Aleister Crowley MI5

Richard C McNeff
(Occult Fiction)

Aleister Crowley MI5 
Richard McNeff
ISBN: 978-1-914153-02-0
£15.00+p&p / US $22.00+p&p

Click HERE for UK edition

Click HERE for USA & Elsewhere

Click HERE for the Kindle edition 

Audiobook (auto-narated)

An unsettling encounter with Aleister Crowley in a Soho pub launches Dylan Thomas on an adventure whose first stop is the opening of the Surrealist Exhibition on June 11, 1936. With the Welsh poet is his first editor Victor Neuburg, the Beast’s lapsed apprentice. In the bohemian fleshpots of Fitzrovia and Soho they connect with such luminaries of the period as Nina Hamnett, Augustus John, Tom Driberg, King Edward VIII and Wallis Simpson, as well as Crowley himself. Neuburg confronts the terrifying magick of his youth and something even more menacing — a Crowley orchestrated MI5 plot to avert the abdication. Aleister Crowley MI5 is an exhilarating work of fiction with highly researched fact at its core.

Richard McNeff on Aleister Crowley MI5 from ‘LASHTAL’

From the reviews:

‘McNeff’s book is so different from anything you usually find on a bookshelf that it should perhaps be a compulsory purchase.’ Independent on Sunday

‘Probably the finest modern novel featuring Aleister Crowley.’ Lashtal

‘Aleister Crowley as himself in all his occult and charismatic glory – a manipulative, overbearing, bizarre yet compelling character. Fiction could hardly have invented him: he is a gift of a character to any novelist & Richard McNeff has accepted him, unwrapped the parcel and given him his head.’ Martin Booth, author of A Magick Life

‘A swaggering romp of a novel. Plot by Buchan; characters by Beardsley; setting Art Deco — difficult to better that.’ Wormwood

‘A very clever idea, fleshed out with wit and style and an excellent sense of the times.’ Silverstar

 ‘Full of fascinating nuggets…..Neuburg’s crisis of identity with AC is very well observed.’ — Snoo Wilson:   

Richard C McNeff’s early acquaintance with John Symonds, Crowley’s literary executor and biographer, sparked an interest that developed into the 1977 cult short story ‘Sybarite among the Shadows’. This grew into Aleister Crowley MI5. He is also the author of With Barry Flanagan: Travels through Time and Spain (the Lilliput Press), a memoir which grew out of his experience of curating shows for the sculptor, the Brexit satire, The Dream of Boris, and has written for the Guardian, Fortean Times, and Boulevard Magenta. He lived and worked in Barcelona, the Basque Country, Ibiza and Baku. His current home is in London where he was born.

Crowley

Featured

A Beginners Guide
John S. Moore & John Patrick Higgins

Front coverLR

Crowley a beginners guide UK / £15.00

Crowley a beginners guide USA / US $22.00


Crowley, A Beginners Guide
John S. Moore & John Patrick Higgins
Format: Softcover/b/w Illustrated/154pp
ISBN: 978-1-906958-69-5
£15.00 /US $22.00
Subjects: Aleister Crowley/Thelema/Magick/Occult/Biography.

—–
“Do what thou wilt shall be the whole of the Law.”
Nearly seventy years after his death Aleister Crowley, the notorious Beast 666, is only just beginning to attract serious academic attention. Even so we would not expect to find him on any mainstream university courses; he is still too much associated with occultism. So, Crowley – A Beginners Guide is not your standard beginner’s guide.

“Let my servants be few & secret: they shall rule the many & the known.”
Readers may be surprised at the richness and complexity of his thought, as well as the extent of his influence. He needs background to be understood. Giving this opens fresh perspectives on much recent intellectual history.

Crowley – A Beginners Guide presents his main ideas in a straightforward and accessible format, with drawings and diagrams to place them in their historical context. It relates him to contemporary movements in art and scholarship. It describes his relationship to modernism and postmodernism, and his role in the counterculture of the sixties, as well as his continuing influence today. Interspersed are entertaining stories of his life and reputation.

Brilliantly illustrated by John Higgins, Crowley – A Beginners Guide, is a highly accessible guide to this fascinating, complex and controversial figure. It neither promotes nor condemns him, presenting hostile as well as favourable views of his character and achievement.

John S Moore is a freelance writer and independent scholar living in London. He is the author of Aleister Crowley: A Modern Master (Mandrake of Oxford, 2009) and Nietzsche – An Interpretation, (AuthorsOnline Ltd, 2011) and has written on Schopenhauer, Wittgenstein and Edward Bulwer-Lytton among others. More information at www.johnsmoore.co.uk

John Patrick Higgins is a writer and illustrator. He is the author of The Narwhal and Other Stories www.amazon.co.uk/Narwhal-other-stories-Patrick-Higgins ebook/dp/B007N6KJW8
He writes art criticism for various magazines and is Creative Director of Shot Glass Theatre Company www.culturenorthernireland.org/reviews/performing-arts/shot-glass. See also www.facebook.com
He lives in Belfast, which he continues to find extraordinary.

Read a review of Crowley A Beginners Guide from Magonia Review of Books pelicanist.blogspot.co.uk/2016/04/crowley-for-beginners.html

Crowley – A Beginners Guide (Look Inside)

Magick Books

Jennifer Layman

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Protection for your Occult Books
Mandrake of Oxford boasts an impressive range of books about the occult, from texts about divination to works about magick. It is ideal for those who wish to pick up a title that would be difficult to find elsewhere. The occult is a topic that has fascinated mankind for centuries. Witchcraft, spells and the supernatural have been a source of interest since the dawn of humanity. As well as being interesting, these books can sometimes go up in value to the point where they sell for substantial sums of money, with books exchanging hands at auctions for up to twenty thousand pounds. Their value is not just financial though; many believe that books about the occult are powerful items that should be handled with care. A vast number of different traditions in which magic and witchcraft are important preach that the written word possesses a great amount of power and some hold the view that once owned by somebody, a spiritually charged book develops a connection to its owner. With that in mind, it is important to ensure that these books don’t fall into the wrong hands or get damaged or destroyed, as if you believe in their power then you won’t want to lose an item that you are connected to in this manner and if you merely see them as being fascinating to read then you won’t want to part with an essential item in your collection.

Remain Moisture, Dust and Insect Free
If you value your books then you can protect these prized possessions by keeping them in a dry environment away from dust and insects and purchasing contents insurance in case they are stolen or damaged through no fault or your own. People who collect occult books in the hope that they will one day go up in value should be aware of the fact that the condition of a book can make the difference between it being worth a small fortune and being worth next to nothing. However books do not need to be hundreds of years old in order to be worth considerably more than they were when they were written; some titles that were written within the last thirty years have more than tripled in value simply due to the fact that small numbers of them were produced and they are highly sought after.

Spiritual Cleansing
Those of you that believe that books contain spiritual as well as physical value will wish to care for the powers that are contained within them. If you have bought a book of spells then there are purification routines that should be adhered to when using items in rituals and books are no exception. These routines will vary dependent upon the tradition behind the spells, for example practitioners of Wicca believe in using certain herbs for cleansing purposes, whereas those who participate in ancient Egyptian practices have a series of complex rituals connected to cleansing. Many believe that failing to perform the correct cleansing routines can potentially lead to an item being contaminated with negative spiritual energy.

Binding Spell
If the book that you wish to protect is not a book of spells then you might wish to cast a binding spell on it in order to ensure that the power that is possessed within its pages is solely yours to harness. Place a candle, an incense stick, a rock and a cup containing water in a circle formation and sit behind it with the book in your hands. Free your mind of thought and try your hardest to spiritually connect with the book. Next extend the circle of objects so that you can fit within it and sit in it holding the book. Speak out loud the sentence, ‘You are bound to me. We now work as one’. Once you have completed these steps, the spell will be complete.

Pride of Place on your Bookshelf
Words are regarded as having special spiritual significance in a plethora of different traditions ranging from mainstream religions to ancient witchcraft. Perhaps this is for good reason. Whether you believe in the occult or just find it an interesting topic to research, taking the correct care of your books can ensure that they will be there for you to enjoy for years to come. It will mean that they can remain in a readable state and continue to take pride of place on your bookshelf.

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9781906958466

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handbook-rebels

Magical Dilemma of Victor Neuburg

Jean Overton Fuller
(Magical Biography)

Dylan1936The Magical Dilemma of Victor Neuburg
Jean Overton Fuller
Format: Softcover
ISBN:
£15.00 / US$24.00
Subjects: Biography/Aleister Crowley/Thelema/Magick.

Click to Buy in UK

Click to buy in USA & AUS

The Magical Dilemma of Victor Neuburg is really two books in one:
The record of Victor Neuburg’s extraordinary journey to magical enlightenment.         And the story of Aleister Crowley, the magus who summoned Neuburg to join
him in his quest.

‘The book opens with the author’s entry into the group of young poets including Dylan Thomas and Pamela Hansford Johnson. They gather around Victor Newburg in 1935 when he is the poetry editor of the Sunday Referee. Gradually the author becomes aware of his strange and sinister past, in which Neuburg was associated in magick with Aleister Crowley.

Contents: Beginnings / Mystic of the Agnostic Journal / Crowley and the Golden Dawn / Initiation / Magical Retirement / Equinox and Algeria / Rites of Eleusis / Triumph of Pan / Desert / Triangles / Moon Above the Tower / Templars and the Tradition of Sheikh El Djebel / Paris Working / The Sanctuary / Arcanum Arcanorum / Dylan Thomas


REVIEWS
Recently I found myself in Oxford on other business and met up with Mogg Morgan of Mandrake of Oxford Press, always a pleasure to talk to him about books and magic! During a chat about Aleister Crowley’s poetry, Mogg mentioned Victor Neuberg and reminded me this book is in Mandrake’s catalogue.
I was really glad to pick up my copy, which I’m enjoying very much at the moment. A good addition to my research library on occult literary modernism, it starts with an account of Victor Neuberg’s life in 1930s London as poetry editor of The Sunday Referee and the circle of young poets and writers whom he nurtured (including Dylan Thomas, Pamela Hansford Johnson and Jean Overton Fuller herself).
The book then switches to Jean Overton Fuller’s search for the truth about Victor’s magical association with Aleister Crowley. It’s a fascinating literary detective story – oh for the days (1960s) when a carefully-placed letter in the press would result in invites to tea with people who were personally involved!
In what is effectively a double magical biography, she pieces together Crowley and Neuberg’s journey on foot into the Sahara to perform rituals and then their ‘Paris Workings’, which prove to be dangerous and challenging.
Jean is a sympathetic and intuitive writer, providing a compelling portrait of Victor Neuberg and his literary/magical circles, not holding back on her critical comments on aspects of Crowley’s behaviour (eg abandoning Neuberg alone in the desert!), but appreciating the nature of his work and honouring the enduring love Neuberg maintained for Crowley. Reading this, I think I’d have really enjoyed meeting Victor Neuberg.
– Sue Terry, May 2023

‘Those interested in Western occult history will welcome this revised and expanded edition of an important work first published in 1965.

Overton Fuller’s biography of Neuburg paints an intimate portrait of this complex character who was as much mystic as poet. A prominent figure in London’s literary bohemia in the 1930s, Neuburg encouraged such writers as Dylan Thomas, Pamela Hansford Johnson, Hugo Manning and many others, including Overton Fuller.

In his earlier days, Neuburg had been a disciple, magical partner and possibly even lover of Aleister Crowley during a period of ground-breaking magical experiments.

‘Vicky encouraged me as no one else has done,’ Dylan Thomas declared on hearing of Neuburg’s death. ‘He possessed many kinds of genius, and not the least was his genius for drawing to himself, by his wisdom, graveness, great humour and innocence, a feeling of trust and love, that won’t ever be forgotten.’ ‘ . . . there was a whiff of sulphur abroad, and all of us would have liked to know the truth of the Aleister Crowley’s legends, the truth of the witch-like baroness called Cremers, the abandonment of Neuburg in the desert.’

– Pamela Hansford Johnson

‘No dry biography this but an illuminating and compelling account of a multi-faceted personality who lived during an exciting period of occult and literary history. An absolute must-have!’
– (ME) In Prediction Magazine November 2005

—————————–

To mark the centenary of Dylan Thomas, here’s an extract from JOF’s book that narrates her first meeting with the soon-to-be-famous poet:

“We agreed to Zoists”: Dylan Thomas & the Occultist Victor Neuburg (Aleister Crowley’s lover & collaborator)

“We agreed to Zoists.

Runia wanted us to have badges, ‘so that one Zoist can recognize another, if you meet outside, or if we have provincial centres.’

There was a murmur of dissent. Some of us felt this thing was getting inflated. And we didn’t want badges. We weren’t boy scouts; just a few people who wanted to come here and sit and talk to each other on Saturday evenings.

‘All right, no badges,’ she said. ‘But it is agreed we have a name?’

It was agreed but there was no enthusiasm for the name, our feeling being for the informal. Before we left Runia made us cups of tea.

When eventually we broke up, and I stood again in the road outside, I felt I could tell my mother I had been among distinguished people. But the truth was I felt something else as well. I felt I had been in ancient Egypt and for this feeling I could find no explanation.

Not all of those who had been present on the first evening returned the following Saturday, but as I attended every week I began to know the regulars. Arriving soon after 8 (dinner at the hotel where my mother and I lived, was at 7, so it was a rush), I always found a certain number of people there already, though there was usually some time to wait until Vicky and Runia came from the inner room. It was in this waiting time that I had to find my feet, as it were among the other young ones. Nobody was ever introduced at Vicky’s. One just found out for oneself. I did not find the young men easy although they made efforts to draw me into the circle, for they assumed an acquaintance with modern poetry and political authors greater than I possessed; I could not always follow their allusions, and I had the feeling they all participated in a form of culture slightly strange to me. I was therefore grateful when a good looking young man, quiet mannered and of a more ordinarily civilized demeanour, settled himself beside me and asked, simply, ‘How did you come to Vicky’s?’

I told him about the circular letter I had received. He knew Geoffrey Lloyd had sent some out and asked, ‘What do you do when you’re not writing poems for Vicky? What’s your background, so to speak?’

I told him I had been on the stage since I was seventeen.
He said ‘Fancy our having an actress among us!’

‘What’s your name?’ I asked him.

‘William Thomas’, was what I first thought he said, but then he added, ‘It’s a special Welsh name.’
There could be nothing very special about William, and I puckered my brows.
‘You’ll never have heard it before,’ he said. ‘Nobody in England ever has. It should really be pronounced Wullam, in Welsh.’ Or was he saying ‘Dullan’?

‘It’s a special Welsh name,’ he repeated. ‘I shall have to spell it for you. D-Y-L-A-N. In Wales, it’s pronounced Dullan. But I’d been corresponding with Vicky for some time before I came to London, and when I arrived I found he had been calling me Dillan, in his mind. I thought if Vicky didn’t know how to pronounce it nobody in England would, so I decided to take it as the standard English pronunciation of my name. Otherwise I’d spend all my time telling people it was Dull and not Dill, and I think perhaps Dillan sounds more elegant than Dullan. Only Idris objects and thinks it’s frightfully fancy! Because he’s Welsh, too, and he knows! but now I’m getting even Idris trained to call me Dillan, though it’s under protest!’
‘What part of Wales do you come from?’ I said.

‘Oh, I only come from a small town. Swansea.’

Whereas I had previously felt myself to be the most naive member of a group otherwise composed of sophisticated, bohemian intellectuals, I now felt I had, vis-à-vis Dylan Thomas, at any rate, an advantage in being a Londoner. ‘I should have thought Swansea was a large town,’ I said. ‘I was near there all last summer. If you had been to the theatre at Porthcawl you would have seen me on the stage!’

‘No, I’m afraid I didn’t’ he said. ‘What a pity!’

Giving the conversation a turn he did not expect, I said, ‘Have you ever been down a mine?’
‘No.’

‘I have!’ I explained triumphantly. ‘Near Crumlin. I once played a January date in the Rhondda. Or more exactly the Ebbw Vale.’ I told him how I had persuaded the men at a pit to take me down the shaft, and how, having arrived at the bottom, I was given a lamp to hold and escorted along a passage which had been hewed through the coal to a point where it became so low that one would have had to proceed on hands and knees. I was shown a fault seam, which I felt with my fingers.

‘You have seen something in Wales which I haven’t!’ said Dylan. He explained that his home was some distance from the mining regions. He described the part of Swansea where he lived, with a detail I cannot now recall, except that it sounded salubrious and agreeable. His father was Senior English Master at the Grammar School. ‘Living where I do one doesn’t really see anything of all that,’ he said, with reference to my allusion to the coal mining (and depressed) areas. ‘Idris comes from the Rhondda,’1 he said. ‘I haven’t been into those areas.’ As though he had been slightly shamed by my adventure, he added, ‘Perhaps I ought to have done.’

‘It’s because you live there that you wouldn’t think of it,’ I said. ‘When one is touring one feels one must see everything in case one never comes again. When I was sixteen, my mother and I made a tour of Italy, Pisa, Rome, Naples, Capri, and back through Perugia, Florence and Milan. We felt we had to go into everything, even the smallest church we passed on any street. We realized we had never “done” London half as thoroughly because we took it for granted.’

I have no ‘outrageous’ sayings of Dylan Thomas to record. His conversation with me was perfectly drawing-room and unexceptional. I remember him as a polite young man. Friendly, but not at all presuming.
He told me the origins of the circle of which I now formed part. ‘First one and then another of us found our way to Vicky’s through entering into correspondence with him or something like that, and so a circle grew up around Vicky. We’re all very fond of Vicky.’ He explained that, ‘always reading each other’s names in print we began to wonder what the ones whom we hadn’t seen were like.’ So they had had the idea ‘of sending out circulars to everybody who was a contributor. He thought it had brought in some interesting people. ‘Well, it has brought you!’ Perhaps one could name some kind of a regular thing of it. ‘The only thing I don’t like is the name Zoists!’ he said.

I laughed and said, ‘It does sound a bit like protozoa, zoophytes and zoids!’

Dylan pulled a funny face.

‘We’re always called “Vicky’s children”,’ said Dylan. ‘It’s a bit sentimental, but I don’t think we shall ever be called anything else.’

It had been at the back of my mind while he was speaking that his name, as he had spelled it out, was one which I had read in the Sunday Referee in a context more important than that of the weekly prizes. I had not taken the paper regularly before I joined the circle, or I would have known the whole build-up. I said, ‘Aren’t you the winner of a big prize? I believe you’re one of the distinguished people here!’
‘It was through Vicky and the Sunday Referee that a book of my poems has been published,’ he said. He explained that a prize was offered twice yearly, part of which consisted in the publication of the winner’s poems in book form. ‘The first was awarded to Pamela Hansford Johnson. She isn’t here tonight. I was given the second of them.’ He said that Vicky had helped him pick out what he thought were the best of the poems he had written.

‘What’s it called?’

‘Just 18 Poems. It was published just before Christmas, and I think it’s doing quite well.’ He added, ‘I’m very grateful to Vicky. It’s a big thing for me. One’s first book is the most difficult to get published. Everyone says so. Now that I have one book published, it should be easier to get the next accepted, perhaps by an ordinary firm.’

My sentiment for Vicky was already so strong that I was slightly shocked.

Dylan Thomas saw it. ‘Vicky doesn’t expect us to stay with him!’ he said. ‘This is a nursery school from which we are expected to go out into the world. When we can get published elsewhere nobody is more pleased than Vicky!’

Just then the moment for which we had been waiting arrived. The door from the inner part of the house opened and our hosts came out to join us.

Vicky came straight up to Dylan and me. I did not know which of us the distinction was meant for but it gave me joy. He stood by my chair, looking down on us beamingly, and said to Dylan, ‘You’re entertaining this little lady?’

Dylan said, ‘I’ve been telling her something of the history of the Poet’s Corner.’

*********************************

Laugharne,
Carmarthenshire,
Wales
19 June 1940
Dear Miss Fuller
I haven’t heard anything from Vicky and Runia for years, until about a fortnight ago.
Then Pamela Johnson wrote to tell me that Vicky had just died. I was very grieved to hear it; he was a sweet, wise man. Runia’s address is 84, Boundary Road, NW8. At least, I suppose she is still there. I wrote her a letter, but I haven’t had a reply yet; probably she’s too sad to write.
Yours sincerely
Dylan Thomas

#occult #literarymodernism #aleistercrowley #victorneuberg #poetry #magick #mandrakeofoxford

Books of The Beast

Timothy d’Arch Smith


The Books of The Beast
Timothy d’Arch Smith
Format: Softcover
ISBN 9781869928179
£15.00 / US$22.00
Subjects: Aleister Crowley/Crowleyiana/Publishing History/Antiquarian Books/Occult.

USA & AUS $22.00

UK £15.00

Click HERE for Kindle USA edition

Click HERE for Kindle UK edition

Timothy d’Arch Smith is a well-known bibliographer, reviewer and antiquarian bookseller with a special interest in the by-ways of literature, notably the occult and the curious.

For Aleister Crowley a book was a talisman and their every part right down to colour, dimension, and price was symbolic. He also used magical techniques to gain literary success–thus new editions of Crowley’s writing multiply daily, tantalizing the bibliographer. All the more indispensable is this authoritative guide to his magical first editions.

Timothy d’Arch Smith, widely acknowledged as a leading expert on Crowley and on underground literature, offers several shorter articles on:
*Oxford’s demonologist Montague Summers;
*R A Caton and his Fortune Press;
*Sexual prophet Ralph Chubb;
*Florence Farr;
*The British Library Private Case;
*and Timothy d’Arch Smith.
*For this new edition, he also adds an extra chapter on Crowley.

REVIEWS

”…one could hardly wish for a more stimulating guide…” –The London Magazine

”One of the more immediately striking things about the book is its gentle humour.”- Time Out


The Books of The Beast. Timothy d’Arch Smith. (Mandrake).
The author of this collection of studies of twentieth-century occultists is a well-known antiquarian bookseller, bibliographer and reviewer with a life-long interest in esoterica and erotica. This collection has a bibliography of Crowley that gives the book its title and biographies of the Roman Catholic priest, playwright, schoolmaster, collector of homoerotic pornography, demonologist and closet Satanist, Montague Summers, the eccentric R.A. Caton, who shared Summer’s interest in young boys and was briefly his publisher, Ralph Chubb, writer, artist and pederast who tried to create a new religion based on the worship of a boy-god, and pioneering female occultist Florence Farr of The Hermetic Order of The Golden Dawn. There is also an account of Crowley’s disguised appearance as a character in Anthony Powell’s famous novel A Dance to the Music of Time (1951), one of many he made in fictional works, and a description of the private collection of erotica in the British Library. The book concludes with a fascinating autobiographical epilogue on the author’s adventures in the London occult scene of the 1950s and 1960s. These feature Michael Houghton from the Atlantis Bookshop (compared by the author to Grumpy in Walt Disney’s Snow White and The Seven Dwarfs because of his stature and demeanour!), Crowley’s forgotten biographer and cricket fan Charles Richard Cammel, who died during a Test Match at the Oval (what a way to go!), the writer and biographer Jean Overton Fuller, the Beatles (who attended a witchcraft exhibition organised by the author), and Crowley follower Jimmy Page of Led Zeppelin. Highly recommended.
The Cauldron # 136, May 2010.