Ithell Colquhoun

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pioneer surrealist artist, occultist, writer and poet
(reprinted)
Eric Ratcliffe

cov9781869928988
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Ithell Colquhoun / UK / £30




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Ithell Colquhoun / USA / US$40




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Ithell Colquhoun
pioneer surrealist artist, occultist, writer & poet
Eric Ratcliffe
Format: Softcover/312pp/90 illustrations (25 colour).
ISBN: ISBN 978-1869928-98-8
£30/US$40
Subjects: Art/Art History/Surrealism/Occult/Magick/Biography.


The skills of Ithell Colquhoun in her main practice, that of artist and pioneer in this country of surrealistic art, have been long recognised. Additionally, other interests – alchemy, Earth-magic, active occultism, poetry, druidism, the pre-Christian pagan calendar, the history and membership of the Golden Dawn – and writing of and involvement in these interests by book publication and in a widely scattered field of correspondence, have created a miscellany of truly gargantuan proportion.

Eric Ratcliffe considered it was time to get together some of these pieces, to add something of what is known of Colquhoun’s early life and family history and to take the opportunity of listing a comprehensive calendar of her work and exhibitions. The result is neither strictly biographical nor a treatise on any one subject, but it is a first gathering of the roots, passions and multi-directions of this artist. It is a patchwork containing many launch-pads for exploration of the magical and mythical atmosphere which this artist existed in and created. Here therefore is a contribution towards solving a jigsaw and a wind-catch of the minor cyclones of lthell’s dedicatory interests, also serving as a record of her accomplishments in the art field.

REVIEWS

‘The subtitle of this book is: ‘Pioneer Surrealist, Artist, Occultist, Writer and Poet’, this multifaceted description captures the essence of who and what Ithell Colquhoun was about. Her connection to Cornwall is through the book The Living Stones, published in 1957, which was an early contribution to discovering the power of the Cornish landscape, prehistory and tradition and folklore. Even today, it continues to inspire people with its love for the ancient land of Cornwall…Ratcliffe’s biography made me want to go back and re-read The Living Stones, and no better thing could be said of a book such as this.’- Cheryl Straffon, Editor in Meyn Mamvro – Ancient stones and sacred sites in Cornwall – www.meynmamvro.co.uk

‘The author gives an excellent account of Colquhoun’s artistic career, explaining why she has been so overlooked (she stuck to her principles against the authoritarian demands of the British surrealist clique and consequently was expelled). Ratcliffe places proper emphasis upon the artist’s magical activities. She was a member of the OTO, Order of the Pyramid and Sphinx, Order of Holy Wisdom, Ancient Celtic Church and the Druid Order.

Despite having had the good fortune to read many of Colquhoun’s magical papers I learnt a great deal from this very well informed work. There is excellent bibliographical information including listings of unpublished typescripts and also as comprehensive as possible listing of her paintings and drawings.’
Ithell Colquhoun by Eric Ratcliffe, Mandrake of Oxford.
Reviewed by Ben Fernee @ Caduceus Books

‘Ithell Colquhoun was a pioneer surrealist artist, poet, writer, pantheist and occultist. Descended from Devonian ancestry, she was of Anglo-Indian birth and received her education in England at the Cheltenham Ladies College and later at the Slade School of Art in London.

After the war she moved to Cornwall where she spent the rest of her life. While at the Slade she became involved in Theosophical circles and then attempted, without success, to join Moina Mathers’ Alpha and Omega Lodge of the Hermetic Order of the Golden Dawn and Dion Fortune’s Fraternity of the Inner Light.

However during the 1950s she belonged to various occult groups including Kenneth Grant’s Typhonian OTO and Nu-Isis Temple, Dr WB Crow’s Order of the Holy Wisdom and Order of the Keltic Cross, Tamara Bourkhoun’s Order of the Pyramid and the Sphinx, as well as the Druid Order, the Cornish and Breton Gorsedd, the Ancient Celtic Church, Co-Freemasonry and the Fellowship of Isis.


This biography is profusely illustrated with many of Colquhoun’s paintings and also includes some of her writings and poetry. It is a fascinating study of a unique multi-talented woman who during her creative life contributed a great deal to both the artistic and occult fields. Recommended.’
Ithell Colquhoun, by Eric Ratcliffe.
Reviewed by Mike Howard in The Cauldron, issue 129, August 2008

STARS AND STONES

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An Astro-Magical Lapidary
Peter Stockinger

Stars And Stones
An Astro-Magical Lapidary
Peter Stockinger
Format: Softcover/164 pp.
ISBN: 978-1-906958-73-2
£14.99/US$24

New revised edition

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Triple Peter Stockinger UK

Triple Peter Stockinger USA & Elsewhere

Unlock the hidden powers of crystals and gemstones.

For millennia, magicians and astrologers, familiar with celestial magic, knew that precious stones held an important key for the maintenance of health and wellbeing. During the Age of Reason this knowledge was lost. Now, nearly 400 years later drawing from ancient sources, Peter Stockinger’s astro-magical lapidary invites you to re-discover this long-lost knowledge and to learn how to utilise the magical and therapeutic powers of gems.

· Read the in-depth descriptions of 30 gemstones and crystals revealing their hidden lore, and discover their practical use from antiquity;

· Study real-life cases that demonstrate how to use the beneficial powers of crystals and gemstones;

· Learn how to find your perfect gem, create gemstone talismans and manufacture lucky fixed star rings.

The lapidary also contains a thorough introduction to the subject of traditional astrology, a therapeutic index and a detailed glossary.

Isis

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Isis, Goddess of Egypt & India
Mogg Morgan
ISBN: 978-1-906958-71-8,
£17.00/$26.00

Buy this book UK 

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– A Temple of Isis in India –
On India’s, south-western or Malabar coast is situated an ancient Hindu temple which is these days devoted to the famous Hindu god Shiva and his consort the fearsome goddess Kali. This is Kurumbha-Bhagavathy Devi outside of the modern city of Cochin or Kochi in Kerala state.

Travel back in time and the temple housed other gods. Once it was the home of the Buddhist/Jaina goddess Pattini whose mortal husband was tried and killed in a series of brutal events still commemorated in the temple’s ritual year. Before this and the story gets even stranger, as there are said to be remains of a secret, underground shrine, the home to a mystery cult dedicated to the Egyptian goddess Isis.

At the time of Christ, there was indeed a Greco-Roman merchant colony based in this part of India. Greek, Roman & Near Eastern merchants travelled to India after a regular, if epic, sea journey of two thousand miles across the Arabian Ocean, making their first landfall at a port known in the ancient world as Musiris. Clues to the religious practices of these ancient traders is evident not just in the surviving architecture but in very many, sometimes unique features of the later cults, continuing into the modern-day.

Some of the best examples come from the rites of Pattini as once practised at Kurumba-Bhagavathy Devi. Experts have often identified the story of her husband’s death and resurrection, as something of the Near Eastern cult of Attis. But a more recent and credible theory is that the temple once hosted the mysteries of the cult of Isis, whose husband Osiris was also cruelly cut down but then resurrected by her magical prowess.

So without more ado let me tell the whole story from its beginnings on the banks of the Nile. The story of Isis and Osiris is the basis of Egypt’s most popular religion. In what follows I trace the origins of this to Egypt’s pyramid age in the middle of the second millennia BCE. Arguably it is even older. A great deal of this books is devoted to describing what is known about the cult of Isis and Osiris from Egyptian records. This, I shall argue, is the basis for what comes later in the timeline, when the world was dominated by the Greek and Roman Empires. Isis and Osiris became the focus of global religion and the basis of the most popular of all classical mystery cults. This is precisely the time at which a small, Near Eastern shrine was built in South-West India to service the needs of the merchant trading post. Mysteries of Isis were popular among all social classes in the ancient world, especially mariners.

In India, we have a building which could itself be thought of as storing the memory of influences from each new wave of belief. We can follow the progress and transformation of its changing occupants, as each absorbs some of the archaeological memory. Finally, we arrive at its current incarnation and the celebration of the Bharani festival, which marks the beginning of the hot summer before the coming of the Monsoon rains. Many non-orthodox rites will enliven the tale. The mysterious society of Atikals returns to their lost temple every year to conduct secret rites culminating in twelve hours of ‘Misrule’, during which hundreds of thousands of devotees appear from all over Kerala.

There are other devotees who carry sticks, which they swirl in their dancing; others brandish the sickle sword. Most of these pilgrims are non-Brahmin ritual specialists such as the Veliccappadu. Their name means “a channel who sheds light” for they are spirit mediums, men and women, followers of Kali who utter oracles when in trance. They dress in red and wear heavy anklets and bells.

In the final part of my story, I present a complete and ‘lost’ version of the most famous drama of all time, the celebrated myth of passion play of Isis and murdered husband Osiris, clearly recognizable even in its current idiom based as it is in South Asian ritual drama. The drama is reproduced in its entirety as it reveals many previously unknown aspects of one of the world’s oldest myths.

Isis: Goddess of Egypt & India (Extract)

John Patrick Higgins

john_higgins

John Patrick Higgins is a writer and illustrator. He is the author of The Narwhal and Other stories
www.amazon.co.uk/Narwhal-other-stories-Patrick-Higgins-ebook/dp/B007N6KJW8

His second collection will be published later in the year. He writes art criticism for various magazines and is Creative Director of Shot Glass Theatre Company. See feature at www.culturenorthernireland.org/reviews/performing-arts/shot-glass
He lives in Belfast, which he continues to find extraordinary.

The Polyverse

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The Polyverse
(Beneath The Pleasure Zones II)
Paul Green
Format: Softcover
ISBN: 978-1-906958-70-1
£9.99/US$14.00
Subjects: Fiction/Science-Fiction/Cyberpunk


Special Offer:

The Rupture & The Polyverse both for only £12.99 / UK

The Rupture & The Polyverse both for only $22.00 / USA / AUS


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In Beneath the Pleasure Zones 1 – The Rupture Paul Green created a dystopian world disrupted by the Qliphothic forces of chaos. Its sequel The Polyverse takes us deeper into the inscapes of a ravaged Britain, where the pagans of Leynebridge, the digerati of London and battling fundamentalist militias all struggle to control the flux of reality, under the overview of those sinister cyber-demons the Quantum Brothers.

In the midst of these upheavals, Lucas, poet and aspiring scribe of Thoth is still seeking Carla, his capricious sex-goddess, while Lombard the manic virtual reality tycoon undergoes a psycho-sexual metamorphosis that transforms his strategies of control. Ultimately things fall apart, on an apocalyptic scale, taking characters on journeys where everything they most love appears to be destroyed. Magicks work, but not as expected and signs in the sky can be deceptive. But from this maelstrom of horror, wonder and bleak farce, the possibility of Albion’s new beginning emerges.

Paul Green’s other work includes the novel The Qliphoth and the poetry collection The Gestaltbunker. His dramas, which have been broadcast on BBC Radio 3, CBC Radio, RTE Ireland and Resonance FM, have been collected in Babalon and Other Plays – the title piece being his evocation of occult rocket scientist Jack Parsons. Based in Hastings, he has performed at numerous esoteric and literary events. He is not to be confused with the esteemed psychic biker of the same name, whose fascinating book is also published by Mandrake. insert link here?


‘Good storytelling always leaves you wanting to know what comes next… Plus Green has a talent for some splendidly epigrammatic and surprising phraseology. The bizarre events become satires for our fears and desires and fantasies about where magic and science and social fragmentation might take us…’ (Peter Carroll on Beneath the Pleasure Zones – The Rupture)

SIDE STORIES

SIDE STORIES by A D Harvey

BUY IT NOW for only £9.99+p&p

ISBN 9781906958-930 £25 hardcover

Collected here for the first time, are the masterly short stories of A D Harvey, many of them erotic, some of them distinctly odd, and a couple downright lewd. Linked together they, like a novel, shed light on one of the less conventional scholarly careers of recent times.

In 2013 more than eighty Internet sites round the world took up the story of A.D.Harvey’s literary spoofs following his outing in The Times Literary Supplement, thereby further outraging an academic establishment which had had it in for him ever since he had broken ranks by obtaining a Ph.D. at Cambridge only six years after sitting his A-levels. The author of eight scholarly monographs, numerous articles in academic quarterlies, three novels and a slim volume of verse, A.D.Harvey is (despite occasional spoofs) a serious if sometimes idiosyncratic writer and his gift for style, cogency and psychological insight is demonstrated by a collection of his short stories and other pieces now published under the title  Side Stories by Mandrake of Oxford.

A.D.Harvey is a historian and literary scholar whose work has been translated into French, German, Italian, Japanese and Spanish and also the author of three novels, including Warriors of the Rainbow (2000), described by The Guardian  as ‘weirdly compelling’ and  by The Times as ‘intriguing….both awe-inspiring and,frankly, potty’. His short stories, many of them erotic, some of them distinctly odd, and a couple downright lewd, are collected here for the first time, together with half a dozen other pieces that shed light on one of the less conventional scholarly careers of recent times.Also included:  A D Harvey’s  nordic noir Mind-Sprung

 

Chris Allaun


(Author photo credit: Ray DeJongh)

Chris Allaun has been studying paganism and the occult since 1992. He is an ordained minister with The Brotherhood of the Phoenix and has been an initiate of Traditional Witchcraft since 2002. He is also a Native American Pipe Carrier and studies that path of the Red Road. He teaches classes and workshops on magick, healing, shamanism, and necromancy. He has taught at pagan festivals such as Pagan Spirit Gathering and Between the Worlds. He continues to study and teach the magickal arts to those who seek to balance the three worlds in their own lives.

Chris Allaun: Author, Teacher, Healer
www.chrisallaun.com
https://www.facebook.com/chrisallaun.author/?rc=p

Crowley

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A Beginners Guide
John S. Moore & John Patrick Higgins

Front coverLR

Crowley a beginners guide UK / £15.00

Crowley a beginners guide USA / US $22.00


Crowley, A Beginners Guide
John S. Moore & John Patrick Higgins
Format: Softcover/b/w Illustrated/154pp
ISBN: 978-1-906958-69-5
£15.00 /US $22.00
Subjects: Aleister Crowley/Thelema/Magick/Occult/Biography.

—–
“Do what thou wilt shall be the whole of the Law.”
Nearly seventy years after his death Aleister Crowley, the notorious Beast 666, is only just beginning to attract serious academic attention. Even so we would not expect to find him on any mainstream university courses; he is still too much associated with occultism. So, Crowley – A Beginners Guide is not your standard beginner’s guide.

“Let my servants be few & secret: they shall rule the many & the known.”
Readers may be surprised at the richness and complexity of his thought, as well as the extent of his influence. He needs background to be understood. Giving this opens fresh perspectives on much recent intellectual history.

Crowley – A Beginners Guide presents his main ideas in a straightforward and accessible format, with drawings and diagrams to place them in their historical context. It relates him to contemporary movements in art and scholarship. It describes his relationship to modernism and postmodernism, and his role in the counterculture of the sixties, as well as his continuing influence today. Interspersed are entertaining stories of his life and reputation.

Brilliantly illustrated by John Higgins, Crowley – A Beginners Guide, is a highly accessible guide to this fascinating, complex and controversial figure. It neither promotes nor condemns him, presenting hostile as well as favourable views of his character and achievement.

John S Moore is a freelance writer and independent scholar living in London. He is the author of Aleister Crowley: A Modern Master (Mandrake of Oxford, 2009) and Nietzsche – An Interpretation, (AuthorsOnline Ltd, 2011) and has written on Schopenhauer, Wittgenstein and Edward Bulwer-Lytton among others. More information at www.johnsmoore.co.uk

John Patrick Higgins is a writer and illustrator. He is the author of The Narwhal and Other Stories www.amazon.co.uk/Narwhal-other-stories-Patrick-Higgins ebook/dp/B007N6KJW8
He writes art criticism for various magazines and is Creative Director of Shot Glass Theatre Company www.culturenorthernireland.org/reviews/performing-arts/shot-glass. See also www.facebook.com
He lives in Belfast, which he continues to find extraordinary.

Read a review of Crowley A Beginners Guide from Magonia Review of Books pelicanist.blogspot.co.uk/2016/04/crowley-for-beginners.html

Crowley – A Beginners Guide (Look Inside)

Steve Nichols

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Steve Nichols, a successful tournament chess player in his youth, has edited a national Games magazine, studied Philosophy as an undergrad with AJ Ayer, developed a revolutionary Theory of Mind (M.V.T.), lost at table tennis to Arthur C Clark, discussed John Dee and Paracelsus with HRH Prince Charles, founded the Posthuman movement in 1988, published national magazines about board games and magick, run MENSA international occult SIG, studied Middle Egyptian language at Leiden University, gained an MSc in Neural Computing, practices psychotherapist and is Member BPsP (Brit. Psych. Soc). Steve has published strategy software including Shogi (which reached the Grand Final world Shogi computer championships in Tokyo) and Chaturanga in addition to Enochian Chess, and has authored books including The Primal Eye (MVT), The Magical Writings of Ithell Colquhoun, Taro of the Four Worlds, ZENET: Egyptian Game of Immortality, and Minor Arcanaii of the Four Winds.

P is For Prostitution

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An A-Z of a harsh life survived
Charlotte Rodgers
Illustrated by Ruth Ramsden

P is for Prostitution
An A to Z of a harsh life survived
Charlotte Rodgers
ISBN: 978-1-906958-26-8
£15.00 +P&P /US $24.00 +P&P

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‘The way to despair is to refuse to have any kind of experience…’
– Flannery O’Connor

P is for Prostitution is a primer unlike any you will have read before, the ABC approach far from simplistic. Through various episodes the author charts her own insights into addiction and the kind of existence that inevitably goes with this. Each letter marks a step on a journey into the lowest circles of hell in which the “author’s creativity and intellect is misdirected towards a chaotic, nihilistic and devastating existence” (reader’s foreword). There are moments of black comedy, sexual horror, and final, uneasy redemption in which the author reclaims the trajectory of her life.

“. . . the life you lived . . . represents the era you grew up in and the position of women in society and the rules they were expected to live by and the consequences of breaking these rules. Women are often regarded as objects, possessions and are expected to be submissive.” (Jane Hunt)

P is for Prostitution grew out of the author’s exploration of death and ancestral cults. It led her to acknowledge her own past, re-connecting and rescuing a catalogue of youthful dead or missing loved ones. “This was no surprise given the way we lived our lives at that time, but was no less saddening. Whilst the people concerned were not blood relatives, they were part of who I was and very much my family of choice in our shared inability or refusal to accept the terms of mainstream existence.”

“Daddy was an exclamation mark /
exploding on blank walls /
I was a biblioteque hero /
supporting Atlas’ balls /
Roller skating on Freudian slips /
Pussy footing through the fly leafings/
Of fellow social misfits.”

———————-
“Charlotte Rodgers was born in New Zealand.

Her mother was a war baby, abandoned at the Home of Compassion in Wellington and later adopted by a middle class couple with strong Catholic sensibilities and a desire to do good and moral things; a desire that didn’t encompass compassionate and kind child rearing.

Charlotte’s father was Scottish and from a coal mining family, he escaped this background through self education and by joining the merchant navy, and whilst on leave in New Zealand he met and married Charlotte’s mother.

Charlotte was brought up by two creative, intelligent and unstable individuals whose backgrounds created unhappiness and various manifestations of addictive and compulsive behaviours.

The family constantly moved house, the mother was addicted to a huge amount of pills, the father would regularly ‘run away from home’ and there were many times the only stability in Charlotte’s life was when she was sent to live with her grandmother who was rigidly and violently Catholic.

Charlotte was a shy frightened and introverted child and puberty hit her like the proverbial ton of bricks. At age 15 she made several suicide attempts and was put into psychiatric care to be treated for bulimia, a condition that would stay with her for many years.

She also developed addictions to alcohol and drugs, including heroin, and necessarily worked as a prostitute to fund the habit whilst living a peripheral existence travelling through Australia, Asia and Europe, before settling in England.


After 19 years as an active addict (15 of them as an IV user) she cleaned up with the help of various institutions and agencies, and eventually was able to take the risk to go back to what she always wanted to do; creating art and writing.”

Charlotte is author and editor of The Bloody Sacrifice and
co-editor of The Contemporary Western Book of The Dead, both published by Mandrake.

——————-

Illustrated by Ruth Ramsden

——————–

Daddy was an exclamation mark, exploding on blank walls,
I was a biblioteque hero, supporting Atlas’ balls,
Rolling skating on Freudian slips,
Pussy footing through the fly leafings
Of fellow social misfits.

Well read, intellectually fed neurosis,
Genetically perfected psychosis
Penis Envy
Poison Ivy
Piss and Raving.
Something in the woodshed gave you a fright,
Rumplestiltskin will tell you anytime
Its prick is worse than its bite.

Go-go virgins in discotheque cages
Venus in politically unsound furs
Lectures on the latest psychoanalytical magus
Romulus Remus Oedipus
Sucking dugs like common curs.

Psychoanalyse, disembowel and theorise,
Penis Envy Poison Ivy
Something in the woodshed gave you a fright,
Rumplestiltskin will tell you anytime,
Its prick is worse than its bite.

C.Rodgers 1985

Vowels, Consonants and Other Building Blocks: An Introduction
Several years of exploring and writing about death and cults of the ancestors have led to my putting this, more personal book together. As I looked at how necessary acknowledgement of the past can be to solidify the sense of self, both as an individual and a member of a community; flashes of my own, personal history came back to me. I started to re connect with this and found a catalogue of youthful dead and missing loved ones. This was no surprise to me given the way that we lived our lives at that time, but was no less saddening. Whilst the people concerned were not blood relatives, they were part of who I was at that time. They were very much my family of choice in our shared inability or refusal to accept the terms that mainstream existence at that time offered. I decided to reclaim this time and a lost part of myself, by going back and recording some of my rather erratic recollections.

Initially I was worried that writing this could be self-indulgence or an exercise in personal exploration and poor man’s psychoanalysis that shouldn’t be put out to a wider audience.

However the times and places I lived in, and the way I experienced them, hold things which I believe are core to many who struggle to find their place in this strange world.

Putting such a chaotic mass of events into order could have proved an impossibility until it became apparent to me that my early years were very much about finding a set of rules to live by, thus the subtitle, ‘A Modern Primer’.

Using the alphabet to give order to these memories was a continuation of the primer concept and works well for me. My life was not lived in a straight line and my rather scrappy memory would have rebelled against too linear a form of organisation.

The time span this book encompasses is the 1970s to the 1990s and the backdrop moves between Hong Kong, Australia, London and New Zealand.

This was a time when digital watches were rare and expensive things; China was hard line communist and undeveloped; the Internet was unheard of and there was still a wall dividing Berlin. Graphic novels were on the ascent; only the super-rich had credit cards, and AIDS was just a whisper that could kill in its utterance.

When I was diagnosed with bulimia it was a relatively unknown condition that the medical establishment were unsure how to approach.

I cleaned up as crack was just starting to make its presence known and I was already seeing changes it had made in the junkie community.

Drug using rapidly became even more associated with violence, users burned out much more quickly, if they survived.

When I stopped using drugs I was 30 and considered relatively young in the ‘recovery’ community, but 18 years later I see women burned out by the time they are 15 or 16.

I was one of the first waves of people to go into drug and alcohol rehab, and sad to say the women’s only treatment centre I was in, due to lack of funding, no longer exists.

However the core of the experiences in this book isn’t era specific but is more about one individual’s rather rocky road through her early years.

One thing that I feel I should add.

Readers may find my tone to be detached and even perceive a certain lack of emotion. I was and still am an internalised person, something that may have led to some of my problems over the years.

I look at old photographs of myself and I see a lovely looking girl who seemed locked in her own world. Eventually I couldn’t stay in that private place anymore, despite ever increasing amounts of emotion suppressing drugs. When I left rehab I had a graduation of sorts, a ceremony where I was presented with a butterfly brooch. As I was given my pin, Sister Rosemary who ran the home said that when I arrived at the facility I was like the survivor of a serious car crash; locked in trauma.

Walking away from my car crash life, with its explorations, adventures, and ever increasing horror was when I really started to live.

It was a very different world then, but in many respects, the way we all live and develop has not changed at all.

crogers2

Reader’s Comment
‘P is for Prostitution’ is a personal memoir, which explores episodes and experiences from Charlotte Rodgers’ difficult chaotic life, through her childhood and into early adulthood. At times this book made me feel incredibly sad and much of it was alien to my own comfortable, relatively trouble-free youth. However, her story captivated me and I found myself wanting to find out more about the girl being described. Also, as a woman who grew up during the same decades, I recognized the underlying misogyny of the era and the rules that women were expected to observe. Both Charlotte and her mother suffered in different ways because they were unable to live within narrow definitions of womanhood.

The Primer structure works particularly well and gives the impression of bringing order to a fragmented and chaotic existence. It comments on the nature of individual memory that is not linear and makes connections between disparate incidents and episodes. This form enables the reader to think for herself and reflect on how Charlotte’s childhood and formative experiences affect her situation as she grows up.

Throughout P is for Prostitution, despite the chaos of a life dominated by addictions and illnesses, Charlotte remains a creative and intellectually curious person. Her attraction to similar damaged anarchic souls both as friends and lovers can be seen at various points in her book. Near the end she refers to ‘the person from Porlock’, a debt collector who interrupted Coleridge whilst he was writing Kubla Khan. Charlotte writes, “I feel as if I too had a debt collector knocking on the door of my life, and breaking and permanently redirecting my concentration.” The book conveys a real sense that Charlotte’s creativity and intellect was somehow misdirected at a young age towards a nihilistic and savage existence. It also traces the constant, durable thread of spirituality in her life. This is fascinating given her early encounters with Catholicism.

The book powerfully communicates the devastating effect of physical and mental abuse on Charlotte’s whole family. The suffering her parents endured as children impacts on Charlotte’s life and leads to a lack of stability and security when she is growing up. Charlotte too is terrorized as a child whilst under the ‘care’ of her Grandmother. The sexual repression, religious fanaticism and cruelty that lie behind this abuse are horrifying. Children’s lack of power and the lasting consequences of adult neglect and brutality are recurrent themes.

The reader is able to observe how Charlotte’s eating disorders are caused by a desire to gain some control and how the perception that thinness equals happiness and acceptance actually appears to have almost the opposite effect. This is something that all women can relate to at some level. The book also gave me an insight into addiction and the kind of existence that inevitably goes with it. Her experiences are distinctive but they do reflect the times she lived in and the alternative lifestyle that seemed to be offered by the world of drugs and music. The attraction of losing control and finding a different reality is explored. However, the destructive power of addiction ultimately makes life unbearable.

Charlotte’s discussion of sex in P is for Prostitution is thought-provoking and brave. Her unconventional attitudes and approach made me think hard about the way women are condemned and vilified for sexual transgressions. Moreover, it made me consider how women and children are so often the victims of abuse and the hypocrisy that existed about this when we were growing up and still does to a large extent. Women who transgressed the sexual norms or accepted codes of behaviour were seen as to blame for the abuse they suffered, rather than as victims.

Fundamentally, this is a fascinating articulate and engrossing book. It describes experiences and feelings with which many people, especially women, will identify. I think people will enjoy Charlotte’s honesty and will want to read on and find out how she manages to get through and eventually change her life permanently. Charlotte takes you into divergent worlds, often frighteningly disordered; but the creative, compassionate and intelligent woman that she is today, is always there despite the destructive forces in her early life.

Jane Hunt
Librarian
Somerset
*************************************************************************

Shape-Shifters & Their Stories

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The Golem; Lilith; Werewolf; The Dybbuk; Silkie; and more
Michael Berman

Shape-Shifters & Their Stories
Michael Berman
Format: Softcover/192 pp, 24 fascinating Illustrations.
ISBN: 978-1-906958-66-4
£15.00 / US$24.00
Subjects: Folklore//Myths & Magic/Fairy Tales/Shamanism/Spirituality.

Click HERE for Shape-Shifters & Their Stories / USA

Click HERE for Shape-Shifters & Their Stories / UK

“Long ago the trees thought they were really people
Long ago the mountains thought they were really people
Long ago the animals thought they were really people
Someday, they will say
Long ago the humans thought they were really people”

Constance O’Day-Flannery, Shifting Love


Shape-shifting is a common theme in mythology, folklore, and fairy tales. In its broadest sense, shape-shifting occurs when a being (usually human) either (1) can change its shape into that of another person, creature, or other entity or (2) finds its shape involuntarily changed by someone else. If the shape change is voluntary, its cause may be an act of will, a magic word or magic words, a potion, or a magic object. If the change is involuntary, its cause may be a curse or spell, a wizard’s or magician’s or fairy’s help, a deity’s will, a temporal change such as a full Moon or nightfall, love, or death. The transformation may or may not be purposeful.

The desire to be different in some way to match some ideal promoted through advertising has become an obsession, especially for vulnerable younger members of society. Perhaps the pressure to conform to some unrealistic ideal has always been with us, but surely not to the extent that now is the case. And it is this desire that helps to account for the current interest in shape-shifting as it would seem to provide a means of achieving the goal to bring about change. However, as many of the tales in this collection show, it is only by coming to terms with who we are that peace of mind can truly be ours again.

Mind-Sprung

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AD Harvey
(Crime Fiction)

978-1-906958-67-1b

Mind-Sprung
AD Harvey
Format: Softcover
ISBN: 978-1-906958-67-1
£10/US$16
Subjects: Crime Fiction/Entheogens/Counterculture.

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An A-Level drop-out graduates from evicting immigrants during the heyday of the inner-city slum landlords during the 1960s to stripping redundant churches during the early 1970s, before moving to northern Sweden equipped only with the proceeds of selling stolen property and some hashish. He finds new sources of hashish even in Sweden but eventually the money runs out, and he returns to London: only to discover it is even worse than when he left.


Eric Naiman, a Professor of Russian and Comparative Literature at Berkeley, in a six-page attack on A.D.Harvey’s multitudinous literary crimes in THE TIMES LITERARY SUPPLEMENT in 2013, described Harvey’s account of drug-taking and other shenanigans in London and the Swedish Arctic as “unreadable”, but perhaps that was because he hadn’t actually read it. Another of A.D.Harvey’s novels, WARRIORS OF THE RAINBOW was described by THE GUARDIAN as “weirdly compelling” and by THE INDEPENDENT as “free-flowing and poetic….unforgettable.”

Secret Gospel of Mark

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Morton Smith, Clement of Alexandria
and four decades of academic burlesque
Robert Conner

The Secret Gospel of Mark
Morton Smith, Clement of Alexandria
and four decades of academic burlesque
Robert Conner
Format: Softcover/160 pp.
ISBN: 978-1-906958-68-8
£15.00+p&p / US $24.00+p&p
Subjects: Religious Studies/Spirituality

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While cataloguing material in the library of the monastery of Mar Saba in 1958, Morton Smith discovered a quotation from a letter of Clement of Alexandria copied in the end pages of a 17th-century collection of the letters of Ignatius. After more than a decade of a collaborative analysis of the find, Smith published his conclusions in 1973, setting off a firestorm of controversy in the New Testament studies guild.

In 1975, a Jesuit scholar, Quentin Quesnell, claimed the letter had been forged and implied that Smith was the forger, moving the focus of debate off the text itself and onto Smith. Since then the pages containing the letter have been removed from the book and possibly destroyed, while Catholic and evangelical writers, none of whom have ever seen the pages in question, continue to claim that Smith forged the letter.

Following his death in 1991, accusations against Smith took on a considerably more personal tone, highlighting his alleged homosexuality and by implication his dishonesty and moral perversity. Although the question of authenticity remains unresolved, the controversy has opened a window on the intellectually corrupt nature of apologetic New Testament studies, a subject of greater importance than the authenticity of early Christian texts.

 

The Dionysian Spirit

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Sean Fitton


The Dionysian Spirit
Sean Fitton
Format: Softcover
ISBN: 978-1-906958-65-7
£15.00 / US$24.00
Subjects: Ancient Greece/
Greek Mysteries/Myths/Magic/Paganism/Spirituality.

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Dionysos is an obscure Greek god of wine and theatre for many people. For others, he is so much more.

The Dionysian Spirit examines the essence of what Dionysos is all about, both as a deity and as a cultural and social force. It looks at the relation of Dionysos with his opposite number Apollo. The twin gifts of Apollo and Dionysos are ekstasis (ecstasy) and entheos (enthusiasm) and have informed and enlivened our lives and cultures from ancient times right to the present day and beyond.

The Dionysian Spirit – like the art of a good party – has always been with us and now, in many ways, we need it more than ever.


Contents: Devotional to Dionysos / The Visualisation / The Myths of Dionysos / Dionysian Heroes / Dionysos Around the World / Dionysos Across The Millenium / Dionysos Goes Forth

A.D.Harvey

A.D.Harvey was born and brought up in Colchester, read history at St John”s College Oxford, obtained a Ph.D. at Cambridge, taught there for some years, and later became an antiques dealer.He is the author of a number of historical works that were favourably reviewed in the national press and of the novels WARRIORS OF THE RAINBOW (Bloomsbury 2000) and OXFORD:THE NOVEL (Brewin 2012).His short stories have appeared in LONDON MISCELLANY and CRITICAL QUARTERLY.

Seán Fitton

Seán has been a practising Pagan for more years than he cares to remember and a follower of Dionysos for about 15 of those. He lives in the wilds of north Manchester with his wife and carer, Sara, children and pets and runs a local house moot. This is his first book and he intends to write another if he can squeeze it in between acting and musician jobs.

William Lilly: Magician, Astrologer & Adept

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William Lilly,
Magician, Astrologer & Adept 
Peter Stockinger & Sue Ward

Foreword by David Conway

Format: Softcover, 252pp
ISBN: 978-1-906958-62-6


£14.99+p&p / US$26.00+p&p

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Born less than a year before the death of Queen Elizabeth I in 1603, William Lilly lived during one of the most turbulent times in English history. Like so many of his generation, he had to deal with the plague, was drawn into the madness of the English Civil War and was forced to take sides, and witnessed the regicide of King Charles I. Lilly lived in a time of enormous religious and social upheaval, but his astrology remained the outer expression of a magical world-view, based on hermetic and neo-Platonic principles and rooted in the 16th century.

This book provides the reader with a thorough introduction to the world of William Lilly, the famous 17th century astrologer and magician. It brings together transcripts of his autobiography and of some of his most important works. It also includes Peter Stockinger and Sue Ward’s Monster of Ingratitude, an investigative journey offering new insights into the notorious contention between Lilly and the astrologer John Gadbury. Amongst other valuable information, the book contains:

* The Life of William Lilly, Student in Astrology

* Monster of Ingratitude
This research contains brief biographies of Lilly and Gadbury. It shows how their enmity began, developed and ended, including details of the rather one-sided pamphlet war. An in-depth study of published material, timelines and bibliographic entries of all primary sources used are also included and provide the grounds for a different explanation from that commonly proposed.

”The Last Magician is a very worthwhile work. Although some parts are hard going for the non-specialist, others are of value to anyone with an interest in Enlightenment esotericism and seventeenth-century English history in general. — Clive Prince.”

Matthew Levi Stevens

Matthew Levi Stevens was born 31st of October 1966, shortly before Midnight. He is a writer, researcher, and online commentator. Awareness of the Occult and ‘chance encounters’ with certain artist-practitioners determined his path at a young age.

His published works include A Moving Target: Encounters with William Burroughs (Beat Scene Press, 2012), and in collaboration with C J Bradbury Robinson, A Way With Words (WhollyBooks, 2013.) In addition, he has written on Aleister Crowley and Kenneth Grant, and appeared in the anthologies Occult Traditions (Numen, 2012) and CUT UP! (Oneiros Books, 2014), and has also been a regular contributor to a number of magazines and online forums, including Beatdom, Beat Scene, Chaosphere, New Dawn, Reality Sandwich, Reality Studio and The Modern Review.

With his partner, the artist Emma Doeve, he is currently working on a Grimoire inspired by the Graeco-Egyptian Magical Papyri. They maintain an occasional blog together at whollybooks.wordpress.com

The Magical Universe of William S. Burroughs

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The Magical Universe of William S. Burroughs
Matthew Levi Stevens
Format: Softcover
ISBN: 978-1-906958-64-0
£15.00 / US$24.00
Subjects: Counter-Culture/Magic/Occult/Biography/American Underground.

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“In the magical universe there are no coincidences and there are no accidents. Nothing happens unless someone wills it to happen. The dogma of science is that the will cannot possibly affect external forces, and I think that’s just ridiculous. It’s as bad as the church. My viewpoint is the exact contrary of the scientific viewpoint. I believe that if you run into somebody in the street it’s for a reason. Among primitive people they say that if someone was bitten by a snake he was murdered. I believe that.”
– William S. Burroughs

Fully revised and expanded from the limited edition chapbook that first appeared in 2012, The Magical Universe of William S. Burroughs is the first ever in-depth consideration of the significance of Magic and the Occult in the Life & Work of the writer and counter-cultural icon.

In Literary Outlaw: The Life and Times of William S. Burroughs, his biographer Ted Morgan wrote:

‘As the single most important thing about Graham Greene was his viewpoint as a lapsed Catholic, the single most important thing about Burroughs was his belief in the magical universe. The same impulse that lead him to put out curses was, as he saw it, the source of his writing…’

‘To Burroughs behind everyday reality there was the reality of the spirit world, of psychic visitations, of curses, of possession and phantom beings…’

From the Introduction to The Magical Universe of William S. Burroughs:

In talking about The Magical Universe of William S. Burroughs I am really thinking of two things:

Firstly, and probably most obvious, is the material that appears in the output of Burroughs the Writer that can be seen as describing or referring to some magical, mystical or occult idea – Invocations of Elder Gods of Abominations, descriptions of Sex-Magick rituals, references to amulets, charms, ghosts, omens and spells – all the thematic set-dressing that we all know and love, from Hammer Horror Movies to Weird Tales, from H. P. Lovecraft to Dennis Wheatley and The X-Files…

Secondly, there is the personal interest and involvement of Burroughs the Man with belief systems and practices that come from those strange ‘Other’ territories that lay outside the bounds of either conventional mainstream religion or scientific materialism – explorations of L. Ron Hubbard’s Scientology, Konstanin Raudive’s Electronic Voice Phenomena, Wilhelm Reich’s Orgone Accumulator; also partaking of the Vine-of-the-Soul with Amazonian shamans, attending the Rites of Pan in the Rif Mountains outside Morocco, participating in a Sweat-Lodge with Native American Indian medicine men – and, latterly, an engagement with that most Post-Modern of Occultisms, Chaos Magic.

The material considered has been distilled from archival sources, correspondence, interviews, and of course, published works. As well as his own personal contact with Burroughs and his lifelong study of the Man and his Work, the author also draws from a wide range of former associates – collaborators, friends, lovers, and students – including C. J. Bradbury Robinson, Michael Butterworth, David Conway, Phil Hine, Graham Masterton, Malcolm Mc Neill, and others.

As well as his own contact with the likes of Genesis P-Orridge, John Balance & Peter Christopherson of Coil, and writer Terry Wilson, back in 1980s London, he has also had unprecedented access to the papers of Cabell McLean, a young writer who was William’s companion, lover & student, c.1976-1983.

Sometime in the nineteen-seventies, following a reprint of my book, Magic: An Occult Primer, a letter was forwarded to me by my then publisher. Poorly typed and in an envelope which, unless my memory deceives me, bore no postage stamp, it came from William S. Burroughs. I still have it somewhere. In it the writer made plain his interest in magic. In real magic that is, not the smoke and mirrors kind.

Given that Burroughs’ tireless ambition was to encounter a reality beyond that accessible to our five senses, with magic perceived as an effective means to that end, it is remarkable that the subject has hitherto received but scant attention.

This work, by Matthew Levi Stevens, who must have encountered Burroughs at around the time he wrote to me, sets out to make up for that deficit. In it he chronicles the man’s interest and examines the part magic and occultism generally played both in his life and in his work.

Stevens sets about the task with gusto, indicative of his respect and, indeed, affection for “Uncle Bill”, as well as his familiarity with the topic itself. He draws on Burroughs’ own writings, and on those of the growing number of people, supporters and critics alike, who have commented on him and his literary output.

It is a job well done. And one that is all the more welcome because long overdue . . .

– David Conway, 2014.

Seidways

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Shaking, Swaying and Serpent Mysteries
(was Techniques of Obsession)
Jan Fries

1869928369


Shaking, Swaying & Serpent Mysteries
Jan Fries
Format: Softcover
ISBN: 1869928369
£14.99/US$24
Subjects: Northern Tradition/Odinism/Runes/Shamanism.

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Seidways
From the author of Helrunar – manual of rune magick and Visual Magick, a handbook of freestyle shamanism, come the definative study of magical trance and possession techniques. The author is inspired by the Nordic tradition of Seidr, said to have been taught to the human race by Odin. The book provides an extensive survey of the manifestation of this powerful technique through several related magical traditions – shamanisn, mesmerism, draconian cults and the nightside of European paganism.

Seething is probably the most useful magical technique I have ever learned. I first was taken by the pleasure of it. My body felt warm and sensual, and seething in the hips felt quite sexual. I liked the feeling of my body taking over where the shaking was first voluntary – but I could still have some control, making the shaking stronger or more subtle. After a while I started to see visions – something that very rarely happens to me. I could see (with my physical eyes, not astrally!) the surface of the land in the centre of the circle rippling, like waves of energy. It was a really moving experience in a site that – until then – had not been particularly ‘special’ to me… it ..has had a major impact upon my magical work which used to be largely indoors, as at last I have found a way that I can work outdoors. This gives my magical work a potency that it simply didn’t have before. – Shantidevi quoted in chapter twelve ‘Rhythms and the Mind’

Reviews:

-‘Very highly recommended’ – The Cauldron

‘Jan Fries shows himself to be one of the most innovative and creative of contemporary magical authors. This is the best book on practical magick that I have seen for some time… an extremely useful body of techniques which any practically-minded magician will be able to use. Beautifully illustrated…Mandrake should be applauded for producing yet another fine book of modern magical practice and thought. Buy it, you won’t be disappointed!’
– Phil Hine in Chaos International 22


‘The text is always interesting to read no matter where you start from. With such a broad spectrum of content, Seidways is suited to anyone studying shamanism for the first time, and wants to avoid a pile of new-age crap. It’s also a great all-rounder for anyone with a general interest in European mythology. Seidways will become one of the more thumbed books in my collection, and I am sure the collection of anyone else who buys it.’
– Sant reviewing in White Dragon

Craft of the Untamed

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An inspired vision of Traditional Witchcraft
Nicholaj de Mattos Frisvold

Untitled2

 

 


Craft of The Untamed
An inspired vision of Traditional Witchcraft
Nicholaj de Mattos Frisvold
Format: Softcover
ISBN: 978-1-906958-11-4
£14.99/US$24
Hardcover: £25/$35
Subjects: Craft/Traditional Witchcraft.

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The Craft of the Untamed sets out to present the main pillars of traditional witchcraft. Its premise is that a proper tradition is defined as a timeless unity. Outwardly the tradition bears a great diversity across different lands and spirit. Traditional witchcraft is found in various sodalities and groups across the world. Even so it is possible to discern several harmonious, shared themes. These themes are the land, the crossroads, death, night and the mountain of Venus. It is witchcraft where a human and angelic blood mingles to form a special pedigree that has shaped the archetypical image of the witch.

Traditional witchcraft is largely a peasant craft. These “black arts” are works of the earth and the black soil with all its mystery of death, growth and change. This book aims to present the craft free for needless obscuration. I have endeavored to reveal the richness of the tradition as it flows down through time and geographical space.

The reader will come to appreciate and understand the wise arts both infernal and celestial; the powers wielded by the denizens of the night will be accessible; and you will come to value them for their beauty and power.

Contents: Foreword by Shani Oates/Introduction//At the Crossroads of the Worlds/Solomonic Magick//The Blood of the Living Bones/Within the Mountain of Dame Venus/The Vinculum of Eros/The Art of Timeless Tradition/Within the Veil of Night/Against the Current.

 

 

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Magic in Christianity

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From Jesus to Gnosticism
Robert Conner

Magic in Christianity
From Jesus to Gnosticism
Robert Conner
Format: Softcover
ISBN: 978-1-906958-61-9
£15.00+p&p / US$25+p&p
Subjects: Religious Studies/Gnosticism/Magic.

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The world of Jesus and the early Christians swarmed with prophets and exorcists, holy men and healers, who invoked angels and demons, gods and ghosts. Magic in Christianity: From Jesus to the Gnostics explores that world through the surviving texts of the first Christians and their pagan and Jewish contemporaries.

Ecstatic spirit possession, handing opponents over to Satan, sending demons into swine, striking others dead on the spot by pronouncing curses, using articles of clothing and parts of corpses to perform magical healing and exorcism, invoking ghosts and angels for protection—these are all ancient Christian practices described in the New Testament, explained in detail by early Christian writers, and preserved by Christian amulets.

Pagans and Jews accused Jesus and his followers of practicing magic and Christians accused one another of sorcery. Both pagan and early orthodox writers describe the rituals of the gnostic sects in detail, including the magical passwords required to cross through the gates of the lower heavens.

Magic in Christianity: From Jesus to the Gnostics examines evidence from the New Testament, the first Christian apologists, early apocryphal works, curse tablets and amulets to reconstruct the apocalyptic magical world of Jesus and the first Christians.

“a compelling and striking exemplar of why independent scholarship is such an important facet of the academic studies…Recommended.”
– Dale Evans, Ph.D., review of Jesus the Sorcerer, Journal for the Academic Study of Magic.

“a fascinating and thought provoking read…one of the most learned works I have had the opportunity to read in this genre.”
– Eric W. Northway, Ph.D., review of Magic in the New Testament, The Pomegranate: The International Journal of Pagan Studies.

 

A German Stargazer’s Book of Astrology

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Astronomia Teutsch Astronomei 1545
Peter Stockinger
(Translator & Editor)
Sue Ward (Foreword)

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A German Stargazer’s Book of Astrology
Peter Stockinger
Foreword by Sue Ward
Format: Softcover/242 pp.
ISBN: 9781906958596
£14.99/US$22
Subjects: Astrology

A German Stargazer’s Book on Astrology is the first English translation of Astronomia Teutsch Astronomei, published in 1545 in Frankfurt am Main. The original work was one of the earliest astrological textbooks in the vernacular, predating William Lilly’s famous English primer Christian Astrology by over a decade. With this translation, Peter Stockinger offers the English reader an exciting insight into the working methods of a 16th century astrologer living on the cusp of the Late Medieval and Early Modern periods. The book contains a detailed introduction by the translator, providing valuable background information and historical context, and is comprehensively annotated throughout.

The translation contains, amongst many others, the following chapters:

· Of the Twelve Signs their Stars and Effects
· Of Pictures of the Heavenly Bodies (Constellations)
· Of the Fixed Stars and their Qualities
· Of the Seven Planets
· Of Eclipses and Comets (Mundane astrology)
· Of the Four Seasons (Weather astrology)
· Claudius Ptolemy’s Perpetual Calendar

 

Elmer Crowley

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A Katabasic Nekyia
Tom Bradley
(illustrated by David Aronson & Nick Patterson)

Elmer Crowley / USA & AUS / $22.00

Elmer Crowley / UK / £15.00


Elmer Crowley
A Katabasic Nekyia
Tom Bradley, David Aronson, Nick Patterson.
Format: Softcover/132 pp – illustrated – many in colour.
ISBN: 978-1-906958-55-8
US $22.00 / UK £15.00
Subjects: Aleister Crowley & Thelema/picaresque graphic novel.

Bless me,
curse me.
For better or worse, my fallopian fall into matter. . .

After making careful preparations to ensure himself a proper reincarnation,
the dying ALEISTER CROWLEY flubs one syllable of the magickal incantation . . .
and comes back as ELMER FUDD.

———————–

– Back story on this publication –

David Aronson has become ill, and is unable to complete the illustrations for ELMER CROWLEY. But the good news is that the great Nick Patterson has agreed to step in. Nick collaborated with Tom Bradley on a couple of books, including FAMILY ROMANCE (Jaded Ibis Press)–

www.thedrillpress.com/sad/2012-08-01/sad-2012-08-01-romance-tbradley-01.shtml

Just by coincidence, this happens to work out perfectly.
After making careful preparations to ensure himself a proper reincarnation, the dying Aleister Crowley flubs one syllable of the magickal incantation…and comes back as Elmer Fudd.

The pictures David Aronson did before getting sick are black and white. They take Crowley from his death, through his judgement in the Hall of the Divine Kings, and stop just as he is being sucked into Looney Tunes Land.

At that point, Nick Patterson takes over, and the color is switched on. It’s like the old movie, when Dorothy gets out of Kansas and arrives in Oz. The different style of pictures announces the big change in scene.

—-

– Praise for Elmer Crowley: a katabasic nekyia

Reading Elmer Crowley is like reading Crowley’s inner dialogue at 3am, after an intensive journey into his own inner abyss. It is, therefore, a magickal working that Crowley himself would be proud of.
– Gwendolyn von Taunton, author of Northern Traditions

Of Aleister Crowley’s many fictionalizations, this novel gets best into his head. Erudite, prideful, lascivious, funniest man of his time, and the mightiest spiritual spelunker–he speaks and shouts from these pages as clearly as he did in his Autohagiography, which is paradoxical, given the irreal setting.
– Barry Katz, HTMLGIANT

This book…captures the feel of Crowley with his bawdy, politically incorrect irreverence, his arrogance and his committed magickal spirituality and awareness.
– Charlotte Rogers, author of P is for Prostitute

The voice is dead perfect…I can’t imagine a hip Thelemite NOT having this book in her library.
– Don Webb, author of Through Dark Angles, former High Priest, Temple of Set

This self-described “picaresque graphic novel” reads like an account of Crowley’s death-bed fever dream or an afterlife bardo journey gone terribly wrong, wherein the fifty-eight Wrathful Deities take on the aspect of warped and sinister versions of Looney Toons archetypes…. the result reads like a trippy, post-mortem, long-lost epilogue to The Confessions.
– Richard Kaczynski, author of Perdurbo: The Life of Aleister Crowley

Beneath the Pleasure Zones

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Beneath The Pleasure Zones
The Rupture
Paul Green
Format: Softcover
ISBN: 978-1-906958-58-9 (ebook 978-1-906958-51-0)
£8.99/US$12.99
Subjects: Fiction/Science-Fiction/Cyberpunk.


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In The Rupture, an oligarch builds a cybernetic virtual reality complex on an ancient site in the middle of a rural neo-pagan community of warlocks, who are also besieged by fundamentalist militias. As a consequence, in The Polyverse the Lobe (aka the internet) generates its own demonic entities, the prankster Quantum Brothers, who create further ordeals for Lucas and the two women in his life Viv and Carla. Theres apocalyptic destruction but also a glimmer of hope…

When Lucas Beardsley blundered into the Qliphothic Forces of the Polyverse, Britain’s reality-consensus was drastically disrupted. Everyday causality was never quite the same again…

Now Londoners escape into the virtual-reality thrills of Pleasure Centres plc, while Borderland villages embrace an eclectic neo-paganism. Meanwhile Fundamentalist militias – Mo-Boys and Heavy Shepherds – battle for overall control.

In the Borderlands, Lucas works desperate magicks to win back his ex-lover Carla. In London traumatised computer wizard Dr Crowe seeks work with Pleasure Centres. For Lombard, CEO of Pleasure Centres, has a manic plan to restore the status quo by using Crowe’s cyber-skills to manipulate the ancient forces of the Borderlands.

‘A profound knowledge of the byways of pagan and magical thinking is integrated with an awareness both of current political trends and new technologies.’
– Tim Pendry

This first volume of Paul Green’s new fiction sequence ends with a bizarre and terrifying climax that defines the world of the sequel –

– BENEATH THE PLEASURE ZONES –THE POLYVERSE

Paul Green’s other work includes the novel The Qliphoth and the poetry collection The Gestaltbunker. His dramas, which have been broadcast on BBC Radio 3, CBC Radio, RTE Ireland and Resonance FM, have been collected in Babalon and Other Plays – the title piece being his evocation of occult rocket scientist Jack Parsons. Based in Hastings, he has performed at numerous esoteric and literary events.

He is not to be confused with the esteemed psychic biker of the same name, whose fascinating book is also published by Mandrake.

 

The Ritual Year in Ancient Egypt

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Lunar & Solar Calendars and Liturgy
Mogg Morgan

The Ritual Year in Ancient Egypt
Lunar and Solar
Calendars and Liturgy
Mogg Morgan
ISBN: 9781906958138 (2011) 272pp
£15.00 / US$24.00
Subjects: Ancient Egypt/Egyptian Magick

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The very oldest Egyptian ritual calendar was lunar. The evidence for this is very complex and in the words of Professor Leo Depuydt, “does not exactly jump out at you!” This ancient lunar calendar continued a veiled existence alongside the dominant solar or civil year. Many details are lost so the project of this book is to bring together what has survived. Revealed here is a very ancient pantheon of gods, including Set, Min, & Hathor, one for each month of the lunar year. I have provided for them a unique collection of liturgy, rituals and prayers as may have been offered in the homes, sanctuaries and temples of original Egypt.

Many of these feasts of Ancient Egypt were celebrated on the phases of the moon – principally when it was new or full. So whatever your favorite god or goddess, make offerings on either of these days and you will be reviving an old and authentic form of the Ancient Egyptian magical religion.To complete the picture I present over several chapters all the technical details of the lunar month as well as its more well known civil replacement. Here you will find information on how certain key days were calculated when needed. These later chapters also provide related material on the mysteries of the Northern Constellations.

Finally, there are descriptions of the thirty lunar days of each month and lunar omens. So in total, this is the most complete and authoritative guide to the ritual wheel of the year at all stages of its use in the Ancient Egyptian magical religion.

 

Desert Fox Oracle

desertfoxb

“The desert is so vast it can only be painted in miniature”
– Brion Gysin

The Desert Fox Oracle contains 30 cards. This number mirrors the number of days in the ancient Egyptian lunar calendar. The desert represents different things to different people. For example it can be the ultimate wilderness, the place of initiation and of the unconscious. The fox is the master of the desert and all its mysteries, he leads us on a journey through various archetypal images through which we can gain true knowledge of hidden things.

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Companion book Click for download 

Making Talismans

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Nick Farrell

Making Talismans cover



Making Talismans
Nick Farrell
Format: Softcover/284 pp/illustrated.
ISBN: 978-1-906958-57-2
£19.99 /US$25
Subjects: Magic/Occult.

Discover the secret keys and practical techniques to turn mundane objects into “living entities of power,” bringing real change in your life. By pooling magical practices from shamanism, paganism, the Order of the Golden Dawn, and Dion Fortune, Making Talismans offers training and techniques for performing advanced magical talismanic operations.

For many years this occult classic has been “out of print” and now has been reworked by the author to reveal more detailed and advanced magical work.

This book is nearly entirely practical and tells the reader how to create talismans which work and how this specialist form of magical work can be part of a spiritual path.

Nick Farrell is the author is the Chief Adept of the Magical Order of the Aurora Aurea which is a modern Golden Dawn dedicated to magical experimentation and development.

http://nick-farrell.blogspot.com/
Nick Farrell’s Blog – A blog providing training for all interested in the Golden Dawn, the magical writings of Nick Farrell and his Magical Order of the Aurora Aurea

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Nevill Drury

(1947-2013)
Rest in Peace Nevill

NEVILL DRURY PhD is an independent historical researcher whose specialist interests include modern Western magic, shamanism, transpersonal psychology and visionary art. Born in England in 1947 but resident in Australia since 1963, Nevill has worked as an international art-book publisher, lecturer and magazine editor and is now a full-time writer. He is the author/co-author/editor of over sixty books and his work has been published in 25 countries and 18 languages.

His most recent publications include Stealing Fire from Heaven: the Rise of Modern Western Magic (Oxford University Press 2011); Homage to Pan (Creation Oneiros 2009), The Dictionary of Magic (Watkins 2005) and The New Age: the History of a Movement (Thames & Hudson 2004). He received his Ph.D from the University of Newcastle in 2008 for a dissertation on the visionary art and magical beliefs of Rosaleen Norton (awarded ‘Best Humanities Ph.D’. in that year).

Nevill died 15th October 2013 aged 66.

Phi-Neter

Featured

Power of The Egyptian Gods
Mogg Morgan

Phi-Neter
The Power of The Egyptian Gods
Mogg Morgan
Format: Softcover/228 pp.
ISBN: 978-1-906958-56-5
£15.00 / US $24.00
Subjects: Egyptian Magick

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——————————————————————-

Phi-Neter, means ‘Power of the Gods’. In hieroglyphs this is represented by the hind-quarters of a leopard, a “Typhonian” creature, a predator who exemplifies the driving force of magick. In this book the author extends the core working material of Egyptian magick for himself and others to study and use. These techniques are manifest in the cult of Lord Seth – known as Typhon by the Greeks – and by all the other Gods of the Egyptian pantheon.

The Egyptian magician wields a power that was ultimately created by the Gods for the use of anyone who wishes to do their work. It is the same underlying power whether manipulated by Gods, priests, aristocrats, the common people or even the criminal. Same power, different ends.

“Ancient Egypt is an intellectual and spiritual world that is linked to our own by numerous strands of tradition.” – Jan Assmann, The Mind of Egypt

topics include: the false door; temple; Abramelin; magick squares; Aleister Crowley; the heptagram; vowel song; cardinality; twilight language; seven charaktêres for “deliverance”; ring of power; hermeticism; colour symbolism; number; egyptian “kabbalah”; hermeneia; the Star Goddess; the Book of Nuit; ephemeris of Egyptian decans; Books of the Nightworld (duat); Book of Gates; Egyptian liturgy; a Greco-Egyptian dice oracle; Short Invocations, prayers, valedictions, maledictions etc

decans-philae

 

Deep Magic Begins Here . . .

Featured

tales and techniques of practical occultism
Julian Vayne

Deep Magic Begins Here
tales and techniques of practical occultism
Julian Vayne
Format: Softcover
ISBN: 978-1-906958-52-7
£15.00 / US$22.00
Subjects: ChaosMagick/Entheogens/Occult

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One could read this as a collection of tales recounting magical experiments in practical occultism. But it is also a record of a magical crisis of confidence, a literal dark night of the soul. There are various milestones on this journey, from the mysteries of Witchcraft to tales of the Elder Gods. Deep Magic is a journal written during that long dark night of the soul.

As one might expect from such an articulate commentator, it also brings together practical how-to information, academic writing, and far reaching metaphysical exploration. This book touches on many different magical systems. Informed by the experiential approach of Chaos Magick and diving deep into the Mystery as presented through many traditions, this work explores:

Psychogeography and Magick
Transgressive bodywork
Our Vision of the End Times
Gender fluidity as spiritual process
The Boscastle Museum of Witchcraft
Zombies and the New Age movement
Buddhism meets Chaos Magick
Entheogenic magick, the law and social transformation
Mindfulness practice as the still point in the storm of chaos
The esoteric metaphysics of Pooh Bear, Tigger and Eeyore


…and much more!

Peter Stockinger

Peter

Peter Stockinger has studied astrology in Austria and in Great Britain and has been practicing this art for about 25 years. He trained as a Cosmobiologist and modern astrologer in Vienna.

In 1998 he moved to North Wales and continued his astrological studies there. Studying the works of the English master astrologers of the Renaissance and the 17^th century closely, he soon realised that these were holding the key to a more precise form of astrology. He found that this approach was perfectly suitable to provide answers to 21^st century’s everyday life questions. Consequently he decided to concentrate purely on traditional natal and horary astrology and has also specialised in working with planetary gemstones. Peter is particularly interested in the history of astrology and its reintegration into the magical arts.

For the last 30 years Peter has also studied with several esoteric schools teaching a variety of disciplines; he has a particular interest in retrieving the ancient wisdom of our northern European ancestors.

In his mundane life he enjoys visiting the ancient sites of his home in North Wales and, together with his wife Anna, performs spiritual healing for rescued and traumatized animals.

Visit Peter Stockinger Traditional Astrology Website for consultations
starsandstones.wordpress.com

—————-

Sue Ward

Sue Ward

A student of astrology since the early 1980s, Sue very soon became fascinated by the western predictive tradition. Having been introduced to the work of William Lilly (1602-1681) through Zadkiel’s bastardized version of “Christian Astrology”, she has continued to focus on the original text.

Her work in Traditional astrology has been published in a wide variety of astrological magazines and journals, and she lectures nationally and internationally. Research into and study of William Lilly’s work remains her passion.

She undertakes client consultations and has taught the art through her correspondence courses for over twenty years.


Sue Ward Astrology Website
www.sue-ward.co.uk

————-

The Peacock’s Egg

Featured

Ron Wyman

The Peacock’s Egg
Ron Wyman
Format: Softcover
ISBN: 978-1-906958-34-3
£15.00+p&p / US $23.00+p&p
Subjects: Alchemy/Magic/Occult.

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Special offer

Get The Peacock’s Egg & The Black Toad for only $30.00 / £20.00

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The Peacock’s Egg describes a transformation of the psyche. This is based in the alchemy in which an alchemical dream process is set into motion, acquiring highly resolute manifestation through phases of the opus. An intensive and lengthy occult praxis is entered in which dreams and dreaming practices are developed. Advanced levels of occult experience are attained in which ethereal energy becomes mastered, involving a purification. These attainments adhere to beliefs regarding this type of paranormal experience that include the author’s interest in the work of Carlos Castaneda. The intricacies of a crucial alchemical image are described—a Vision of the Peacock’s Egg, an accessible metaphysical anatomy. The spatiality of the rose garden, the alchemical death, and attainment of the lapis are then brought into the practice.



Village Witch

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Life as a village wisewoman in the wilds of West Cornwall
Cassandra Latham-Jones

9781906958237covb

Village Witch
Life as a village Wisewoman in the wilds of West Cornwall
Cassandra Latham-Jones
Format: Softcover
ISBN: 978-1-906958-23-7
£15.00 / US$24.00

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Village Witch describes life as a Village Wisewoman in the wilds of West Cornwall. The first part of the book documents the tortuous and sometimes harrowing journey to achieve this unusual occupation. It is a tale that ultimately moves through surviving and into thriving. Cassandra’s past experiences directly inform her present practice and are intrinsic to being a wisewoman – she acquires wisdom from actively experiencing and observing the vagaries of life. As part of her work she travels around the country giving talks about her profession, and without exception is asked each time what brought her to become a village wisewoman. Many people want to hear about that journey and this is one of the reasons for deciding to write the book.

Following on from this, Cassandra tells of the practice of her craft, which includes many stories and observations regarding the day-to-day experiences of a traditional wisewoman including her personal approach to magic.

At present the market is flooded with ‘how-to-do’ books on witchcraft and associated themes. Almost without exception they inform in an authoritative way often including a cookbook of spells. There is far more to the Craft of the Wise than simply following someone else’s recipes for performing magic. It entails old-fashioned qualities such as hard work, discipline, dedication and commitment. This book differs in that it describes the ‘why’ as well as the ‘how’ and in that sense challenges the reader to question and explore their own experiences of the worlds magical.

VILLAGE WISEWOMAN WEBSITE
www.villagewisewoman.co.uk/id6.html

CASSANDRA LATHAM-JONES BLOG
www.cassandralathamjones.wordpress.com

 

THE BOOKS OF THE BEAST

The Book of the Beast

Old 1st Paperback edition

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The Books of The Beast
Timothy d’Arch Smith
Format: Softcover
ISBN 9781869928179
£12.99/US$22
Subjects: Aleister Crowley/Crowleyiana/Publishing History/Antiquarian Books/Occult.

Timothy d’Arch Smith is a well-known bibliographer, reviewer and antiquarian bookseller with a special interest in the by-ways of literature, notably the occult and the curious.

For Aleister Crowley a book was a talisman and their every part right down to colour, dimension, and price was symbolic. He also used magical techniques to gain literary success–thus new editions of Crowley’s writing multiply daily, tantalizing the bibliographer. All the more indispensable is this authoritative guide to his magical first editions.

Timothy d’Arch Smith, widely acknowledged as a leading expert on Crowley and on underground literature, offers several shorter articles on:
*Oxford’s demonologist Montague Summers;
*R A Caton and his Fortune Press;
*Sexual prophet Ralph Chubb;
*Florence Farr;
*The British Library Private Case;
*and Timothy d’Arch Smith.
*For this new edition, he also adds an extra chapter on Crowley.

REVIEWS

”…one could hardly wish for a more stimulating guide…” –The London Magazine

”One of the more immediately striking things about the book is its gentle humour.”- Time Out

The Books of The Beast. Timothy d’Arch Smith. (Mandrake).
The author of this collection of studies of twentieth-century occultists is a well-known antiquarian bookseller, bibliographer and reviewer with a life-long interest in esoterica and erotica. This collection has a bibliography of Crowley that gives the book its title and biographies of the Roman Catholic priest, playwright, schoolmaster, collector of homoerotic pornography, demonologist and closet Satanist, Montague Summers, the eccentric R.A. Caton, who shared Summer’s interest in young boys and was briefly his publisher, Ralph Chubb, writer, artist and pederast who tried to create a new religion based on the worship of a boy-god, and pioneering female occultist Florence Farr of The Hermetic Order of The Golden Dawn. There is also an account of Crowley’s disguised appearance as a character in Anthony Powell’s famous novel A Dance to the Music of Time (1951), one of many he made in fictional works, and a description of the private collection of erotica in the British Library. The book concludes with a fascinating autobiographical epilogue on the author’s adventures in the London occult scene of the 1950s and 1960s. These feature Michael Houghton from the Atlantis Bookshop (compared by the author to Grumpy in Walt Disney’s Snow White and The Seven Dwarfs because of his stature and demeanour!), Crowley’s forgotten biographer and cricket fan Charles Richard Cammel, who died during a Test Match at the Oval (what a way to go!), the writer and biographer Jean Overton Fuller, the Beatles (who attended a witchcraft exhibition organised by the author), and Crowley follower Jimmy Page of Led Zeppelin. Highly recommended.
The Cauldron # 136, May 2010.

Magick Books

Jennifer Layman

fking

Protection for your Occult Books
Mandrake of Oxford boasts an impressive range of books about the occult, from texts about divination to works about magick. It is ideal for those who wish to pick up a title that would be difficult to find elsewhere. The occult is a topic that has fascinated mankind for centuries. Witchcraft, spells and the supernatural have been a source of interest since the dawn of humanity. As well as being interesting, these books can sometimes go up in value to the point where they sell for substantial sums of money, with books exchanging hands at auctions for up to twenty thousand pounds. Their value is not just financial though; many believe that books about the occult are powerful items that should be handled with care. A vast number of different traditions in which magic and witchcraft are important preach that the written word possesses a great amount of power and some hold the view that once owned by somebody, a spiritually charged book develops a connection to its owner. With that in mind, it is important to ensure that these books don’t fall into the wrong hands or get damaged or destroyed, as if you believe in their power then you won’t want to lose an item that you are connected to in this manner and if you merely see them as being fascinating to read then you won’t want to part with an essential item in your collection.

Remain Moisture, Dust and Insect Free
If you value your books then you can protect these prized possessions by keeping them in a dry environment away from dust and insects and purchasing contents insurance in case they are stolen or damaged through no fault or your own. People who collect occult books in the hope that they will one day go up in value should be aware of the fact that the condition of a book can make the difference between it being worth a small fortune and being worth next to nothing. However books do not need to be hundreds of years old in order to be worth considerably more than they were when they were written; some titles that were written within the last thirty years have more than tripled in value simply due to the fact that small numbers of them were produced and they are highly sought after.

Spiritual Cleansing
Those of you that believe that books contain spiritual as well as physical value will wish to care for the powers that are contained within them. If you have bought a book of spells then there are purification routines that should be adhered to when using items in rituals and books are no exception. These routines will vary dependent upon the tradition behind the spells, for example practitioners of Wicca believe in using certain herbs for cleansing purposes, whereas those who participate in ancient Egyptian practices have a series of complex rituals connected to cleansing. Many believe that failing to perform the correct cleansing routines can potentially lead to an item being contaminated with negative spiritual energy.

Binding Spell
If the book that you wish to protect is not a book of spells then you might wish to cast a binding spell on it in order to ensure that the power that is possessed within its pages is solely yours to harness. Place a candle, an incense stick, a rock and a cup containing water in a circle formation and sit behind it with the book in your hands. Free your mind of thought and try your hardest to spiritually connect with the book. Next extend the circle of objects so that you can fit within it and sit in it holding the book. Speak out loud the sentence, ‘You are bound to me. We now work as one’. Once you have completed these steps, the spell will be complete.

Pride of Place on your Bookshelf
Words are regarded as having special spiritual significance in a plethora of different traditions ranging from mainstream religions to ancient witchcraft. Perhaps this is for good reason. Whether you believe in the occult or just find it an interesting topic to research, taking the correct care of your books can ensure that they will be there for you to enjoy for years to come. It will mean that they can remain in a readable state and continue to take pride of place on your bookshelf.

beast-t

9781906958466

octavo-t

handbook-rebels

The Psychic Biker meets The Extreme Ghost Hunter

Paul Green & Stephen Lambert

The Psychic Biker meets The Extreme Ghost Hunter
Paul Green & Stephen Lambert
ISBN: 978-1-906958-20-6, 220pp                                                                         
US$24.00 / UK£15.00

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In Psychic Biker Meets Extreme Ghost Hunter, Paul Green and Stephen Lambert have undertaken the unenviable task of spending many days and nights searching for something, which, for the most of us, is not part of everyday life experience.

In this book they take a candid look at the world of ghost hunting and the paranormal industry. They also reveal their thoughts on ghosts and hauntings, as they seek to encounter the things most people would wish to run from.

All are extreme and often virgin locations. Sometimes they succeed, sometimes they fail but they will tell it as it is. No frills, no airs and no lies.

Paul Green – The Psychic Biker, is possibly unique in the psychic world, a talented medium and psychic that was once an ardent sceptic. A hard-core biker that, on looks alone, should be placed on a door as a bouncer and not as an empathic psychic medium. Paul is opinionated, brutally honest and refreshing, or as he says “Attitude with Empathy”.

Stephen Lambert – Extreme Ghost Hunter, is a seasoned investigator of the paranormal. Stephen has spent a great deal of time at many locations alone on solo vigils. He is a firm believer in taking ghost hunting back to the basics, with a no nonesense outlook on seeking out the unexplained. Stephen is also a talented historian that likes to combine investigation with research.

 

The Return Of The Tetrad

Featured

Christopher McIntosh
(Occult Fiction)

The Return of The Tetrad
Christopher McIntosh
Format: Softcover
ISBN: 978-1-906958-18-3
£9.99 / US$15.00
Subjects: Magical/Occult Fiction/Occult Thriller.


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Paul Cairns, the narrator of this story, is a young journalist with a penchant for the occult. Prompted by a mysterious recurring nightmare, he seeks the advice of Gilbert North, scholar, country squire and occultist, who leads him on an extraordinary series of adventures involving a quest for the Tetrad, four primal magical objects corresponding to the elements and the suits of the Tarot. Cairns’ life becomes full of weird and supernatural happenings in a great magical battle between dark and light. But in the world of Gilbert North things are not quite what they seem. Layers of reality and unreality are peeled away until the deeper meaning of the whole quest is revealed.

REVIEW
Herbie Brennan (Ireland) –

This review is from: The Return Of The Tetrad (Kindle Edition).

Christopher McIntosh’s `Return of the Tetrad` is that rarest of commodities, an intelligent, vivid, well-written and, above all, authentic occult thriller that grips like a man-trap and provides an ending at once surprising and ultimately satisfying. The McIntosh style is reminiscent of Colin Wilson’s early novels, presenting thought-provoking ideas and deep-rooted esoteric concepts in an easily-digestible form that never becomes either difficult or patronising. This is occult fiction as it should be, but seldom is.

McIntosh, himself an academic expert in the esoteric, has mastered the art of suspending reader disbelief until the time comes for revelations that are as convincing as they are unexpected. According to the author,the first draft of the work was completed 40 years ago and has undergone various rewrites and revisions ever since. The end result is worth the wait. I read this book with enormous enjoyment and no little admiration.


Highly recommended.

Cassandra Latham-Jones

Cassandra uniquely became the first witch to register with the Inland Revenue in 1997. She served her community in the wilds of West Cornwall until 2010 when she officially retired from full time employment. However, she still remains the Village Wisewoman of Buryan and lives with her partner, Laetitia in their 200 year old Cornish granite cottage.

Sacred Mountains

Featured

Stories of The Mystic Mountains
An Anthology
Michael Berman

Sacred Mountains
Stories of The Mystic Mountains
An Anthology
Michael Berman
Format: Softcover
ISBN: 9781906958220
£15.00 / US$24.00
Subjects: Shamanism/Mysticism/Spirituality/Myths & Legends.

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On the mountains of truth, you can never climb in vain: either you will reach a point higher up today, or you will be training your powers so that you will be able to climb higher tomorrow.
~ Friedrich Nietzsche

What mountains mean to me: in one word, awe-inspiring. Although we can measure them, our minds are incapable of actually grasping the very small or the very large things in nature: neither atomic particles nor astronomical distances. How big is a mountain, how much does it weigh? Our limited minds can only cope with subjective assessments such as how difficult is it to climb, how dangerous would an avalanche be? So the feelings it produces are awe, a little fear, and possibly exhilaration if and when we think that we have conquered the mountain – but in reality we never can.
~ Professor David Hunt

All the stories presented in this collection contain shamanic elements, so the obvious starting point is to explain what is meant by this. The term ‘shaman’ is a controversial one. Initially employed by early anthropologists to refer to a specific category of magical practitioners from Siberia, the term is now widely used to denote similar practitioners from a variety of cultures around the world. This application of an originally culture-specific term to a more general usage has caused problems with regard to definition, with disagreements among scholars over whether certain features, such as soul flight or possession, or certain types of altered states of consciousness, should or should not be listed among the core characteristics of shamanism.
(Wilby, 2011, p.252.)

Introduction
What are Mountains for you?
Soul Captivation on White Bone Mountain
The Magic Brush and the Golden Mountain
The Legend of Amirani
The Story of Jumping Mouse
The Children of Hamelin: A Shamanic Journey into Mount Poppenberg
The Crystal Clear Waters of Mount Elbruz
The Vision Quest, Mount Sinai, and a Dream Fulfilled
Mount Ararat
Mount Koya-san, the Hermit’s Cave, and Fujiyama
Sacred Towers
The Fool on the Hill and the Book of Mysteries
The Tobacco of Harisaboqued
The Princess of the Tower

Appendix:
The Baal Shem Tov –
Rabbi, Religious Formulator or Shaman?

***
cover photograph by Joe Page shows Rennes Le Château seen from castle of Rennes Les Bains.


Launch 17th of January 2012 at the Georgian Embassy the author will talk about this book and give a reading. Starting promptly at 7.30 pm. The event is free and Georgian wine will be served at no cost too. The address is 4 Russell Gardens, West Kensington, London W14 8EZ. The hall holds about 60 people and we are hoping for a full house.

*************************************************************************************
RESOURCES FOR THE SACRED MOUNTAINS EXPERIENCE
Arts & Culture, Folklore, Myths & Legends, Food & Drink.

*************************************************************************************

Tbilisi Opera & Ballet Theatre
www.opera.ge

*

Georgia Cradle of Wine
www.georgia.gov.ge/5225

*

TAMADA,
Authentic Georgian Restaurant,
122 Boundary Road, St John’s Wood,
London NW8 0RH, UK.
www.tamada.co.uk


*

Michael Berman

(1952-2013)
Rest in Peace Michael

michael_berman

“What I have learned from my journey to the sacred mountain, and must now try to put into practice, is that instead of busying myself putting others down, which is what I have tended to do in the past, my time would be better spent helping those I criticise to rise up with me instead – that this is the secret to touching those I meet with goodness, and that this way we can live on in people’s memories, long after we leave this world, whether we are blessed with children of our own or not. This way we can all leave a mark.” ~ Michael Berman (From Sacred Mountains) (2013, 23)

Michael Berman’s published work includes The Power of Metaphor for Crown House, The Nature of Shamanism and the Shamanic Story for Cambridge Scholars Publishing, Shamanic Journeys through the Caucasus and Shamanic Journeys, Shamanic Stories for O-Books, Journeys outside Time for Pendraig Publishing, and Tales of Power for Lear Books. A Bridge to the Other Side: Death in the Folk Tradition and Georgia through Earth, Fire, Air and Water are both due to be published by Moon Books in 2012. ELT publications include A Multiple Intelligences Road to an ELT Classroom, In a Faraway Land (a resource book for teachers on storytelling), On Business and for Pleasure (a self-study workbook), and English Language Teaching Matters, written with Mojca Belak and Wayne Rimmer.

For more information please visit www.Thestoryteller.org.uk,

Images of Set

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Changing Impressions of a multi-faceted God
Joan Ann Lansberry


Images of Set
Changing Impressions of a multi-faceted God
Joan Ann Lansberry
Format: Softcover
ISBN: 978-1-906958-21-3
£15.00/US$24.00
Subjects: Ancient Egypt/Egyptology

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The god Set (aka Seth) has been much of a puzzle to Egyptologists. If we go with the attitude of later Egyptians, we find Set blamed for every misfortune that can befall humanity. However, if we go with the attitude of earlier times, in particular the Ramesside period, when Egypt was at its peak in prosperity, we find a completely different picture. For we find a god who was very much adored. Most of the surviving imagery is from that period, although even in Ptolemaic and Roman times we occasionally find a piece that was a part of worship and magical rites. Set was always seen as ‘Great of Power’, even when he was feared. Putting all his imagery together, placing it in chronological context, sheds new light on the Dark god.

“Joan Lansberry is a place where three roads meet: solid academic research, strong talent as a working artist and a deep magical intuition for the magical current represented by Set. Her collection provides Keys to some doors long-unopened and will prove invaluable to the modern Left Hand Path. I’ll be thumbing through this book for years to come.”

Don Webb
High Priest of Set (Emeritus)

www.joanannlansberry.com

 

Jack Wolf

Canadian author Jack Wolf has been a practicing pagan for over 30 years, walking a path that encompasses both his Northern European and Native American heritage. He counts the late E. Max Hyatt as one of his mentors.

An avid outdoorsman, Jack has spent a considerable portion of his life exploring the deep wilds of British Columbia, a vast province on Canada’s west coast. He brings a great deal of his wilderness experience to his spiritual path.

Over the past 15 years Jack has studied and written about a number of northern pagan traditions, having published for the most part in small journals or websites. Jack is also the author of Tales from the Thornwood and The Urban Tribalist: Discovering your Pagan Path in the Concrete Jungle (coming in 2013).

Spiritually, Jack identifies himself most as a Deep Tribalist; that is a person whose spiritual path involves questing for the First Knowledge – that held by our most ancient ancestors whose hearts and spirits were deeply connected to the land. As such he follows a Deep Tribal tradition (which some have, not inaccurately, described as a form of animist Odinism) – which he has practiced since the late 1980s.

Jack holds a degree in anthropology from the world-renowned University of British Columbia and has long held an avid interest in history, tribal peoples, spirituality and the reawakening of pagan traditions worldwide. He currently resides with his daughter and his wife and co-author Cassandra Wolf in Squamish, British Columbia.

For more information on the Thornish Tradition
www.thornwoodpress.com
thornwoodpress.wordpress.com

Nightshades

Featured

A Tourist Guide to the Nightside
Jan Fries


Nightshades
A Tourist Guide to the Nightside
Jan Fries
Format: Hardback – Cased Matt Laminate A4 216 pp.
ISBN: 978-1-906958-45-9
£24/US$40
Subjects: Aleister Crowley & Thelema/Kenneth Grant/Typhonian Magick/Occult Art.

UK Edition £24.00+p&p

USA/AUS Edition $40.00+p&p

“Nightshades is the record of one remarkable magician’s exploration of the inverse regions of the Tree of Life. Aleister Crowley’s Liber 231 provides the map and Kenneth Grant’s Nightside of Eden a travelogue. “Liber 231, apparently started life as a text within the Hermetic Order of the Golden Dawn, as an exercise to develop astral and trance abilities or perhaps in other more elaborate rites. The nightside aspect requires some care and alertness in case of accident. The correct attitude is said to be one of self or ego-less witness. Or maybe it’s just one needs the use of an all-embracing rather than a limited kind of identity and self-identification” (mmm)

“The Nightside is always with us. It’s so much older than the Dayside. Before the light began to shine, the night was there. Some assume that we are dealing with a simple polarity. On one hand the radiant world of colours and forms, more or less thinkable, reasonable and meaningful. Like the pretty picture of the Tree of Life it has its scenic cites, its hotels, restaurants, shopping opportunities and highways in between.

On the other hand the chaotic world of uncertain and incomprehensible mysteries. Both of them connected by the voidness that makes them possible. It looks symmetrical. But when you reach the Nightside it doesn’t work like that. The Nightside is not simply a reflection of the dayside with a few confusing and spooky bits thrown in.


The Dayside is a tiny island of experience in a huge ocean, the Nightside, full of currents, island chains and continents of the possible and impossible. All and Nothing are present everywhere. Our island is not the opposite of the world-ocean, it is simply a tiny and comprehensible part of it.” (jf)


Jan Fries Nightshades comprises 72 intense drawings prefaced by an explanatory essay detailing the background and genesis of this ultimate magical adventure.

Angelic Magick

Featured

A Guide to Angelic Beings and how to walk with them
Judith Page
(Preface by Aaron Leitch)


Angelic Magick
A Guide to Angelic Beings and how to walk with them
Judith Page
preface by Aaron Leitch
Format: Softcover
ISBN: 978-1-906958-47-3
£15.00/US$22.00
Subjects: Angelic Magick

Click HERE for UK edition

Click HERE for USA & AUS editions

“The visualizations here draw their imagery from classical grimoires and Qabalistic philosophy. Plus, they have a specific and useful goal. Each visualization takes you on a journey into the symbolic realm of an archangel, where you are introduced to the entity’s sigils and symbols and other sacred imagery before encountering the archangel himself. Each visualization builds upon those before it, until the aspirant has been led through the seven circles of heaven and has established a personal link to the archangel that governs each one. At the end, the aspirant will have learned to recognize the images, seals and symbols they will encounter in the Solomonic and other advanced systems of angel summoning.

Such guided visualizations are certainly absent from the medieval texts about angels. So, why should I urge anyone who wishes to work with angels – even Solomonic practitioners – to follow the instructions in this book? Simply put, this book is based upon the same principle I described above: safely establishing first contact. It accomplishes this without resort to the full-fledged summoning ceremonies intended to call the angel down to the physical plane – an advanced practice the grimoires tend to jump into without preamble.

This book even includes simple rituals by which you can submit petitions to the archangels in times of need – and these rituals are not entirely removed from the methods of the grimoires. Therefore, working through the steps outlined in this book can serve as a wonderful bridge between “square one” and the fully adept practices of angelic summoning.”
: From Aaron Leitch’s Preface

Contents
Preface
Introduction
Authors Notes
Practical matters and preparation

Chapters

1 Legend of Luc’ifer
Path to Luc’ifer
2 Legend of Mikh’ael
Path to Mikh’ael
3 Legend of Gabri’el
Path to Gabri’el
4 Legend of Sama’el
Path to Sama’el
5 Legend of Rapha’el
Path to Rapha’el
6 Legend of Zadki’el
Path to Zadki’el
7 Legend of Ana’el
Path to Ana’el
8 Legend of Cassi’el
Path to Cassi’el
9 Legend of Uri’el
Path to Uri’el
10 Legend of Enoch
Path to Enoch & the Watchers
Magical Alphabets
Table of correspondences (Charts for angels and Hours)
Notes on the Seal of Truth
Bibliography

 

The Book of Baphomet

Featured

Julian Vayne & Nikki Wyrd

 


USA & AUS $34.00

UK £25.00

Click here for Kindle UK edition

Click here for Kindle USA edition


The Book of Baphomet
Julian Vayne & Nikki Wyrd
Format: Hardback/232 pp.
ISBN: 978-1-906958-46-6
£25.00 / US$3400
Subjects: Chaos Magick


You hold in your hands the material result of many years’ hard craft.
This Book contains some of the secrets of Life itself; or rather, the
occult deity of Life on Earth, Baphomet. Horned, vital, beautiful,
awful, our aeons old Chaos Magick idol finds a name from the Knights Templar, then goes incognito through the Enlightenment (when flourished those great natural philosophers beloved of science historians), before emerging via devil worship and witchcraft into this era of Deep Ecology.

Darwin could have used a picture of Baphomet as his frontispiece, to
demonstrate the one flesh from which all species originate. Contacting
this Great Spirit, the anima mundi, allows access to a new way of
ordering the world, with fresh visions of how and why we could Live.
Here the authors weave strands from their lives into a rich tapestry
of images, which might give you a pointer or two towards your own
self-realisation, whilst amusing, entertaining, and instructing along
the way.

Revolution, evolution, leap beyond the apocalypse to the Now!

“An excellent read, consisting as it does of such a wealth of information, research, anecdote, experience and vision” – Peter J. Carroll

“It is a very fine book, in which your two voices form a harmonious whole, and which manages to interweave cosmology, history, science, autobiography and drugs in a very effective way which probably nobody else could have managed.” – Prof. Ronald Hutton

“I have finished the book and found nothing I would object to. It is most excellent. The so-called Occult world is full of really bad books that are a sad waste of trees. Yours shines amongst this dross.” – Ian Read

“Altered state of consciousness just reading it…”- Alistair Livingston

“A fascinating, poetic revisioning of the concept of deity for the 21st century”
– Levannah Morgan

Watch The Book Of Baphomet (Trailer)
vimeo.com/41602409

Check out
The Blog of Baphomet, a magickal dialogue between nature and culture.
theblogofbaphomet.com

Sexual Magick

Featured

Secrets of Sexual Gnosis in Western Magick
Katon Shual

Sexual Magick
Secrets of Sexual Gnosis in Western Magick
Katon Shual
Format: Softcover
ISBN: 978-1-906958-48-0
£15.00 / US $24.00
186pp
Subjects: Sexual Magick/Aleister Crowley/Thelema/Tantra

Sexual Magick / UK / £15.00

Sexual Magick / USA & AUS / US$24.00


Click here for Kindle UK Edition

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Sexuality is one of the keys to magick. In this book, first published in 1988, Katon Shual presents some of the secrets of sexual gnosis within  western magick – a system that is often misunderstood. The book begins with a look at the revival of sexual magick in the early part of the 20th century, especially within the ranks of the Hermetic Order of the Golden Dawn and some of the post Golden Dawn magical groups such as Aleister Crowley’s Thelemic cult. The book goes on the look at the modern fusion of western Hermetic and eastern Tantrik sexual gnosticism. On the way it discusses in a progressive manner gay, straight and solitary sexual magick. The book goes on to introduce the ancient deity Seth as an archetype of the sexual magician. The book includes an unpublished grimoire of sexual magick, as well as several other unusual sources, including an authoritative exploration of the chakra system, a magical approach to Kundalini and an introduction to the relationship between the sacred sexuality and the external landscape.

‘Makes the subject of sexual magick accessible and lucid and above all relevant to contemporary magical practice’
– Phil Hine reviewing in Talking Stick magazine

body magick cover art and insides by Michael R Goss

 

Taromancy

Featured

Gerald Boak


Taromancy
Gerald Boak
Format: Softcover/210 pp.
ISBN: 9781906958336
£12.99+p&p / US$22.00+p&p


Click HERE for UK edition

Click HERE for USA & Elsewhere

A simple set of 84 oracles, based on the Thoth Tarot, that one does not need a card deck or an experienced reader in order to consult!  Simply think of a question, then either toss a coin or dice in the prescribed manner. Then read your answer.

The 84 Taromancy oracles were first published in 1985. They were intended for the experienced hand at divination, and have remained in widespread demand ever since. This fully revised edition, contains the same oracles but in less technical language, will appeal to those only now setting out to explore fortune telling. After a quarter of a century in use, I believe their following justifies this major revision.

Apart from their plainer style, a new Summary and in-depth Conclusion now accompanies each oracle. These replace the earlier and limited Notes, and explain even the smallest areas of interest. Together with extra and helpful background material in the first three chapters, I believe these sizeable additions will provide a more complete and user-friendly tool of divination.

Finally, and on a purely technical note, the astrological aspects behind the oracles agree with the work of Aleister Crowley in his dictionary of correspondences, Liber 777 vel Prolegomena Symbolica ad Systemam (etc.) published privately in 1909 and adopted since as a standard work of reference. Two of those correspondences were amended in his 1944 edition of The Book of Thoth. In that book Crowley made a fundamental error in his Key Scale of the tables, incorrectly assigning Aries to tarot trump XVII and Aquarius to trump IV, whereas, and by his own admission, they should be counterchanged. Fearing more hawk-eyed diviners will question my choice of attributions, I thought it safest to explain in advance.

Paul Green

paulgreen2

Paul A. Green has been exploring the interzones between magick, the paranormal and the edge-lands of science in drama, fiction and poetry over several decades – as

demonstrated in plays like The Dream Laboratory (CBC Radio), Ritual of the

Stifling Air (BBC Radio 3), The Voice Collection (RTE Radio Eire), The Mouthpiece

(Resonance-FM), Terminal Poet (New Theatre Works) and Babalon (Travesty

Theatre), which celebrated the life of Thelemite rocket scientist Jack Parsons. The mysteries of consciousness are also recurrent themes in The Gestaltbunker- Selected

Poems (Shearsman Books 2012).

His novel The Qliphoth (Libros Libertad 2007) – an occultural rite-of-passage saga in

a contemporary setting – fused speculative fiction and esoteric fantasy. The sequel

Beneath The Pleasure Zones, coming soon from Mandrake, takes

genre-mashing and reality-morphing even further in a post-apocalyptic alt.world of

neo-pagan cults, fundamentalist militias, and erotic cyber-punkettes…

His on-line presence includes audio pieces like Thanatron, Brother Thirteen, and BP Blues , featured on www.culturecourt.com, which also carries his articles on

Crowley, Burroughs and Colin Wilson, among others. Stories from his Radial City series can be found at Nth Position, The Recusant and Brand Magazine, and in the print collection Unthology 2 (Unthank Books)

Babalon Film

Hippalos

Kamil Zvelebil
(Fiction)


Hippalos
Kamil Zvelebil
Available as an ebook


Click here for Kindle UK edition

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For those interested in my study “Isis in India” you might enjoy this electronic version of Zvelebil’s factional account of the life of Hippalos. The late Kamil Zvelebil was a great scholar of South India, although not such a good novelist . . . even so it has much value as an account of an interesting and little known period of Indian History. The print edition currently unavailable and there is a small charge for the ebook – although you can read a sample chapter first…

Softcover/272pp/3 maps/ISBN: 1869928-415/Fiction
OUT OF PRINT

Greek and Indian sources tell of an Alexandrian Greek navigator called Hippalos. He discovered a direct route across the ocean from the Red sea, to legendary Musiris in South India. 2000 miles of open ocean in 30 days and nights. India: when the Kama Sutra was first written down. India where Buddhists and Hindus hate each other with a vengeance and where mighty dynasties are embroiled in bloody war. Against this powerful backdrop the heart of Hippalos is tested to its limit as friends fight for survival and a passionate love affair grows. Hippalos’s journey, based on fact, offers us a way through the vast ocean of Indian story. You will be entertained and then initiated into the secrets of ancient India as you have never before seen it.

About the author:
Kamil V. Zvelebil, born in 1927, is professor-emeritus of Indian studies at the universities of Chicago, Heidelberg, Utrecht and Prague and also an ordained Zen Buddhist monk.


Nu Tantras of the UttaraKaulas

John Power

Nu Tantras of the UttaraKaulas
John Power
Publisher: Phoenix Publications Chelmsford 2011
ISBN: 978-0-9542286-6-8
£15.00+p&p / US$24+p&p

Click HERE for UK edition

Click HERE for USA & AUS

“The book by John Power is one of the first attempts I have seen to write a critical analysis of some of Mahendranath’s writings. John was entrusted with the Uttarakaula tantric aspect of our world and he has obviously nurtured and worked with his specialty for as he says 21 years (and more now.) At the end of his analytical work he includes original, very creative and fascinating rituals that are the summation of his experience. It is quirky and personal and that adds greatly to its value. I have often gotten swamped by Mahendranath’s large output of written words. To see a few of his major tantras re-worded, discussed, analysed and emotionally digested is so helpful. I recommend that those who are interested in the works of Mahendranath give this work more than a quick cursory glance.”
– Lalita Devi, Canadian Initiate and Tantrik Yogini.

“Power begins with an intro that traces his own relationship with Tantra, before clearly laying out the perspectives he is viewing the tradition from and giving a biographical note about Shri Dadaji Gurudev Mahendranath. He then proceeds to summarise Dadaji’s initiation and writing, then includes some of his own original rituals and images. This book is beautiful. So what validity does my opinion have especially in the light of my own rather self damning opening statement (to compound this outrage I neither understand Sanskrit nor am an initiated Tantrika)? However I have been a practicing magician for a long time, have lived in both the occidental and oriental environs, and have the insight into art, magick and humanity that comes from age and experience. I believe John Power has written a book that is of great value. It is about love and freedom; fun, liberation and compassion; and ways to work for and with this in a creative and progressive way. ‘The Nu Tantras of the Uttarakaulas’ is about magick from the heart and the inner self; the greatest and most transformative magick there is.” (Charlotte Rodgers, whose The Bloody Sacrifice is published by Mandrake)

A Contemporary Western Book Of The Dead

Featured

An Anthology
Edited by Charlotte Rodgers & Lydia Maskell

A Contemporary Western Book of The Dead
An Anthology
Edited by Charlotte Rodgers & Lydia Maskell
Format: Softcover
ISBN: 978-1-906958-04-6
£15.00 +P&P / US$22+P&P


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Click HERE for USA & Elsewhere

Click here for Kindle UK Edition

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‘I was musing on Singapore in all its affluent glory still having shrines for the dead on every street corner during ‘The Festival of the Hungry Ghosts’. Then I was musing on how the socially mobile of modern western society eschew death rites and grieving in the name of ‘holding it together’ and being progressive. I thought of which civilizations are falling and which are rising again, and wondered whether acknowledging death and the ancestors is a vital part of a maintaining personal identity and our place in society. I remember how my grieving father mourned for all the information he had relied on his deceased wife remembering; information which was now lost. I recalled Michael Crichton’s words ‘If you don’t know (your family’s) history, then you don’t know anything. You are a leaf that doesn’t know it is part of a tree.’

Then I thought maybe someone should write about the cults of the ancestors and death, perhaps an anthology, perhaps cross relate experiences of loss to personal spirituality and magick and history. I know that years of working with the dead in the name of art and spirituality, didn’t prepare me for the death of my mother. What helped me was the advice of someone from a long tradition of working with the ancestors. I think that collecting the experiences of spiritual practitioners in their working with grief and death is part of a living and necessary tradition that will give respect to the dead and strength, identity and support to our own personal spirituality.’

Within this book are rituals, stories, traditions and experiences of magicians’ scholars and artists who work with death. Some of the contributors such as Nema, Mogg Morgan, Louis Martine and Nevill Drury (to name but a few) have helped define contemporary transformative spirituality. Others are less well known but just as learned. As there should be in such a collection there is comedy, anger confrontation and practicality. This anthology is about who we are, and where we come from. It is also about how we change. A Contemporary Western Book of the Dead contains voices and visions that acknowledge our past, feed our present and guide the direction of our future.

Introduction/Charlotte Rodgers
Loved One/Nema
All a Do about Death /Josephine McCarthy
Clans For The Memory / Sarah Grimstone
Learning About Death / Nevill Drury
A Thoughtful Wake / Louis Martinie
Break On Through To The Other Side /Louise Hodgson
Death the Final Frontier / Sue Fox
The Bardo Thodol – Bon Voyage / John Power
You Only Live Twice / Ode bi Tola
On Speaking with the Dead: The Cult of the Dead in Traditional Culture / Michael Clarke
Body / Mishlen Linden
The Great Western Hoax / Ode bi Tola
The Book of Gates: A prose arrangement / Mogg Morgan
Biographies of Contributors

Photographers:
Sue Fox, Ruth Kenyon, Ariadne Spyridonos Xenou (Cover: Gerald Hutton)

Joan Ann Lansberry

Joan Ann Lansberry received a BA from Northern Illinois University in 1981, with a double major in Art History and Studio Art and a minor in Philosophy. She became fascinated with Set, inspiring her to delve deeply into ancient Egypt in all its realms: historical, political, artistic, and religious, to gain a cohesive understanding of its culture. She continues her artistic endeavors via observational and intuitive art and is a published poet.

website: www.joanannlansberry.com

RADICAL DESIRE

Kink & Magickal Sex
Mark Ramsden & Ruth Ramsden
(Erotica) (Fetish) (Non-Fiction)


Radical Desire
Kink & Magickal Sex
Mark Ramsden & Ruth Ramsden
Format: Softcover/140pp
ISBN: 978-1-906958-19-0
£15.00 / US$24.00
Subjects: Erotica/Fetish/Tantra/Erotic Art/Non-Fiction

UK edition

USA & AUS editions

RADICAL DESIRE
Re-written with much new material
Completely new illustrations & 3 bonus short stories

“The wit and wisdom of Mark Ramsden’s illuminating text delivers a gripping journey through a rich seam of sexual expression. Read this book, enjoy this book, for it deserves your utmost attention. Over 40? Fat? The style gurus say you’re not sexy, not horny, this book says ‘Bollocks!’ An essential reference work… And bloody good fun too.” – – John Carter

Radical Desire review on Amazon

“This slim (140 pages) book is part brutally honest, unpretentious and often hilarious autobiography, (page 28 is a full page photograph of Mr Ramsden’s pierced penis with the caption “The author making a dick of himself with his eighth Prince Albert upgrade”) part encyclopaedia of fetish (including Piercing, Corsets, Rubber, Switching and Scarification) part tour guide for fetish-loving tourists (“Some say the dungeon play (at Club Rub) is not as extreme as at certain clubs but then I don’t go to a club to see perverts fisting each other. I can get that at home.”) part fine visual art (all illustrations by Ruth Ramsden) and part fiction (2 kinky short stories, here’s an excerpt from “Madam Petra”: Sometime, somewhere, we are always together. Exchanging fragments of dreams and whispered prayers. In the long, slow, sweet dance of desire. Warmed by a pussycat smile.) and entirely satisfying.

Radical Desire: Kink & Magickal Sex, is not so much a book as it is an experience; one that kinksters, new, experienced, or jaded, should not miss.”
– Madeleine


The Author
en.wikipedia.org/wiki/Mark_Ramsden

ALSO BY THE SAME AUTHORS:

The DARK TANTRA TAROT is a synthesis of sex, fetishism and spirituality created by Mark & Ruth Ramsden.
www.darktantratarot.moonfruit.com

Read a review of the DARK TANTRA TAROT on the AECLECTIC TAROT WEBSITE
www.aeclectic.net/tarot/cards/dark-tantra/review.shtml”

BLUE MURDER at THE PINK PARROT
A flamboyant, surreal, stylish, erotic, noir thriller novel by Ruth Ramsden.


Read a sample chapter, read the reviews and get a copy of BLUE MURDER at THE PINK PARROT on www.amazon.co.uk website
www.amazon.co.uk/Blue-Murder-at-Pink-Parrot/dp/1908122242

Secrets of Asgard

An instruction in esoteric Rune wisdom
Vincent Ongkowidjojo

Secrets of Asgard
An instruction in esoteric Rune wisdom
Vincent Ongkowidjojo
Format: Softcover
ISBN: 978-1-906958-31-2
£14.99 / US$24.00
Subjects: Northern Tradition/Runes/Odinism.

For UK Orders Click here

For USA & AUS Orders Click here

Foreword by Freya Aswynn

It is with great pleasure that I introduce this extraordinary book. A work of scholarship and intuition Vincent digs deep in the Well. The first part of the book is taken up with a discussion about the origins of Runes and the Celtic connection, very interesting.

Secrets of Asgard is aptly named as in this book Vincent forges new connections with Runes to reveal a multidimensional web of correspondences between other schools of thought partaking of the perennial Wisdom Tradition. Expanding the Runic meanings and offering a deeper layer of Rune might than ever before.

Like me, this author’s native language is Flemish/Dutch and so plugging into the unconscious more linguistic aspects are uncovered and discussed proving fascinating new insights into the Runes: lots and lots of new stuff, subtle seemingly little things so small that no one me included actually took the time to look at!

Vincent brings in a lot more of the natural world, as in his section on Berkana. It is clear that this monumental Work contains a wealth of scholarship as well as insights, especially in the practical applications of Runes.

Vincent interprets the 3 aettir in a sociological context according to Dumezil, however, he allows for evolution from thrall to Jarl within an initiatic concept; he also recognized a correspondence with the astrological crosses, something I had overlooked, I can honestly say that Vincent has taken the whole kit and caboodle to a new level.

Correlations with the writings of Alice Bailey are discovered and discussed. This book will appeal to Runesters and Heathens who cultivate an open mind and wish to go beyond religion into the Initiatic Mysteries of the Runes and the Gods.

About the Gods as well as their Runes, Vincent offers some very interesting differing and sometimes radically opposing views to my own, solidly backed up by an alternative look, lore and his own intuition. Invocations and instructions for successful Rune magick are a large and rich resource. This book has something for everyone, sound lore and deep magick. This excellent work shows a deep and powerful occult current as well as keeping true to the tradition. Fine scholarship and impeccable integrity breathe through this work.

May it open many doors in the minds of those who wish to explore beneath and beyond exoteric heathenry.

Freya Aswynn

Contents
Part one focusses centres on the meaning of the individual runes and the myths, explaining the Aettir alongside Northern mythology. It describes each of the gods as well as the Nine Worlds etc. The second part centres on the application of the system, namely magic and divination and include rituals and exercises.

A thesis of practical rune magic is developed which is based on the Havamal 144 stanza. The analysis concludes that the Runes were traditionally regarded as actual spirits. The stanza explains how to make your own set as well as other talismanic objects. The practice of galdr-singing is discussed in more depth to complement the Havamal 144 techniques. Then, a discourse is given on the most common Ancient Germanic magical formulae. They complement the practical work on talismanic objects.

A separate chapter is given on divinatory practices. Useful information on dreamwork is added and numerous other exercises are used to make contact with the subconscious mind through auto-suggestion, and many other useful ritual techniques and practices.

Visit Vincent Ongkowidjojo’s website for the latest updates on talks, courses and workshops in the UK, Belgium and the Netherlands.
www.alhaz.be

Star Crossed Serpent II

Volume II
The Legend of Tubal Cain
Shani Oates

Click here to buy in the USA

Click here to buy in the UK

Free postage on all orders over £50/$75

The Star Crossed Serpent
Vol 2 The Legend of Tubal Cain
Shani Oates
Format: Hardback
ISBN: 978-1-906958-38-1
US$32/£25
Subjects: Traditional Witchcraft


Following on from the groundwork of the first volume prepared by Evan John Jones, the thread continues through expansion, evolution, and return to the Weaver Herself. Experiential research bears fruit, en-fleshing the seeds planted by previous workers of the lineage. Guided and inspired by tradition, prompted by oracular observation, intellect and mental detective work. Concepts and core principles of our Mythos and Praxis reveal a shift of awareness and a ‘Perennial Philosophy’. This is an ecumenical gnostic current that has revealed a deeper understanding of our work and its obligations, both to ourselves and to our ancestors.

Discussed here are subtle treasures unearthed within a rich heritage of  folklore, myth and legend. Overarching paradigms that include the Egregore, Clanship, Mysticism and Luciferianism.  These essays build upon the former volume,  expounding a vibrant dramatic aegis. Here find a new voice to herald the eternal paean, the Song of the Beloved: Promethean gnosis of the Star Crossed Serpent.

Contents

Intro: The Ring Troth of Cain
1.     The Archer’s Song
2.     Brimstone & Treacle
3.     The Faith of the Wise
4.     The Stang
5.     The 4th Nail
6.     Dark Aegipan and Pale Leukothea
7.     Cain and Craft Diversity
8.     Cain, Clanship and the Egregore
9.     Patterns of Transformation: the Alchemy of Being
10.    The Poison Chalice
Epilogue

 

David Aronson

David Aronson lives and works in the Philadelphia area. His quirky, offbeat drawings, paintings and illustrations combine traditional media such as watercolor, ink, graphite and colored pencil with digital media and digital collage. His work ranges from whimsical to fantastic, from highly stylized to realistically rendered, and has been called unique and highly imaginative. It mixes lowbrow with fine art elements and often employs unusual juxtapositions. Thematically, David often delves into the realms of mythology and psychology.

He has created art for CD covers, music videos, magazines, books, music posters and tour t-shirts. David is also an oil painter and has completed several public and private commissions. His digital animation has been featured on MTV2 and Fuse, and his drawings and illustrations have appeared in Silkmilk, Ritual, Inside Artzine, Khooligan, Fugue and BigNews, as well as being exhibited nationally in galleries and museum shows. His work has been featured in a college level illustration textbook, and most recently in the book The Immanence of Myth.

David is an art teacher, working with both children and adults, teaching several different media. He was once the sole owner and operator of a small art school in the Philadelphia suburbs. He is also a certified hypnotherapist, professional astrologer, and published poet.

 

Reviews blurbs:

Aronson is one of the most powerful / disturbing living artists…putting an erotic spirituality, equal to that of William Blake, into a nightmare that is darker than H.R. Giger’s.
–Frank Moore, Cherotic Revolutionary Magazine

David Aronson’s work is nothing short of digital alchemy; a spiritual, energetic example of subversion that does not detract from the reverence for his chosen subject matter. To look upon his work is to see through the eyes of a man achingly familiar with a broad spectrum of emotion. It is, quite simply, Truth, filtered through a stained glass window in another world.
–Glossolalia Black, Odd Culture

If you were ever a fan of Omni magazine or Salvador Dali you will be thrilled by David Aronson’s work. He conjures up horrific psychological landscapes in his surrealist cauldron; personal exorcisms writhing with erotic fantasies. His work also possess a hidden warmth, an empathy, which is woven throughout his nightmares serving to make his work embraceable. Whether this is done intentionally or as a cathartic result of the art itself is a mystery. And this would be just one of many dark mysteries inspired by David’s art.
–Robin Parry, Origivation Magazine

Tom Bradley

When Tom Bradley was a little boy he was given a gazetteer for Christmas. As little boys will, he looked up all the places in the world that start with the F-word. There were two, Fukien in China and Fukuoka in Japan. Little did he suspect that he would one day be exiled to both.

Tom is a former lounge harpist. During his pre-exilic period, he played his own transcriptions of Bach and Debussy in a Salt Lake City synagogue that had been transformed into a pricey watering hole by a nephew of the Shah of Iran.

He taught anglophone literature to Chinese graduate students in the years leading up to the Tiananmen Square massacre. He was politely invited to leave China after burning a batch of student essays about the democracy movement rather than surrendering them to “the leaders.”

Tom wound up teaching conversational skills to freshman dentistry majors in the Japanese “imperial university” where they used to vivisect our bomber pilots and serve their livers raw at festive banquets. But his writing somehow sustains him.

Tom’s latest books are Family Romance, a novel illustrated by Nick Patterson (Jaded Ibis Press), A Pleasure Jaunt With One of the Sex Workers Who Don’t Exist in the People’s Republic of China (Neopoiesis Press), Bomb Baby (Enigmatic Ink), Vital Fluid (Crossing Chaos), Even the Dog Won’t Touch Me (Ahadada Press), Hemorrhaging Slave of an Obese Eunuch (Dog Horn Publishing), My Hands Were Clean (Unlikely Books) and Put It Down in a Book (The Drill Press), which was named 3:AM Magazine’s Non-Fiction Book of the Year. Further curiosity can be indulged at http://tombradley.org.

Reviews and blurbs:

Tom Bradley is one of the most exasperating, offensive, pleasurable, and brilliant writers I know. I recommend his work to anyone with spiritual fortitude and a taste for something so strange that it might well be genius.
— Denis Dutton, Arts & Letters Daily

I tell you that Dr. Bradley has devoted his existence to writing because he intends for every center of consciousness, everywhere, in all planes and conditions (not just terrestrial female Homo sapiens in breeding prime), to love him forever, starting as soon as possible, though he’s prepared to wait thousands of centuries after he’s dead.
— Cye Johan, Exquisite Corpse

The contemporaries of Michelangelo found it useful to employ the term “terribilita” to characterize some of the expressions of his genius, and I will quote it here to sum up the shocking impact of this work as a whole. I read it in a state of fascination, admiration, awe, anxiety, and outrage.
— R.V. Cassill, editor of The Norton Anthology of Fiction

Epoch

Featured

The Esotericon & Portals of Chaos

By Peter Carroll and Matt Kaybryn

The Epoch – Hardbound Folio Book & Altar Icon Card Deck.

The Book: This fully illustrated and illuminated hardback opens with a detailed historical resume of magical and esoteric thought (where it came from and where it may go) before presenting the reader with three complete grimoires.

The Deck: A Cartomagical tool for the 21st century, the Deck presents 54 glorious Altar Icons spanning the three Spheres of Elements, Bi-Planets and Stellar god-forms. Hardcover: 216 pages, 28cmx23cm
Publisher: Arcanorium College (21 Mar 2014)
ISBN-10: 0992848822
ISBN-13: 978-0992848828

UK Price – Elsewhere, use same buttons, see below for guide to worldwide postage.

Book £40.00+p&p Click HERE

Deck £15.00 (VAT inc)+p&p Click HERE

Both for £50.00+p&p Click HERE

Postage outside UK is expensive as this is a premium book, could be an additional 50% of order total, eg it costs about £40 to send both items, we will contact you with the actual cost, and refund if preferred. Why not start with the book and come back for the cards if you find you need them, it works out same postage wise


” This really is a pantheon for the present day: up-to-date technowizard
artwork, a commentary which soars over millennia of tradition, picking out
what is useful and relevant at the present, and icons which sum up what
deities from the whole span of Western and not-so-Western culture have
cumulatively come to mean. This is a book to which goddesses and gods,
historically so sensitive about their images, should be happy to belong.”

Professor Ronald Hutton – Fellow of the British Academy

” Not content to release a new grimoire, the Chancellor of Arcanorium College has produced three. Oh, also, one of them is a Necronomicon.

Elemental, Planetary, and Lovecraftian grimoires are joined by an accompanying tome of digitally and painstakingly rendered icons. The  Portals of Chaos, and its Chaobala systemisation, marks a particularly cohesive collection of Carroll’s work. But it also contains much exciting new material. Exploration of bi-planetary sorcery – a central component of Renaissance magic somewhat absent in modern occult discourse – is a particularly important feature.

Epoch is a useful resource both for those just starting out and for experienced magicians. There is something here to excite and challenge
occultists of many different dispositions and practices. ”    Alexander Cummins – Author of ‘The Starry Rubric’

“The enormous scope of the theory expounded within, coupled with the extraordinary pictures (which are better than anything of this ilk since Freida got down with her paintbrushes), provoke many thoughts as well as providing a neat summary of some complex ideas. Simultaneously a history and a prediction, it casts a spell covering spacetime and beyond, allowing your magick to have results.” Nikki Wyrd -Author of ‘The Book of Baphomet’

Pulled together, it is a fantastic cohesion of ideas in need of cohering, doubly so because the cohesion makes no claims to antiquity and doesn’t have to fit with either Neoplatonic emanations or Sanskrit body centres. Getting your head around the Chaobala is getting your head around a substantially updated magical cosmology. If that kind of thing is your jam, this kind of book is your toast. Gordon White – Runesoup

Without a doubt, the Epoch will have a great influence on the chaos magick paradigm and modern magick in general for years to come. I think every magician, even if they have their own correspondences, should examine the Chaobola system for its elegance and breadth. James Wilber – Scroll of Thoth

Peter Carroll


Nikki Wyrd

For more than two decades, Nikki Wyrd has been intensely involved in group magickal practices. A lifelong member of the Illluminates of Thanateros, she is a former head of the British Isles Section. An organiser of occult conferences, Vice Chancellor of Arcanorium College, and holder of a BSc in Ecology, this is her first published book. Nikki lives on the edge of a city, with water meadows at the end of her garden.

Ron Wyman

Ron Wyman is an artist and writer who has brought the internal alchemical transformation process into a contemporary experience through his own undergoing of the Magnum Opus. He has set this into a methodical format for occult practitioners, or for anyone interested in the transcendental effects of internal alchemy. This is presented in a trilogy: The Black Toad, The Peacock’s Egg, and a further book to be published, The Dragon.
Alchemy, in this sense, can be groundwork for any type of spiritual or occult practice. This is so because the levels achieved through the opus magnum, experienced through three lengthy cycles here, coincide with the levels and abilities inherent in the psyche and spiritual body. These cycles of experience are also for the fairly serious practitioner, who is able to accomplish controlled dreaming, and work toward the attainment of the philosopher’s stone, which can involve some years of practice. This spiritual alchemy then adheres to extraordinary beliefs found within ancient systems, recorded in Egyptian and Chinese alchemy, and extending through Western Hermeticism.
The philosophical basis of this trilogy and its cyclical opus are set within the real and the psychical experiences of light and colour, and of shadow, and cosmos, of constellation, sun, moon, and classical planets. Visionary experience is emphasised as the practitioner undergoes the full alchemical dream process—and arouses the dragon, then attaining the vision of the coloured peacock’s egg, and purifies the alchemical vessel. Ultimately this leads to the latent dragon’s egg and the dragon’s planetary forces and metals.
The author also comes from a Continental Philosophy background, and writes about this transitional movement and re-centring of the psyche in relation to similar experience described by Jung, Nietzsche, Heidegger, and others; and the infinite space and time involved there. And he has his own fine art practice that attends to the metaphysical milieu of the modern art movement.

Author on Alchemy

This work is an abstract art associated with pittura metafisica, or metaphysical painting. It may be understood as an aesthetic structuralism that conveys a structural infinity. In this way it is archetypal and involves the Jungian archetype. It involves a philosophical perspectivism, and a ‘low’ or abyssal dionysian abstraction, which I bring into interiors, still life, landscape, and portraiture. I convey a sculptural figuration and also utilise the theme of the mannequin, as the psychic apparatus. Its figuration then involves a kind of realism, in an existential sense of realism. In general these originated from an interest in bringing the dionysian into graphic, perspectival, and figurative work, and from Heideggerian kind of experience of space, that contains a structurality. It is related to abstract surrealism and metarealism, but emphasises an essence or immanence, which I understand through the tragic, and the shadow, and an afternoon withdrawal.


         Exhibitions:
         1998  Nexus Exhibition, group exhibition, Downey Museum of Art, Downey, California.
         1997  Homecoming Exhibition, group exhibition, Sarah Bain Gallery, Fullerton, California.
         1996  Small Sacrifices, group exhibition,, Sarah Bain Gallery, Fullerton, California.
         1995  Gallery Artists Christmas Exhibition, Sarah Bain Gallery, Fullerton, California.
         1995  Untitled, Untethered, Christies auction, Laguna Art Museum, Laguna Beach, California.
         1995  Solo Exhibition, Gallery 57, Fullerton, California.
         Publications:
 
         Anatomy of Light, Troubador Publishing Ltd., Imprint: Matador, 272PP (Leicester, 2007).
         Anatomy of Light & Dionysian Aesthetics (forthcoming edition), Troubador Publishing Ltd., Imprint: Matador (Leicester: 2012).
         The Peacock’s Egg (forthcoming book), Mandrake of Oxford (Oxon: 2012).
         An Approach to Metaphysical Painting (forthcoming book).
  
         Papers:
 
         Nietzsche and de Chirico: Images of the Aidôs, 10th Annual Conference of the Friedrich Nietzsche
               Society, Warwick University, Coventry, September 2002.
 
         Education:
 
         MA Painting (distinction), The Slade School of Fine Art, University College London, 1998.
         BA Painting, San Francisco State University, 1993.
 

TANTRA SADHANA

A practical introduction to Kaula Magick
Mogg Morgan (Sahajanath)
(AMOOKOS)

Tantra Sadhana
A practical introduction to Kaula Magick
Mogg Morgan (Sahajanath)
(AMOOKOS)
Format: Softcover
ISBN: 978-1869928-421
£15.00 / US $24.00  180pp
Subjects: Tantra/Amookos

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A ‘Sâdhana’ is an instrument that leads to a particular goal. In Tantra, it is a technical term denoting worship or spiritual practice.

Tantra Sâdhana is a collection of related instructional papers designed to aid the aspirant through a foundation practice.

The work was originally conceived as leading to a practice over the course of one lunar month. In addition, the author had added several useful appendices – including the previously unpublished Tantrik Knuckle Bone Oracle.

The reader might find this a good general primer combined with some more unusual, perhaps advanced material.

Contents:

Introduction / / What is Tantra? / Sâdhana/practice / Mantra / Mandala or Yantra / MudrA / NyAsa / DhyAna / PUja / DIkshA / Magick and Liberation / Svecchacara / Tantrik traditions and sects / Recommended Reading / The opening rite / Yoga of the voice / Quarter Guardians / Visualisation / The Astral Temple / The Kamarupa Temple Meditation / The Kalas / The Ganesha Practice (Sadhana) / Ganesha rupa / The ‘Demon’ Doctrine and the roots of Tantra / Invocation of Kundalini / IV The Serpent Power /The Kaulajnana -Nirnaya of the School of Matsyendranath / Yoga Sutras of Patanjali / Grammar of Tantra / The VAma-keshvari-matam / Oracles / Tantrik Knuckle Bone Oracles / Pronounciation / When Your Guru Goes Gaga / Hindu Lunar Calendar

Review from White Dragon

“I first became interested in Tantra years ago when I read AGHORA, At the Left Hand of God by Robert E. Svoboda. The ideas of breaking out of social conditioning, becoming yourself, all appealed to me. Since then though my interest waned due to the New Age inundation of, ‘tantra for lovers’ type waffle.

Then comes Tantra Sadhana for me to review and I once again find myself inspired. This e-book takes the form of an introduction to the subject and then gives the reader some basic ritual to work through. First published as a fact-sheet for AMOOKOS, Arcane and Magickal Order of the Knights of Shamballa, so you know the information in chapter one is solid enough.

The inclusion of the Gnostic Pentagram Ritual was not to my taste, It’s a personal thing, but I would rather the author had used the version from the PGM, from which the GPR is a more rubbish version. I know why it’s there, but it didn’t work for me.

What I did find very useful was the extensive appendix, for me, this is the best part of the book, and with a little imagination can be used to form your own Tantric rites. I was very pleased to see the Ganapati Upanishad text included, I was at a private ritual years ago where Phil Hine did this and I found it very moving.


Anyone interested in Tantra beyond the New Age tripe will enjoy this book and I would recommend it without reservation. I would also say it’s worth reading for people interested in Chaos Magick, because reading it, it becomes obvious how Tantric ideas have shaped the Chaos Current that we have today. ”

Visual Magick

A Manual of Freestyle Shamanism
Jan Fries

Visual Magick
A Manual of Freestyle Shamanism
Jan Fries
Format: Softcover
ISBN: 1869928571
£15.00 / US$24.00
Subjects: Sigil Magick/Runes/Shamanism/Chaos Magick

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Suitable for all those inspired by such figures as Austin Spare and Aleister Crowley, and who feel the imperative to develop one’s own unique magick way. Visual Magick aims to build vision, imagination, and creative magick. It shows how magicians, witches, artists and therapists can improve visionary abilities, enhance imagination, activate the inner senses, and discover new modes of Trance awareness. The emphasis is on direct experience and the reader is asked to think, act, do, and enjoy as s/he wills.

More information

Visual Magick began as a small treatise on sigil Magick and automatic drawing circulated privately amongst members of the Maat network and is written for practising mind explorers of the unorthodox variety.
Review for Pentacle Magazine www.pentaclemagazine.org by Kate Hoolu

‘No matter what the medium, a talented priest can communicate … without preaching or didacticism. Art shows rather than tells. All great artists function as priests, whether they think of themselves as priests or not.’

If you are an eclectic magickian or shaman or have any interest in Austin Osman Spare, this is a book for you. Spare said, “All desire, whether for pleasure, knowledge, or power, that cannot find ‘natural’ expression, can by sigils and their formula find fulfilment from the subconscious”. This book is at least in part a modern view of the sigil magick that derives from AOS. But it is much, much more.

Fries has written on several subjects, including the Tao and Rune magick, but this work shows very good awareness and ability with Spare’s techniques, cross-fertilised with some of the more well-known methods of shamanism and his own innovations; hence the subheading.

Fries makes the important point that sigils can not only be designed by the operator (for whatever magickal purpose) but also RECEIVED from entities too… and in those cases, there is often a useful secret to be discovered within the sigil: “it should be noted that, while the sentience behind these sigils appears independent, their aesthetics are usually suited to the personality of the receiver. The best kind contains a blend of known and unknown…half-revealed and half-concealed”. This also stands as a beautifully short summary of perhaps what Aleister Crowley and the Book of the Law are about- obviously it is in AC’s writing style, but has so much more within… And Kenneth Grant’s work on the Tunnels of Set is supposedly largely based on received sigils.

Regardless of the occult debate about whether these received messages derive from a neurological or a non-human source, which is not within the scope of this review, it makes perfect sense for them to appear in this ‘mixed’ manner. If they were completely incomprehensible they would be ignored, and if they were completely ordinary and fully known already, then they would be un-remarkable and pass from consciousness as quickly as yesterday’s newspaper headlines. The half-unknown element makes them all the more tempting and interesting to the magickian, like a partly open door…

Avalanches of really good points are made by JF, which are eminently sensible, humorous and useful. Not for him is gibberish pontificating about very fine points of obscure theory; his stance is very much of the Chaos magician- ‘get off your ass, find what works, use it and keep trying new things and get out of your conditioned tunnel realities, rather than relying on dogmatic magickal techniques that often descend from book to book, unchanged and without ever being challenged. He makes the very important point that you must allow yourself to make mistakes, and perceive them like that, and not as something else that is kinder to one’s often bloated magickal self-view:

‘Failure’ is recognized as a threat to ego… the same ego that so happily pretends to have divine power and authority… and so the whole thing is usually considered a ‘challenge’ or ‘ordeal’ in such cases- anything rather than accept that one might be wrong” – Indeed: in magick, strange things happen, to the point where, as Ramsey Dukes has said (somewhere): “cock-up is the word of the Aeon”

As the title suggests, there is a distinct artistic bent to this work, but you don’t ever need to have sketched anything before to be able to join in with this stuff – it’s not the quality of what you produce, it’s the intent of the experiment: Fries encourages everyone to experiment with drawing sigils, automatic writing etc, but in all of this to take credit or debit for the works created (and the results of using the sigil magick method): “Frequently people need to insist on the ‘automatic’ origins of their creations (and behaviour) when they dare not assume responsibility for them. It’s so much safer to claim ‘I can’t draw but sometimes the spirit of Leonardo comes over me …’ as if that spirit has nothing better to do!… It’s always easier to blame some spiritual agency than to assume the responsibility of recognizing and developing one’s own talents”

Having dealt at length with visual methods, Fries then describes ”Chaos language”, a kind of glossolalia, which can be seen as a way of making auditory sigils with the voice. The book is worth the cover price just for this part. Awesome! Jan Fries:- add him to the growing list of ”people we like”. Superb, inspiring book.’ – KH
‘One of the best books on magick I have read in a long while.’Pagan News

‘A practical modern grimoire.’- The Cauldron

Living Midnight

Three Movements of The Tao
Jan Fries

Living Midnight
Three Movements of The Tao
Jan Fries
Format: Softcover
ISBN: 978-1-869928-50-6
£15.00 /US$24.00
Subjects: Magick/I Ching/Taoism.

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In this book, you will find a study of the divination system known widely as the I Ching, but here presented with all its magick intact and in a totally unique way. This leads naturally to an examination of the techniques of Taoist meditation and finally to a look at the divine entities that lie behind the system – the Immortals.

Anyone who has read Jan Fries’s inspiring books – Helrunar, Visual Magick and especially Seidways: Shaking, Swaying And Serpent Mysteries, cannot have failed to notice some of the magical techniques of the east and of the Taoist tradition are very close to his heart. Here you will find many practical exercises, I Ching divination in the mind, breathing experiences and visualisation of coloured vapours.

‘You can find the Immortals exploring the hidden delights of enchanted fairy grottoes, flower gardens, pine forests and pleasant autumn lakes. They walk on clouds, they sit in shady valleys enjoying the swirling mists and rest in the heart of the living midnight. You can meet them in the centre of yourself once you become empty enough. And you can meet them out here, walking in the world, disguised as mortals.’


‘May the high-born reader cast a benign and forgiving eye on this work, experiment with its humble methods and come to a higher understanding of the mysterious workings of the Tao.’ – Jan Fries

Helrunar

A Manual of Rune Magick
Jan Fries

1869928903_color

Helrunar
A Manual of Rune Magick
Jan Fries
Format: Softcover
ISBN: 9781869928902
£24.99/US$35
Subjects: Runes/Magick/Northern Tradition/Odinism.

The Runes are a pan-European magical language. Its roots lie in the ancient pagan beliefs of our ancestors, who built many thousands of stones circles, long barrows and dolmens throughout ancient Europe. These same symbols and techniques were used by the pagan Celts and Germans. This book is a complete manual of magick based upon arcane symbolism and secret techniques.

‘When I went to school, my history teacher told us about the old Germani. In her opinion, the Taunus mountains were populated by a bunch of brawny brawlers who wore horned helmets and small pieces of pelt. They lived in hilltop settlements which were fortified by ringwalls. Barely able to manage agriculture, they had to rely on hunting to fill their stomachs. They lived in shabby huts with mud-plastered walls and when the Romans came, they fought the invaders with crude swords, pointy sticks and by hurling rocks at them…’

‘Nowadays, the ringwalls of the Taunus are known as the work of La Tène Celts, who lived on the heights in well organised cities. For this new edition much of the text has been rewritten and updated. A large section on the bronze ages, the Celts, Germani and the later Vikings added. The theme of Wodan and Helja has been elaborated with more detail on pagan Scandinavia. The chapter on magical rune inscriptions has been extended.

Contents:
Meaning /Urda /Origins /Futhorc /Magical inscriptions / Memorial stones /Fascism / Titles / Cosmology / Nature / Qabala / Vision / Werdandi / Rune stance / Breathing/ Vowel song / Problems / Tune in / Health? / Divination / Alignments / Sigil sorcery / Seiðr and Seething / Energy /lda / Rune companion / Sources

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‘…eminently practical and certainly breaks new ground.’ – Ronald Hutton
(author of Pagan Religions of the Ancient British Isles)

Recommended by The Cauldron.

‘a very meaty read…’PJ in Gippeswic.

Egyptian Shaman

Nick Farrell

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Egyptian Shaman
Nick Farrell
Format: Softcover
ISBN: 978-1-906958-42-8
£15.00 / US $24.00
Subjects: Ancient Egypt/Egyptian Magick/Shamanism.


The spiritual traditions of Ancient Egypt are well documented and are at the forefront of the Western Mystery and Magical Tradition. But they are a gloss over a more primal “shamanic” tradition which gets to the essence of Nature and its relationship with humanity, life and death.

This book is a practical manual for those who wish to explore that primal spirituality using Egyptian symbolism. As Egypt was one of the village cultures, so Egyptian shamanism was one of the first to operate in an urban environment, making its techniques suitable for modern times.

Egyptian Shaman paints the picture of what it was like to be a village priest in Ancient Egypt before describing the practical techniques which would have been employed during those times. These techniques, which have never been revealed before, have been adapted for modern minds with the intention of making this a practical spiritual path.

The book controversially contains a chapter on exorcism and dealing with the dead, which many have claimed are subjects which should not be published. It shows how later Egyptian texts, such as the Book of the Dead, were Shamanic guide books to the Underworld.This is a book containing the keys to transmute,not only the self, but the whole planet.


THE AUTHOR
Nick Farrell is a writer and journalist based in Rome. After a lifetime in the Western Mystery Tradition, during which he was taught by some of the luminaries of the Esoteric World, including Marian Green, Dolores Ashcroft-Nowicki, David Goddard and Chic and Tabatha Cicero, he founded the Magical Order of the Aurora Aurea, which is a worldwide traditional Golden Dawn Order. He has also written several books on esoteric subjects including the esoteric classic Making Talismans, Magical Pathworking, and The Druidic Order of Pendragon. He has also written Mathers’ Last Secret and King Over the Water which deals with the Golden Dawn tradition.

The Octavo

A Sorcerer-Scientist’s Grimoire
Peter J. Carroll

The Octavo
A Sorcerer-Scientist’s Grimoire
Peter J. Carroll
Format: Softcover
ISBN: 9781906958176
£15.00 / US$24.00
Subjects: Chaos Magick

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Every universe potentially has its own Supreme Grimoire containing the spells which define its reality and the magic which you can perform within that reality. In this Octavo we have assembled scattered secrets for a Supreme Grimoire for Roundworld, the universe in which you’re standing.

To this end we have taken some inspiration from Pratchett’s Discworld, and a lot from Theoretical Physics and Practical Chaos Magic.

The most original, and probably the most important, writer on Magick since Aleister Crowley.”
–  Robert Anton Wilson. Author of the Cosmic Trigger trilogy.

Review of The Octavo by Dave Lee
This is the second book Pete Carroll has brought out in the last two years, after a number of years’ silence. In 2008, there was ‘The Apophenion’, which was something of a departure towards an overall philosophical position, which we might call chaoism, as distinct from chaos magic. Now he presents us with a new synthesis that aims at a much closer marriage of scientific theory and magic than he, or, to my knowledge, anyone else, has attempted.

The first thing you’ll notice about this book (other than the excellent illustrations) is the subtitle. The reference will be lost on non-Pratchett experts like me; I’ve enjoyed a few of Pratchett’s books and found others a bit twee for my taste. (I have to admit, though, that he shows superb understanding of the thermodynamics of godhood in ‘Small Gods’, and a brilliant vision of the Other in ‘Lords and Ladies.’) Apparently, there’s an Octavo of Discworld spells, and it seems this volume is using the conceit that it’s the Roundworld equivalent in order to show how physics and magic can be combined in two very different universes.

The second thing you’ll notice is the physics. Publishers say that every equation in a book halves the readership, and there are a lot of them in The Octavo*. More, in fact, than in Liber Kaos, but they – at least the ones in the first few chapters – are of a very different kind.

The ‘Equations of Magic’ in Liber Kaos have always been problematic: they dealt in quantities which are not measurable, and probably never will be, like ‘degree of gnosis’ and ‘magical link’. So, they are not really equations, but things that look like equations; what they amount to, at best, is a mental checklist, a summary of what we know about magic so far. With a shorthand like that, all that matters is that it’s easily memorable, and the physico-mathematical symbolism does not help at all.

The equations in Octavo are very different. They are much more ambitious, genuinely cosmogonic in nature, and I suspect they have some very important things to say – to those who understand them rather more deeply than I do. I did get lost for much of chapters 2 and 3 (I only have maths to just short of A-level), but surfaced again at the start of Ch 4, where he compares Discworld and Roundworld physics, and comes out with some pretty profound stuff.

One of the things that’s particularly interesting about Carroll’s science is the way he attributes real physical – or aetheric / shadow-physical – reality to quantities that appear in the fundamental equations of physics. In Liber Kaos for instance the wavefunction in the Schroedinger equation is a measure of a real quantity in shadow-time, rather than a mere mathematical convenience, to be discarded as soon as possible in the course of calculations. No, Carroll finds a home for these misty, despised quantities, integrating them into a description of a magical universe. In The Octavo, he comments about quantum superposition, which is a concept we’re normally just supposed to get our heads round, that it actually has fine detail which makes it much more physically real – the alternative forms of the particle are kind of parked in sideways-time. For me, that is a distinct improvement on the usual way superposition is described.

This realistic use of mathematical entities recalls Galen Strawson’s ‘real materialism’**, as does this (p97):

‘A visualized or imagined event can have a similar effect on the imaginary time plane as the probability function of a material event, because it too constitutes a wave-particle event’.

In other words, ‘thoughts are as real as rocks’, to the real, Strawsonian materialist. Carroll also gives a physico-mathematical reality to Sheldrake’s morphogenetic fields – they are the information contained in the virtual radiations emitted by everything all the time.

I do like the depiction of particles as closed universes (p23), and it’s satisfying to read Theories of Everything, but the problem for the mathematically sub-literate becomes: how can I distinguish the true ones? I’m not sure that Carroll’s doing away with the Big Bang (a dirty job, but someone had to do it) yields a truly more complete ToE than the current one: a steady state model of the universe comes no closer to explaining where everything comes from than the expanding-from-a-point one does, it simply makes it an unaskable question, which is not the same thing. His cosmological explanation of the red shift (the core mystery of cosmology) involves something like a new mechanism for Zwicky’s previously-rejected ‘tired light’ hypothesis, and I have asked a mathematical friend of mine how viable an explanation it is.

Some of my reservations about this book stem from Carroll’s over-willingness to form Laws. Right near the beginning of the book, he has concreted the ‘multiple selves’ model into one. The idea of selfhood as multiple arose out of a very postmodern milieu of thought about what we are, and has proved very useful to magicians. However, it does suffer from a vagueness at its core: it would be a good idea to clarify the difference between personalities and the moment-to-moment sense of selfhood. The former may be usefully thought of as multiple, but the sense of self is always and ever phenomenologically singular. I challenge anyone to describe how it can be sensed otherwise.

This excessive taste for laws surfaces again on p66, where Carroll attempts to prove that there is always ‘ an even number of selves’, with an argument I found so unconvincing I suspect the author is self-consciously preaching to the choir, knowing we’ll indulge him.

My main criticism of the book is that the ‘Equations of Magic’ reappear in Ch6. I’ve said above why they are not equations, but simply tally-sticks; they remind me of Frazer’s useless laws of magic, but with added algebra to put more people off. Has a magician ever told you they’ve helped him or her plan a working?

Their inclusion wouldn’t be such a bad thing if it wasn’t for the very high quality of arguments pursued using real equations in the cosmological parts of the book: to someone who hasn’t been following the maths very closely but can see how the EoMs cannot be real equations, they simply serve to cheapen the value of the other equations and arouse suspicion about their validity. And to use them to derive, via a complicated chain of reasoning, the conclusion that group magic is no more powerful than individual magic is pure tautology, because the only way anyone could get that conclusion would be by building it into the ‘Equation’ in question.

By the way, can we have a straw poll on this? My feeling is that group magic is immensely more effective for some kinds of enchantment.

The final complaint I have is a purely aesthetic one. Sure, it wouldn’t be a bad idea to replace the phrase ‘material base’ with something else, because we do talk about servitors quite a lot. But the term ‘groundsleve’, to my ear, is down in the flooded and odious basement of English, along with ‘staycation’ and ‘bromance’. (OK, I suppose that means I’ll have to come up with one myself.)

Back to a few final words of praise: One of the satisfying things about this book is the way Carroll fills out and brings up to date old ideas, some of which he has developed and used years before. Like the way the good old GPR gets completed into the GCR, a much more symbolically satisfying and complete thing.

Proper weight is given to the Apocalypse, and what wizards can do to help avert the collapse our stupidity has got us into.

I have to make a special mention of the llustrations. If there was an award for ‘best occult book graphics of the year’, then Matt Kaybrin’s would sweep it, with these bold, dark, unusual mixtures of traditional and cyber-art.

In the end, I would definitely recommend this book. It is important, maybe very important, and will stir some interesting thoughts even in the non-mathematically-inclined. Carroll’s basic attitude to mysteries is the only healthy one: not to try and banish them, like the Dawkinsian parascience bunch, or use them to obfuscate, like the religious do. He writes: ‘Mysteries should present challenges, not opportunities for dumb belief.’

*I showed the book to a mentally tough shaman I know, and as soon as he saw the equations, he declared he’d rather chew his leg off than try to understand them.

The Octavo is remarkable in the finest sense of the word: a great and indeed unique achievement, making a genuine physics of magic’.
– Professor Ronald Hutton

Robert Conner

Robert studied biblical (better called “Helenistic” or “koine”) Greek in the early 1970s, also biblical Hebrew, Aramaic and Coptic. His professors were Margaret Howe and Ronald Veenker, both now retired. Neither of them endorse or approve of his theories, especially those in Jesus the Sorcerer. Robert made a detailed study of the Greek New Testament although he is agnostic about all supernatural claims. Our best surviving evidence on Jesus is that he was one of many local apocalyptic Jewish prophets, likely reacting to the presence of Romans and Roman influence in Palestine. Like similar figures, Jesus was an ecstatic performer who did healing and exorcism (a quintessentially Jewish preoccupation), and displayed other charismatic “gifts” such as mind reading as proof of his prophetic calling. He was, as Morton Smith pointed out, what both ancient and modern people would regard as a “magician,” but he preached the coming of an apocalyptic judgment that would come within his generation and that, obviously, did not happen.

Robert’s current focus is how the study of consciousness might increase our understanding of paranormal phenomena.

Podcast: 1. Magic in Christianity with Robert Conner – AeonByte’s library
www.youtube.com/watch?v=vGRd14G6dmA

New essay from Scribd:

The Secret Gospel of Mark (Bonus Essay)
www.scribd.com/doc/36964375/The-Secret-Gospel-of-Mark-A-Letter-to-Theodore

The Shadow as a Magical Assistant (Bonus Essay)
www.scribd.com/doc/70353722/The-Shadow-as-a-Magical-Assistant

Aromatic Oils

A guide to their use in Magick, Healing & Perfumery
Ray Sherwin

Aromatic Oils
A guide to their use in Magick, Healing & Perfumery
Ray Sherwin
Format: Softcover
ISBN: 978-1906958039
£15.00 / US$22.00

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This aromatic and magical memoir comes to you from the pen of well-respected chaos mage and expert on aromatics Ray Sherwin. The contents include A bottle of Patchouli, Hocus-Pocus, Witch Doctors and sorcerers. Ritual Magick for the BBC and a spooky ghost story.  A Rose by any other Name – about pheromones and other human smells.  Essential oils, absolutes and carrier oils. Using essential oils therapeutically, therapeutic index and miscellaneous information. Using Aromatherapy and aromatherapy prodacts at home, and an insight  into some of the author favourite oils. You will also find in this book a further note on health & safety, and data regarding storage and handling of esentials oils. Few tips of how to copy a perfume and two poems of an occult / pagan nature. 

CAMDEN TOWN MURDER

The Life and Death of Emily Dimmock
John Barber

The Camden Town Murder
The Life & Death of Emily Dimmock
John Barber
Format: Softcover
ISBN: 9781869928919
£15.00/US$22.00
Subjects: True Crime / Criminology.

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“Her throat was cut, from ear to ear; her head almost severed from her body.’

On the morning of September 12th 1907, the body of Emily Dimmock was found in her rented rooms in Camden Town, London. The murderer has never been identified.

EMILY DIMMOCK followed the tragic fate of so many poor working class girls, by working as a domestic servant and then as a prostitute in London’s notorious King’s Cross area.

This is the story of the victim; along with an account of the times in which she lived, and the circumstances surrounding her death. Is this another crime of the imagination? Recent books have seen parallels between The Camden Town Murder, and the Whitechapel killings of Jack the Ripper, and the Peasenhall Mystery of 1902.

In THE CAMDEN TOWN MURDER, John Barber presents the reader with a modern day investigation, analysing and retracing the events with the story’s protagonists, with previously unpublished letters and a new interpretation of the forensic evidence.

This is also a social history and an account of the human condition of the people living in the Victorian and Edwardian eras: the upper classes and their domestic servants, the labouring poor, the ‘fallen women’, the music-halls, the artists, and the demi-monde. All these moving against alternating backgrounds of greys, black and crimson, and enraptured with the vapours of wormwood.

The Author: John Barber is a researcher and writer, whose published works include a collection of absorbing murder mystery novels. His popular and informative website, features books, articles, & gazeteers on the socio-cultural history of Britain and its great metropolis London.
www.johnbarber.com

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REVIEWS
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WALDEMAR JANUSZCZAK’s article on THE CAMDEN TOWN MURDER
in THE SUNDAY TIMES
www.waldemar.tv/2007/11/walter-sickert-murderous-monster-or-sly-self-promoter/

Review as featured in the Hertfordshire Mercury

‘Author usurps crime queen’s Ripper theory. A Hertford author has slammed crime writer Patricia Cornwell’s theories on Jack the Ripper in his latest book. John Barber, who is also the town centre manager, has penned The Camden Town Murder and is due to take part in a BBC documentary about the killer. In his book he pours cold water on the American crime queen’s speculation that a girl from Standon was the last victim of the Victorian serial killer. Ms Cornwell spent a fortune trying to prove that prostitute Emily Dimmock was killed by artist William Sickert, whom she believes was the Ripper. But John, 59, who has been researching the circumstances around Emily’s tragic death, claims Ms Cornwell has wasted her time and money. In the chapter entitled ‘Was Emily Dimmock a Ripper Victim?’ he writes: “In attempting to answer this question, one problem springs to mind. Why was there a gap of 19 years between the murder of Mary Kelly [a Ripper victim] and Emily Dimmock?”Surely a serial killer kills and then kills again until he is caught or dies. Rarely do they wait 19 years to strike. Yet this is what Patricia Cornwell would have us believe.”John, who lives on Folly Island, told the Mercury: “Ms Cornwell has got it wrong. It’s highly improbable that Emily was the Ripper’s victim.”Her throat was cut but the Ripper’s trademark was tearing open vital organs and sometimes taking body parts.”Sickert might have been the Ripper but he didn’t kill Emily – you’ll have to read the book to find out who did.”John, who has admitted that his fascination with the Ripper and Emily’s murder became an “obsession”, has been asked to take part in a BBC documentary on Sickert.He will take a film crew around north London and Whitechapel, in the East End, to the key sites of the Ripper attacks and the Camden Town murder. TV prankster Jeremy Beadle has already snapped up a signed copy of the The Camden Town Murder, which is available in Waterstones, Foyles, W H Smith, Barnes & Noble, Tesco and through Amazon. It is published by Mandrake.’

Review as featured in NW1 Magazine the groovy magazine for Camden.

The Camden Town Murder
By John Barber
‘ On the morning of 12 September, 1907, Bert Shaw returned to the lodgings he shared with his 22-year-old partner Emily (‘Phyllis’) Dimmock at 29 St Pauls Road (now Agar Grove). Unable to gain entry, he borrowed a key from his neighbour, opened the door and discovered Emily’s lifeless body lying on the bed. Her throat had been cut almost from ear to ear and her windpipe virtually severed. Her killer has never been found. The background to this gruesome murder, and its very public aftermath, is detailed in a new book, The Camden Town Murder.

Emily, a prostitute, was last seen the previous evening drinking with the principal suspect Robert Wood in what was then the Eagle public house and is now Mac’s Bar on the corner of Royal College Street and Camden Road. Wood was tried at the Old Bailey but, thanks to the efforts of Marshall Hall, England’s finest criminal defence barrister, he was acquitted on the grounds that he could not be placed at the scene of the crime and had an alibi. Although the author argues convincingly that Wood is still the most likely suspect, he does entertain other possibilities.

He has obviously carried out extensive research, and he identifies several other men who could have committed the crime, most notably the artist Walter Sickert, who must have known Emily as they both often frequented the Old Bedford Music Hall (demolished in 1969, now Bedford House, 123-133 Camden High Street), where Sickert used to sketch and paint the performers. Sickert is also suspected by many conspiracy theorists, in particular the crime novelist Patricia Cornwell, as having been Jack the Ripper and also having killed Emily, although there appears to be little direct evidence that this was the case. In any event, the modus operandi of Emily’s murder differed significantly from that employed by the Ripper. However, Sickert was apparently deeply upset by her death and embarked on a series of sketches and paintings called the Camden Town Murders, the best known of which – ‘what shall we do for the rent?’ – shows a young woman lying on her bed, in exactly the position in which Emily was found by the police. This painting is on the cover of the book.

Reading about true crime can be an unhealthy pastime, as writers and publishers tend to stress the lurid and sensationalist aspects, motivated no doubt by the public’s morbid interest in such matters, and thereby increase sales. This book, however, is forensic rather than febrile in tone, and dispassionately assesses the evidence for and against the various suspects. It will be of interest to students of crime and also to those seeking an understanding of the morality and underworld of Camden life in the early 20th century.’
– Rab MacWilliam in NW1 Magazine


Article feature in the Camden Gazette

‘Writer believes he has solved century old murder mystery’
nlnews@archant.co.uk
14 March 2007

‘Author John Barber spent years researching the book after growing up opposite the scene of the murder in what is now Agar Grove. Picture: Rob Bourne.

A murdered prostitute, a blood-stained bowl and an artist who cheated the hangman’s noose make up a 100-year-old Camden Town riddle a writer may have finally solved.

The 1907 murder of Emily Dimmock shocked the nation – especially as the murderer was never caught, although some believe that Jack the Ripper was responsible.

BERT Shaw – the partner of victim Emily Dimmock at the time of her death in 1907

Now writer John Barber – who grew up opposite the murder house in modern day Agar Grove and spent years writing The Camden Town Murder – thinks he has got to the bottom of the mystery.

He says a modern day jury would probably have convicted local artist Robert Wood – despite the fact that he was cleared of the crime by a court a century ago.

Mr Barber said: “One hundred years later it is very difficult to be sure, but with all the evidence available I have been able to point the finger at someone. Robert Wood was brilliantly defended at his trial but I think his alibi would have been shown to be false by a modern investigation.”

Mr Barber also hopes the book may bring some peace to the family of the murdered woman’s partner Bert Shaw. He said: “Bert Shaw’s family always talked about the murder in a hushed whisper. It was a dark secret but I think he had nothing to do with it. I hope the book gives a bit of peace to the family.”

Bert Shaw’s distant relation Alan Stanley – now 58 – remembers meeting his great uncle in the 1960s. He said: “In my childhood I vaguely knew there had been some sort of murder in the family. People referred to it without ever explaining what it was all about. I remember the fact that the murderer had washed his hands in a bowl and left blood-stains behind. Uncle Bert was old fashioned and always wore his suit even in the home. He was the first to come across her naked body lying with her throat cut – it must have been horrific. I don’t think anyone in the family ever thought he was the murderer.”

Lydia Maskell

Lydia Maskell was one of the original members of Bath Omphalos. She loves animals and has made a special study of cats in Ancient Egypt. Her other interests include the therapeutic and magical use of aromatics and the lore and magic of canines.

HIPPALOS

Kamil Vaclav Zvelebil
(Fiction)

Greek and Indian sources tell of Greek and Indian sources tell of an Alexandrian Greek navigator called Hippalos. He discovered a direct route across the ocean from the Red sea, to legendary Musiris in South India. 2000 miles of open ocean in 30 days and nights. India: when the Kama Sutra was first written down. India where Buddhists and Hindus hate each other with a vengeance and where mighty dynasties are embroiled in bloody war. Against this powerful backdrop the heart of Hippalos is tested to its limit as friends fight for survival and a passionate love affair grows. Hippalos’s journey, based on fact, offers us a way through the vast ocean of Indian story. You will be entertained and then initiated into the secrets of ancient India as you have never before seen it.

Softcover Edition / 272pp / 3 maps / Price: £9.99 / OUT OF PRINT

Siddha Quest for Immortality

Kamil Vaclav Zvelebil

Click HERE for  UK edition £20.00+p&p

Click HERE for USA/AUS editions $30.00+p&p

Siddha Quest for Immortality
Kamil Vaclav Zvelebil
Format: Softcover
ISBN: 1869928431
£20.00/US$30.00
Subjects: Ayurveda/Tantra.


In South India there is a society where priests and lay people claim supernatural powers. Where a sophisticated medical system underlies a quest for physical longevity and psychic immortality. And where arcane and sexual rituals take place that are far removed from the Brahmanic tradition.

That society is the Tamil Siddhas. In the Siddha Quest for Immortality world Tamil expert K Zvelebil offers a vivid picture of these people: their religious beliefs, their magical rites, their alchemical practices, their complex system of medicine, and their inspired tradition of poetry.

In the Poets of the Powers, Zvelebil introduced English speakers, for the first time, to the astonishing power of Siddha writing. The Siddha Quest for Immortality includes many newly-translated examples of poetry that is deeply religious but not without humour. But physical longevity was also central to Siddha belief, and fascinating chapters on Siddha medicine describe routines by which one can maintain health, and tell how drugs are created from such varied ingredients as cowdung, human urine, honey, oil, and milk.

Part of a Tantrik-Siddha Ritual

‘In the centre of a ritual circle…sits a chosen woman, completely naked, who symbolizes Devi, i.e., Sakti…caste or community is of absolutely no importance in the selection of this woman…This Sakti, thoroughly washed and perfumed all over her body with various perfumes sits on a sort of pedestal with widely spread legs so that her yoni (vulva) is well visible. The leading Siddha will kiss the yoni, and bless various non-vegetarian foodstuffs through the contact with the yoni by touching and rubbing with them the vulva of the Sakti. Then these offerings are distributed among the participants and consumed…’

The Siddha Quest for Immortality
‘While the non-Siddha proclaims that, in order to escape the wheel of birth-and-death the only course open to man is the attainment of spiritual freedom crowned by physical, bodily death, the Siddha maintains that one must overcome physical death in this life itself and ‘live forever’…the great work that lies before man is to purify one’s body and sanctify one’s life, and integrate the two…into one eternal monad, so that body and life become identical.’
The Poets of the Powers

‘Siddha writings are at once most thrilling, even sensational but at the same time the darkest and only very little-known texts in Tamil. They represent a complex and provocative puzzle: flashes of stunning intuition, knowledge, even deep wisdom as well as results of effective practice seem to be mixed with incredible naivete, hardly acceptable superstitions, and dark and amazing claims.’

Plagiarists and impostors?

‘Even Indians themselves, when raised on the niceties of early twentieth century English or Anglo-Indian culture, described the Siddhas as “plagiarists and impostors”, “eaters of opium and dwellers in the land of dreams, their conceit knowing no bounds.’

Siddha Iconoclasm
‘You begging bullocks!
In ochre robes,
with matted hair,
with water-vessels,
rosary-beads and walking sticks,
you have forsaken your women
and roam about the country wide and large
begging for a grain of boiled rice!
Idiots!’

Further extracts below:
Extract

Foreword

The Tamil Siddhas cannot be regarded as one homogenous ‘movement’ or ‘school of thought’ manifesting a unified, well-defined, uniform ideology. A great number of elements have entered into their thinking, some of them pan-Indian, some of them apparently specifically South Indian or Tamil. On the other hand, their overall ideology has, of course, several basic doctrinal tenets in common. As we shall see, some of these tenets are in amazing correspondence with the most recent developments in modern physics of post-relativity and quantum theory era. The schema of dense and subtle matter is one of those tenets: according to ultimate Siddha thought, subtle matter constitutes the inner body of man; matter is nothing but crystallized energy, and a manifestation of infinite and universal mind (‘subtle matter’ reappears in the theories of physicists of our day). An accomplished Siddha is someone who has learned to harmonize his awareness with this subtle (sub-atomic?) matter of which he is composed. The Siddha alchemist can live in the mode of constant appearance and disappearance, manifestation and dissolution, of subtle matter and energy; and all matter forms a continuum. Neither matter nor consciousness are ultimate, for both have their source in something still ‘beyond’, in Civam which can not really become object of knowledge. Hence the Siddha poet speaks often of ‘silence’:

Silence, unmoved and rising,
Silence, unmoved and sheltering,
Silence, unmoved and permanent,
Silence, unmoved and brilliant,
Silence, broad and immense like the Ganga,
Silence, unmoved and increasing,
Silence, white and shining like the Moon,
Silence, the Essence of Siva.

The only possible predication of the ‘something’in which both matter and consciousness have their source is Void, Emptiness. Hence, again, one of the key-terms appearing in Siddha poetry: vettaveli, cuniyam ‘utter emptiness, void’, veliyirveli (liter.) ‘void in emptiness’ i.e. supreme, absolute Emptiness; or, simply, veli (liter ‘open space; space; openness’) ’emptiness’:

Gods made out of wood
Gods made out of stone
Gods made out of palmyra fronds
Gods made out of bone
Gods made out of rags
Gods made out of dung
Gods made out of saffron bags
There are no other gods
but
VOID
(Civavakkiyam 503/510)

must be stressed, however, that by this emptiness is not meant a substantive emptiness like ‘an empty box’. It is emptiness which is a plenum (more about all this will be said in subsequent chapters). And man can come into contact with this Void. How, that is precisely what the Siddhas tell us.

These, then, are, in very simplified words, some of the ultimate and basic doctrinal points common to all those thinkers, poets, alchemists and physicians designated as cittar (Siddhar, Siddhas) in Tamil India. Now, to speak of less lofty matters, the reader must be made aware that, nowadays, when it comes to Siddha medicine and medical practice, there even exist, in Madras, a government Siddha dispensary, and a government Siddha medical college. Also, let us return to what divides the Siddhas from one another; let us mention at least one of their important ‘inhomogeneities’ – the Siddha attitude to sex.

The Siddha attitude to sex often manifests features which are in mutual contrast, and thus represents a good illustration of the heterogeneous character of the Siddha ‘movement’. On the one hand there are Siddha poets who express utter disgust and revulsion towards women and any sexual activity (e. g. Pattinattar who in Potu 14 speaks of men who ‘for the sake of a cunt / perish day and night’, and in 31 mentions ‘women / who smell of their / sensuality’, whose ‘limbs stink of their discharge’). Pattinattar is not the only one, although he probably represents the most vigorous manifestation of the ascetic, stern, misogynist trend of Siddha thought. On the other hand, in drastic contrast – so at least it seems – there is an entire group of Siddha alchemist-medicine men who are obviously raised in the Tantrik tradition, and who in fact take part in rituals based on the Tantrik cakrapuja. This stream of Siddha thought and practice will be dealt with in some detail in chapter 12 of this book, but here I wish to indicate very briefly the most salient features of such Tantrik-Siddha ritual.

In the centre of a ritual circle (cakkiram) sits a chosen woman, completely naked, who symbolizes Devi, i. e. Sakti, the Primeval Energy of the Cosmos, the Goddess, and it is characteristic of the Siddha views that caste or community is of absolutely no importance either in the selection of this woman (she can be a virgin as well as a prostitute, a young Brahmin girl as well as a ripe low- caste lady), or in the gathering of the participants. This Sakti, thoroughly washed and perfumed all over her body with various perfumes (according to an exact prescription; for details cf. chapter 12), sits on a sort of pedestal with widely spread legs so that her yoni (vulva) is well visible. The leading Siddha will kiss the yoni, and bless various non-vegetarian foodstuffs through the contact with the yoni by touching and rubbing with them the vulva of the Sakti. Then these offerings are distributed among the participants and consumed. The participating men, who for five days preceding the puja had been eating meat, drinking alcoholic beverages and using aphrodisiacs according to Siddha pharmacopoeia, will naturally be in a state of high sexual arousal which must however be strictly controlled, until ritual cohabitation follows with their chosen female partners which – and this is a basic and most important requirement – must never end in ejaculation of the sperm. The Siddha tenet underlying all this holds that the enormous force which is released by controlled sexual tension must be translated from the gross physical level to the ‘subtle’ body and ultimately to the psychic level whereby one attains various siddhis or supranormal powers and ‘immortality’.

This book consists of some sixteen sections. The introductory chapter describes in broad outlines general features of Siddha medicine (since this is what the book is mostly concerned with), and in the following chapter are spelled out ideological tenets of the specific Siddha quest of immortality. Next chapter deals with basic principles and beliefs of Siddha physicians. The following section gives first a rather detailed account of Siddha materia medica and its use, and moves on to the cure prescribed for a number of various diseases. Three very brief sections follow: on Siddha yoga, daily regime, and alchemy. The following chapter is concerned with the specific Siddha techniques for the attainment of longevity and ‘immortality’. Then follows a description of some doctrinal aspects of Siddhism as reflected in contemporary medical practice, and of a visit in a Siddha dispensary in Madras. Tantrik Siddha school and Siddha attitudes to sex are dealt with next. After the conclusions, a short anthology of selected Siddha poetic texts is offered to the reader. Index of terms in precise transliteration and select bibliography close the book.

Cunnilingus according to Tantrik Siddhas
[from a late medieval text in Tamil entitled Treatise on the Arrow of Lust

First Stage
Like a cow which licks tenderly its calf
spread out your tongue broad
and lick her yoni
lapping up the juices oozing out
like a thirsty dog which laps cool water
(continues)

Kamil Vaclav Zvelebil

17 NOVEMBER 1927 – 17 JANUARY 2009
Kamil Vaclav Zvelebil, Professor Emeritus of the Universities of Chicago and Utrecht, was born in Prague, Czechoslovakia. Professor Zvelebil was an ordained Buddhist and world-renowned expert on South Indian languages and culture. He wrote many books including The Lexicon of Tamil Literature. The Siddha Quest for Immortality makes available for the first time, secrets of Tantrik Sexual Magick and Alchemy to both scholars and general readers.

Professor Kamil Vaclav Zvelebil on http://www.tamilnation.org/literature/zvelebil.htm

Professor Kamil Vaclav Zvelebil on http://www.marketaz.co.uk/zveleb1.html

I, Crowley

Snoo Wilson
(Occult Fiction)

I, Crowley
Snoo Wilson
ISBN: 9781869928476
£15.00 / US$24.00

Click HERE for the UK edition

Click HERE for the USA & AUS

‘I never killed Raoul Loveday with a magical spell.’

Aleister Crowley, otherwise known as the Beast 666, shared membership of the Golden Dawn with W.B. Yeats, and publishers with D.H. Lawrence. Now in a beyond-the-grave autobiography, he recounts his own vocation, his practise of sex magic, and his bruising encounters with his contemporaries.
The great magus, whose own world-conquering creed, The Book of the Law, was written in Cairo in 1904, was according to him, no murderer, but a prophet and practitioner of all kinds of sexual freedom and new magical systems.
‘I shall continue to protest my innocence as long as I have a hole in my bottom.’
The Wickedest Man in the World? Or Post-Christian Messiah? Read this book and judge for yourself.

‘intriguing and sordidly entertaining’ – Gay Times

‘Brilliant . . . the Great Beast explaining himself in lapel-grabbing prose:’
– Simon Callow, Sunday Telegraph

‘Excellent . . . perverse, funny and at times as inexplicably moving as its subject. Recommended’ – Fortean Times

‘Probably the most fun you’ll have with a British novel all year’ – The Edge
…thanks to Snoo for a great book.

Thoroughly enjoyed it. Made me laugh and cry. Excellent.’ – Sparky

‘. . . really good fun. It’s not very kind to old Crow, and the language is a bit more vulgar than required (or than he would have used), but on the other hand. . . it does produce a charming caricature of Ye Great Beast that serves to perpetuate the myth. …Dear 666 would have felt flattered… What I liked about the book, apart from its jokes and the invaluable occult illustrations, is the contrast between Crowley as a human being (and egomaniac) and the Master Therion, the perfect ego-less adept he would have liked to be . . . It’s the difference between a Thelemite and a follower of Crowleyanity. Symonds’ Great Beast was almost totally obsessed with the Demon Crowley, Wilson’s novel is better balanced, it mixes the ego tripper with the Logos of the Aeon. This produces some confusion, and maybe this confusion is close to the conflicts that the real AC experienced. I suspect that he often got muddles up as to who was who in him and who cares, and put on his Great Magus Hat whenever his ego felt threatened and misunderstood. Considering that so many people are involved in the dull cult of Crowleyanity, and spend their time trying to be like the guru or wasting money collecting the master’s underpants, a critical treatment of the person Crowley, such as you dared to inflict on the long-suffering public, is an excellent and much need magickal gesture.’ – Jan Fries

Snoo Wilson (1948 – 2013)

Snoo Wilson is a writer and playwright who presented an apologia for Aleister Crowley in the TV series ‘Without Walls’. His previous novels are Spaceache and Inside Babel (Chatto). His play, More Light, about the heretic Giordano Bruno, is published by Mandrake of Oxford. His latest project is a satyrical novel, The Works of Melmont, based on the life of Robert Maxwell and available from Mandrake.

Died suddenly of a heart attack on 5th July 2013

Shadow Matter & Psychic Phenomena

Dr Gerhard Wassermann

Shadow Matter & Psychic Phenomena
Dr Gerhard Wassermann
Format: Softcover
ISBN: 1869928326
£15.00+p&p / US$24.00+p&p

Click HERE for UK edition

Click HERE for USA & Elsewhere 

A scientist casts new light on psi-phenomena, such as clairvoyance, telepathy, and ‘out of the body experiences’ in this book. He presents an exciting new theory which explains such phenomena, linking the recently discovered ‘Shadow Matter’ world of physics with parapsychology. The author builds on theories until now discussed only in academic journals, but the book is accessible to non-scientists. Shadow Matter & Psychic Phenomena also offers over 60 fascinating case histories of ‘psychic’ experience. Essential reading for scientists, occultists, and anyone interested in the paranormal.

‘Important insights from the formal scientific tradition’
– Society of Metaphysicians

‘The idea that some non-ordinary form of matter can explain psi is one I think may be worth following up, as you have done…Purely as phenomenology, your ideas may be very valuable.’
– Professor Brian D Josephson FRS (Nobel Laureate)

‘a stimulating attempt to provide a scientific and rigorous explanation of psi-phenomena.’
– David Lorimer in Network (newsletter of Scientific and Medical network)

‘I heartily recommend this book to all investigators of paranormal phenomena and also to other scientists who would like to read a carefully written summary of the evidence for such phenomena.’
– Ian Stevenson, (University of Virginia)
in Journal of Parapsychology

Praise for his earlier title

‘The idea that some non-ordinary form of matter can explain psi is one I think may be worth following up, as you have done…Purely as phenomenology, your ideas may be very valuable.’
– Professor Brian D Josephson FRS
(Nobel Laureate)

‘A stimulating attempt to provide a scientific and rigorous explanation of psi-phenomena.’
– David Lorimer in Network
(newsletter of Scientific and Medical network)

‘I heartily recommend this book to all investigators of paranormal phenomena and also to other scientists who would like to read a carefully written summary of the evidence for such phenomena.’
– Ian Stevenson, (University of Virginia)
in Journal of Parapsychology

A reader’s personal response is reproduced below:

‘Dear Dr. Wassermann,

Having read your book, “Consciousness and Near Death Experiences”, I wondered if you might be interested in my experience: I had a NDE, an OBE and was seen by a doctor in a different location, all at the same time.

Aged 28, in […] Hospital, I underwent extensive surgery to my spine. All went well but because of having to be immobilized for a long time, I became ill, with, I believe, a post operative thrombosis and also a urinary infection. I did not feel aware of being ill, although I was in pain and felt “hot and cold”. I found myself above the bed, looking down at someone in the bed – I did not at first recognise it as being me. I then thought how well the surgery had worked, because I could move about.

I floated to the other end of the ward, to see a lady, M[. . . ], who had had two hip replacements – this was a new operation in 1965, and I was concerned for her. I noticed that she had a white cotton seersucker nightgown, patterned with little bunches of roses: on her left sleeve was a price tag from Marks & Spencer’s, for 29/11 (old money); what troubled me was that the metal clip was still on the ticket, and I was afraid that M[…] might be hurt by the sharp clip. I tried to make her hear me, but could not do so. When I tried to touch her, to draw her attention, my hand went through her. I suddenly had the thought that I was out of my body – and probably either dead or to about to die, and I think I panicked slightly.

I felt suddenly comfortable, and found myself in a little boat, floating along a shaft of light that shone over water, towards what appeared to be an island, where the light had its origin. I could hear wonderful music. I felt no pain, no distress, and was feeling very peaceful. I met no one, but could hear singing. A sudden jerk brought me back above my bed, from where I could see myself and the young doctor who was looking after me, another doctor and some nurses. They had some machinery, and were about to put orangey yellow round things on my chest – there was an audible bang, and I was back in my body, looking up at my doctor, and asking why he had brought me back, as I was now in pain again.

Later, the doctor told me that he had been off duty, and in a public house with friends, when he had seen me, “Floating up above the optics, waving and saying “Bye, T[..], I’m going now”” He had left at once, hurried to the hospital, to my ward, where he asked after me. Told that no-one had heard a “peep out of her all night” he discovered that I was in fact “going now” – and had summoned the resuscitation unit.

What has interested me is that in all the reports that I have subsequently read of NDEs and OBEs, no one has been seen, by another person, while they were experiencing their NDE or OBE – in my case, the doctor was not even in the hospital when he became aware of me – and I was not aware that I had “contacted” him, although we had found much in common in the short time that we had known each other, so there was some friendly rapport. He stayed with me for many hours, after my resuscitation, arguing with me about literature, to stop me from “going away again” – he knew that I would stay to argue with him if he told me that Shelley wrote rubbish!

My first experience of any psychic phenomena was in the summer of 1938, before I was a year old (I was born [ . . .]) when I was in my cot by my mother’s bed, with a family party going on in the next room: I saw a lady and gentleman billow through the wall – I began to scream, because I already knew that people used doors, and while I could not explain, my mother must have realised that I was scared, because she brought a night light into the room, although it was summer and still light outside (she invariably put me to bed at 6pm, until I was six or seven years old). I continued to see and hear people “who were not really there”, but learned not to say anything about it, until, in my late 40s, I started to attend a Spiritualist Church, where my “gift” was recognised and I was not made to feel guilty – I now work as a “Medium”, although never for money or reward of any kind. I am sure that many people have psychic experiences, but, like me, they do not talk about such things because such things are considered to be either unhealthy or insane.

Finally, I would like to thank you for your book, which I find very interesting, fair-minded, and helpful. It is good to find that Science is catching up with a very ordinary human experience!

With sincere respects

S […]

PS I should have added that the price tag on M […]’s nightgown was confirmed as correct.’

Consciousness & Near Death Experiences

Dr Gerhard Wassermann
(Paranormal) (Strange Phenomena)


Consciousness & Near-Death Experiences
Dr Gerhard Wassermann
Format: Softcover
ISBN: 1869928628
£15.00/US$22.00
Subjects: Strange Phenomena/Paranormal/Parapsychology/NDE.

Click HERE for UK edition

Click HERE for USA editions

“Journeying Beyond: The Quest for Eternal Essence”

In the year 1993, Dr. Gerhard Wassermann embarked on a quest to decipher the mysteries of psychic phenomena, presenting his pioneering insights in “Shadow Matter & Psychic Phenomena.” His exploration delved deep into the enigma of our existence beyond death, suggesting the possibility that an intrinsic part of us might persist eternally.

Veiled Realms

Could it be that our cherished memories, our deepest thoughts, and our most profound feelings are part of something that defies the finality of death? This provocative idea dares to defy the ordinary, hinting at a reality where the core of our being continues.

Deciphering NDEs

Embark on a contemplative journey to understand the intricate workings of Near-Death Experiences (NDEs)—a topic that has captivated many. Dr Wassermann’s innovative theory revisits these profound experiences through the prism of Shadow Matter, casting new light on the physics that may govern our transition into the afterlife.

Step forth and join us in the unraveling of life’s greatest mysteries and the exploration of the soul’s enduring voyage. 🌌🔮✨

Gerhard D Wassermann (1919-2004)

& His Parapsychological Theories

Born in Leipzig, his family came to Britain in 1936. A Biologist and Philosopher, he graduated from Queen Mary College, University of London with first class Honours in Mathematics, and then obtained a Ph.D. in Quantum Mechanics from the University of London. After working for a while in Theoretical Acoustics (horn design) with Tannoy Products, he was invited by (the later) Nobel Laureate Sir Neville Mott to join his department at Bristol as Research Assistant to Prof. Herbert Fröhlich FRS.

In his career the author did research in Quantum Mechanics, Theoretical Optics, Theoretical Developmental Biology, Theory of Evolution. Biophilosophy, Philosophy of Science and Philosophy of Mind. He published many papers in prestigious journals (subject to peer review) and seven books. A Fellow of the Institute of Mathematics and its Applications and was elected in 1989 as a Fellow of the Institute of Biology and awarded a DSc from the University of London.

Professor Wasserman developed a major theory of paranormal phenomena which was published in the journal Nature, and later in book form as Shadow Matter And Psychic Phenomena and the sequel Consciousness & Near Death Experiences.

Mogg Morgan from JSM II

Pharmakon

Drugs and The Imagination
Julian Vayne

Pharmakon
Drugs & The Imagination
Julian Vayne
Format: Softcover
ISBN: 1869928946
£15.00 / US$24.00
Subjects: Chaos Magick/Entheogens.

Pharmakon / UK / £15.00

Pharmakon / USA & AUS / US$24.00

Click here for Kindle UK Edition

Click here for Kindle USA Edition


Ranging across both published and anecdotal evidence, Pharmakon traces the story of drug use as a means of self-exploration. By examining apparently simple questions such as ‘what is a drug?’, Pharmakon deconstructs and reconstructs the idea of drug experience. Experiences that the author believes are fundamental to the process of self-actualisation and learning.

Naturally though this book discusses all sorts of things that are currently illegal in many nations the author would never wish to encourage anyone to break the Law. Moreover since this book contains information about how human beings can fly like birds, become transformed into animals and explore the farthest reaches of inner space it is, quite clearly, a work of fiction.

Julian Vayne is an occultist who has written on a number of esoteric subjects (witchcraft, the tarot and the sociology of contemporary Paganism). This book is aimed at both the general reader and those who are interested in the use of drugs in a spiritual context.

Delving into areas as diverse as philosophy and neurochemistry, this is a book that in both style and content seeks to invent a new understanding of drugs in culture….

Review
Pharmakon: Drugs and the imagination, by Julian Vayne
The philosopher’s stoned
By Gary Lachman
Published: 24 December 2006

‘Talking about your drug experiences is like talking about your dreams: it may be personally rewarding, but for others it’s a bore. As with dreams, the insights, visions and revelations that accompany some drug experiences can provide new perspectives on your life and help you to “know yourself”. The person on the receiving end of your dope stories, however, more times than not stifles an impatient “So what?” and wonders when you’ll get to the point. This is the paradoxical character of drug experiences: their profound subjectivity is a barrier to communication.

A handful of writers, De Quincey, Huxley, Burroughs and a few others, managed to cross this threshold and master the art of “trip-lit”. But most accounts of psychedelic journeys into inner space boil down to a less than informative “Awesome, man”. This may let us know that the voyage meant a lot to you, but it still leaves us in the dark as to what was so meaningful about it.

Julian Vayne argues that drugs can be an effective tool in self-exploration, and provides some useful theoretical scaffolding in understanding exactly what a “drug experience” is. Vayne argues that the mainstream materialist view of drugs is incomplete, and he makes clear that the chemical analysis of various substances like LSD, Ecstasy, cannabis and other popular items is only half the story. The importance of “set and setting” and our cultural expectations about exactly what a particular drug is supposed to do are equally crucial; our imagination and anticipation about what we will encounter after ingesting a magic mushroom are at least as significant as the psilocybin housed in the fungus itself. Drug experiences, Vayne contends, are learnt. They aren’t simply a matter of an automatic chemical reaction between my bloodstream and the toxin I’ve introduced to it.

He makes a similar point about how the same drug may have very different effects on different people. A lump of hash may lift a Baudelaire into poetic reverie, but the same lump may only sink the rest of us into befuddled sleep. LSD advocates in the 1960s made a similar discovery when it became painfully clear that taking acid didn’t automatically make people more spiritual and enlightened. The trip, good or bad, is as much in ourselves as in the drug.

Although Vayne has written several books on occult subjects, the occult or magical sensibility informing the book is curiously faint. The tone is academic, and a great part of the book is devoted to the mechanics of how drugs interact with our neurochemistry. He’s also at pains to anchor drug experiences in the post-modern discourse of transgression. This makes for a text in which Derrida turns up almost as often as Aleister Crowley. It’s refreshing to find occultism rubbing shoulders with other viewpoints, but the narrative is sometimes burdened with digressions on the Derridian “trace” and other notions.

Vayne’s most interesting insights come with his discussion of autism and schizophrenia as two poles of human consciousness: one an impenetrable contraction of the ego, the other a debilitating exposure to the chaos of the unconscious. Vayne makes a good argument that, rather than exceptional conditions, autism and schizophrenia are the extremes between which our ‘normal’ consciousness fluctuates; drugs for him are a means of compensating for imbalances between the two. Like many writers on mystical subjects, Vayne sees western culture as veering too much into an ego-bound autism. Hence the virtue of hallucinogens in providing a kind of controlled schizophrenia to even things out.

There are also some howlers. Theophile Gautier and the other members of the Club des Haschischins ate their cannabis, they didn’t smoke it. Julian Jaynes was a psychologist, not a historian. And I imagine that the “occultist W B Leadbeater” is an amalgam of W B Yeats and C W Leadbeater. If you’re arguing that drugs can be a tool in self-actualisation, it’s a good idea not to provide material for jokes about how stoned you were when you put your book together.

From Mandrake Speaks #100

‘A well researched and informative look at a variety of popular and not-so-well-known drugs. He deals with how they interact with our minds and bodies both chemically and psychologically, and how we perceive substances on a personal and society-wide scale. The similarities discussed between some drug experiences and some mental illnesses may lead to different viewpoints on both. Liberally sprinkled with folklore and anecdotes, Pharmakon examines the use of drugs in self-exploration employing a knowledgeable, yet down-to-earth approach that’s interesting and readable.’

More reviews see Erowid and Occultbooks

 

 

Now That’s What I Call Chaos Magick

Greg Humphries & Julian Vayne

Now that’s what I call Chaos Magick
Greg Humphries & Julian Vayne
Format: Softcover
ISBN: 1869928741
£15.00 / US$24.00
Subjects: Chaos Magick

UK / £15.00

USA & AUS / $24.00

Click here for Kindle UK edition

Click here for Kindle USA edition


Now That’s What I Call Chaos Magick gives the beginner and experienced practitioner alike a modern, 21st century view into the powerful and often misunderstood magical current called ‘Chaos Magick’. Written in a clear and easily accessible style it examines the theory behind many techniques used in magical, artistic, religious and scientific systems of thought; then links and applies them towards desired goals. Separated into two volumes the book can be used by the reader as a workbook with rituals, techniques and exercises to be followed, as a window into contemporary magical thought at the turn of the century or simply as a rollercoaster of a good read! However you choose to use it, ts book will leave you feeling positive, inspired and ready to apply any of the methods presented to your own life.”

REVIEW

”we cannot recommend this book to anybody who is frightened of magic, of self-discovery or of adventure; to anybody who wants ritual experiences that are absolutely risk-free and have a guaranteed result; to anybody whose concept of ceremony depends on the provision of scripts for all participants, carefully typed out and enclosed in polythene wrappers; to anybody who believes that magical practices should follow set traditions, without mixing ideas from different ages or cultures; to anybody who believes that human beings are firmly subordinated to deities and must do their will; and to anybody whose favourite words of condemnation for others are ‘irresponsible’ or ‘self-indulgent’. Above all, I cannot recommend it to anybody without a sense of humour. Anybody else should love it: it provides an experience of ritual that is energetic, fresh, investigative, exciting and fun, in a completely individual way.’
Professor Ronald Hutton

MORE REVIEWS

”If you think ritual magic is about drawing pentagrams in blood and sacrificing your neighbour’s cat – if, that is, you think about it at all – this book will come as a surprise. Not too many books on magic – or magick, the authors’ preferred spelling, which the notorious Aleister Crowley adopted to differentiate the true art from tawdry prestidigitation – boast of a ritual to “stop time” which involves baking cookies. Or suggest making a talisman into a fridge magnet. Or advise a game of Twister to set the mood. Or link Jean Luc Godard, Jacques Lacan and Buffy the Vampire Slayer to acquiring the Knowledge and Conversation of your Holy Guardian Angel. It’s also true that not many envision the dark Hindu goddess Kali as P J Harvey wearing a T-shirt that says “lick my legs” or offer exercises to achieve multiple orgasms – male and female.

If this sounds like a spoof, that’s understandable: while the authors are serious and dedicated practitioners, they have the key occult insight that when humour is lacking, all magic fails, and they take a decidedly light-handed (or, in their terminology, “empty-handed”) approach to what can too often be a dreary, sanctimonious affair. The “chaos magick” of the tide emerged in the late 1980s, when, like practically everything else, occultism was infected with the post- modernism bug. Jettisoning the cumbersome apparatus of traditional practice, and blending as many styles and belief systems as desired, chaos magick is about using your imagination and whatever is at hand in order to “engage with mystery.”

Devotees can find its origin in the work of the 19th-century French ex-Socialist-tumed-Kabbalist Eliphas Levi, who boiled down the real machinery of magic to the will and imagination. Where earlier mages fixated on a neurotic obsession with the minutiae of demonic names and the exact times to invoke them, Levi argued that all this was merely a means of focusing the magician’s own powers. Chaos magicians took Levi’s lead and ran with it: they’re more concerned with exploring their own creativity than with getting it right, and would rather invent their own spirits than lose sleep worrying about the appropriate one to petition. This book is a collection of rituals, accounts and reflections on how magick can invest any humdrum life with some new perspectives and, above all, fun.

Although clearly not for everyone, unlike many books on the subject, this one’s readable and the authors have a knack for the catchy phrase. “Love,” they tell us, “is as ubiquitous as the curvature of space.” In one account of a ritual invoking the aforementioned Kali, the participants call out “Hear us oh pork chop champion of the oppressed.” There’s also a personal tone that’s appealing. These magicians come across as very likeable chaps who are as concerned with having a family and a nice home as they are with exploring the profundities of existence. Does it work? Well, as any chaos magician would answer “There’s only one way to find out.”
Gary Lachman, 17th, JULY, 2005, in THE INDEPENDENT ON SUNDAY.
Gary Lachman has written many popular books on occulture, including, The Dedalus Occult Reader: The Garden of Hermetic Dreams published by Dedalus.

—–
Review from Danny Lowe on Phil Hine’s website

”It’s been over 25 years since the first Chaos Magick book was published (Pete Carroll’s Liber Null – even if the first edition didn’t use the term). It’s a current which has been hailed as revolutionary, and pronounced dead several times (again in this book, in fact). Can a magical approach of such uncertain status have anything new to say, long out of its adolescence and stumbling towards middle age? I guess this book is fairly placed to answer that question.Unusually, this is two books in one, with sections from Julian Vayne and Greg Humphries respectively. I felt this was the first strength of the book, as multiple authors suggest a diversity of viewpoints, avoiding the trap of asserting a single, solitary “one right way”. The first section begins with an erudite introduction to the last century or so of Western Magick taking in Eliphas Levi, Crowley, Austin Spare and the innovations of the Chaos current. This is followed by four accounts of the authors’ involvement in several different rituals. As might be expected from a chaos magician, an eclectic variety of approaches is given, with material deriving from Voodoun and Tantra alongside some more freeform approaches. However, surprisingly (depending on whose books you’ve been reading) we’re given more than raw technique. Each of the sections is reasonably lengthy and more than just a “ritual rubric” – importantly, we’re given context, in both the background and results of the rituals entered into, as opposed to a “now do this”, nuts n’ bolts approach. The “backstage” of these rituals takes in variously film-making, a punch-up, chats with kids and contemplations of mortality and fatherhood, amongst other things.

The second half of the book comes has 3 sections – Abstract, Theory and Practicum. Again, the personal and descriptive style comes to the fore, weaving an account of a love affair in with a description of a long term evocation. This style – again, the context – in both halves of the book, felt to me very much what it is like to actually stop reading and get down to doing magick – to take those tentative steps, and eventually to allow yourself to be caught up, inspired. To me, this is the real strength of this book, magick is shown as an involving, creative act, something that touches all areas of life, all concerns – it doesn’t just stop at the edge of the circle.

The remaining two sections of the books second half give “bones” to the descriptive “flesh”, giving details of theory and technique respectively. With regard to the former, I particularly liked the authors’ description of the act of storytelling – addressing the ways in which we weave narratives around ourselves continuously and suggesting that we can step into new, empowering stories. The “technical ” section gives details of various ideas borrowed and plundered, in true chaos magick style – NLP, the works of Mantak Chia, spontaneous art and the Holy Guardian Angel. “Plundered” they may be, but here I feel that they add up to more than the sum of their parts. This section contains much that could be bent to one’s own design.

Now, I didn’t like everything about this book – at moments I found the style a bit …breathless, and not all the rituals were to my taste – but this is a matter of just that, taste. A more serious criticism, one that can be applied to chaos magick in general, arose when reading the section on Tantric ritual – I wondered, was the symbolism here just a cool sounding gestalt, or had it been lived, felt and thought through? I’d argue for the latter over the former anytime. It’s this kind of relentless eclecticism in CM that can feel like a lack of engagement, a kind of frothy post-modern shallowness. However, turning back to the introduction, I was pleased to find this statement, regarding contemporary practice: “depth and diversity seem to be the predominant approach rather than polymorphous paradigms with a few key principles”. This is a sentiment I heartily agree with. To be eclectic does not necessarily equate with being superficial.

Overall, then, I found this an enjoyable and rewarding work with much to inspire, imitate (and rip off). I was left unsure whether chaos magick was alive or dead (and to be totally honest, I don’t really care).- however, I am sure that people are continuing to practise exciting and creative magick, under whatever banner.”

 

MAGICK WORKS

Julian Vayne

Magick Works
Julian Vayne
Format: Softcover
ISBN: 978-1869928-469
£15.00 / US$24.00
Subjects: Magick/Chaos Magick.

Magick Works / UK / £15.00

Magick Works / USA & AUS / $24.00

For USA kindle edition

For UK kindle edition

REVIEW

”Many years ago your editor had a short conversation with the author of this book at the Aquarian Festival in London when he was still a teenager. He was asking how he could join a coven or a magical lodge and my advice was that he had to wait a few years. At the time some people dismissed him as a precocious brat, but the passing of time has proved that judgement wrong.

His latest book is a selection of ‘personal experiences, insights and challenges woven throughout with the golden thread of magick’ and they are mostly based on the talks he has given over the years since he was a wunderkind. They range from Crowley as a shaman to English witchcraft and macumba, green politics and druidry, to drugs and magick. Highly entertaining stuff.”


Magick Works by Julian Vayne,
Reviewed by Mike Howard in The Cauldron,
issue 131, February 2009.

 

Julian Vayne

Julian Vayne has been involved with the magickal world for over 20 years. He has published numerous articles, led a variety of esoteric workshops and courses and is a prominent figure in contemporary British occultism. His interests include drugs and magick, permaculture and the politics of sustainability, teaching and graphic art. He lives in Devon where he tends his newly planted orchard.
website: theblogofbaphomet.com

RAY SHERWIN

Ray Sherwin, born in 1952 in Yorkshire, England, is an English occult author and publisher. Together with Peter J. Carroll, he is one of the originators of the system of magical discipline called chaos magic.

In the late 1970s, he began publishing a magazine called The New Equinox, an irregular journal dealing with Thelemic magick, chaos magic and related subjects. He developed chaos magic theory and early rituals.

In 1978, he co-founded the Illuminates of Thanateros with Carroll, later publishing Carroll’s book, Liber Null. Also during 1978, Sherwin wrote and published The Book of Results. These two books, Liber Null and The Book of Results, were the first books written on the topic of chaos magic.

He is also the author of the magical texts The Theatre of Magick and Strange Smell in the Car.
(from Wikipedia)

THE BLOODY SACRIFICE

A personal experience of contemporary blood rites
Charlotte Rodgers

The Bloody Sacrifice
a personal experience of contemporary blood rites
Charlotte Rodgers
Format: Softcover
ISBN: 978-1-906958-30-5
£15.00 / US $24.00

Click HERE for UK edition

Click HERE for USA & AUS

Charlotte Rodgers is a non-denominational magickal practitioner and an animist, and The Bloody Sacrifice is the story of her work with blood. It chronicles her use of road kill and blood in art, ritualised scarification and tattoo work, and the use of venous and menstrual blood in magick. Also included are Charlotte’s interviews with tattoo artists; priests from belief systems which utilise blood sacrifice; artists who use their own HIV positive blood as a medium; and those who use mortifications and body modification to effect changes in consciousness and self.

All here share a common bond of talent combined with an ability to articulate their beliefs. For example Louis Martinie, a priest in the New Orleans Voodoo Spiritual Temple. Martinie has integrated his Tibetan Buddhist beliefs into his Voodoo practice and in doing so shows how personal spiritual evolution can effect change within a syncretic religion. As a blood-related illness affected various parts of Charlotte’s life, she was given a chance to explore blood rituals in a very different way. Documenting this part of her journey gives an understanding of AIDS, HIV and HCV, and their effect on spirituality and contemporary blood rites.

Blood Ritual, with all its history, baggage and dangers hold the power to create change. Whether this power is held within blood and how much impact is created merely by our perception is for the reader to decide. The Bloody Sacrifice is an honest, modern and thought-provoking personal insight into an ancient aspect of our spirituality and creativity.

The Bloody Sacrifice. Charlotte Rodgers (Mandrake).
I opened The Bloody Sacrifice with more than a wee bit of trepidation. I knew I was not going to come across anything silly or self-indulgent, as the writer of this book is far too intelligent for that. What I found were open, honest and at times profound realisations that the author had come to through her exploration of blood, body, ritual and art. The interviews in the book are varied, relevant and very interesting. But, bar a couple of them, I wanted to hear more of the author’s voice, of her experiences and her conclusions. Rodgers is a natural priestess, regardless of what magical path she chooses to take or has taken; she has a natural capacity to connect deeply with inner world beings and learn directly, for both good and bad, from them. The main issue I was looking for, which would be guaranteed to show me if this person was switched on enough to actually truly work in this field, appeared almost immediately. Such paths into these areas are littered with unfortunate fools who have mired themselves in parasitical and low-life entanglements with inner beings, which effectively ensure that they go no further into the depths of magical realms. Not this author – she saw the traps immediately and neatly sidestepped them, learning naturally as she went deeper into the mysteries of power. Charlotte Rodgers has a powerful, clear and magical voice that I hope we will hear much more from in the future.
Highly recommended.
Josephine McCarthy – The Cauldron #140, May 2011.


Charlotte Rodgers Website
www.perdurabu.com

Eric Ratcliffe

Eric Ratcliffe was born in 1918 at Teddington, Middlesex, saw military service in World War 2 as an ammunition examiner in the ‘Blitz’ in London before a posting to India. His scientific career includes many research papers on thermal conductivity. He founded and edited Ore Magazine, with Brian Louis Pearce as advisory associate.

His credo is opposed to mainstream material poetry and rooted in belief of an after-life. Myth, legend and ancient British history play a large part in his themes.

His poems Anthropos and Fire in the Bush : poems 1955-1992, both published by University of Salzburg Press. Reviewer have said of Fire in the Bush:

‘His poetry is a mystical celebration of life, remote and unearthly’- RICHMOND AND TWICKENHAM TIMES

…’vision in which Elemental presences are more real than so-called reality…it is in the company of Kathleen Raine and Charles Williams that Ratcliffe is to be considered’ – TEARS IN THE FENCE

‘Like the phantom arm that recovered Excalibur from the marsh, Ratcliffe plunges deep into the azure mire of prehistoric and pre-conscious history and surfaces clutching a handful of alchemical gems – chantoyant, crystalline and imperishable’- – ABRAXAS

‘The general vision is compulsive…the highly prophetic tone is awesome and apposite to our times’ – -IOTA

David Rankine

David Rankine is an author who has been practicing magick for 25 years, and is best known for his lively lectures and workshops. He has been involved with a wide variety of magickal groups and traditions,and draws on his extensive experience to convey the essence of magick in simple terms.

The Grammar Of Witchcraft

David Parry
(Poetry) (Fiction)


The Grammar of Witchcraft
David Parry
Format: Softcover
ISBN: ISBN 978-1906958-053
£8.99/US$18
Subjects: Culture/Poetry/Fiction.



In this collection of poems and mini-sagas, Parry narrates the final journey taken by Caliban from a lesbian wedding in Liverpool, back to a London which doesn’t exist. Along the way, concepts of Saxon Witchcraft, Radical traditionalism and English ethnicity are discussed as the author unfolds his vision of an endlessly benevolent Spirit world.

David Parry

David William Parry was born in Hampshire in 1958. After receiving a degree in religious studies from King’s College, London, he continued his theological research at Heythrop College. By profession he teaches literature and language. Since 1996 he has also given regular public lectures on metaphysical poetry, occultism and the problems of semantic theory. He lives with his partner in Clapham and visits Poland whenever the opportunity presents itself.

GREAT PURPLE HOO-HA

part I&II
Philip H. Farber
(Magical Fiction)

The Great Purple Hoo-Ha part I
Philip H. Farber
Format: Softcover
ISBN: 978-1-906958-16-9
£9.99/US$14.99
Subjects: Fiction/Magick/NLP.

‘Farber’s writing is a joyride through the psyche. Absurdity and the internal workings of our own beliefs are less than a hair’s width apart – and Farber illustrates this with inimitable style, humor, and a kitschy sense of self- referential pseudo-realism.’
– LaSara Firefox Allen, MPNLP,
Developer of Gratitude Games and author of Sexy Witch


Special Offer:

GPHH Part 1&2 for Only £12.99+p&p

GPHH Part 1&2 for Only $22.00+p&p


‘As blatant propaganda, The Great Purple Hoo-Ha is funnier than Catholicism and slightly less disgusting than ads for colonic irrigation.’
— Ivan Stang,
Church of the Subgenius

‘A surreal, submodalicious page turner that will have you leaping from the written words to your own life in a joyous celebration and an aching wish for your own Hoo-Ha.’
— Donald Michael Kraig,
author of Modern Magick and The Resurrection Murders.

”From a magicko-religious point of view I’d say, ‘The Great Purple Hoo-Ha proves that changing Perception is the Great Work’. From a reader’s perspective I’d say, ‘It’s like Stranger in a Strange Land except much funnier and with hotter sex.’ From a friend’s perspective I’d say, ‘Dude, you should buy this!'”
— Don Webb, author of Aleister Crowley: The Fire and the Force and Uncle Setnakt’s Essential Guide to the Left Hand Path.


‘Joe had a drinking problem. The possible demise of his television talk show and the end of his career had tilted a very big bottle of Old Mystery into his guts.

Now he was having trouble telling where the hallucinations ended and reality began. Had the mysterious young man with the cat – whom nobody else could see – really granted him a magical wish for fame and fortune?

Were the sex-obsessed cultists he was investigating on the show really bringing on the End of the World? Where did the sentient cream-filled pastries come from? Who was the Most Disgusting Rock Star Ever?

And, more importantly, would Joe ever get his new girlfriend, the Goddess, into bed?’

The Cannibal Within

Mark L. Mirabello
(Horror Fiction) (Cosmic Horror)

Click HERE for The Cannibal Within / UK

Click HERE for The Cannibal Within / USA


Click here for Kindle UK Edition

Click here for Kindle USA Edition


The Cannibal Within
Mark L. Mirabello
Format: Softcover
ISBN: 9781869928278
£9.99/US$16
Subjects: Cosmic Horror/Horror Fiction.


Best New Horror 2003, from The Mammoth Book of Best New Horror: vol. 14. Edited by Stephen Jones, 2003 Edition, ISBN 0786712376.

They raped me and ate my friend alive.’ Thus starts this work of erotic horror fiction filled with ‘sacrilege, blasphemy, and crime’–written in a style that is part H. P. Lovecraft, part Marquis de Sade, and part Octave Mirbeau–The Cannibal Within is literally ‘wet with sin, slippery with blood, and slimy with fornication.’

The novel’s central character is part Lara Croft part Sarah Connor. She/We has a choice: the evil may be patiently borne or savagely resisted.

We may think we are special–holy, honored, valued–god’s chosen primates–but that is a fraud. The dupes of superhuman forces, we are misfits and abominations. We have no higher purpose –no savior god died for our sins–we exist, only because our masters are infatuated with our meat.

‘The Earth is a farm,’ wrote Charles Fort.

‘We are someone else’s property.’

‘–no savior god died for our sins–we exist, only because our masters are infatuated with our meat.’
‘We have a choice: the evil may be patiently borne or savagely resisted.’

‘. . .one of the most unique horror novels to come along in a long time.’
– Dark Funeral

Reviewed by Tyler Ferguson in Dagobert’s Revenge

‘While at face value the horror fiction genre may seem to be the right label to list this book under, we may find more than fiction lying under the surface. The author, a History professor at Shawnee State University in Portsmouth, OH, has created a work that can be described as terrifying, revolting, sadistic and even fascinating. I prefer to describe it as fascinatingly terrifying, revolting, sadistic and somewhat familiar in an archetypal sense. The book makes the reader want to gasp and turn away, but it appeals to one’s morbid curiosity so well that you cannot but read on, because waiting for you is a horrific reality that you pray is only fiction. And in this (hopefully) fictitious reality you will find truth and secrets you are not ready for.

On the surface the book relates an encounter between the author and a strange women who wants to tell her story. The woman, obviously disturbed, begins to recount to the author a story involving her and her friend Maddalena. The story takes place on October 13, 1972 in Point Pleasant, West Virginia. Readers might recognize this as a setting of other notorious paranormal occurrences. Quite literally, the woman tells of the time she met God – or gods in this case. However, these gods do not follow our common idea of what a god should be. These gods are the gods of old; the jealous, lustful rulers of a forgotten past. Maybe they are the “watchers” or the reptilian deities so many pages have been devoted to. The author doesn’t clarify this point but tells us that they are the “Master Species”, a race driven by lust and hunger. And to them, humans satisfy both desires. These monsters seduce our main character and her friend by appearing in a form that they would assuredly trust, gaining that trust until they show their true nature. This is when the horror begins.

The author spares no detail in relating what the woman told him. The monsters tortured and ate her friend while she was being raped. The author goes on to recount the years our main character spent in captivity living in a subterranean world with the beasts. He describes the society and habitat of these creatures and their true intentions. Reader beware: we are spared no savage detail. As the book ends, the author tells of his last encounter with the woman and finally we realize our own horrifying destiny.

Now we must examine what hides in the dark corners of this book. The author himelf commented that, “This book is about violation in every form. In an occult context – in a style that is part H.P. Lovecraft, part Octave Mirbeau, and part Marquis De Sade, it explores crime, depravity, and madness. Some who penetrate the darkness will find illumination; others will simply despise and judge.” Read this book for only the superficial story and you have missed it entirely. The author has hidden in the text occult philosophies that many have spent lifetimes trying to understand. I tell you to read this book with your eyes open to the mysteries that are hidden on every page. I will not spoil the quest that I am sure the author hopes we undertake, but I can tell you that in this book are hidden the secrets of some of the world’s greatest societies, ideas and truths of a forgotten time, tenets of religions long believed dead, and observations of our world many know but are afraid to face. A poet once wrote:

” I used to see forever.
My future was mine.
My ideas were powerful.
Fear and hatred changes all.
I gave a body to them
Their return was a corpse.
Promises that never spoke.
But give more, they ask.
More of my death, which they began.
Do they always empty your head?
What gods that came for love
Then killed for selfish lust.
Lust, that is what they had.
Humans, the food that satisfies the thankless gods.”

‘I highly recommend adding The Cannibal Within to your occult collection.
Place it on a shelf alongside Alcheishe Bruiloft van Christiaan Rozenkruis and read it in the same manner.’