of Carlos Castaneda. The intricacies of a crucial alchemical image are described—a Vision of the Peacock’s Egg, an accessible metaphysical anatomy. The spatiality of the rose garden, the alchemical death, and attainment of the lapis are then brought into the practice.

Contents
I. Anatomy of the Peacock’s Egg; II. Purification and Renewal; III. The Radiance of Colour; IV. The Amber; V. Phases of the Opus; VI. Dreams; and an appendix on medicine.

Village Witch
Cassandra Latham-Jones

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Format: Softcover
ISBN: 978-1-906958-23-7
£12.99/US$20
Subjects: Witchcraft/Folklore.

Village Witch describes life as a Village Wisewoman in the wilds of West Cornwall. The first part of the book documents the tortuous and sometimes harrowing journey to achieve this unusual occupation. It is a tale that ultimately moves through surviving and into thriving. Cassandra’s past experiences directly inform her present practice and are intrinsic to being a wisewoman – she acquires wisdom from actively experiencing and observing the vagaries of life. As part of her work she travels around the country giving talks about her profession, and without exception is asked each time what brought her to become a village wisewoman. Many people want to hear about that journey and this is one of the reasons for deciding to write the book.

Following on from this, Cassandra tells of the practice of her craft, which includes many stories and observations regarding the day-to-day experiences of a traditional wisewoman including her personal approach to magic.

At present the market is flooded with ‘how-to-do’ books on witchcraft and associated themes. Almost without exception they inform in an authoritative way often including a cookbook of spells. There is far more to the Craft of the Wise than simply following someone else’s recipes for performing magic. It entails old-fashioned qualities such as hard work, discipline, dedication and commitment. This book differs in that it describes the ‘why’ as well as the ‘how’ and in that sense challenges the reader to question and explore their own experiences of the worlds magical.

VILLAGE WISEWOMAN WEBSITE
www.villagewisewoman.co.uk/id6.html

CASSANDRA LATHAM-JONES BLOG
www.cassandralathamjones.wordpress.com

The Psychic Biker
meets The Extreme Ghost Hunter
Paul Green & Stephen Lambert

978-1-906958-20-6


The Psychic Biker meets The Extreme Ghost Hunter
Paul Green & Stephen Lambert
Format: Softcover
ISBN: 978-1-906958-20-6
£9.99/US$16.99
Subjects: Strange Phenomena/Paranormal/Ghosts.

In Psychic Biker Meets Extreme Ghost Hunter, Paul Green and Stephen Lambert have undertaken the unenviable task of spending many days and nights searching for something, which, for the most of us, is not part of everyday life experience.

In this book they take a candid look at the world of ghost hunting and the paranormal industry. They also reveal their thoughts on ghosts and hauntings, as they seek to encounter the things most people would wish to run from.

All are extreme and often virgin locations. Sometimes they succeed, sometimes they fail but they will tell it as it is. No frills, no airs and no lies.

Paul Green – The Psychic Biker, is possibly unique in the psychic world, a talented medium and psychic that was once an ardent sceptic. A hard-core biker that, on looks alone, should be placed on a door as a bouncer and not as an empathic psychic medium. Paul is opinionated, brutally honest and refreshing, or as he says “Attitude with Empathy”.

Stephen Lambert – Extreme Ghost Hunter, is a seasoned investigator of the paranormal. Stephen has spent a great deal of time at many locations alone on solo vigils. He is a firm believer in taking ghost hunting back to the basics, with a no nonesense outlook on seeking out the unexplained. Stephen is also a talented historian that likes to combine investigation with research.

The Return Of The Tetrad
Christopher McIntosh

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(Occult Fiction)

cover


The Return of The Tetrad
Christopher McIntosh
Format: Softcover
ISBN: 978-1-906958-18-3
£9.99/US$15
Subjects: Magical/Occult Fiction/Occult Thriller.

Paul Cairns, the narrator of this story, is a young journalist with a penchant for the occult. Prompted by a mysterious recurring nightmare, he seeks the advice of Gilbert North, scholar, country squire and occultist, who leads him on an extraordinary series of adventures involving a quest for the Tetrad, four primal magical objects corresponding to the elements and the suits of the Tarot. Cairns’ life becomes full of weird and supernatural happenings in a great magical battle between dark and light. But in the world of Gilbert North things are not quite what they seem. Layers of reality and unreality are peeled away until the deeper meaning of the whole quest is revealed.

REVIEW
Herbie Brennan (Ireland) –

This review is from: The Return Of The Tetrad (Kindle Edition).

Christopher McIntosh’s `Return of the Tetrad` is that rarest of commodities, an intelligent, vivid, well-written and, above all, authentic occult thriller that grips like a man-trap and provides an ending at once surprising and ultimately satisfying. The McIntosh style is reminiscent of Colin Wilson’s early novels, presenting thought-provoking ideas and deep-rooted esoteric concepts in an easily-digestible form that never becomes either difficult or patronising. This is occult fiction as it should be, but seldom is.

McIntosh, himself an academic expert in the esoteric, has mastered the art of suspending reader disbelief until the time comes for revelations that are as convincing as they are unexpected. According to the author,the first draft of the work was completed 40 years ago and has undergone various rewrites and revisions ever since. The end result is worth the wait. I read this book with enormous enjoyment and no little admiration.

Highly recommended.

Sacred Mountains
Michael Berman

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Sacred Mountains
Michael Berman
Format: Softcover
ISBN: 9781906958220
£10.99/US$22
Subjects: Shamanism/Spirituality/Myths & Legends.

On the mountains of truth you can never climb in vain: either you will reach a point higher up today, or you will be training your powers so that you will be able to climb higher tomorrow.
~ Friedrich Nietzsche

What mountains mean to me: in one word, awe-inspiring. Although we can measure them, our minds are incapable of actually grasping the very small or the very large things in nature: neither atomic particles nor astronomical distances. How big is a mountain, how much does it weigh? Our limited minds can only cope with subjective assessments such as how difficult is it to climb, how dangerous would an avalanche be? So the feelings it produces are awe, a little fear, and possibly exhilaration if and when we think that we have conquered the mountain – but in reality we never can.
~ Professor David Hunt

All the stories presented in this collection contain shamanic elements, so the obvious starting point is to explain what is meant by this. The term ‘shaman’ is a controversial one. Initially employed by early anthropologists to refer to a specific category of magical practitioners from Siberia, the term is now widely used to denote similar practitioners from a variety of cultures around the world. This application of an originally culture-specific term to a more general usage has caused problems with regard to definition, with disagreements among scholars over whether certain features, such as soul flight or possession, or certain types of altered states of consciousness, should or should not be listed among the core characteristics of shamanism.
(Wilby, 2011, p.252.)

Introduction
What are Mountains for you?
Soul Captivation on White Bone Mountain
The Magic Brush and the Golden Mountain
The Legend of Amirani
The Story of Jumping Mouse
The Children of Hamelin: A Shamanic Journey into Mount Poppenberg
The Crystal Clear Waters of Mount Elbruz
The Vision Quest, Mount Sinai, and a Dream Fulfilled
Mount Ararat
Mount Koya-san, the Hermit’s Cave, and Fujiyama
Sacred Towers
The Fool on the Hill and the Book of Mysteries
The Tobacco of Harisaboqued
The Princess of the Tower

Appendix:
The Baal Shem Tov –
Rabbi, Religious Formulator or Shaman?

***
cover photograph by Joe Page shows Rennes Le Château seen from castle of Rennes Les Bains.


Launch 17th of January 2012 at the Georgian Embassy the author will talk about this book and give a reading. Starting promptly at 7.30 pm. The event is free and Georgian wine will be served at no cost too. The address is 4 Russell Gardens, West Kensington, London W14 8EZ. The hall holds about 60 people and we are hoping for a full house.

*************************************************************************************
RESOURCES FOR THE SACRED MOUNTAINS EXPERIENCE
Arts & Culture, Folklore, Myths & Legends, Food & Drink.

*************************************************************************************

Tbilisi Opera & Ballet Theatre
www.opera.ge

*

Georgia Cradle of Wine
www.georgia.gov.ge/5225

*

TAMADA,
Authentic Georgian Restaurant,
122 Boundary Road, St John’s Wood,
London NW8 0RH, UK.
www.tamada.co.uk

*

Images of Set
Joan Ann Lansberry

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Images of Set
Joan Ann Lansberry
Format: Softcover
ISBN: 978-1-906958-21-3
£12.99/US$25
Subjects: Ancient Egypt/Egyptology

The god Set (aka Seth) has been much of a puzzle to Egyptologists. If we go with the attitude of later Egyptians, we find Set blamed for every misfortune that can befall humanity. However, if we go with the attitude of earlier times, in particular the Ramesside period, when Egypt was at its peak in prosperity, we find a completely different picture. For we find a god who was very much adored. Most of the surviving imagery is from that period, although even in Ptolemaic and Roman times we occasionally find a piece that was a part of worship and magical rites. Set was always seen as ‘Great of Power’, even when he was feared. Putting all his imagery together, placing it in chronological context, sheds new light on the Dark god.

“Joan Lansberry is a place where three roads meet: solid academic research, strong talent as a working artist, and a deep magical intuition for the magical current represented by Set. Her collection provides Keys to some doors long-unopened, and will prove invaluable to the modern Left Hand Path. I’ll be thumbing through this book for years to come.”

Don Webb
High Priest of Set (Emeritus)

www.joanannlansberry.com

Nightshades
Jan Fries

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Nightshades
Jan Fries
Format: Hardback – Cased Matt Laminate A4 216 pp.
ISBN: 978-1-906958-45-9
£24/US$40
Subjects: Aleister Crowley/Kenneth Grant.

“Nightshades is the record of one remarkable magician’s exploration of the inverse regions of the Tree of Life. Aleister Crowley’s Liber 231 provides the map and Kenneth Grant’s Nightside of Eden a travelogue. “Liber 231, apparently started life as a text within the Hermetic Order of the Golden Dawn, as an exercise to develop astral and trance abilities or perhaps in other more elaborate rites. The nightside aspect requires some care and alertness in case of accident. The correct attitude is said to be one of self or ego-less witness. Or maybe it’s just one needs the use of an all-embracing rather than a limited kind of identity and self-identification” (mmm)

“The Nightside is always with us. It’s so much older than the Dayside. Before the light began to shine, the night was there. Some assume that we are dealing with a simple polarity. On one hand the radiant world of colours and forms, more or less thinkable, reasonable and meaningful. Like the pretty picture of the Tree of Life it has its scenic cites, its hotels, restaurants, shopping opportunities and highways in between.

On the other hand the chaotic world of uncertain and incomprehensible mysteries. Both of them connected by the voidness that makes them possible. It looks symmetrical. But when you reach the Nightside it doesn’t work like that. The Nightside is not simply a reflection of the dayside with a few confusing and spooky bits thrown in.
The Dayside is a tiny island of experience in a huge ocean, the Nightside, full of currents, island chains and continents of the possible and impossible. All and Nothing are present everywhere. Our island is not the opposite of the world-ocean, it is simply a tiny and comprehensible part of it.” (jf)

Jan Fries Nightshades comprises 72 intense drawings prefaced by an explanatory essay detailing the background and genesis of this ultimate magical adventure.

Angelic Magick
Judith Page
(Preface by Aaron Leitch)

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Angelic Magick
Judith Page
Format: Softcover
ISBN: 978-1-906958-47-3
£12.99/US$23
Subjects: Angelic Magick

“The visualizations here draw their imagery from classical grimoires and Qabalistic philosophy. Plus, they have a specific and useful goal. Each visualization takes you on a journey into the symbolic realm of an archangel, where you are introduced to the entity’s sigils and symbols and other sacred imagery before encountering the archangel himself. Each visualization builds upon those before it, until the aspirant has been led through the seven circles of heaven and has established a personal link to the archangel that governs each one. At the end, the aspirant will have learned to recognize the images, seals and symbols they will encounter in the Solomonic and other advanced systems of angel summoning.

Such guided visualizations are certainly absent from the medieval texts about angels. So, why should I urge anyone who wishes to work with angels – even Solomonic practitioners – to follow the instructions in this book? Simply put, this book is based upon the same principle I described above: safely establishing first contact. It accomplishes this without resort to the full-fledged summoning ceremonies intended to call the angel down to the physical plane – an advanced practice the grimoires tend to jump into without preamble.

This book even includes simple rituals by which you can submit petitions to the archangels in times of need – and these rituals are not entirely removed from the methods of the grimoires. Therefore, working through the steps outlined in this book can serve as a wonderful bridge between “square one” and the fully adept practices of angelic summoning.”
: From Aaron Leitch’s Preface

Contents
Preface
Introduction
Authors Notes
Practical matters and preparation

Chapters

1 Legend of Luc’ifer
Path to Luc’ifer
2 Legend of Mikh’ael
Path to Mikh’ael
3 Legend of Gabri’el
Path to Gabri’el
4 Legend of Sama’el
Path to Sama’el
5 Legend of Rapha’el
Path to Rapha’el
6 Legend of Zadki’el
Path to Zadki’el
7 Legend of Ana’el
Path to Ana’el
8 Legend of Cassi’el
Path to Cassi’el
9 Legend of Uri’el
Path to Uri’el
10 Legend of Enoch
Path to Enoch & the Watchers
Magical Alphabets
Table of correspondences (Charts for angels and Hours)
Notes on the Seal of Truth
Bibliography

The Book of Baphomet
Julian Vayne & Nikki Wyrd

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The Book of Baphomet
Julian Vayne & Nikki Wyrd
Format: Hardback/232 pp.
ISBN: 978-1-906958-46-6
£24.99/US$34
Subjects: Chaos Magick

You hold in your hands the material result of many years’ hard craft.
This Book contains some of the secrets of Life itself; or rather, the
occult deity of Life on Earth, Baphomet. Horned, vital, beautiful, awe
full, our aeons old Chaos Magick idol finds a name from the Knights’
Templar, then goes incognito through the Enlightenment (when
flourished those great natural philosophers beloved of science
historians), before emerging via devil worship and witchcraft into
this era of Deep Ecology.

Darwin could have used a picture of Baphomet as his frontispiece, to
demonstrate the one flesh from which all species originate. Contacting
this Great Spirit, the anima mundi, allows access to a new way of
ordering the world, with fresh visions of how and why we could Live.
Here the authors weave strands from their lives into a rich tapestry
of images, which might give you a pointer or two towards your own
self-realisation, whilst amusing, entertaining, and instructing along
the way.

Revolution, evolution, leap beyond the apocalypse to the Now!

“An excellent read, consisting as it does of such a wealth ofinformation, research, anecdote, experience and vision” – Peter J. Carroll

“It is a very fine book, in which your two voices form a harmonious whole, and which manages to interweave cosmology, history, science, autobiography and drugs in a very effective way which probably nobody else could have managed.” – Prof. Ronald Hutton

“I have finished the book and found nothing I would object to. It is most excellent. The so-called Occult world is full of really bad books that are a sad waste of trees. Yours shines amongst this dross.” – Ian Read

“Altered state of consciousness just reading it…”- Alistair Livingston

“A fascinating, poetic revisioning of the concept of deity for the 21st century”
– Levannah Morgan

 

Contents

The Song of Life    11
Evolution    30
Elucidation    34
First Contact    36
Out of the Eastern Temple    42
Fire Underground    51
The Magical Conspiracy    62
The Inheritors of Baphomet    67
Enlightenment    79
Of Caves and Spires    85
Age old wisdom    88
Deep ecology    90
That Discordian Conspiracy so far…    100
Licking Baphomet into Shape    103
Satanic orgy shocker!    111
Stars in their eyes    116
Goddess    119
The Tell-Tale Head    122
Enter the Horned God    124
Not with a Bang    134
Serpent Dance    140
Embrace the Chaos    143
The Will to Live    149
The Death of Baphomet    154
Chains of Life after Death    167
Dredd Lord of the Shadows    169
Alchemy    178
The Precious Toad Stone    181
Baphomet Revisioned    183
Toad in the hole, Whole in the Toad    188
Deep Baphomet    196
Stories from The Circle of Baphomet    198
Horns of Baphomet yoga    206
Gnostic Chaosphere Ritual  
Valediction  

—–

Watch The Book Of Baphomet (Trailer)
vimeo.com/41602409

Check out
The Blog of Baphomet, a magickal dialogue between nature and culture.
theblogofbaphomet.com

Sexual Magick
Katon Shual

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Sexual Magick
Katon Shual
Format: Softcover
ISBN: 978-1-906958-48-0
£10.99/US$22
Subjects: Sexual Magick/Aleister Crowley/Thelema/Tantra.

Sexuality is one of the keys to magick. In this book, first published in 1988, Katon Shual presents some of the secrets of sexual gnosis within  western magick – a system that is often misunderstood. The book begins with a look at the revival of sexual magick in the early part of the 20th century, especially within the ranks of the Hermetic Order of the Golden Dawn and some of the post Golden Dawn magical groups such as Aleister Crowley’s Thelemic cult. The book goes on the look at the modern fusion of western Hermetic and eastern Tantrik sexual gnosticism. On the way it discusses in a progressive manner gay, straight and solitary sexual magick. The book goes on to introduce the ancient deity Seth as an archetype of the sexual magician. The book includes an unpublished grimoire of sexual magick, as well as several other unusual sources, including an authoritative exploration of the chakra system, a magical approach to kundalini and an introduction to the relationship between the sacred sexuality and the external landscape.

‘Makes the subject of sexual magick accessible and lucid and above all relevant to contemporary magical practice’
– Phil Hine reviewing in Talking Stick magazine

body magick cover art and insides by Michael R Goss

Taromancy
Gerald Boak

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Taromancy
Gerald Boak
Format: Softcover/210 pp.
ISBN: 9781906958336
£9.99/US$14
Subjects: Divination/Tarot/Aleister Crowley.

A simple set of 84 oracles, based on the Thoth Tarot, that one does not need a card deck or an experienced reader in order to consult!  Simply think of a question, then either toss a coin or dice in the prescribed manner. Then read your answer.

The 84 Taromancy oracles were first published in 1985. They were intended for the experienced hand at divination, and have remained in widespread demand ever since. This fully revised edition, contains the same oracles but in less technical language, will appeal to those only now setting out to explore fortune telling. After a quarter of a century in use, I believe their following justifies this major revision.

Apart from their plainer style, a new Summary and in-depth Conclusion now accompanies each oracle. These replace the earlier and limited Notes, and explain even the smallest areas of interest. Together with extra and helpful background material in the first three chapters, I believe these sizeable additions will provide a more complete and user-friendly tool of divination.

Finally, and on a purely technical note, the astrological aspects behind the oracles agree with the work of Aleister Crowley in his dictionary of correspondences, Liber 777 vel Prolegomena Symbolica ad Systemam (etc.) published privately in 1909 and adopted since as a standard work of reference. Two of those correspondences were amended in his 1944 edition of The Book of Thoth. In that book Crowley made a fundamental error in his Key Scale of the tables, incorrectly assigning Aries to tarot trump XVII and Aquarius to trump IV, whereas, and by his own admission, they should be counterchanged. Fearing more hawk-eyed diviners will question my choice of attributions, I thought it safest to explain in advance.

Magical Knowledge
Book I ”Foundations”
Josephine McCarthy


Magical Knowledge
Book I Foundations
Josephine McCarthy
Format: Softcover
ISBN: 978-1-906958-44-2
£12.99/US$24
Subjects: Magic/Ritual Magic/Occult/Western Esoteric Tradition.

Breaking out of the age old restraints of secrecy & oaths, Magical Knowledge leads the reader through the techniques, issues and beings that the Initiate can expect to encounter.

This first book in a series of three, guides and advises, informs and introduces the serious magician to rarely discussed areas of visionary and ritual magic.

The information presented in this book flows from the deep roots of true magic, and as such can be applied to any particular path or magical method; the reader is introduced to the structure and inner contacts behind the various schools of magic that exist today. Magic can only truly blossom if the boundaries are challenged, and to do that, the magician needs to understand the dynamics of power and the inner worlds. This book aims to guide the magician along that path.

Contents:Accessing the inner worlds: making contacts without the use of temples, rituals and patterns/Practical methods for working with angelic beings/ Working with deities: pitfalls and approaches/ Working with Ancestors/ Accessing and Working Within the Faery Realm/ Polarization: magical dynamics of work and partnerships/The physical implications of practicing magic/Inner landscapes of the people and the land/Magical protection: working methods/Sigils and seals: what they are, how they work and what to do with them/ Inner World Parasites/Removing ghosts and other unwelcome guests/How to deal with simple magical/psychic attacks/Dismantling Hermetic or Kabbalistic curses/ Short Tour of the Tree of Life without Kabbalah/The Structure of the Abyss without Kabbalah/The inner structure of magical lodges & groups/The Ritual Overlaying and Patterning of the Sacred Isle of Britain/ Working with Sleepers/Death and Birth/Using Tarot as a working tool/ Working methods for leading group visions/workings/The Inner Aspects of Consecration

Kindle UK edition

Kindle USA Edition

Magical Knowledge – Book I: Foundations/The Lone Practitioner. Josephine McCarthy. Illustrated by Stuart Littlejohn (Mandrake). The author is an experienced occultist, magician and exorcist who has led and taught magical groups in both the UK and USA. This is the first volume in a trilogy for beginners on the serious study and practice of magic in the Western Esoteric Tradition. McCarthy takes a solid, no-nonsense, down-to-earth approach to the subject enlivened with flashes of humour and a healthy dose of scepticism. The contents of the book are informative, comprehensive and wide-ranging and it includes chapters on magical training, the pitfalls and traps of magic, inner contacts and inner beings, the work of the solitary practitioner, psychogeography and working with the land and its genii loci, visionary and ritual magical techniques, initiation, exorcism and developing Tarot skills. This is the sort of book I wish had been available when I first started out on the Path because it would have made the journey easier. Highly recommended. The Cauldron #143, February 2012.

Magical Knowledge III
Contacts of the Adepts
Josephine McCarthy

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Magical Knowledge III
Contacts of the Adepts
Josephine McCarthy
Format: Softcover/262 pp.
ISBN: 978-1-906958-49-7
£12.99/US$24
Subjects: Magic/Ritual Magic/Occult

“…This is the state where the Inner Traditionalist becomes the Ritualist and the Ritualist sees the power behind the words. Magical acts become like riding on top of a speeding train of words, and gestures towards your spiritual destination . . . it is vital for people practicing the Ritual Tradition to read and understand this book and bring back to their systems the techniques that are contained within it.”
Nick Farrell
Magical Order of the Aurora Aurea
Rome

Magical Knowledge III – The contacts of the Adepts is a book that is a springboard for those who are immersing themselves in the depths of Western Magic. Working at an adept level means working in depth in the inner worlds and bringing that work out into the physical world through ritual, utterance and focused thought. This book facilitates these actions and bridges connections between the inner interface of magic and its outer manifestations. The book looks in depth at magical methods used in various ancient temples, the inner mysteries of the Abyss, the workings of the Metatron Cube, the magic of Fire, the power of Utterance and the contacts of ancient deities.

Reviews:
The Cauldron (149 Nov 2012)
“… shows working as a real adept means delving into the inner world and bringing through results into manifestation in the physical world. Easier said than done. Her book provides a wealth of information on how to do this and is also laced with her own down-to-earth and commonsense approach readers of her books have come to expect from somebody with many years of ritual experience.” Highly recommended

A Contemporary Western
Book Of The Dead
An Anthology
Edited by Charlotte Rodgers
& Lydia Maskell

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A Contemporary Western Book of The Dead
An Anthology
Edited by Charlotte Rodgers & Lydia Maskell
Format: Softcover
ISBN: 978-1-906958-04-6
£10.99/US$18.99
Subjects: Death Customs/Spirituality.

‘I was musing on Singapore in all its affluent glory still having shrines for the dead on every street corner during ‘The Festival of the Hungry Ghosts’. Then I was musing on how the socially mobile of modern western society eschew death rites and grieving in the name of ‘holding it together’ and being progressive. I thought of which civilizations are falling and which are rising again, and wondered whether acknowledging death and the ancestors is a vital part of a maintaining personal identity and our place in society. I remember how my grieving father mourned for all the information he had relied on his deceased wife remembering; information which was now lost. I recalled Michael Crichton’s words ‘If you don’t know (your family’s) history, then you don’t know anything. You are a leaf that doesn’t know it is part of a tree.’

Then I thought maybe someone should write about the cults of the ancestors and death, perhaps an anthology, perhaps cross relate experiences of loss to personal spirituality and magick and history. I know that years of working with the dead in the name of art and spirituality, didn’t prepare me for the death of my mother. What helped me was the advice of someone from a long tradition of working with the ancestors. I think that collecting the experiences of spiritual practitioners in their working with grief and death is part of a living and necessary tradition that will give respect to the dead and strength, identity and support to our own personal spirituality.’

Within this book are rituals, stories, traditions and experiences of magicians’ scholars and artists who work with death. Some of the contributors such as Nema, Mogg Morgan, Louis Martine and Nevill Drury (to name but a few) have helped define contemporary transformative spirituality. Others are less well known but just as learned. As there should be in such a collection there is comedy, anger confrontation and practicality. This anthology is about who we are, and where we come from. It is also about how we change. A Contemporary Western Book of the Dead contains voices and visions that acknowledge our past, feed our present and guide the direction of our future.

Introduction/Charlotte Rodgers
Loved One/Nema
All a Do about Death /Josephine McCarthy
Clans For The Memory / Sarah Grimstone
Learning About Death / Nevill Drury
A Thoughtful Wake / Louis Martinie
Break On Through To The Other Side /Louise Hodgson
Death the Final Frontier / Sue Fox
The Bardo Thodol – Bon Voyage / John Power
You Only Live Twice / Ode bi Tola
On Speaking with the Dead: The Cult of the Dead in Traditional Culture / Michael Clarke
Body / Mishlen Linden
The Great Western Hoax / Ode bi Tola
The Book of Gates: A prose arrangement / Mogg Morgan
Biographies of Contributors

Photographers:
Sue Fox, Ruth Kenyon, Ariadne Spyridonos Xenou (Cover: Gerald Hutton)

Secrets of Asgard
Vincent Ongkowidjojo


Secrets of Asgard
Vincent Ongkowidjojo
Format: Softcover
ISBN: 978-1-906958-31-2
£12.99/US$24
Subjects: Northern Tradition/Runes/Odinism.

Foreword by Freya Aswynn

It is with great pleasure that I introduce this extraordinary book. A work of scholarship and intuition Vincent digs deep in the Well. The first part of the book is taken up with a discussion about the origins of Runes and the Celtic connection, very interesting.

Secrets of Asgard is aptly named as in this book Vincent forges new connections with Runes to reveal a multidimensional web of correspondences between other schools of thought partaking of the perennial Wisdom Tradition. Expanding the Runic meanings and offering a deeper layer of Rune might than ever before.

Like me, this author’s native language is Flemish/Dutch and so plugging into the unconscious more linguistic aspects are uncovered and discussed proving fascinating new insights into the Runes: lots and lots of new stuff, subtle seemingly little things so small that no one me included actually took the time to look at!

Vincent brings in a lot more of the natural world, as in his section on Berkana. It is clear that this monumental Work contains a wealth of scholarship as well as insights especially in the practical applications of Runes.

Vincent interprets the 3 aettir in a sociological context according to Dumezil, however he allows for evolution from thrall to Jarl within an initiatic concept; he also recognized a correspondence with the astrological crosses, something I had overlooked, I can honestly say that Vincent has taken the whole kit and caboodle to a new level.

Correlations with the writings of Alice Bailey are discovered and discussed. This book will appeal to Runesters and Heathens who cultivate an open mind and wish to go beyond religion into the Initiatic Mysteries of the Runes and the Gods.

About the Gods as well as their Runes, Vincent offers some very interesting differing and sometime radically opposing views to my own, solidly backed up by an alternative look, lore and his own intuition. Invocations and instructions for successful Rune magick are a large and rich resource. This book has something for everyone, sound lore and deep magick. This excellent work shows a deep and powerful occult current as well as keeping true to the tradition. Fine scholarship and impeccable integrity breathe through this work.

May it open many doors in the minds of those who wish to explore beneath and beyond exoteric heathenry.

Freya Aswynn

Contents
Part one focusses centres on the meaning of the individual runes and the myths, esplaining the Aettir alongside Northern mythology. It describes each of the gods as well as the Nine Worlds etc. The second part centres on the application of the system, namely magic and divinatio and includes rituals and exercises.

A thesis of practical rune magic is developed which is based on the Havamal 144 stanza. The analysis concludes that the Runes were traditionally regarded as actual spirits. The stanza explains how to make your own set as well as other talismanic objects. The practice of galdr-singing is discussed in more depth to complement the Havamal 144 techniques. Then, a discourse is given on the most common Ancient Germanic magical formulae. They complement the practical work on talismanic objects.

A separate chapter is given on divinatory practices. Useful information on dreamwork is added and numerous other exercises used to make contact with the subconscious mind through auto-suggestion, and many other useful ritual techniques and practices.

Visit Vincent Ongkowidjojo’s website for latest updates on talks, courses and workshops in the UK, Belgium and the Netherlands.
www.alhaz.be

Egyptian Shaman
Nick Farrell


Egyptian Shaman
Nick Farrell
Format: Softcover
ISBN: 978-1-906958-42-8
£12.99/US$23
Subjects: Ancient Egypt/Egyptian Magick/Shamanism.

The spiritual traditions of Ancient Egypt are well documented and are at the forefront of the Western Mystery and Magical Tradition. But they are a gloss over a more primal “shamanic” tradition which gets to the essence of Nature and its relationship with humanity, life and death.

This book is a practical manual for those who wish to explore that primal spirituality using Egyptian symbolism. As Egypt was one of the village cultures, so Egyptian shamanism was one of the first to operate in an urban environment, making its techniques suitable for modern times.

Egyptian Shaman paints the picture of what it was like to be a village priest in Ancient Egypt before describing the practical techniques which would have been employed during those times. These techniques, which have never been revealed before, have been adapted for modern minds with the intention of making this a practical spiritual path.

The book controversially contains a chapter on exorcism and dealing with the dead, which many have claimed are subjects which should not be published. It shows how later Egyptian texts, such as the Book of the Dead, were Shamanic guide books to the Underworld.This is a book containing the keys to transmute,not only the self, but the whole planet.
 

THE AUTHOR
Nick Farrell is a writer and journalist based in Rome. After a lifetime in the Western Mystery Tradition, during which he was taught by some of the luminaries of the Esoteric World, including Marian Green, Dolores Ashcroft-Nowicki, David Goddard and Chic and Tabatha Cicero, he founded the Magical Order of the Aurora Aurea, which is a worldwide traditional Golden Dawn Order. He has also written several books on esoteric subjects including the esoteric classic Making Talismans, Magical Pathworking, and The Druidic Order of Pendragon. He has also written Mathers’ Last Secret and King Over the Water which deals with the Golden Dawn tradition.

 

 

The Octavo
A Sorcerer-Scientist’s Grimoire
Peter J.Carroll


The Octavo
A Sorcerer-Scientist’s Grimoire
Peter J. Carroll
Format: Softcover
ISBN: 9781906958176
£10.90/US$20
Subjects: Chaos Magick

Every universe potentially has its own Supreme Grimoire containing the spells which define its reality and the magic which you can perform within that reality. In this Octavo we have assembled scattered secrets for a Supreme Grimoire for Roundworld, the universe in which you’re standing.

To this end we have taken some inspiration from Pratchett’s Discworld, and a lot from Theoretical Physics and Practical Chaos Magic.

The most original, and probably the most important, writer on Magick since Aleister Crowley.”
–  Robert Anton Wilson. Author of the Cosmic Trigger trilogy.

Review of The Octavo by Dave Lee
This is the second book Pete Carroll has brought out in the last two years, after a number of years’ silence. In 2008, there was ‘The Apophenion’, which was something of a departure towards an overall philosophical position, which we might call chaoism, as distinct from chaos magic. Now he presents us with a new synthesis that aims at a much closer marriage of scientific theory and magic than he, or, to my knowledge, anyone else, has attempted.

The first thing you’ll notice about this book (other than the excellent illustrations) is the subtitle. The reference will be lost on non-Pratchett experts like me; I’ve enjoyed a few of Pratchett’s books and found others a bit twee for my taste. (I have to admit, though, that he shows superb understanding of the thermodynamics of godhood in ‘Small Gods’, and a brilliant vision of the Other in ‘Lords and Ladies.’) Apparently, there’s an Octavo of Discworld spells, and it seems this volume is using the conceit that it’s the Roundworld equivalent in order to show how physics and magic can be combined in two very different universes.

The second thing you’ll notice is the physics. Publishers say that every equation in a book halves the readership, and there are a lot of them in The Octavo*. More, in fact, than in Liber Kaos, but they – at least the ones in the first few chapters – are of a very different kind.

The ‘Equations of Magic’ in Liber Kaos have always been problematic: they dealt in quantities which are not measurable, and probably never will be, like ‘degree of gnosis’ and ‘magical link’. So, they are not really equations, but things that look like equations; what they amount to, at best, is a mental checklist, a summary of what we know about magic so far. With a shorthand like that, all that matters is that it’s easily memorable, and the physico-mathematical symbolism does not help at all.

The equations in Octavo are very different. They are much more ambitious, genuinely cosmogonic in nature, and I suspect they have some very important things to say – to those who understand them rather more deeply than I do. I did get lost for much of chapters 2 and 3 (I only have maths to just short of A-level), but surfaced again at the start of Ch 4, where he compares Discworld and Roundworld physics, and comes out with some pretty profound stuff.

One of the things that’s particularly interesting about Carroll’s science is the way he attributes real physical – or aetheric / shadow-physical – reality to quantities that appear in the fundamental equations of physics. In Liber Kaos for instance the wavefunction in the Schroedinger equation is a measure of a real quantity in shadow-time, rather than a mere mathematical convenience, to be discarded as soon as possible in the course of calculations. No, Carroll finds a home for these misty, despised quantities, integrating them into a description of a magical universe. In The Octavo, he comments about quantum superposition, which is a concept we’re normally just supposed to get our heads round, that it actually has fine detail which makes it much more physically real – the alternative forms of the particle are kind of parked in sideways-time. For me, that is a distinct improvement on the usual way superposition is described.

This realistic use of mathematical entities recalls Galen Strawson’s ‘real materialism’**, as does this (p97):

‘A visualized or imagined event can have a similar effect on the imaginary time plane as the probability function of a material event, because it too constitutes a wave-particle event’.

In other words, ‘thoughts are as real as rocks’, to the real, Strawsonian materialist. Carroll also gives a physico-mathematical reality to Sheldrake’s morphogenetic fields – they are the information contained in the virtual radiations emitted by everything all the time.

I do like the depiction of particles as closed universes (p23), and it’s satisfying to read Theories of Everything, but the problem for the mathematically sub-literate becomes: how can I distinguish the true ones? I’m not sure that Carroll’s doing away with the Big Bang (a dirty job, but someone had to do it) yields a truly more complete ToE than the current one: a steady state model of the universe comes no closer to explaining where everything comes from than the expanding-from-a-point one does, it simply makes it an unaskable question, which is not the same thing. His cosmological explanation of the red shift (the core mystery of cosmology) involves something like a new mechanism for Zwicky’s previously-rejected ‘tired light’ hypothesis, and I have asked a mathematical friend of mine how viable an explanation it is.

Some of my reservations about this book stem from Carroll’s over-willingness to form Laws. Right near the beginning of the book, he has concreted the ‘multiple selves’ model into one. The idea of selfhood as multiple arose out of a very postmodern milieu of thought about what we are, and has proved very useful to magicians. However, it does suffer from a vagueness at its core: it would be a good idea to clarify the difference between personalities and the moment-to-moment sense of selfhood. The former may be usefully thought of as multiple, but the sense of self is always and ever phenomenologically singular. I challenge anyone to describe how it can be sensed otherwise.

This excessive taste for laws surfaces again on p66, where Carroll attempts to prove that there is always ‘ an even number of selves’, with an argument I found so unconvincing I suspect the author is self-consciously preaching to the choir, knowing we’ll indulge him.

My main criticism of the book is that the ‘Equations of Magic’ reappear in Ch6. I’ve said above why they are not equations, but simply tally-sticks; they remind me of Frazer’s useless laws of magic, but with added algebra to put more people off. Has a magician ever told you they’ve helped him or her plan a working?

Their inclusion wouldn’t be such a bad thing if it wasn’t for the very high quality of arguments pursued using real equations in the cosmological parts of the book: to someone who hasn’t been following the maths very closely but can see how the EoMs cannot be real equations, they simply serve to cheapen the value of the other equations and arouse suspicion about their validity. And to use them to derive, via a complicated chain of reasoning, the conclusion that group magic is no more powerful than individual magic is pure tautology, because the only way anyone could get that conclusion would be by building it into the ‘Equation’ in question.

By the way, can we have a straw poll on this? My feeling is that group magic is immensely more effective for some kinds of enchantment.

The final complaint I have is a purely aesthetic one. Sure, it wouldn’t be a bad idea to replace the phrase ‘material base’ with something else, because we do talk about servitors quite a lot. But the term ‘groundsleve’, to my ear, is down in the flooded and odious basement of English, along with ‘staycation’ and ‘bromance’. (OK, I suppose that means I’ll have to come up with one myself.)

Back to a few final words of praise: One of the satisfying things about this book is the way Carroll fills out and brings up to date old ideas, some of which he has developed and used years before. Like the way the good old GPR gets completed into the GCR, a much more symbolically satisfying and complete thing.

Proper weight is given to the Apocalypse, and what wizards can do to help avert the collapse our stupidity has got us into.

I have to make a special mention of the llustrations. If there was an award for ‘best occult book graphics of the year’, then Matt Kaybrin’s would sweep it, with these bold, dark, unusual mixtures of traditional and cyber-art.

In the end, I would definitely recommend this book. It is important, maybe very important, and will stir some interesting thoughts even in the non-mathematically-inclined. Carroll’s basic attitude to mysteries is the only healthy one: not to try and banish them, like the Dawkinsian parascience bunch, or use them to obfuscate, like the religious do. He writes: ‘Mysteries should present challenges, not opportunities for dumb belief.’

*I showed the book to a mentally tough shaman I know, and as soon as he saw the equations, he declared he’d rather chew his leg off than try to understand them.

The Octavo is remarkable in the finest sense of the word: a great and indeed unique achievement, making a genuine physics of magic’.
– Professor Ronald Hutton

Aromatic Oils
A Guide to Their Use
in Magick, Healing & Perfumery
Ray Sherwin




Aromatic Oils
A Guide to Their Use, in Magick, Healing & Perfumery
Ray Sherwin
Format: Softcover
ISBN: 978-1906958039
£12.99/US$20
Subjects: Aromatherapy & Aromatics/Healing/Well-being/Chaos Magick.

This aromatic and magical memoir comes to you from the pen of well respected chaos mage and expert on aromatics Ray Sherwin.

The contents include:
Using Essential Oils Therapeutically

Using Aromatherapy Products at Home

Monographs on my Favourite Oils. Some aromatherapy schools are now expecting their students to study forty or more oils. I use about ten. A few data sheets

Therapeutic Index 

Miscellaneous Information, General information and Frequently Asked Questions

What’s going on with Tea Tree Oil

A Further Note on Health & Safety

Oils Which Should Not Be Used in Aromatherapy

Health & Safety Data regarding Storage and Handling of Essential Oils

A Quick Note on Benzoin, Peru, Galbanum, Immortelle, Oak-Moss, Aniseed, Jojoba, Sandalwood, Fragrance & Rose Otto

Fixed Oils

How to Copy a Perfume

A Bottle of Patchouli 

Hocus Pocus – Witch-doctors, sorcerers, priests and imams in the shop
Ritual Magick for the BBC

A Spooky Aside A ghost story

A Rose by any Other Name – pheromones and other human smells

The Fats of Life – What your mother would have told you if she’d known. Essential oils, absolutes and fixed oils. Are we consuming the right amount and balance of fats in our diet? Are therapists damaging their clients by using seed oils as carriers? 

The Old Bazaar in Cairo. I taught for a while at Cairo University. Most tourists encounter the perfumers in the bazaar but they don’t get to see what’s going on behind the scenes

Magic in The New Testament
Robert Conner


Magic in The New Testament
Robert Conner
Format: Softcover
ISBN: 978-1906958-275
£14.99/US$23
Subjects: Christian Magic/Religious Studies.

Early Christians were accused of practicing magic by Jews, Pagans, and other Christians. Magic in the New Testament examines magical praxis common to the New Testament, the magical papyri, the Sepher Ha-Razim, the Book of Enoch, the apocryphal Acts and the pre-Nicene church fathers and surveys the professional literature on early Christian magic from Additional topic include:

magic, family and sexuality /

the Old Testament background of early Christian magic /

the relationship between magic and apocalypticism /

veneration of relics and necromantic sorcery /

resurrection, ghost stories and polymorphism /

magic and mystery cult in early Christianity.

 

The Question of Sources / The Holy Family / The Looming Apocalypse / The Final Confrontation / Resurrection or Ghost Story?/Magical Palestine / Jesus the Magician / A Darker Sorcery / Christian Necromancy / Cults of Possession / Spirit Versus Spirit / The Christian Mysteries/The Son of Horus / Last Rite

The Wanton Green
Edited by Gordon MacLellan
& Susan Cross


The Wanton Green
Edited by Gordon MacLellan & Susan Cross
Format: Softcover
ISBN:
£11.99/US$23
Subjects: Contemporary Pagan Writings/Paganism/Spirituality.

As our relationship with the world unravels and needs to take a new form, The Wanton Green presents a collection of inspiring, provoking and engaging essays by modern pagans about their own deep, passionate and wanton relationships with the Earth.

“Where do we locate the sacred? In a place, a meeting, memory, a momentary glimpse? The Wanton Green provides no easy answers and instead, offers a multitude of perspectives on how our relationships with the earth, the sacred, the world through which we move are forged and remade.” – Phil Hine.
 
Contents: Foreword (Graham Harvey) ,”She said: ‘You have to lose your way'”(Maria van Daalen), Fumbling in the landscape (Runic John), Finding the space, finding the words (Rufus Harrington),Stone in my bones (Sarah Males), A Heathen in place: working with Mugwort (Robert Wallis),Wild, wild water (Lou Hart), Facing the waves (Gordon MacLellan),The dragon waters of place: a journey to the source (Susan Greenwood), Catching the Rainbow Lizard (Maria van Daalen), The rite to roam (Julian Vayne), Places of Power (Jan Fries), Natural magic is art (Greg Humphries), Pagan Ecology: on our perception of nature, ancestry and home (Emma Restall Orr), Because we have no imagination, (Susan Cross), The crossroads of perception, (Shani Oates), Devon, Faeries and me, (Woody Fox), Lud’s Church, (Gordon MacLellan), Places of spirit and spirits of place: of Fairy and other folk, and my Cumbrian bones (Melissa Montgomery), A life in the woods: protest site paganism, (Adrian Harris) We first met in the north, (Barry Patterson), Museum or Mausoleum (Mogg Morgan), Hills of the ancestors, townscapes of artisans (Jenny Blain), Smoke and mirrors (Stephen Grasso), America (Maria van Daalen), Standing at the crossroads, Meet the authors .

About the editors:

Gordon MacLennan is a shaman, storyteller and artist whose work sets out to find ways of celebrating the relationships between people, place and wildlife. Gordon’s books include Talking to the Earth, Sacred Animals and Celebrating Nature (all with Capall Bann), StarMatter and the Piatkus Guide to Shamanism.

Susan Cross is a poet, heritage and environmental interpretation consultant and occasional pirate. About a decade ago she realised that she has probably always been some kind of animist mystic and since then has endeavoured to make that a more conscious, clearer and brighter part of her life.

The Wanton Green: Contemporary Pagan Writings On Place. Edited by Gordon MacLellan and Susan Cross (Mandrake). Since the 1970s modern forms of pagan witchcraft (Wicca) and the neo-pagan movement have defined themselves by an engagement and involvement with ecology, the environment and ‘green’ politics with their adherents claiming to be following a ‘nature religion’. This is a collection of essays on the genii loci, or ‘spirit of place’ in the natural world written by various Wiccans and neo-pagans including Shani Oates, Rufus Harrington, Emma Restall-Orr, Melissa Montgomery, Jan Fries, Julian Vayne, Barry Montgomery, Barry Paterson, Susan Greenwood, Mogg Morgan and others. The contents range from an experience of the faery folk in Devon to a psychogeographical guide to ‘occult London’. If you are interested in the non-traditional neo-pagan approach to nature and the environment then this book is recommended. – The Cauldron #144, May 2012.

 

The Star Crossed Serpent
Volume I
Evan John Jones & Shani Oates



The Star Crossed Serpent
Vol 1
Evan John Jones & Shani Oates
Format: Hardback
ISBN:
£25/US$40
Subjects: Cochranian Craft/Witchcraft/Magic/Occult.

Part One:

Dual-authorship of the Clan of Tubal Cain’s Legacy defining 50 years of its organic evolution. Originating from within an unpublished ms written by Evan John Jones, the former Magister of the Clan since Robert Cochrane’s death in 1966, it serves Testament to the Will of Fate and Tenacity of Spirit here expressed, from its inception under Robert Cochrane through Evan John Jones’ own record of the Clan’s beliefs and practises to those of the Current bearers of this mantle, depicting the interweaving of Wyrd in the vital process of its existence and continuity in Troth to its Tutelary Spirit: The Star Crossed Serpent.

Magical Knowledge
Book II The Initiate
Josephine McCarthy


Magical Knowledge
Book II The Initiate
Josephine McCarthy
Format: Softcover
ISBN:
£12.99/US$26
Subjects: Magic/Kabbalah/Western Mystery Tradition.

“Here you have a book that will help you, and an author whose views you can respect. More than this, you may safely trust her practical guidance, which is drawn from a long and varied experience of working alone and with others. She is a gifted teacher, perceptive and critical: perhaps more important, she is also human . . . there is no question but that the magical path is a hard road that requires dedication, discrimination and a solid dose of common sense . . . if you are determined to follow the magical path, and if you employ these three qualities, you will be hard pressed indeed to find a better guide than Magical Knowledge.” RA Gilbert.

Magical Knowledge book I is the first in a series of three that takes the reader through the bends and twists of serious magical study. This book tackles some of the more pressing issues surrounding the early quest for knowledge from the world of magic, along with techniques, exercises and warnings for those ready to dip their toe in the scalding hot water of power.

Using her usual no nonsense down to earth approach, McCarthy outlines in depth some of the rarely tackled issues and problems that face a serious modern magician, offering advice and reflections based on 30 years of practical work.

The book follows no specific magical path; rather it takes the reader to the layers of consciousness beneath such paths and shows us the various techniques, powers and dynamics that underpin most Western Mystery schools and lodges. The reader is shown how ritual actually works, what an inner contact actually is, how to make visions work, how to turn an object into a magically charged implement, how to read Tarot, how to clean and protect yourself, and most importantly of all, how to spot the bullshit.

Magical Knowledge – Book II: The Initiate. Josephine McCarthy (Mandrake). The Western magical tradition has been shrouded for many years un secrecy and obfuscation giving rise to baseless speculation and providing succour to charlatans and mountebanks. This book, written by a practising magician and exorcist, lifts the lid on the ‘secrets’ and reveals in plain language some of the rarely discussed aspects of magical praxis. The contents are varied and wide-ranging including accessing the inner planes, working with angelic beings (not in the Doreen Virtue way!), the ancestral dead and the realm of Faerie, signs and seals, dealing with inner world parasites, magically relating to the sacred landscape and the ‘sleepers’ in the land, the esoteric meaning of birth and the ‘death vision’, the Tarot as a magical working tool and much more. The author is an occultist with many years of experience under the belt of her ritual robe. Currently she lives reclusively on the edge of Dartmoor in Devon but previously she has taught and led magical groups in the United States and the UK. For that reason she knows what she is talking about and can truly write from a position in the Arte of experience and authority. Highly recommended. The Cauldron #143, February 2012.