Aromagick

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Aromagick: A Scentual Guide to the Kalas and The 8 Colours of Magick

By Diti J Morgan

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Luban

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A Chinese Grimoire of Magic

496pp, 154x234mm. Over 200 illustrations 

978-1-914153-19-8

Publication Date: 21/9/23

Translation and commentary by Jason. E. Read

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Introduction

The Luban Shu or the ‘Book of Luban’ or even the ‘Luban Classic’ is well known to the Chinese-speaking occult community. The book has the same or similar reputation as the Key of Solomon among Western practitioners of magic, and at one time nearly every village had a local magician, a ‘fangshi’ who was skilled in the Luban technique, and everyone, in older times, had a tale to tell about the Luban.

The Luban was, and is, both loved and dreaded by the Chinese. Luban is at first appearance a collection of spells gathered into one volume along with information about the magical aspects of feng shui. Obviously, the text was meant for the well-educated magus as some of the spells concern complex notions of Chinese astrology and geometry as well as the procedures of magic in itself. The origin of the text is shrouded in mystery and a number of versions circulated throughout China.

What makes the Luban so attractive is that it is free of the dogma of orthodox religious Daoism, Confucianism and Buddhism. And yet it relies on their principles in a certain folk manner, much, in the same way, the grimoires of the West implied a Christian or Judaic worldview. The Luban thus represents a means for the individual sorcerer to seek a pathway to power within a personal context and without having to limit themselves to the orthodox temples.

This was a book for the outsider, the sorcerer who was also a scholar of the deepest and most profound mysteries of magic. Another attractive element was that there was no need for rare and exotic ingredients that are impossible to access and have lost their meaning to the modern mind. The Luban Shu is ancient but a LIVING tradition. Its gods and spirits are not only alive and well, throughout millions of Temples and shrines in Asia, but are part of the land, the rocks, the trees, the running waters and so forth.

It is not a speculative tradition which tries to piece together fragments from long-lost practices that exist in broken papyri and attempt at a working tradition. Side by side with the text there is also an oral tradition of transmitted knowledge. We do not need to resort to often subjective reconstructionism to attempt a revival of a lost tradition.
In this text, therefore, we give not only the text itself with notes on obscure terms, but actual oral teachings from my own teacher Dr. Liang.

For scholars, it will be an interesting cultural source for the sorcerous magic outside of the main Dao stream. For many, it will be a teacher of a definite Way. If you choose this practical side, we urge you to follow all the oral advice and taboos and make a careful study of the initiation into the Luban Pai.

In the Luban system, you must first enter its stream before it can work for you. The spells in the Luban must also be carefully cultivated. It is a myth that one can pick a random spell and hey presto it works. On average a spell must be PRACTISED many times before it can actually work. You will also see in the oral commentary there is inner work to do, some of which will be familiar to practitioners of more profound schools of neigong, as opposed to qigong.

Jason Read 2022
Year of the Tiger.

Natural Meditation

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Natural Meditation: A Secret school of Tantra Sadhana
Michael E. Salihovich
Format: Softcover/172 pp.
ISBN: 978-1-914153-18-1
£14.99/US$22.00
Subjects: Tantra, Yoga, Meditation

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Natural Yoga or Surrender Meditation is called Sahaja Yoga in Sanskrit. Translated, it means Natural Union. This great God-given gift and tradition embody the innate and ultimate striving of humanity for all that is good and pure; it reveals a path as natural as breathing and leads the aspirant to union with God, union with Absolute Truth and union with Divine Love.

~ Yogeshwar Muni

This book presents an introduction to a less-known path of surrender or natural meditation, where one abandon using will and surrenders all his actions and fruits of those actions to God. Although the centrepiece of all religions and mystical systems, the exact practice or sadhana, was traditionally transmitted only in secrecy, orally from a teacher to a disciple. This is one of the rare texts in English discussing this practice and the prerequisites to it.

Michael E. Salihovich (Brahmananda) was a student of Yogeshwar Muni’s (Charles Berner) teachings since the mid-1980s. He was initiated into Sahaj yoga in 2011 and has been giving Enlightenment Intensive retreats, meditation seminars and individual counselling for more than 30 years.

Dreams

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Exploring uncharted depths of consciousness

Mary Phelan

Dreams: Exploring uncharted depths of consciousness

Mary Phelan

ISBN: 978-1-906958-98-5, 242pp

£15.00+p&p / $22.00+p&p

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This book will take the reader on a journey through the world of dreams, the history of dream interpretation and of how dreamers and dreaming in combination with taking action, have made the world what it is today. The author’s methodology explains the craft of effective dream capture and explores the meanings of over one hundred dream symbols. Above all, this manual is ideal for readers in search of self-knowledge and the personal power that comes through better perception of the immediate environment, career opportunities and personal encounters.

Put your dreams to work now.

Remove the blocks that are holding your life up.

Draw upon the wisdom of sages and writers from times past.

Explore those uncharted depths of consciousness.

Tune into your subconscious. Record your night-time imagery. Converse with your dream counsellors and open up a bright new future – yours.

Mary Phelan was born in Dublin and lived in Germany before settling in London. Today, she is a journalist and copywriter, design philosopher, photographer and art historian. She is an art history graduate of University College London and has a Master’s degree in English Literature from the Open University.   A committed copywriter, she has written hundreds of advertising scripts for companies and organisations. She has also worked as a tutor of English literature.

Reviews:

Mary Phelan’s Dreams, have been out for less than a month and already found its way into the top 10 list of which books to get this Xmas on dailymom.com – https://dailymom.com/discover/gifts-for-readers-from-pre-teens-to-adults/

Thrive global – https://thriveglobal.com/stories/mary-phelan-life-has-taught-me-never-to-give-up/

Authority Magazin – https://medium.com/authority-magazine/author-mary-phelan-how-i-hope-that-my-journey-of-self-analysis-can-inspire-and-help-others-ef04346149c8

You can follow Mary Phelan on the social media platforms

LinkedIn profile is:

https://www.linkedin.com/in/mary-phelan-6660aa1b?trk=nav_responsive_tab_profile

Read Mary Phelan’s travel and lighter literary articles at https://hubpages.com/@maryphelan

Mary Phelan’s just-for-fun blog is at http://maryphelan.blogspot.com/

Or you can follow her on Twitter @BlondeMary

Pagan Heart of the West

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Vol. I

Randy P. Conner PhD

The Pagan Heart of the West challenges current academic notions that paganism died when Christianization occurred; that the transition from paganism to Christianity was a fairly easy, nonviolent one; that persons once pagan were happy to accept the new religion because it fulfilled them or because they viewed it as superior – as if the Inquisition never happened; and that all things pagan are in fact Christian prior to the mid-twentieth century, even though they demonstrate little or no connection to the Christian New Testament. Likewise, Pagan Heart challenges narrow conceptions of “the West.”

The Pagan Heart of the West:
Embodying Ancient Beliefs and Practices from Antiquity to the Present
Volume I “Deities and Kindred Beings”
Randy P. Conner PhD
ISBN-13: 978-1906958879
£20.00+p&p / US$28.00+p&p

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Applying Indigenous and decolonial theories, together with Michel Foucault’s conception of subjugated knowledge, Pagan Heart suggests that instead, paganism should be explored as an ancient and indigenous set of common beliefs and practices, at once ubiquitous and local, that includes the reverence of deities; the veneration of nature; rites celebrating the seasons and the life cycle; practices of healing, divination, and magic, often guided by ritual specialists; and arts and philosophies giving expression to pagan figures, concepts, and narratives.

In this first of five volumes, Pagan Heart focuses on the utilization of theories that contest absolutist language supporting the so-called death of paganism; and on the worship and veneration of ancient deities and kindred beings. Like the other volumes, this volume demonstrates that paganism has not only persisted over the course of millennia but that it has also undergone metamorphosis and innovation.

Most importantly, Pagan Heart emphasizes that the ancient gods did not die when Christian authorities forbade their worship and sought, in N. Scott Momaday’s terms, to commit deicide, but instead that they continue to exist and thrive.

Randy P. Conner, Ph.D., is the author of several works on the intersection of gender, sexuality, mythology, and the sacred. He teaches Humanities, including World Mythology, in the Chicago area.

cover: Barthelemy d’Eyck, Emilie, Arcitas, and Palamon Praying to Their Respective Gods (c. 1465), illumination from Boccaccio’s Il Teseida Delle Nozze d’Emilia.


In this first of five volumes, Pagan Heart focuses on the utilization of theories that contest absolutist language supporting the so-called death of paganism; and on the worship and veneration of ancient deities and kindred beings. Like the other volumes, this volume demonstrates that paganism has not only persisted over the course of millennia but that it has also undergone metamorphosis and innovation.


Initiate’s Way: A magical journey into spiritual alchemy

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The Initiate’s Way

Jade Melany

ISBN 9781906958961,

260pp 23 colour images

Paperback £20.00 / $26.00

Hardback £30.00 / $35.00

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Concise and complete instructions on how to create and use magical images and begin inner journeying, or walking the path of the Initiate.

This book will teach you how to internally work with each of the 22 magical archetypes so that you can perform spiritual alchemy on yourself and bring change into your life. Every conscious step you take into the Initiates Way is signposted by these magical images and as you take time to study, meditate with, and explore each of them, in turn, you will learn how to become your true and authentic self. This book contains full-colour plates of the 22 magical images which correlate with the 22 Major Arcana of the Tarot, and they tell the archetypical story of the spiritual journey into enlightenment, and each image has an associated inner journey or path-working.

You can, as a solitary practitioner, use this book to learn how to build up magical images and tread each step of this amazing journey for yourself.

If you are working within a group or coven, you can use this as a guidebook for group creative visualisations, and at specific times during the year to align with the seasons. One of the group members can lead the others through each stage of the journey.

This path is not for the faint-hearted as it takes great strength and courage to become who you are truly meant to be.

“The Pathworkings match the Tarot deck, it is artistic alchemy that runs through them, mingling and transforming. When you have lots of pathworking experience it is so refreshing to meet something new that re-energizes and revitalises you” Cara Hamilton, Psychic Presenter.

“When working with Jade or any of this pathworking I find that the visualisation is not something I have to work to do, but that instead just comes to me with no effort, keeping my head and my heart space entirely free to explore my inner realms. This has led to clear healing imagery, and often genuinely breathtaking visuals which have given me an internal space to go and explore this beauty whenever I might wish to! Her energy was the first spark in a long life of darkness and has set me on the path to being who I always was but was too afraid to show.” Eleanor Petit

“Deeply engaging talks/readings, beautiful paintings and wonderful pathworking gently paced and flowing full of redolent imaginal experiences. On ‘The Way’, I feel I have learned a great deal and been inspired to seek to discover more. I particularly welcome the assistance afforded me to take an unaccustomed tack and thereby circumvent some of the obstacles to the insight that I had unwittingly placed before myself. Lesley Anne Brewster

“I first met Jade at a holistic fair where I had a reading done using her beautifully designed tarot cards (initiates way). The reading was so powerful, accurate and thought invoking that it reduced me to tears. It was like she had looked into my very soul and spoke to me on a spiritual level. She offered sensible suggestions and gave me sound advice, which was very apt for where I was at that time in my life. I have since been blown away by Jade’s wisdom and talent for a tarot reading and pathworking and I will continue to be guided by her on my journey of life ” Katrina Rourke

***

Katrina Rourke – Artist, Pathworking, tarot, initiate’s way, major arcana, creative, visualisation, inner, workings, journey, spiritual, alchemy, magickal, magical, images, fool, magician, priestess, god of the grove, goddess of the grove, shaman heirophant, self development, healing, lovers, chariot, strength, hermit, wheel, justice, drowned man, death, transformation, star, sothis, tower, Hermes, pan, sun, moon, judgement, world, serpent, esoteric, art


NakedTantra

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NakedTantra

Record of a Magical Year

By Miryamdevi & Minanath

978-1-906958-97-8

$24.00 / £15.00

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There are many books on how to do magick, but not so many with stories about actually doing it and what happens. NakedTantra lays bare the inner states of the two brave souls involved in this extended magical work.

An experiment, two people, two countries, one mind, experimenting in tantra meta-magick, cosmic astral travel to the land of no boundaries, looking for the doors of perception.

Of necessity, the contents of this grimoire might be considered erotic. And, with that thought in mind, it might also be that the reader is occasionally aroused by our story as it progresses. Some might find this an unwanted intrusion, into what is otherwise an exploration of a magical world. Others we surmise will take this in good part, accepting that, a spoonful of sugar helps the medicine go down. To those who do not share these sensibilities, and are unmoved by what you are about to read, we offer our sincerest apologies.

Side Stories

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Side Stories

A D Harvey

ISBN 9781906958-930, 255pp, hardcover

£16.99+p&p / $25.00+p&p

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Collected here for the first time, are the masterly short stories of A D Harvey, many of them erotic, some of them distinctly odd, and a couple downright lewd. Linked together they, like a novel, shed light on one of the less conventional scholarly careers of recent times.

In 2013 more than eighty Internet sites round the world took up the story of A.D.Harvey’s literary spoofs following his outing in The Times Literary Supplement, thereby further outraging an academic establishment which had had it in for him ever since he had broken ranks by obtaining a Ph.D. at Cambridge only six years after sitting his A-levels. The author of eight scholarly monographs, numerous articles in academic quarterlies, three novels and a slim volume of verse, A.D.Harvey is (despite occasional spoofs) a serious if sometimes idiosyncratic writer and his gift for style, cogency and psychological insight is demonstrated by a collection of his short stories and other pieces now published under the title  Side Stories by Mandrake of Oxford.

A.D.Harvey is a historian and literary scholar whose work has been translated into French, German, Italian, Japanese and Spanish and also the author of three novels, including Warriors of the Rainbow (2000), described by The Guardian  as ‘weirdly compelling’ and  by The Times as ‘intriguing….both awe-inspiring and,frankly, potty’. His short stories, many of them erotic, some of them distinctly odd, and a couple downright lewd, are collected here for the first time, together with half a dozen other pieces that shed light on one of the less conventional scholarly careers of recent times.Also included:  A D Harvey’s  nordic noir Mind-Sprung

Seth & The Two Ways

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Ways of seeing the demon god of Egypt
Mogg Morgan

Seth & The Two Ways
Ways of seeing the demon god of Egypt
Mogg Morgan
Format: Softcover/illustrated/many in colour.
ISBN: 9781906958831
£18/US$26
Subjects: Ancient Egypt/Egyptian Magick


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Seth is an ancient Egyptian deity, much maligned in popular, academic and theological thought. Up until fairly recently the only thing one needed to know about Seth was that he was the personification of evil and the prototype of the devil and Satan and all bad things in the world. He is the god who in one of the world’s most ubiquitous myths, kills another god, his own brother Osiris no less, then usurps his role as king, persecuting the orphaned Horus who only survives to manhood, due to the cunning of his sorcerer mother Isis. Horus then overpowers Seth and ensures he gets his just deserts.

This book explores the mythos of the god and various ways of seeing him; these may even appear antithetical, as is encapsulated in what is sometime known as “The Nagada Hypothesis” which stands in contrast to the consensus that Seth was always a malign deity.

Topics covered include historical views of Seth such as Plutarch’s Anti-God; Modern views of Seth; The Outsider: Gods of Sex and Death;The Two Ways. Includes extensive liturgy, ritual and appendices such as the Seven Spells of Nekhbet – a fantastic piece of battle magic in which the ancient Vulture Goddess enlists the power of Seth to protect Egypt’s borders. Also a discussion of Apophis, an ancient personification of evil, who is often confused with Seth.

cover: Horus & Seth blessing the King, Pharaoh Ramses III, from His mortuary temple at Medinet Habu, Thebes (Luxor) Cairo Museum of Antiquities. Reconstructed.

The author’s previous books include: The Bull of Ombos; Tankhem: Seth & Egyptian Magick; Supernatural Assault in Ancient Egypt; The Ritual Year in Ancient Egypt & Phi-Neter: Power of the Egyptian Gods.

Upperworld

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Shamanism and Magick of the Celestial Realms
Chris Allaun

Upperworld: Shamanism and Magick of the Celestial Realms
Chris Allaun
ISBN: 978-1-906958-92-3
Format: Softcover
£15.00 / US$24.00
Subjects: Angels/Magick/Shamanism/Myths/Healing/Spirituality

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The stars glow with their own special magick in the nighttime sky. For millions of years, the stars sent their light down to the earth. The same stars and planets we see today are the same bodies of light that ancient shamans saw around their campfires. Countless generations looked into the night sky and wondered about the magick above. It was the shamans who travelled in spirit to the Upperworlds to discover the secrets of the Universe. There are many ancient beings in the above worlds that can help us learn about the energies of the Universe and transform our lives for healing, power, and spiritual evolution.

As we journey into the Upperworlds, we will learn about the creation of the Universe and the energies that were formed from the first burst of energy and light. Shamans saw that these energies formed into powerful beings. Some called these beings angels, others called them ascended masters. Each of these beings has a divine purpose in the Universe and we will unravel these mysteries. We will learn to spirit travel into the many heavens from many different cultures. We will visit the heavens that were told to us in myths, as well as discover hidden parts of the Universe that await our arrival. We will also learn about the gods and goddesses and how to honour them in our daily magical practice. The gods are powerful and they can grant us many blessings. Through our magical practice with the night sky, we will use the magick of the stars and planets to transform our lives and the physical world around us.

“Like those before him, Christopher Allaun steals a little bit of the fire of heaven and shares it with his readers. While the underworld might be more in vogue these days, he tackles the rich lore of the heavens, and shares practical teachings that can be brought down to Earth for when you want to seek the stars.”
Christopher Penczak, Co-Founder of The Temple of Witchcraft and author of City Magick, The Witch’s Shield and The Mighty Dead.

“Chris Allaun’s new book, “Upperworld”, is a very interesting and informative read. Consistent with his previous work, Chris focuses on the myths, legends and spiritual teachings of an eclectic mix of cultures from around the world, giving insights into their ways of viewing the “higher” realms. Chris gives information on the Shamanic worldview and the place of the Upperworld within it, detailing techniques to access and explore its various realms. Drawing on diverse sources, he not only describes the denizens of the various realms of the gods, angels, stars, planets and kabbalistic worlds but gives practical information on how to make contact and interact with them. There are rites of worship, magic, devotion, astral projection and healing that not only give an insight into the practical working of pagan, Shamanic experience but enable the reader to experience these themselves and take their own journey along the Shamanic path. This is an accessible and approachable work, both for the newcomer to the subject and the more experienced practitioner alike; both will derive benefit from reading this book.”
Nigel G. Pearson, author of Treading the Mill: Workings of Traditional Witchcraft and The Devil’s Plantation: East Anglian Lore, Witchcraft, and Folk-Magick.

“Ancient shamans didn’t spend all their time journeying through the hazards of the underworld. They also took time to explore the heavens (or “Upperworld”), to learn the mysteries of creation, healing, and magick directly from the gods. It is refreshing, in this time when goetia is given so much focus, to see the author’s exploration of the concepts and spiritual beings of the celestial realms. Just as important, his focus upon lore, legend, and mythology in developing a true understanding of and shamanic relationship with these beings is vital, and often missed in modern Western occult texts.”
Aaron Leitch, author of Secrets of the Magical Grimoires: The Classical Texts of Magick Deciphered and The Essential Enochian Grimoire: An Introduction to Angelic Magick from Dr. John Dee to the Golden Dawn.

Check out Chris Allaun’s news, classes, workshops and other events-
Chris Allaun: Author, Teacher, Healer
https://www.facebook.com/chrisallaun.author/?rc=p

 

Khemetic Enochian Chess

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Hypermodern Magick

(Enochian Chess Series Vol. II)

Steve Nichols

Khemetic Enochian Chess
Hypermodern Magick
Steve Nichols
Illustrations many in colour.
ISBN: 978-1-906958-86-2
US$39.99 / UK£30.00

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Buy the Enochian Chess set (all three books) for only £70.00 free postage / UK

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Khemetic Chess (Hypermodern Magick) is a stand-alone book that outlines my theory of magick, and sheds light on ‘active divinatory’ Enochian Chess. Exploring the 64 (8×8) paradigm, it looks at both historical and recent Enochian Chess variants. Aleister Crowley features prominently; and I look at strong Khemetic strands in Thelema such as the Crowning of Horus. It also encompasses Tantra, and Tsakli pieces (moveable shrines) for “No Self” Enochian Chess.

This book explains how 88 Ptolemaic emblemata gave birth to familiar Christianised tarot designs. These 88 divide into four groups of 22 Atous, and these combine with the Minor Arcanaii of the Four Winds, 56 divination cards for each of the 4 Elements or Chessboards. Four packs of 78 “Tarot of the Four Worlds.”

Khem, ancient Egypt, seems to be the fount of many magickal practices and survivals in diverse cultures. I trace some Khemetic influences on Tibetan Bonpo and Hinduism. Essential components and structure from Kabbalah also seem to begin with the Khemetic game of Zenet, and the Hymn to the Ten Bau of Amen-Ra rather than with such texts as Sepher Yetzirah and Zohar of the Late Medieval Period. Horus, Isis and the other Great Ones of Khem work better under governance of the Tetragrammaton (word with four letters) “AMEN” rather than under the arguably anti-Kemetic, Tetragrammaton YHVH.

Hypermodern Magick explains, continues and augments innovations that began with the literary modernist and psychological experimenter, WB Yeats and continued with political surrealist, Ithell Colquhoun, and Don Kraig (Modern Magick).

Steve Nichols’ fully featured Windows ENOCHIAN CHESS SOFTWARE for one to four players can be downloaded by using the coupon code instructions inside together with evidence of purchase. The PC software makes this advanced and complex game immediately playable. Steve Nichols was the first to publish Enochian Chess sets in 1982 with support from Israel Regardie and others. Steve has given many demonstrations, readings and lectures about the game over the decades.


THE ENOCHIAN CHESS SOFTWARE CAN BE DOWNLOADED FROM chaturanga.co

 

Black Toad

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Alchemy of Body, Spirit, & Stone
Ron Wyman

The Black Toad
Alchemy of Body, Spirit, & Stone
Ron Wyman
ISBN 978-1-906958-84-8
£15.00 / US$25.00

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Get The Black Toad & The Peacock’s Egg for only £20.00 / $30.00

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This book on spiritual alchemy presents an initiate’s undertaking of the internal alchemical process. It is a pathway of vision and illumination; and with particular emphasis placed on the induction of the alchemical dream, this movement becomes a visionary transition and passage.

The practitioner’s psyche moves through the paths of the Opus Magnum, and these paths have a goal—the attainment of the Philosopher’s Stone. It is the internal alchemy that acquires access to the ethereal level of the body, and eventually to the enactment of the alchemical Will.

Ron Wyman is an artist and writer living in London. His writing on alchemy stems from his own experience of the alchemical dream process and its related effects. through his background in philosophy he has brought this into a methodical format for the occult practitioner, or for anyone interested in the transcendental effects of internal alchemy.

Bulwer-Lytton

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Occult Personality

John S. Moore

Bulwer-Lytton Occult Personality
John S. Moore
ISBN: 9781906958855, 166pp/bw & full colour illustrations.
£20+p&p / US$26.00+p&p

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Edward Bulwer, Lord Lytton, once the most successful novelist in the English speaking world, now unfairly neglected and even derided, was also the central figure in the underground culture of magic and the occult. With his esoteric studies he built a reputation for deep learning in the history and philosophy of this alternative tradition, as well as passing for an adept in his own right. His creative influence, especially through his occult fiction, was surprisingly far reaching.

The book sets the achievement of this nineteenth century magus into a large historical context, exploring the intellectual and other influences on him as well as movements he inspired. Some chapters discuss aspects of Bulwer’s life, while some explore people and ideas that influenced him and others those he influenced. His seminal role in several cultural movements has been largely forgotten, not least in his home country. This book offers an often unfamiliar perspective on the Victorian era and hopefully succeeds in provoking some questions about our own times.


With Bulwer as its focus, and employing a wealth of illustrations, it manages to provide a whirlwind tour of much occult and esoteric culture, from Iamblichus to Symbolist art and literature, Theosophy and modern psychedelia.

Watch John Moore’s presentation of Bulwer-Lytton Occult Personality
on YouTube

https://www.youtube.com/watch?v=iufOV7EmT0Y&feature=youtu.be

Heart Vision: Tarot’s Inner Path

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Michael Orlando Yaccarino
Foreword by Rachel Pollack
Afterword by Normandi Ellis

Format: Softcover
ISBN 9781906958817
£15.00+p&p / US$24.00+p&p

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—————————————————————–

Each of us is travelling upon an ever-evolving path toward greater illumination. The Tarot can provide deep awareness on many levels. Performed effectively, a Tarot reading encourages individual strengths, while proposing options to overcoming unhelpful blocks. Revelation unfolds within the open heart.

The mystical deck has fascinated both nonprofessional and paranormal scholars alike since its early development in the 15th century. Today, a myriad of books on using the cards to read to others is readily available. However, few works focus exclusively on the process of self-reading. Heart Vision: Tarot’s Inner Path is your in-depth, hands-on guide for a balanced path of discovery through the art of solitary reading.

Highlights include card-by-card message interpretations; a special focus on self-contemplation; the step-by-step process of self-reading unique to this work; and a variety of simple yet powerful spreads utilizing no more than six cards original to this book, many illuminated by actual self-readings. World-leading Tarot authority Rachel Pollack provides an insightful foreword. Award-winning author and specialist in Ancient Egyptian spirituality, Normandi Ellis offers an illuminating afterword. In addition to the wisdom of diverse spiritual traditions, the text includes exclusive comments by a variety of contemporary luminaries in the realms of the mystical and magical. And acclaimed artists Scot D. Ryersson, Gary Lund, and David Palladini all contribute to the book’s stunning illustrations. Enriched throughout by the wisdom of diverse spiritual traditions, in these pages, you will find an innovative pathway to inner transformation.

Front-cover art: Gary Lund
Back-cover art: David Palladini
Cover design: Scot D. Ryersson

The author has read, taught, and written about the Tarot for many years. He holds degrees in psychology and film studies from New York University. Previous books co-authored with Scot D. Ryersson include Infinite Variety: The Life and Legend of the Marchesa Casati, The Marchesa Casati: Portraits of a Muse, and The Princess of Wax: A Cruel Tale. Also with Ryersson, he co-edited Spectral Haunts and Phantom Lovers.

 

Visit the official ​Heart Vision​ website
Heart Vision: Book | Michael Orlando (casatiarchives.wixsite.com)

Author’s other work

 

Book Reviews:

“Probably one of the best books on the Tarot that I have ever read. A must for all Tarotists.”  —Anthony Pearson-Moorhouse, The Elvish Taylor and Owner/Partner of Sacred Earth (Suffolk, United Kingdom)

“Yaccarino’s approach to the Tarot is direct and invigorating, with the emphasis on self-reading. As a rule of thumb, I often test the inherent magickal quality of any such tome by opening it at random and letting my eye alight on the first words I see. In this case, the book opened at the King of Cups, which was disturbingly accurate. With the attitude of ‘Okay, but what else can you tell me?’, it then opened to the Nine of Pentacles. Again, exquisitely apt. In essence, with this clear and lucid book, you can know it works.”       —Alan Richardson, author of numerous books on magick, magicians, and Earth mysteries, including Priestess: The Life and Magic of Dion Fortune and Earth God Risen

“A beautiful book, flowing and inviting, presented with an openness and clarity in both writing and visuals.”  —Gary Lund, award-winning painter, sculptor, and animation film designer

“It is through the imagery of Tarot that Yaccarino explores each of the arcana. As Heart Vision unfolds, Michael skillfully guides us through the deck, deftly bringing our attention to the hidden, background imagery and the ‘veiled aspects’ of each card. But it’s not all about the iconography: a comprehensive range of spreads are given, with some very interesting variations. There are also examples of readings that demonstrate how the interpretative process unfolds. Little gems of wisdom are scattered through the pages, culled from Yaccarino’s clearly extensive reading and conversations with contemporary practitioners. This is an excellent introduction to the Tarot, and an enjoyable and illuminating text for the seasoned reader, too.” —from The Blog of Baphomet by Julian Vayne, author of Deep Magic Begins Here…: Tales and Techniques of Practical Occultism and Magick Works: Stories of Occultism in Theory and Practice

“The introduction to this book is penned by the renowned Tarotmancer Rachel Pollack. She describes this book as one of ‘distilled simplicity,’ designed for the apprentice but which has sufficient maturity and depth for seasoned readers too. It is focused on the solitary reader for self-analysis, offering a unique approach to the visionary dreaming world to nourish heart and soul by awakening the mind. After a brief but concise history of the Tarot, Michael leads the reader into a vivid perspective of mystical imagery as the art of vision within Reality. It serves as a potent tool, drawing the reader to attend the hermetic sciences and its philosophies to fulfil a divine purpose—not as amusement or entertainment. The pursuit of wisdom is ever the key. Emphasising the distinctions of revealed and veiled messages, it explains how these build upon one another to synergise profound insight. Michael provides a break-down of the Arcana into elemental suits, injecting innovative expression into their multi-layered symbolisms. He then introduces several original spreads providing unique formats, including those aptly named ‘The Crossroads’ and ‘The Bridge.’  Ranging from a single spread to six cards, they encompass all needs and situations, guiding the reader always towards decisive understanding and self-awareness as a means of access to their inner dialogue. Intent is captured at source. The reader is made aware of the folly of this tool as a means of prediction, a waste of soul talent that erodes free will and hope. Instead, it instils hope through the engagement of the sacred harmony that can be achieved through self-expression and fulfilment. With lucid equanimity, Michael directs the reader to engage that precious dynamic to manifest the message as translatable instruction. Using multi-disciplinary techniques, the ‘happening’ Michael refers to becomes a transformative engagement of the mysteries proper through the miraculous art!” —by Shani Oates, author of The Devil’s Crown: Key to the Mysteries of Robert Cochrane’s Craft and The Arcane Veil: Ten Discourses on the Craft and the History of Magic

TAROT, DIVINATION & SPIRITUALITY

usa

Out There

Featured

The Transcendent Life and Art of Burt Shonberg
Spencer Kansa

Out There
The Transcendent Life and Art of Burt Shonberg
Spencer Kansa
Format: Softcover / 256 pp / illustrated in colour
ISBN: 978-1-906958-79-4
£30/US$36
Subjects: Art/American Underground/Biography/Film Studies.

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From the late-1950s until his premature death in 1977, Burt Shonberg was one of the most highly admired artists in Los Angeles. During this period, his eye-popping murals graced the facades and interiors of popular coffeehouses and hip clubs on the Sunset Strip; his paintings adorned several notable rock album covers, and his haunting portraits featured prominently in Roger Corman’s film adaptations of Edgar Allan Poe’s The Fall of the House of Usher and The Premature Burial.

Born in 1933, Shonberg grew up in the all-American beach town of Revere, Massachusetts, where, according to his friends, he spent most of his time drawing and indulging in his love of monster movies. After graduating high school, he studied for two years at the Boston Museum of Fine Art, and then, after a brief spell in the army, he ventured to Los Angeles to pursue a career as a commercial artist.

Soon after he settled in L.A., Shonberg became the lover of the legendary occult artist Marjorie Cameron who turned him on to the teachings of the Edwardian magus Aleister Crowley and introduced him to the mind-warping properties of peyote. Shonberg also embraced the Fourth Way system of George Ivanovich Gurdjieff, and his canvases began to reflect the mystical illumination inspired by his higher states of consciousness.

In 1960, the artist was chosen by Dr. Oscar Janiger to participate in his groundbreaking study into the effects of LSD-25 on the creative process. Although Shonberg regarded himself as a magical realist, his remarkable renderings of his hallucinogenic visions led many of his acolytes to regard him as the preeminent psychedelic artist of the era, and in the words of his friend and fellow painter Walter Teller, “Burt was the artist of Laurel Canyon.”

Yet despite his popularity and status, Shonberg’s artistry has been criminally overlooked in all historical accounts of the Southern Californian art scene, until now. Out There redresses this injustice and brings some long overdue recognition to L.A.’s greatest lost artist, in a book illustrated with rare examples of his incandescent artwork.

“Spencer Kansa has time traveled. Knowing Burt as well as I did, it really does feel, from his assessments and descriptions, that Spencer actually knew him as well, and Burt for sure would have dug him. They would have had a good time. I can see Burt smiling. I’m serious.”
Hampton Fancher, screenwriter, Blade Runner and Blade Runner 2049.

Read Spencer Kansa interview about Burt Shonberg and Bohemian Los Angeles with the LA Review of Books
lareviewofbooks.org/article/burt-shonberg-and-bohemian-los-angeles-an-interview-with-spencer-kansa/

 

 

Deeper Into The Underworld

Featured

Death, Ancestors & Magical Rites
Chris Allaun


Deeper into The Underworld
Death, Ancestors & Magical Rites
Chris Allaun
Format: Softcover
ISBN: 978-1-906958-82-4
£15.00 /US $24.00
Subjects: Shamanism/Magic/Healing/Afterlife/Death Customs/Spirits Communication/Spirituality.

Deeper into the Underworld we go…

The Underworld is home to our beloved ancestors, those who gave us our flesh and blood and our breath. Their blood flows through our veins and contains great magick and power. They have the ability to help us heal old karmic wounds of the past and aide us in our spiritual development. They can teach us many things about the world of spirit. All we have to do is honor them. All we have to do is call to them.

The cycles of Life are sacred to our pagan and magical cosmology, but what of Death? As we honor life, so, too, must we honor the sacredness of death and dying. As we go further in our Underworld studies, we will learn about the Angel of Death and energetic process of dying. Death is not the end. It is a magical transition into the world of spirit where we are rejoined with our beloved ancestors. The Ancestors are our link to our past. We will learn to honor them and create a sacred shrine so that we may commune with them in a magical and healing way. By honoring the ancestors, we will strengthen our bonds with the spirits and learn to heal our family karma that began long ago and affects us even today.

By learning to work with the ancestors, we will learn to work with the spirits of the dead for magick and healing. We will learn how ancient cultures summoned the beloved dead to heal grief and say final goodbyes. We will also learn magical techniques to summon the shades of the dead and the Hidden Company; those powerful spirits that can teach us ancient wisdom of long ago that can help us tread our spiritual path to find balance and healing.


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Read Alanna Wright’s review of Deeper Into the Underworld: Death, Ancestors and Magical Rites, published in Spiral Nature Magazine
www.spiralnature.com/reviews/deeper-into-underworld-chris-allaun/

Deeper Into the Underworld: Death, Ancestors and Magical Rites
by Chris Allaun
Mandrake of Oxford, 9781906958824, 203 pp., 2018.

”Chris Allaun has released Deeper Into the Underworld: Death, Ancestors and Magical Rites as a follow-up to his first book Underworld: Shamanism, Myth and Magick. In this book, Allaun brings to life, or rather life after death, the powerful practice of ancestral spirit worship and highlights the immense spiritual benefits that come from learning to commune with the deceased. The theme of death runs strong through the book yet Allaun has presented the material in such a way that allows the reader to open to the power of Underworld forces in much the same way as shamans, witches, and magicians have for countless centuries — with the knowledge needed to access this realm, courage to face the reality of death and wisdom to tap into the spiritual power of this domain.

Written in a very straightforward and easy-to-read style, Allaun provides the reader with real-life experiential advice on how to work with ancestors as part of their magical practices. He explains,

“Honoring the dead is one of the most important parts of spirituality. We often honor our gods and goddesses and even nature spirits, but sometimes forget the most important spirits to honor; our beloved dead. Our ancestors are our family. They are our grandmothers and grandfathers and our grandmothers and grandfathers before that. They hold an energetic and magical link to us. We may not realize it, but there is a current of power that goes from us to our ancestors and from them back to us. It is strong. It is powerful. Is it the bond of family.”

In no way does Allaun skimp on ideas for how to establish and strengthen this connection to our ancestors. He offers a variety of methods that can be easily incorporated into one’s magic to help the reader open the channel to commune with their ancestors. Detailed is the way to set up an altar, created sacred space and maintain a daily devotional practice to honour loved ones who have passed on. Allaun highlights the importance of sustaining an ongoing relationship with our ancestors, rather than only honouring them sparsely through the year, as the way to truly bring them into your home and spiritual life. In this way, we can begin to communicate with our ancestors about day-to-day happenings and this in turn provides nourishment for them and us alike.

The reader is reminded this is not a one-way relationship as our ancestors benefit too from our offerings to them in the Underworld. Allaun explains, “On an energetic level, what is happening is that our prayers open our minds, energies and our spirits to our Ancestors and higher beings to establish a strong and powerful connection. Through the connection we make with the spirits, they are able to use this energy and power to help our Ancestors evolve to a higher state of being.” Later in the book, Allaun ties in how we also carry ancestral patterns that we can transmute and heal by working with ancestors in the Underworld directly.

Beyond ancestral knowledge, this book is a rich resource for information on death rites, rituals, and cultural perceptions of death that have been carried through the ages. Allaun provides insightful understanding of the way death is portrayed today in comparison to how cultures of the past understood working with the Underworld, death, and the ancestors. These include pages on Egyptian embalming and also the Eleusinian Mysteries of Ancient Greece. By going back in time, the reader comes to understand how human’s cultural relationship to death has been worshipped, revered, and also feared throughout time.

Throughout the book, Allaun provides many mythological stories that highlight the importance of the Underworld spirits and knowledge of how to navigate this tricky realm. These include the story of Baldur’s dreams in Norse mythology, Those Who Come From The Mountains in Japanese and Shinto mythology and Asclepius and Diana bringing back the dead in Greco-Roman mythology. Allaun does an outstanding job of providing many cross-cultural narratives involving death, so the reader has a widened perspective of a variety of spiritual understandings of the Underworld. This includes a passage of the Ghost Dance of Native Americans from the Plains region of the United States, where they were able to perform this dance to summon their ancestors and gain a personal sense of empowerment through the connection.

In sharing his personal experience, Allaun works to dissolve the fear commonly associated with death and the Underworld. A fantastic aspect of the book is the fascinating meditations provided that can be applied in a ritual setting to gain insight into the energy of death, access the Underworld, and work with ancestors. These meditations include performing a eulogy at your own funeral, graveyard meditations, tracing back family karma through lineage, and connecting with ancestors in dreams, and tapping into the blood. For those who practice traditional witchcraft, Allaun includes a ritual to connect with the Hidden Company to seek their spiritual knowledge and also Ritual of the Rose Castle to connect with the Goddess of Death.

Allaun focuses on sharing with the reader how the misconception of working with the dead became linked to evildoing with rise of Judeo-Christianity. Yet, he is honest about the association that has existed between necromancy and black magickdea intended to harm others. While he does not advocate using ancestors or magical connections made to the deceased in this way, he does acknowledge the existence and possibility of the misuse of spiritual power, which include bringing the dead back to life.

Above all, Allaun maintains that it is of the utmost importance to treat the dead with the kindness the reader would show any guest in their home. This means being welcoming and never making unfair requests. While the ancestors can be strong magical allies, Allaun makes it clear that we should never force our ancestors to do things for us. It is important that honour is always maintained, as the spirits can communicate, and being disrespectful towards an ancestor could hinder future relations.

The information in the book covers what the reader would need to know on all fronts to begin establishing a spiritual connection with their ancestors. Allaun stresses the importance of carefully selecting the spirits with whom you share energy. He acknowledges that certain spiritual entities many want to ask favours or cling on to the reader in order to gain energy. While this does not always happen, Allaun has given the reader techniques that can be used to make sure the reader remains protected and the sacred space clear of unwanted energy. The information provided includes numerous measures of protection that range from simple techniques to create clear energy to elaborate banishing rituals. It is obvious that Allaun has the reader’s interest at heart and wants to provide the most honest and accurate account of the possibilities that can emerge from working with the energies of the Underworld to ensure the reader is prepared.

There are only a few downsides of note in regard to Deeper Into The Underworld. The first being quite a few spelling and grammatical errors scattered through the book that can be distracting. The other is that there is no reference section or bibliography provided, leaving the reader to research and verify the information themselves.

Overall, Deeper Into The Underworld: Death, Ancestors and Magical Rites is a great read for anyone who feels a connection to working with the deceased. There is much to be gained from tapping into the Underworld and bringing the wisdom of our beloved ancestors into the physical realm. Consider this a go-to book from which anyone with an interest in ancestral worship or necromancy would gain something.”

Celestial Arcana

Featured

Precession, Tarot & The Secret Doctrine
Titus Salmon

UK Editions
US Editions

 


Celestial Arcana
Precession, Tarot & The Secret Doctrine
Titus Salmon
Format: Hardback
ISBN: 978-1-906958-80-0

 

Subjects: Cosmology/Astrology/Tarot/Divination/Occult/Theosophy

This book is an in-depth study of Tarot symbolism, with a particular emphasis on the various myths encoded within, and how they relate to the phenomenon of precession, and the Secret Doctrine of Aeonic succession. Much of the symbolism is shown to have been derived from ancient Egyptian, Celtic, Hellenistic, and medieval customs, rituals, and myths. One of the main theses developed within the book is that the ultimate source of the symbolism is preeminently Egyptian, and can be traced at least as far back to the Age of Taurus (c. 4200-2100 BCE).

The annual flooding of the Nile River, and its connection to the star Sirius was of paramount importance during this era, and it is demonstrated how much of the mythology and symbolism of later Ages and cultures are actually derivations from this fundamental mythos – in which the Mother Goddess was revered rather than vilified, as the case has subsequently become during the Ages of Aries and Pisces. For example, it is postulated that the Biblical account of the Fall of Humanity can be interpreted as a record in astromythological form of the usurpation of the ancient stellar and matriarchal cosmology – in which the Great Mother was preeminent – by the solar and patriarchal regime in which Jehovah became the central deity. Although it is undeniable that our current Age is characterized by many aspects of a bellicose patriarchy, it is suggested that this is a regime losing its foothold, to be supplanted in the (relatively) near future with a more egalitarian cosmology.

The ancient Egyptians were quite aware of the phenomenon of precession well before it was “discovered” by Greek astronomer Hipparchus during the Hellenistic era. In fact, Plato recounts how the Egyptian priests of the 7th century BCE maintained that they had knowledge of multiple precessional cycles (each one comprising 24-26,000 years; i.e. the Great Year), and the concomitant periodic destruction of humanity through various celestial cataclysms – from which they were invariably saved due to their proximity to the Nile. This cycle is shown to have been recognized by ancient Hindu cosmologists, leading to their development of the concept of Yugas – wherein each Yuga represents a portion of the Great Year, with its own celestial characteristics that determine the relative level of spiritual advancement of humanity as a whole. This in part constitutes the so-called “Secret Doctrine” of Aeonic succession throughout the course of the Great Year.

The structural components of the celestial sphere are shown to be keys to unlocking much of the symbolism behind various esoteric constructs and symbols, such as the Kabbalistic Tree of Life, Yggdrasil, the Enneagram, the Great Seal, and the Porta Alchemica. These keys are then applied to the Major Arcana in a multifaceted approach that considers astromythology, equinoctial precession, and ancient modes of chronometry in the examination of trump attributions.

Previous systems are discussed, drawing from various historical sources, such as Arthur Waite, Aleister Crowley, A. E. Thierens, Eliphas Levi, and Antoine Court de Gebelin. The tradition of ascribing a Hebraic letter to each of the 22 trumps is also addressed, and a new system is proposed. This system interprets the threefold categorization of the Hebraic alphabet into the “3 mothers”, “7 doubles”, and “12 simples”, according to the celestial mechanism of precession.

The work of Gerald Massey is drawn from throughout the book. Massey was considered to be a self-initiate into the “Secret Doctrine” by H. P. Blavatsky, and Crowley listed him as one of the Chiefs of the “Argentium Astrum”. Much that is obscure in Crowley’s Tarot doctrine is clarified via reference to Massey’s extensive writings on the astromythology of the ancient Egyptians.

The book is illustrated with over 270 images consisting of tables, diagrams, and pictures. Also included is a thorough bibliography and index; references include over 680 footnotes. Total word count = 103,623 (402 pages).

Rosicrucian Chess of The Golden Dawn

Featured

Enochian Chess Series Vol. I
Steve Nichols

Khemetic Enochian ChessRosicrucian Chess of The Golden Dawn
Enochian Chess Series Vol.I
Steve Nichols
– over 200 illustrations many in colour.
ISBN: 978-1-906958-78-7
US$39.99 / UK£30.00

Click Here for Rosicrucian Chess of The Golden Dawn / USA & Elsewhere

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Buy the Enochian Chess set (all three books) for only £75.00 free postage / UK

Buy the Enochian Chess set (all three books) for only $100.00 free postage /USA (Elsewhere write for details)

This is the first in a trio of books that together form The Complete Enochian Chess. Enochian Chess in part comes from the Elizabethan system of Enochian Magic originated by the Court Astrologer, Dr John Dee. It was developed into its current form in Victorian times by SL MacGregor Mathers and William Wynn Westcott. This book includes a complete facsimile and commentary of Moina Mathers’s Alpha et Omega Enochian Chess papers together with a brief history of the game, notes on play and strategy, and instructions for Active divinatory methods utilised by this system. Notes and illustrations by Ithell Colquhoun (some previously unpublished) help explain this advanced and complete system of magick in its own right.

Originally it was only taught to Golden Dawn initiates who had risen to the rank of Zelator Adeptus Minor, and required a comprehensive knowledge of Tarot, Geomancy, Kabbalah, various magical formulae, the symbolism of the Candidate, the Ceremony of the Neophyte Grade, working knowledge of the art of Invocation and Banishing, Pentagram and Hexagram rituals, formation of Telesmatic Images, Sigils, and knowledge of the Enochian Tablets. Enochian Chess subsumes other Passive systems of divination such as tarot and astrology, and has powerful prophetic properties.

************************************************************************************************************
Steve Nichols’ fully featured Windows ENOCHIAN CHESS SOFTWARE for one to four players can be downloaded by using the coupon code instructions inside together with evidence of purchase. The PC software makes this advanced and complex game immediately playable.

THE ENOCHIAN CHESS SOFTWARE CAN BE DOWNLOADED FROM chaturanga.com

***********************************************************************************************************

Steve Nichols was the first to publish Enochian Chess sets in 1982 with support from Israel Regardie and others. Steve has given many demonstrations, readings and lectures about the game over the decades. This book includes new revelations about the Golden Dawn invention of Enochian Chess, with a particular spotlight on important Eastern occult sources previously hidden.

 

Devil’s Crown (SCS IV)

Featured

Key to The Mysteries of Robert Cochrane’s Craft
Shani Oates

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The Devil’s Crown
Key to The Mysteries of Robert Cochrane’s Craft
Shani Oates
Format: Hardback
ISBN: 978-1-906958-40-4
£25/US$35
Subjects: Traditional Witchcraft/Cochranian Craft/Witchcraft/Magic.

‘The Devil’s Crown’ is the accolade of genius, awarded to poets, and leaders of men who would speak in riddles and puns the wisdom of ages. Whether Scop or Skald, the words inspired by the Muse live on in vibrant tradition under the shining aureole of the Holy Fool. It is the arcane mark of the ‘other.’ This book illuminates some of that light, sharing insights to the precious mysteries of the Robert Cochrane Tradition. His letters and works now collated finally into a single volume – ‘The Star Crossed Serpent III: The Taper that Lights the Way,’ find further expression in this companion volume.’ (Shani Oates)

“If I call upon my ancestors, I call upon forces than are within myself and exterior…, now you know what I mean when I speak of the burden of Time. (Robert Cochrane)

“The tree carried by a man wearing a red cap is a symbol of many things coalescing into two parts of the True and only Faith.” (Robert Cochrane)


“The first part is the masculine mysteries – in which is enshrined the search for the Holy Graal – and is the basis of the Arthurian legends. This is the order of the Sun – the Clan of Tubal Cain. ….In the distant past, the male clan was lead by a woman who was their priestess and chieftain . This is the origin of the legend of Robin Hood ….. and the tradition was followed through into the middle Ages when the Plantagenet Kings were officers of the masculine aspect of the Faith (The name ‘Plantagenet’ means ‘The Devil’s -Clan’). The effect of the masculine mysteries upon the world can hardly be under emphasized ….Law-making….and craftsmen’s guilds……The masculine mysteries were the direct creators of modern civilization as we know it now.” (Robert Cochrane)

Drawing in Real Perspective

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Drawing in Real Perspective
A new approach to space with natural and immediate application
Xavier Bolot
Format: Softcover/244pp
ISBN: 8781906958770
£14.99/$22
Subjects: Art/Art History/Art Theory/Drawing/Painting.

In this book we learn how to draw using a natural technique that is amazingly efficient and simple. Real Perspective is a new approach to space as seen by our eyes.

Perspective is an integral part of drawing and painting. It is however poorly understood today. Our representation of perspective in western countries dates from the 17th century, enforced by an edict made by Louis XIV despot of France. It consisted of drawing receding straight lines starting from a vanishing point.

However, the ancient Greeks used specific curves. This heritage was not taken up during the Renaissance.

In an investigative atmosphere, this book unmasks beliefs we received on the Renaissance and our contemporary culture. We learn to believe what we see, using a natural technique that is amazingly efficient and simple.


We rediscover again the Greek knowledge, and the researches among others of Leonardo da Vinci, Henri Matisse and David Hockney.

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Underworld

Featured

Shamanism, Myth, Magick
Chris Allaun

underworld-big-titlelr

Underworld
Shamanism, Myth, Magick
Chris Allaun
Format: Softcover
ISBN: 978-1-906958-76-3
£15.00 / US $24.00


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– Synopsis –
The Underworld has always been thought of as a place of darkness and despair. Even today there are many misconceptions about what the Underworld is and what awaits inside. We will learn how different cultures around the world viewed the Underworld and the afterlife. Some cultures have there own unique perspective, but surprisingly, cultures that had no communications with each other form across the world had similarities. Can this be a coincidence? Most importantly, we will learn how to journey there in the astral and map this incredible world. But be careful! Along with its many wonders and beauty, there are things that lurk in the dark that myths throughout the ages have warned us about. But for the Shaman or witch, are these warnings to keep us away or teach us how to commune with these ancient spirits and creatures?

As we journey deeper into the Underworld, we will discover places where the long-forgotten dead will rekindle our spirit and teach us the ways of magick. They have been waiting for us and have much to say. We only have to sit and listen to the wisdom of ancient times. We will also discover places of healing and rejuvenation. Places where ancient hags guard magick wells and the waters of life and death spring from a source so old, no one remembers where it came from. Along with these wonderful and beautiful places, there are places most dark and dreadful, the Hellworlds. These are the areas of the Underworld that test your spirit and what you thought was reality. You may never be the same, but you will be transformed, renewed, and more powerful.

The Underworld is strange and wondrous and cannot be contained. Sometimes, those spirits of the dead will not be bound in such a place and stay in the world of the living. The poor lost spirits stay with us for a variety of reasons. You will learn why the spirits of the dead are still here and how to help them journey to a place of rest. You never know, a spirit of the dead may be right behind you…

”Chris Allaun’s book, Underworld: Shamanism, Myth, and Magick is truly a masterpiece. Chris has thoughtfully taken a huge subject and separated it into readable and manageable sections and chapters. He clarifies –What is the Underworld? Who resides in the Underworld? Where is the Underworld? and Why does it exist?” — all questions that have fascinated mankind since the beginning of time. And Mr. Allaun gives the reader exercises to deal with the dark side of the underworld, practical ways to cope with exploring one’s own fears and terrors, along with ways to help others. He also includes an extensive bibliography, something very useful. From psychologists to ceremonial magicians to spirit workers, to people just trying to navigate today’s complex world, Underworld creates a clear path full of information and help, to guide us through these often troubling times. I highly recommend this book!”
– Janet Barres

Cover art/design Amanda Manesis

Chris Allaun: Author, Teacher, Medicine Man

Pan’s Daughter

Featured

The Magical World of Rosaleen Norton
Revised and Greatly Expanded Edition
Nevill Drury

Pan’s Daughter
The Magical World of Rosaleen Norton
(Revised & Greatly Expanded Edition)
Nevill Drury
Format: Softcover/326 pp/48 illustrations.
ISBN: 978-1-906958-41-1
£22.99/US$32/AUD$36(+$8p&p)


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During the 1950s and early 1960s the Sydney-based trance-artist and Pan-worshipper, Rosaleen Norton, was well known in Australia as ‘the Witch of Kings Cross’ and was frequently portrayed in the tabloid press as an evil ‘devil-worshipping’ figure from the red-light district. Norton attracted attention from both the public at large and also the local police for engaging in bizarre pagan sex-rituals with her lover, the poet Gavin Greenlees. Details of these activities would surface from time to time in the local courts when Norton was defending her metaphysical beliefs and seeking to defuse claims that her magical paintings and drawings were obscene. Norton was also associated with the scandal that eventually engulfed the professional career of renowned musical conductor, Sir Eugene Goossens who had arrived in Australia in 1947 and became a member of Norton’s magical coven six years later.

Norton dedicated her magical practice to the Great God Pan and to a lesser extent Hecate, Lilith and Lucifer. She was also intrigued by the visionary potential of Kundalini yoga, out-of-the-body trance exploration and Aleister Crowley’s Thelemic sex magick and combined all of these elements in her ritual activities.

Pan’s Daughter is the only biography of Rosaleen Norton and provides the most detailed and authoritative account of her magical beliefs and practices. First published in Britain by Mandrake in 1993, it is now reissued in a revised and expanded edition.

“Brilliantly researched…outrageous and inspiring”
Fiona Horne, author of Witch – A Personal Journey and Witch – A Magickal Year


“A fascinating study. Drury’s understanding of the occult and spiritual realms makes Norton’s art and life comprehensible” Tom Thompson, Sydney Morning Herald

Dr Nevill Drury (1 October 1947 – 15 October 2013) is best known for his publications on modern Western magic, shamanism and visionary art. For many years he worked in the Australian book industry as an editor and art book publisher and in 2008 he received his Ph.D from the University of Newcastle for a dissertation on the art and magical belifes of Rosaleen Norton.

Star Crossed Serpent III

Featured

‘The Taper That Lights The Way’
(Robert Cochrane’s Letters Revealed)
Shani Oates

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The Star Crossed Serpent
Vol 3
The Taper that lights the way
(Robert Cochrane letters revealed)
Shani Oates
Format: Hardback/476pp.
ISBN: 978-1-906958-43-5
£25/US$32
Subjects: Cochranian Craft/Traditional Witchcraft/Magic.

“Those that speak of secret and secrecy, and not of discretion or wisdom, are those who have not discovered Truth.”

Subject to continual speculation and study, the enigmatic words of this erstwhile poet have touched the Craft, influencing all called to it, irrespective of their path or journeying. Such was his genius, such was his unique gift, ever the barb of fate, he was beyond his era. His legacy has enriched the tone of all seekers and all pilgrims who would cast aside the veil of illusion in favour of the ‘Real.’

For the first time, his own Clan are able to offer clarification on the mystery of his Faith through his evolving Craft, begun officially at the onset of the decade that witnessed his tragic death. Finally, through the gift of several early letters, now brought together with those already published, their message is consciously revealed. Under a carefully constructed chronology, this is ‘his’ story, unfurled through his words and works.

As the ‘Order of the Sun,’ his People of Goda, of the Clan of Tubal Cain, we continue to hold aloft his brave taper, that for the ‘Hound’ and ‘Pale Guiden,’ in the Great Hall of Caer Ochran, is ‘worth a light!’


Illumination of the ‘Cochrane Tradition,’ is our testament to the valour of mentors past and those yet to be.

Doors of Valhalla

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An Esoteric Interpretation of Norse Myth
Vincent Ongkowidjojo

 

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Doors of Valhalla
An Esoteric Interpretation of Norse Myth
Vincent Ongkowidjojo
Format: Softcover
ISBN: 978-1-906958-72-5
£15.00 / US $24.00
Subjects: Runes/Odinism/Northern Tradition.

In Doors of Valhalla, the author offers a comprehensive interpretation of Norse mythology based on contemporary esoteric ideas.

From the author’s introduction:
“In modern days, the Ageless Wisdom was first given out by Helena Petrovna Blavatsky and later by different writers such as Dion Fortune, Annie Besant, and Alice Bailey. It makes sense to relate what they have to say about the world of the soul to the myth and mystery of Ancient Scandinavia.”

From Maria Kvilhaug’s foreword:
“In his Doors of Valhalla, Vincent Ongkowidjojo makes an honest attempt to consider the worlds of Norse mythology as various planes of consciousness on the path towards spiritual enlightenment in the light of Theosophy and Vedic traditions.”

From David Parry’s afterword:
“His excellent book Doors of Valhalla: An Esoteric Interpretation of Norse Mythology demands our attention, while clearly setting fresh standards for this sort of scholarship.”

Freya Aswynn on the book:
“This is a book that will shake up the Heathen Community. … It fills a glaring hole in the Northern Mysteries and this will be most welcomed by those in Heathenry willing to explore the deeper mysteries behind the lore.”

As a long time student of Freya Aswynn, Vincent Ongkowidjojo helps run her School of Runes and Northern Mysteries. Vincent’s vision is rooted in Western and Eastern esoteric philosophies. He earlier published Secrets of Asgard and Runen in de Noordse traditie. Visit Vincent’s website for latest updates on talks, courses and workshops.

Surrealism & The Occult

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Surrealism & The Occult

Nadia Choucha
Format: Softcover/164 pp.
ISBN: 9781906958749
£15.00
Subjects: Art/Art History/Surrealism/Occult.

Click HERE for the UK edition

Many people associate Surrealism with politics, but it was also permeated by occult ideas, a fact often overlooked by art historians. This occult influence goes beyond general themes to the movement’s very heart.

This occult influence goes beyond general themes to the movement’s very heart. The antinomian stance of Surrealism can be traced directly to the influence of radical nineteenth century magi such as Eliphas Lévi, whose Dogma and Ritual of High Magic was widely read by Surrealism’s ideologues. Amongst these we find its progenitor André Breton.

The book shows how many Surrealists and their predecessors were steeped in magical ideas: Kandinsky, with his involvement with Theosophy, the sorcery of Salvador Dali; the alchemy of Pablo Picasso and the shamanism of Max Ernst and Leonora Carrington.

Surrealism did not establish itself in Britain until the 1930s but a select few felt something in the air. Almost ten years before the Surrealist experiments with automatic drawing, an obscure English artist, Austin Osman Spare had perfected the technique.

Nadia Choucha shows, convincingly, that occult and surrealist philosophies were often interchangeable. Surrealism and the Occult is seminal reading for art historians and occultists alike, while artists will find it a vital guide to the unlocking of the imagination.


Praise for Nadia Choucha’s Surrealism & the Occult
”Highly readable…seminal… fascinating” – Francis X. King
”alive, with the heady mixture of occult and pictorial symbolism treated with laudable lucidity.”- Art Book News

Ithell Colquhoun

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pioneer surrealist artist, occultist, writer and poet
(reprinted)
Eric Ratcliffe

cov9781869928988
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Ithell Colquhoun / UK / £30




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Ithell Colquhoun / USA / US$40




——————————————————————-
Ithell Colquhoun
pioneer surrealist artist, occultist, writer & poet
Eric Ratcliffe
Format: Softcover/312pp/90 illustrations (25 colour).
ISBN: ISBN 978-1869928-98-8
£30/US$40
Subjects: Art/Art History/Surrealism/Occult/Magick/Biography.


The skills of Ithell Colquhoun in her main practice, that of artist and pioneer in this country of surrealistic art, have been long recognised. Additionally, other interests – alchemy, Earth-magic, active occultism, poetry, druidism, the pre-Christian pagan calendar, the history and membership of the Golden Dawn – and writing of and involvement in these interests by book publication and in a widely scattered field of correspondence, have created a miscellany of truly gargantuan proportion.

Eric Ratcliffe considered it was time to get together some of these pieces, to add something of what is known of Colquhoun’s early life and family history and to take the opportunity of listing a comprehensive calendar of her work and exhibitions. The result is neither strictly biographical nor a treatise on any one subject, but it is a first gathering of the roots, passions and multi-directions of this artist. It is a patchwork containing many launch-pads for exploration of the magical and mythical atmosphere which this artist existed in and created. Here therefore is a contribution towards solving a jigsaw and a wind-catch of the minor cyclones of lthell’s dedicatory interests, also serving as a record of her accomplishments in the art field.

REVIEWS

‘The subtitle of this book is: ‘Pioneer Surrealist, Artist, Occultist, Writer and Poet’, this multifaceted description captures the essence of who and what Ithell Colquhoun was about. Her connection to Cornwall is through the book The Living Stones, published in 1957, which was an early contribution to discovering the power of the Cornish landscape, prehistory and tradition and folklore. Even today, it continues to inspire people with its love for the ancient land of Cornwall…Ratcliffe’s biography made me want to go back and re-read The Living Stones, and no better thing could be said of a book such as this.’- Cheryl Straffon, Editor in Meyn Mamvro – Ancient stones and sacred sites in Cornwall – www.meynmamvro.co.uk

‘The author gives an excellent account of Colquhoun’s artistic career, explaining why she has been so overlooked (she stuck to her principles against the authoritarian demands of the British surrealist clique and consequently was expelled). Ratcliffe places proper emphasis upon the artist’s magical activities. She was a member of the OTO, Order of the Pyramid and Sphinx, Order of Holy Wisdom, Ancient Celtic Church and the Druid Order.

Despite having had the good fortune to read many of Colquhoun’s magical papers I learnt a great deal from this very well informed work. There is excellent bibliographical information including listings of unpublished typescripts and also as comprehensive as possible listing of her paintings and drawings.’
Ithell Colquhoun by Eric Ratcliffe, Mandrake of Oxford.
Reviewed by Ben Fernee @ Caduceus Books

‘Ithell Colquhoun was a pioneer surrealist artist, poet, writer, pantheist and occultist. Descended from Devonian ancestry, she was of Anglo-Indian birth and received her education in England at the Cheltenham Ladies College and later at the Slade School of Art in London.

After the war she moved to Cornwall where she spent the rest of her life. While at the Slade she became involved in Theosophical circles and then attempted, without success, to join Moina Mathers’ Alpha and Omega Lodge of the Hermetic Order of the Golden Dawn and Dion Fortune’s Fraternity of the Inner Light.

However during the 1950s she belonged to various occult groups including Kenneth Grant’s Typhonian OTO and Nu-Isis Temple, Dr WB Crow’s Order of the Holy Wisdom and Order of the Keltic Cross, Tamara Bourkhoun’s Order of the Pyramid and the Sphinx, as well as the Druid Order, the Cornish and Breton Gorsedd, the Ancient Celtic Church, Co-Freemasonry and the Fellowship of Isis.


This biography is profusely illustrated with many of Colquhoun’s paintings and also includes some of her writings and poetry. It is a fascinating study of a unique multi-talented woman who during her creative life contributed a great deal to both the artistic and occult fields. Recommended.’
Ithell Colquhoun, by Eric Ratcliffe.
Reviewed by Mike Howard in The Cauldron, issue 129, August 2008

STARS AND STONES

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An Astro-Magical Lapidary
Peter Stockinger

Stars And Stones
An Astro-Magical Lapidary
Peter Stockinger
Format: Softcover/164 pp.
ISBN: 978-1-906958-73-2
£14.99/US$24

New revised edition

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Triple Peter Stockinger UK

Triple Peter Stockinger USA & Elsewhere

Unlock the hidden powers of crystals and gemstones.

For millennia, magicians and astrologers, familiar with celestial magic, knew that precious stones held an important key for the maintenance of health and wellbeing. During the Age of Reason this knowledge was lost. Now, nearly 400 years later drawing from ancient sources, Peter Stockinger’s astro-magical lapidary invites you to re-discover this long-lost knowledge and to learn how to utilise the magical and therapeutic powers of gems.

· Read the in-depth descriptions of 30 gemstones and crystals revealing their hidden lore, and discover their practical use from antiquity;

· Study real-life cases that demonstrate how to use the beneficial powers of crystals and gemstones;

· Learn how to find your perfect gem, create gemstone talismans and manufacture lucky fixed star rings.

The lapidary also contains a thorough introduction to the subject of traditional astrology, a therapeutic index and a detailed glossary.

Isis

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Isis, Goddess of Egypt & India
Mogg Morgan
ISBN: 978-1-906958-71-8,
£17.00/$26.00

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– A Temple of Isis in India –
On India’s, south-western or Malabar coast is situated an ancient Hindu temple which is these days devoted to the famous Hindu god Shiva and his consort the fearsome goddess Kali. This is Kurumbha-Bhagavathy Devi outside of the modern city of Cochin or Kochi in Kerala state.

Travel back in time and the temple housed other gods. Once it was the home of the Buddhist/Jaina goddess Pattini whose mortal husband was tried and killed in a series of brutal events still commemorated in the temple’s ritual year. Before this and the story gets even stranger, as there are said to be remains of a secret, underground shrine, the home to a mystery cult dedicated to the Egyptian goddess Isis.

At the time of Christ, there was indeed a Greco-Roman merchant colony based in this part of India. Greek, Roman & Near Eastern merchants travelled to India after a regular, if epic, sea journey of two thousand miles across the Arabian Ocean, making their first landfall at a port known in the ancient world as Musiris. Clues to the religious practices of these ancient traders is evident not just in the surviving architecture but in very many, sometimes unique features of the later cults, continuing into the modern-day.

Some of the best examples come from the rites of Pattini as once practised at Kurumba-Bhagavathy Devi. Experts have often identified the story of her husband’s death and resurrection, as something of the Near Eastern cult of Attis. But a more recent and credible theory is that the temple once hosted the mysteries of the cult of Isis, whose husband Osiris was also cruelly cut down but then resurrected by her magical prowess.

So without more ado let me tell the whole story from its beginnings on the banks of the Nile. The story of Isis and Osiris is the basis of Egypt’s most popular religion. In what follows I trace the origins of this to Egypt’s pyramid age in the middle of the second millennia BCE. Arguably it is even older. A great deal of this books is devoted to describing what is known about the cult of Isis and Osiris from Egyptian records. This, I shall argue, is the basis for what comes later in the timeline, when the world was dominated by the Greek and Roman Empires. Isis and Osiris became the focus of global religion and the basis of the most popular of all classical mystery cults. This is precisely the time at which a small, Near Eastern shrine was built in South-West India to service the needs of the merchant trading post. Mysteries of Isis were popular among all social classes in the ancient world, especially mariners.

In India, we have a building which could itself be thought of as storing the memory of influences from each new wave of belief. We can follow the progress and transformation of its changing occupants, as each absorbs some of the archaeological memory. Finally, we arrive at its current incarnation and the celebration of the Bharani festival, which marks the beginning of the hot summer before the coming of the Monsoon rains. Many non-orthodox rites will enliven the tale. The mysterious society of Atikals returns to their lost temple every year to conduct secret rites culminating in twelve hours of ‘Misrule’, during which hundreds of thousands of devotees appear from all over Kerala.

There are other devotees who carry sticks, which they swirl in their dancing; others brandish the sickle sword. Most of these pilgrims are non-Brahmin ritual specialists such as the Veliccappadu. Their name means “a channel who sheds light” for they are spirit mediums, men and women, followers of Kali who utter oracles when in trance. They dress in red and wear heavy anklets and bells.

In the final part of my story, I present a complete and ‘lost’ version of the most famous drama of all time, the celebrated myth of passion play of Isis and murdered husband Osiris, clearly recognizable even in its current idiom based as it is in South Asian ritual drama. The drama is reproduced in its entirety as it reveals many previously unknown aspects of one of the world’s oldest myths.

Isis: Goddess of Egypt & India (Extract)

The Polyverse

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The Polyverse
(Beneath The Pleasure Zones II)
Paul Green
Format: Softcover
ISBN: 978-1-906958-70-1
£9.99/US$14.00
Subjects: Fiction/Science-Fiction/Cyberpunk


Special Offer:

The Rupture & The Polyverse both for only £12.99 / UK

The Rupture & The Polyverse both for only $22.00 / USA / AUS


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In Beneath the Pleasure Zones 1 – The Rupture Paul Green created a dystopian world disrupted by the Qliphothic forces of chaos. Its sequel The Polyverse takes us deeper into the inscapes of a ravaged Britain, where the pagans of Leynebridge, the digerati of London and battling fundamentalist militias all struggle to control the flux of reality, under the overview of those sinister cyber-demons the Quantum Brothers.

In the midst of these upheavals, Lucas, poet and aspiring scribe of Thoth is still seeking Carla, his capricious sex-goddess, while Lombard the manic virtual reality tycoon undergoes a psycho-sexual metamorphosis that transforms his strategies of control. Ultimately things fall apart, on an apocalyptic scale, taking characters on journeys where everything they most love appears to be destroyed. Magicks work, but not as expected and signs in the sky can be deceptive. But from this maelstrom of horror, wonder and bleak farce, the possibility of Albion’s new beginning emerges.

Paul Green’s other work includes the novel The Qliphoth and the poetry collection The Gestaltbunker. His dramas, which have been broadcast on BBC Radio 3, CBC Radio, RTE Ireland and Resonance FM, have been collected in Babalon and Other Plays – the title piece being his evocation of occult rocket scientist Jack Parsons. Based in Hastings, he has performed at numerous esoteric and literary events. He is not to be confused with the esteemed psychic biker of the same name, whose fascinating book is also published by Mandrake. insert link here?


‘Good storytelling always leaves you wanting to know what comes next… Plus Green has a talent for some splendidly epigrammatic and surprising phraseology. The bizarre events become satires for our fears and desires and fantasies about where magic and science and social fragmentation might take us…’ (Peter Carroll on Beneath the Pleasure Zones – The Rupture)

Crowley

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A Beginners Guide
John S. Moore & John Patrick Higgins

Front coverLR

Crowley a beginners guide UK / £15.00

Crowley a beginners guide USA / US $22.00


Crowley, A Beginners Guide
John S. Moore & John Patrick Higgins
Format: Softcover/b/w Illustrated/154pp
ISBN: 978-1-906958-69-5
£15.00 /US $22.00
Subjects: Aleister Crowley/Thelema/Magick/Occult/Biography.

—–
“Do what thou wilt shall be the whole of the Law.”
Nearly seventy years after his death Aleister Crowley, the notorious Beast 666, is only just beginning to attract serious academic attention. Even so we would not expect to find him on any mainstream university courses; he is still too much associated with occultism. So, Crowley – A Beginners Guide is not your standard beginner’s guide.

“Let my servants be few & secret: they shall rule the many & the known.”
Readers may be surprised at the richness and complexity of his thought, as well as the extent of his influence. He needs background to be understood. Giving this opens fresh perspectives on much recent intellectual history.

Crowley – A Beginners Guide presents his main ideas in a straightforward and accessible format, with drawings and diagrams to place them in their historical context. It relates him to contemporary movements in art and scholarship. It describes his relationship to modernism and postmodernism, and his role in the counterculture of the sixties, as well as his continuing influence today. Interspersed are entertaining stories of his life and reputation.

Brilliantly illustrated by John Higgins, Crowley – A Beginners Guide, is a highly accessible guide to this fascinating, complex and controversial figure. It neither promotes nor condemns him, presenting hostile as well as favourable views of his character and achievement.

John S Moore is a freelance writer and independent scholar living in London. He is the author of Aleister Crowley: A Modern Master (Mandrake of Oxford, 2009) and Nietzsche – An Interpretation, (AuthorsOnline Ltd, 2011) and has written on Schopenhauer, Wittgenstein and Edward Bulwer-Lytton among others. More information at www.johnsmoore.co.uk

John Patrick Higgins is a writer and illustrator. He is the author of The Narwhal and Other Stories www.amazon.co.uk/Narwhal-other-stories-Patrick-Higgins ebook/dp/B007N6KJW8
He writes art criticism for various magazines and is Creative Director of Shot Glass Theatre Company www.culturenorthernireland.org/reviews/performing-arts/shot-glass. See also www.facebook.com
He lives in Belfast, which he continues to find extraordinary.

Read a review of Crowley A Beginners Guide from Magonia Review of Books pelicanist.blogspot.co.uk/2016/04/crowley-for-beginners.html

Crowley – A Beginners Guide (Look Inside)

P is For Prostitution

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An A-Z of a harsh life survived
Charlotte Rodgers
Illustrated by Ruth Ramsden

P is for Prostitution
An A to Z of a harsh life survived
Charlotte Rodgers
ISBN: 978-1-906958-26-8
£15.00 +P&P /US $24.00 +P&P

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‘The way to despair is to refuse to have any kind of experience…’
– Flannery O’Connor

P is for Prostitution is a primer unlike any you will have read before, the ABC approach far from simplistic. Through various episodes the author charts her own insights into addiction and the kind of existence that inevitably goes with this. Each letter marks a step on a journey into the lowest circles of hell in which the “author’s creativity and intellect is misdirected towards a chaotic, nihilistic and devastating existence” (reader’s foreword). There are moments of black comedy, sexual horror, and final, uneasy redemption in which the author reclaims the trajectory of her life.

“. . . the life you lived . . . represents the era you grew up in and the position of women in society and the rules they were expected to live by and the consequences of breaking these rules. Women are often regarded as objects, possessions and are expected to be submissive.” (Jane Hunt)

P is for Prostitution grew out of the author’s exploration of death and ancestral cults. It led her to acknowledge her own past, re-connecting and rescuing a catalogue of youthful dead or missing loved ones. “This was no surprise given the way we lived our lives at that time, but was no less saddening. Whilst the people concerned were not blood relatives, they were part of who I was and very much my family of choice in our shared inability or refusal to accept the terms of mainstream existence.”

“Daddy was an exclamation mark /
exploding on blank walls /
I was a biblioteque hero /
supporting Atlas’ balls /
Roller skating on Freudian slips /
Pussy footing through the fly leafings/
Of fellow social misfits.”

———————-
“Charlotte Rodgers was born in New Zealand.

Her mother was a war baby, abandoned at the Home of Compassion in Wellington and later adopted by a middle class couple with strong Catholic sensibilities and a desire to do good and moral things; a desire that didn’t encompass compassionate and kind child rearing.

Charlotte’s father was Scottish and from a coal mining family, he escaped this background through self education and by joining the merchant navy, and whilst on leave in New Zealand he met and married Charlotte’s mother.

Charlotte was brought up by two creative, intelligent and unstable individuals whose backgrounds created unhappiness and various manifestations of addictive and compulsive behaviours.

The family constantly moved house, the mother was addicted to a huge amount of pills, the father would regularly ‘run away from home’ and there were many times the only stability in Charlotte’s life was when she was sent to live with her grandmother who was rigidly and violently Catholic.

Charlotte was a shy frightened and introverted child and puberty hit her like the proverbial ton of bricks. At age 15 she made several suicide attempts and was put into psychiatric care to be treated for bulimia, a condition that would stay with her for many years.

She also developed addictions to alcohol and drugs, including heroin, and necessarily worked as a prostitute to fund the habit whilst living a peripheral existence travelling through Australia, Asia and Europe, before settling in England.


After 19 years as an active addict (15 of them as an IV user) she cleaned up with the help of various institutions and agencies, and eventually was able to take the risk to go back to what she always wanted to do; creating art and writing.”

Charlotte is author and editor of The Bloody Sacrifice and
co-editor of The Contemporary Western Book of The Dead, both published by Mandrake.

——————-

Illustrated by Ruth Ramsden

——————–

Daddy was an exclamation mark, exploding on blank walls,
I was a biblioteque hero, supporting Atlas’ balls,
Rolling skating on Freudian slips,
Pussy footing through the fly leafings
Of fellow social misfits.

Well read, intellectually fed neurosis,
Genetically perfected psychosis
Penis Envy
Poison Ivy
Piss and Raving.
Something in the woodshed gave you a fright,
Rumplestiltskin will tell you anytime
Its prick is worse than its bite.

Go-go virgins in discotheque cages
Venus in politically unsound furs
Lectures on the latest psychoanalytical magus
Romulus Remus Oedipus
Sucking dugs like common curs.

Psychoanalyse, disembowel and theorise,
Penis Envy Poison Ivy
Something in the woodshed gave you a fright,
Rumplestiltskin will tell you anytime,
Its prick is worse than its bite.

C.Rodgers 1985

Vowels, Consonants and Other Building Blocks: An Introduction
Several years of exploring and writing about death and cults of the ancestors have led to my putting this, more personal book together. As I looked at how necessary acknowledgement of the past can be to solidify the sense of self, both as an individual and a member of a community; flashes of my own, personal history came back to me. I started to re connect with this and found a catalogue of youthful dead and missing loved ones. This was no surprise to me given the way that we lived our lives at that time, but was no less saddening. Whilst the people concerned were not blood relatives, they were part of who I was at that time. They were very much my family of choice in our shared inability or refusal to accept the terms that mainstream existence at that time offered. I decided to reclaim this time and a lost part of myself, by going back and recording some of my rather erratic recollections.

Initially I was worried that writing this could be self-indulgence or an exercise in personal exploration and poor man’s psychoanalysis that shouldn’t be put out to a wider audience.

However the times and places I lived in, and the way I experienced them, hold things which I believe are core to many who struggle to find their place in this strange world.

Putting such a chaotic mass of events into order could have proved an impossibility until it became apparent to me that my early years were very much about finding a set of rules to live by, thus the subtitle, ‘A Modern Primer’.

Using the alphabet to give order to these memories was a continuation of the primer concept and works well for me. My life was not lived in a straight line and my rather scrappy memory would have rebelled against too linear a form of organisation.

The time span this book encompasses is the 1970s to the 1990s and the backdrop moves between Hong Kong, Australia, London and New Zealand.

This was a time when digital watches were rare and expensive things; China was hard line communist and undeveloped; the Internet was unheard of and there was still a wall dividing Berlin. Graphic novels were on the ascent; only the super-rich had credit cards, and AIDS was just a whisper that could kill in its utterance.

When I was diagnosed with bulimia it was a relatively unknown condition that the medical establishment were unsure how to approach.

I cleaned up as crack was just starting to make its presence known and I was already seeing changes it had made in the junkie community.

Drug using rapidly became even more associated with violence, users burned out much more quickly, if they survived.

When I stopped using drugs I was 30 and considered relatively young in the ‘recovery’ community, but 18 years later I see women burned out by the time they are 15 or 16.

I was one of the first waves of people to go into drug and alcohol rehab, and sad to say the women’s only treatment centre I was in, due to lack of funding, no longer exists.

However the core of the experiences in this book isn’t era specific but is more about one individual’s rather rocky road through her early years.

One thing that I feel I should add.

Readers may find my tone to be detached and even perceive a certain lack of emotion. I was and still am an internalised person, something that may have led to some of my problems over the years.

I look at old photographs of myself and I see a lovely looking girl who seemed locked in her own world. Eventually I couldn’t stay in that private place anymore, despite ever increasing amounts of emotion suppressing drugs. When I left rehab I had a graduation of sorts, a ceremony where I was presented with a butterfly brooch. As I was given my pin, Sister Rosemary who ran the home said that when I arrived at the facility I was like the survivor of a serious car crash; locked in trauma.

Walking away from my car crash life, with its explorations, adventures, and ever increasing horror was when I really started to live.

It was a very different world then, but in many respects, the way we all live and develop has not changed at all.

crogers2

Reader’s Comment
‘P is for Prostitution’ is a personal memoir, which explores episodes and experiences from Charlotte Rodgers’ difficult chaotic life, through her childhood and into early adulthood. At times this book made me feel incredibly sad and much of it was alien to my own comfortable, relatively trouble-free youth. However, her story captivated me and I found myself wanting to find out more about the girl being described. Also, as a woman who grew up during the same decades, I recognized the underlying misogyny of the era and the rules that women were expected to observe. Both Charlotte and her mother suffered in different ways because they were unable to live within narrow definitions of womanhood.

The Primer structure works particularly well and gives the impression of bringing order to a fragmented and chaotic existence. It comments on the nature of individual memory that is not linear and makes connections between disparate incidents and episodes. This form enables the reader to think for herself and reflect on how Charlotte’s childhood and formative experiences affect her situation as she grows up.

Throughout P is for Prostitution, despite the chaos of a life dominated by addictions and illnesses, Charlotte remains a creative and intellectually curious person. Her attraction to similar damaged anarchic souls both as friends and lovers can be seen at various points in her book. Near the end she refers to ‘the person from Porlock’, a debt collector who interrupted Coleridge whilst he was writing Kubla Khan. Charlotte writes, “I feel as if I too had a debt collector knocking on the door of my life, and breaking and permanently redirecting my concentration.” The book conveys a real sense that Charlotte’s creativity and intellect was somehow misdirected at a young age towards a nihilistic and savage existence. It also traces the constant, durable thread of spirituality in her life. This is fascinating given her early encounters with Catholicism.

The book powerfully communicates the devastating effect of physical and mental abuse on Charlotte’s whole family. The suffering her parents endured as children impacts on Charlotte’s life and leads to a lack of stability and security when she is growing up. Charlotte too is terrorized as a child whilst under the ‘care’ of her Grandmother. The sexual repression, religious fanaticism and cruelty that lie behind this abuse are horrifying. Children’s lack of power and the lasting consequences of adult neglect and brutality are recurrent themes.

The reader is able to observe how Charlotte’s eating disorders are caused by a desire to gain some control and how the perception that thinness equals happiness and acceptance actually appears to have almost the opposite effect. This is something that all women can relate to at some level. The book also gave me an insight into addiction and the kind of existence that inevitably goes with it. Her experiences are distinctive but they do reflect the times she lived in and the alternative lifestyle that seemed to be offered by the world of drugs and music. The attraction of losing control and finding a different reality is explored. However, the destructive power of addiction ultimately makes life unbearable.

Charlotte’s discussion of sex in P is for Prostitution is thought-provoking and brave. Her unconventional attitudes and approach made me think hard about the way women are condemned and vilified for sexual transgressions. Moreover, it made me consider how women and children are so often the victims of abuse and the hypocrisy that existed about this when we were growing up and still does to a large extent. Women who transgressed the sexual norms or accepted codes of behaviour were seen as to blame for the abuse they suffered, rather than as victims.

Fundamentally, this is a fascinating articulate and engrossing book. It describes experiences and feelings with which many people, especially women, will identify. I think people will enjoy Charlotte’s honesty and will want to read on and find out how she manages to get through and eventually change her life permanently. Charlotte takes you into divergent worlds, often frighteningly disordered; but the creative, compassionate and intelligent woman that she is today, is always there despite the destructive forces in her early life.

Jane Hunt
Librarian
Somerset
*************************************************************************

Shape-Shifters & Their Stories

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The Golem; Lilith; Werewolf; The Dybbuk; Silkie; and more
Michael Berman

9781906958664b

Shape-Shifters & Their Stories
Michael Berman
Format: Softcover/192 pp, 24 fascinating Illustrations.
ISBN: 978-1-906958-66-4
£15.00 / US$24.00
Subjects: Folklore//Myths & Magic/Fairy Tales/Shamanism/Spirituality.

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“Long ago the trees thought they were really people
Long ago the mountains thought they were really people
Long ago the animals thought they were really people
Someday, they will say
Long ago the humans thought they were really people”

Constance O’Day-Flannery, Shifting Love

Introduction
Shape-shifting is a common theme in mythology, folklore, and fairy tales. In its broadest sense, shape-shifting occurs when a being (usually human) either (1) has the ability to change its shape into that of another person, creature, or other entity or (2) finds its shape involuntarily changed by someone else. If the shape change is voluntary, its cause may be an act of will, a magic word or magic words, a potion, or a magic object. If the change is involuntary, its cause may be a curse or spell, a wizard’s or magician’s or fairy’s help, a deity’s will, a temporal change such as a full Moon or nightfall, love, or death. The transformation may or may not be purposeful.

The desire to be different in some way so as to match some ideal promoted through advertising has become an obsession, especially for vulnerable younger members of society. Perhaps the pressure to conform to some unrealistic ideal is something that has always been with us, but surely not to the extent that now is the case. And it is this desire that helps to account for the current interest in shape-shifting as it would seem to provide a means of achieving the goal to bring about change. However, as many of the tales in this collection show, it is only by coming to terms with who we really are that peace of mind can truly be ours once again.


Cover artwork by Kala Trobe
kalatrobe.com

Shape-shifter

Mind-Sprung

Featured

AD Harvey
(Crime Fiction)

978-1-906958-67-1b

Mind-Sprung
AD Harvey
Format: Softcover
ISBN: 978-1-906958-67-1
£10/US$16
Subjects: Crime Fiction/Entheogens/Counterculture.

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US & Row





An A-Level drop-out graduates from evicting immigrants during the heyday of the inner-city slum landlords during the 1960s to stripping redundant churches during the early 1970s, before moving to northern Sweden equipped only with the proceeds of selling stolen property and some hashish. He finds new sources of hashish even in Sweden but eventually the money runs out, and he returns to London: only to discover it is even worse than when he left.


Eric Naiman, a Professor of Russian and Comparative Literature at Berkeley, in a six-page attack on A.D.Harvey’s multitudinous literary crimes in THE TIMES LITERARY SUPPLEMENT in 2013, described Harvey’s account of drug-taking and other shenanigans in London and the Swedish Arctic as “unreadable”, but perhaps that was because he hadn’t actually read it. Another of A.D.Harvey’s novels, WARRIORS OF THE RAINBOW was described by THE GUARDIAN as “weirdly compelling” and by THE INDEPENDENT as “free-flowing and poetic….unforgettable.”

Secret Gospel of Mark

Featured

Morton Smith, Clement of Alexandria
and four decades of academic burlesque
Robert Conner

The Secret Gospel of Mark
Morton Smith, Clement of Alexandria
and four decades of academic burlesque
Robert Conner
Format: Softcover/160 pp.
ISBN: 978-1-906958-68-8
£15.00+p&p / US $24.00+p&p
Subjects: Religious Studies/Spirituality

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While cataloguing material in the library of the monastery of Mar Saba in 1958, Morton Smith discovered a quotation from a letter of Clement of Alexandria copied in the end pages of a 17th-century collection of the letters of Ignatius. After more than a decade of a collaborative analysis of the find, Smith published his conclusions in 1973, setting off a firestorm of controversy in the New Testament studies guild.

In 1975, a Jesuit scholar, Quentin Quesnell, claimed the letter had been forged and implied that Smith was the forger, moving the focus of debate off the text itself and onto Smith. Since then the pages containing the letter have been removed from the book and possibly destroyed, while Catholic and evangelical writers, none of whom have ever seen the pages in question, continue to claim that Smith forged the letter.

Following his death in 1991, accusations against Smith took on a considerably more personal tone, highlighting his alleged homosexuality and by implication his dishonesty and moral perversity. Although the question of authenticity remains unresolved, the controversy has opened a window on the intellectually corrupt nature of apologetic New Testament studies, a subject of greater importance than the authenticity of early Christian texts.

 

The Dionysian Spirit

Featured

Sean Fitton


The Dionysian Spirit
Sean Fitton
Format: Softcover
ISBN: 978-1-906958-65-7
£15.00 / US$24.00
Subjects: Ancient Greece/
Greek Mysteries/Myths/Magic/Paganism/Spirituality.

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Dionysos is an obscure Greek god of wine and theatre for many people. For others, he is so much more.

The Dionysian Spirit examines the essence of what Dionysos is all about, both as a deity and as a cultural and social force. It looks at the relation of Dionysos with his opposite number Apollo. The twin gifts of Apollo and Dionysos are ekstasis (ecstasy) and entheos (enthusiasm) and have informed and enlivened our lives and cultures from ancient times right to the present day and beyond.

The Dionysian Spirit – like the art of a good party – has always been with us and now, in many ways, we need it more than ever.


Contents: Devotional to Dionysos / The Visualisation / The Myths of Dionysos / Dionysian Heroes / Dionysos Around the World / Dionysos Across The Millenium / Dionysos Goes Forth

William Lilly: Magician, Astrologer & Adept

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William Lilly,
Magician, Astrologer & Adept 
Peter Stockinger & Sue Ward

Foreword by David Conway

Format: Softcover, 252pp
ISBN: 978-1-906958-62-6


£14.99+p&p / US$26.00+p&p

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Born less than a year before the death of Queen Elizabeth I in 1603, William Lilly lived during one of the most turbulent times in English history. Like so many of his generation, he had to deal with the plague, was drawn into the madness of the English Civil War and was forced to take sides, and witnessed the regicide of King Charles I. Lilly lived in a time of enormous religious and social upheaval, but his astrology remained the outer expression of a magical world-view, based on hermetic and neo-Platonic principles and rooted in the 16th century.

This book provides the reader with a thorough introduction to the world of William Lilly, the famous 17th century astrologer and magician. It brings together transcripts of his autobiography and of some of his most important works. It also includes Peter Stockinger and Sue Ward’s Monster of Ingratitude, an investigative journey offering new insights into the notorious contention between Lilly and the astrologer John Gadbury. Amongst other valuable information, the book contains:

* The Life of William Lilly, Student in Astrology

* Monster of Ingratitude
This research contains brief biographies of Lilly and Gadbury. It shows how their enmity began, developed and ended, including details of the rather one-sided pamphlet war. An in-depth study of published material, timelines and bibliographic entries of all primary sources used are also included and provide the grounds for a different explanation from that commonly proposed.

”The Last Magician is a very worthwhile work. Although some parts are hard going for the non-specialist, others are of value to anyone with an interest in Enlightenment esotericism and seventeenth-century English history in general. — Clive Prince.”

The Magical Universe of William S. Burroughs

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The Magical Universe of William S. Burroughs
Matthew Levi Stevens
Format: Softcover
ISBN: 978-1-906958-64-0
£15.00 / US$24.00
Subjects: Counter-Culture/Magic/Occult/Biography/American Underground.

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“In the magical universe there are no coincidences and there are no accidents. Nothing happens unless someone wills it to happen. The dogma of science is that the will cannot possibly affect external forces, and I think that’s just ridiculous. It’s as bad as the church. My viewpoint is the exact contrary of the scientific viewpoint. I believe that if you run into somebody in the street it’s for a reason. Among primitive people they say that if someone was bitten by a snake he was murdered. I believe that.”
– William S. Burroughs

Fully revised and expanded from the limited edition chapbook that first appeared in 2012, The Magical Universe of William S. Burroughs is the first ever in-depth consideration of the significance of Magic and the Occult in the Life & Work of the writer and counter-cultural icon.

In Literary Outlaw: The Life and Times of William S. Burroughs, his biographer Ted Morgan wrote:

‘As the single most important thing about Graham Greene was his viewpoint as a lapsed Catholic, the single most important thing about Burroughs was his belief in the magical universe. The same impulse that lead him to put out curses was, as he saw it, the source of his writing…’

‘To Burroughs behind everyday reality there was the reality of the spirit world, of psychic visitations, of curses, of possession and phantom beings…’

From the Introduction to The Magical Universe of William S. Burroughs:

In talking about The Magical Universe of William S. Burroughs I am really thinking of two things:

Firstly, and probably most obvious, is the material that appears in the output of Burroughs the Writer that can be seen as describing or referring to some magical, mystical or occult idea – Invocations of Elder Gods of Abominations, descriptions of Sex-Magick rituals, references to amulets, charms, ghosts, omens and spells – all the thematic set-dressing that we all know and love, from Hammer Horror Movies to Weird Tales, from H. P. Lovecraft to Dennis Wheatley and The X-Files…

Secondly, there is the personal interest and involvement of Burroughs the Man with belief systems and practices that come from those strange ‘Other’ territories that lay outside the bounds of either conventional mainstream religion or scientific materialism – explorations of L. Ron Hubbard’s Scientology, Konstanin Raudive’s Electronic Voice Phenomena, Wilhelm Reich’s Orgone Accumulator; also partaking of the Vine-of-the-Soul with Amazonian shamans, attending the Rites of Pan in the Rif Mountains outside Morocco, participating in a Sweat-Lodge with Native American Indian medicine men – and, latterly, an engagement with that most Post-Modern of Occultisms, Chaos Magic.

The material considered has been distilled from archival sources, correspondence, interviews, and of course, published works. As well as his own personal contact with Burroughs and his lifelong study of the Man and his Work, the author also draws from a wide range of former associates – collaborators, friends, lovers, and students – including C. J. Bradbury Robinson, Michael Butterworth, David Conway, Phil Hine, Graham Masterton, Malcolm Mc Neill, and others.

As well as his own contact with the likes of Genesis P-Orridge, John Balance & Peter Christopherson of Coil, and writer Terry Wilson, back in 1980s London, he has also had unprecedented access to the papers of Cabell McLean, a young writer who was William’s companion, lover & student, c.1976-1983.

Sometime in the nineteen-seventies, following a reprint of my book, Magic: An Occult Primer, a letter was forwarded to me by my then publisher. Poorly typed and in an envelope which, unless my memory deceives me, bore no postage stamp, it came from William S. Burroughs. I still have it somewhere. In it the writer made plain his interest in magic. In real magic that is, not the smoke and mirrors kind.

Given that Burroughs’ tireless ambition was to encounter a reality beyond that accessible to our five senses, with magic perceived as an effective means to that end, it is remarkable that the subject has hitherto received but scant attention.

This work, by Matthew Levi Stevens, who must have encountered Burroughs at around the time he wrote to me, sets out to make up for that deficit. In it he chronicles the man’s interest and examines the part magic and occultism generally played both in his life and in his work.

Stevens sets about the task with gusto, indicative of his respect and, indeed, affection for “Uncle Bill”, as well as his familiarity with the topic itself. He draws on Burroughs’ own writings, and on those of the growing number of people, supporters and critics alike, who have commented on him and his literary output.

It is a job well done. And one that is all the more welcome because long overdue . . .

– David Conway, 2014.

Seidways

Featured

Shaking, Swaying and Serpent Mysteries
(was Techniques of Obsession)
Jan Fries

1869928369


Shaking, Swaying & Serpent Mysteries
Jan Fries
Format: Softcover
ISBN: 1869928369
£14.99/US$24
Subjects: Northern Tradition/Odinism/Runes/Shamanism.

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Seidways
From the author of Helrunar – manual of rune magick and Visual Magick, a handbook of freestyle shamanism, come the definative study of magical trance and possession techniques. The author is inspired by the Nordic tradition of Seidr, said to have been taught to the human race by Odin. The book provides an extensive survey of the manifestation of this powerful technique through several related magical traditions – shamanisn, mesmerism, draconian cults and the nightside of European paganism.

Seething is probably the most useful magical technique I have ever learned. I first was taken by the pleasure of it. My body felt warm and sensual, and seething in the hips felt quite sexual. I liked the feeling of my body taking over where the shaking was first voluntary – but I could still have some control, making the shaking stronger or more subtle. After a while I started to see visions – something that very rarely happens to me. I could see (with my physical eyes, not astrally!) the surface of the land in the centre of the circle rippling, like waves of energy. It was a really moving experience in a site that – until then – had not been particularly ‘special’ to me… it ..has had a major impact upon my magical work which used to be largely indoors, as at last I have found a way that I can work outdoors. This gives my magical work a potency that it simply didn’t have before. – Shantidevi quoted in chapter twelve ‘Rhythms and the Mind’

Reviews:

-‘Very highly recommended’ – The Cauldron

‘Jan Fries shows himself to be one of the most innovative and creative of contemporary magical authors. This is the best book on practical magick that I have seen for some time… an extremely useful body of techniques which any practically-minded magician will be able to use. Beautifully illustrated…Mandrake should be applauded for producing yet another fine book of modern magical practice and thought. Buy it, you won’t be disappointed!’
– Phil Hine in Chaos International 22


‘The text is always interesting to read no matter where you start from. With such a broad spectrum of content, Seidways is suited to anyone studying shamanism for the first time, and wants to avoid a pile of new-age crap. It’s also a great all-rounder for anyone with a general interest in European mythology. Seidways will become one of the more thumbed books in my collection, and I am sure the collection of anyone else who buys it.’
– Sant reviewing in White Dragon

Craft of the Untamed

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An inspired vision of Traditional Witchcraft
Nicholaj de Mattos Frisvold

Untitled2

 

 


Craft of The Untamed
An inspired vision of Traditional Witchcraft
Nicholaj de Mattos Frisvold
Format: Softcover
ISBN: 978-1-906958-11-4
£14.99/US$24
Hardcover: £25/$35
Subjects: Craft/Traditional Witchcraft.

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The Craft of the Untamed sets out to present the main pillars of traditional witchcraft. Its premise is that a proper tradition is defined as a timeless unity. Outwardly the tradition bears a great diversity across different lands and spirit. Traditional witchcraft is found in various sodalities and groups across the world. Even so it is possible to discern several harmonious, shared themes. These themes are the land, the crossroads, death, night and the mountain of Venus. It is witchcraft where a human and angelic blood mingles to form a special pedigree that has shaped the archetypical image of the witch.

Traditional witchcraft is largely a peasant craft. These “black arts” are works of the earth and the black soil with all its mystery of death, growth and change. This book aims to present the craft free for needless obscuration. I have endeavored to reveal the richness of the tradition as it flows down through time and geographical space.

The reader will come to appreciate and understand the wise arts both infernal and celestial; the powers wielded by the denizens of the night will be accessible; and you will come to value them for their beauty and power.

Contents: Foreword by Shani Oates/Introduction//At the Crossroads of the Worlds/Solomonic Magick//The Blood of the Living Bones/Within the Mountain of Dame Venus/The Vinculum of Eros/The Art of Timeless Tradition/Within the Veil of Night/Against the Current.

 

 

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Magic in Christianity

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From Jesus to Gnosticism
Robert Conner

Magic in Christianity
From Jesus to Gnosticism
Robert Conner
Format: Softcover
ISBN: 978-1-906958-61-9
£15.00+p&p / US$25+p&p
Subjects: Religious Studies/Gnosticism/Magic.

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The world of Jesus and the early Christians swarmed with prophets and exorcists, holy men and healers, who invoked angels and demons, gods and ghosts. Magic in Christianity: From Jesus to the Gnostics explores that world through the surviving texts of the first Christians and their pagan and Jewish contemporaries.

Ecstatic spirit possession, handing opponents over to Satan, sending demons into swine, striking others dead on the spot by pronouncing curses, using articles of clothing and parts of corpses to perform magical healing and exorcism, invoking ghosts and angels for protection—these are all ancient Christian practices described in the New Testament, explained in detail by early Christian writers, and preserved by Christian amulets.

Pagans and Jews accused Jesus and his followers of practicing magic and Christians accused one another of sorcery. Both pagan and early orthodox writers describe the rituals of the gnostic sects in detail, including the magical passwords required to cross through the gates of the lower heavens.

Magic in Christianity: From Jesus to the Gnostics examines evidence from the New Testament, the first Christian apologists, early apocryphal works, curse tablets and amulets to reconstruct the apocalyptic magical world of Jesus and the first Christians.

“a compelling and striking exemplar of why independent scholarship is such an important facet of the academic studies…Recommended.”
– Dale Evans, Ph.D., review of Jesus the Sorcerer, Journal for the Academic Study of Magic.

“a fascinating and thought provoking read…one of the most learned works I have had the opportunity to read in this genre.”
– Eric W. Northway, Ph.D., review of Magic in the New Testament, The Pomegranate: The International Journal of Pagan Studies.

 

A German Stargazer’s Book of Astrology

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Astronomia Teutsch Astronomei 1545
Peter Stockinger
(Translator & Editor)
Sue Ward (Foreword)

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A German Stargazer’s Book of Astrology
Peter Stockinger
Foreword by Sue Ward
Format: Softcover/242 pp.
ISBN: 9781906958596
£14.99/US$22
Subjects: Astrology

A German Stargazer’s Book on Astrology is the first English translation of Astronomia Teutsch Astronomei, published in 1545 in Frankfurt am Main. The original work was one of the earliest astrological textbooks in the vernacular, predating William Lilly’s famous English primer Christian Astrology by over a decade. With this translation, Peter Stockinger offers the English reader an exciting insight into the working methods of a 16th century astrologer living on the cusp of the Late Medieval and Early Modern periods. The book contains a detailed introduction by the translator, providing valuable background information and historical context, and is comprehensively annotated throughout.

The translation contains, amongst many others, the following chapters:

· Of the Twelve Signs their Stars and Effects
· Of Pictures of the Heavenly Bodies (Constellations)
· Of the Fixed Stars and their Qualities
· Of the Seven Planets
· Of Eclipses and Comets (Mundane astrology)
· Of the Four Seasons (Weather astrology)
· Claudius Ptolemy’s Perpetual Calendar

 

Elmer Crowley

Featured

A Katabasic Nekyia
Tom Bradley
(illustrated by David Aronson & Nick Patterson)

Elmer Crowley / USA & AUS / $22.00

Elmer Crowley / UK / £15.00


Elmer Crowley
A Katabasic Nekyia
Tom Bradley, David Aronson, Nick Patterson.
Format: Softcover/132 pp – illustrated – many in colour.
ISBN: 978-1-906958-55-8
US $22.00 / UK £15.00
Subjects: Aleister Crowley & Thelema/picaresque graphic novel.

Bless me,
curse me.
For better or worse, my fallopian fall into matter. . .

After making careful preparations to ensure himself a proper reincarnation,
the dying ALEISTER CROWLEY flubs one syllable of the magickal incantation . . .
and comes back as ELMER FUDD.

———————–

– Back story on this publication –

David Aronson has become ill, and is unable to complete the illustrations for ELMER CROWLEY. But the good news is that the great Nick Patterson has agreed to step in. Nick collaborated with Tom Bradley on a couple of books, including FAMILY ROMANCE (Jaded Ibis Press)–

www.thedrillpress.com/sad/2012-08-01/sad-2012-08-01-romance-tbradley-01.shtml

Just by coincidence, this happens to work out perfectly.
After making careful preparations to ensure himself a proper reincarnation, the dying Aleister Crowley flubs one syllable of the magickal incantation…and comes back as Elmer Fudd.

The pictures David Aronson did before getting sick are black and white. They take Crowley from his death, through his judgement in the Hall of the Divine Kings, and stop just as he is being sucked into Looney Tunes Land.

At that point, Nick Patterson takes over, and the color is switched on. It’s like the old movie, when Dorothy gets out of Kansas and arrives in Oz. The different style of pictures announces the big change in scene.

—-

– Praise for Elmer Crowley: a katabasic nekyia

Reading Elmer Crowley is like reading Crowley’s inner dialogue at 3am, after an intensive journey into his own inner abyss. It is, therefore, a magickal working that Crowley himself would be proud of.
– Gwendolyn von Taunton, author of Northern Traditions

Of Aleister Crowley’s many fictionalizations, this novel gets best into his head. Erudite, prideful, lascivious, funniest man of his time, and the mightiest spiritual spelunker–he speaks and shouts from these pages as clearly as he did in his Autohagiography, which is paradoxical, given the irreal setting.
– Barry Katz, HTMLGIANT

This book…captures the feel of Crowley with his bawdy, politically incorrect irreverence, his arrogance and his committed magickal spirituality and awareness.
– Charlotte Rogers, author of P is for Prostitute

The voice is dead perfect…I can’t imagine a hip Thelemite NOT having this book in her library.
– Don Webb, author of Through Dark Angles, former High Priest, Temple of Set

This self-described “picaresque graphic novel” reads like an account of Crowley’s death-bed fever dream or an afterlife bardo journey gone terribly wrong, wherein the fifty-eight Wrathful Deities take on the aspect of warped and sinister versions of Looney Toons archetypes…. the result reads like a trippy, post-mortem, long-lost epilogue to The Confessions.
– Richard Kaczynski, author of Perdurbo: The Life of Aleister Crowley

Beneath the Pleasure Zones

Featured

Beneath The Pleasure Zones
The Rupture
Paul Green
Format: Softcover
ISBN: 978-1-906958-58-9 (ebook 978-1-906958-51-0)
£8.99/US$12.99
Subjects: Fiction/Science-Fiction/Cyberpunk.


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In The Rupture, an oligarch builds a cybernetic virtual reality complex on an ancient site in the middle of a rural neo-pagan community of warlocks, who are also besieged by fundamentalist militias. As a consequence, in The Polyverse the Lobe (aka the internet) generates its own demonic entities, the prankster Quantum Brothers, who create further ordeals for Lucas and the two women in his life Viv and Carla. Theres apocalyptic destruction but also a glimmer of hope…

When Lucas Beardsley blundered into the Qliphothic Forces of the Polyverse, Britain’s reality-consensus was drastically disrupted. Everyday causality was never quite the same again…

Now Londoners escape into the virtual-reality thrills of Pleasure Centres plc, while Borderland villages embrace an eclectic neo-paganism. Meanwhile Fundamentalist militias – Mo-Boys and Heavy Shepherds – battle for overall control.

In the Borderlands, Lucas works desperate magicks to win back his ex-lover Carla. In London traumatised computer wizard Dr Crowe seeks work with Pleasure Centres. For Lombard, CEO of Pleasure Centres, has a manic plan to restore the status quo by using Crowe’s cyber-skills to manipulate the ancient forces of the Borderlands.

‘A profound knowledge of the byways of pagan and magical thinking is integrated with an awareness both of current political trends and new technologies.’
– Tim Pendry

This first volume of Paul Green’s new fiction sequence ends with a bizarre and terrifying climax that defines the world of the sequel –

– BENEATH THE PLEASURE ZONES –THE POLYVERSE

Paul Green’s other work includes the novel The Qliphoth and the poetry collection The Gestaltbunker. His dramas, which have been broadcast on BBC Radio 3, CBC Radio, RTE Ireland and Resonance FM, have been collected in Babalon and Other Plays – the title piece being his evocation of occult rocket scientist Jack Parsons. Based in Hastings, he has performed at numerous esoteric and literary events.

He is not to be confused with the esteemed psychic biker of the same name, whose fascinating book is also published by Mandrake.

 

The Ritual Year in Ancient Egypt

Featured

Lunar & Solar Calendars and Liturgy
Mogg Morgan

The Ritual Year in Ancient Egypt
Lunar and Solar
Calendars and Liturgy
Mogg Morgan
ISBN: 9781906958138 (2011) 272pp
£15.00 / US$24.00
Subjects: Ancient Egypt/Egyptian Magick

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The very oldest Egyptian ritual calendar was lunar. The evidence for this is very complex and in the words of Professor Leo Depuydt, “does not exactly jump out at you!” This ancient lunar calendar continued a veiled existence alongside the dominant solar or civil year. Many details are lost so the project of this book is to bring together what has survived. Revealed here is a very ancient pantheon of gods, including Set, Min, & Hathor, one for each month of the lunar year. I have provided for them a unique collection of liturgy, rituals and prayers as may have been offered in the homes, sanctuaries and temples of original Egypt.

Many of these feasts of Ancient Egypt were celebrated on the phases of the moon – principally when it was new or full. So whatever your favorite god or goddess, make offerings on either of these days and you will be reviving an old and authentic form of the Ancient Egyptian magical religion.To complete the picture I present over several chapters all the technical details of the lunar month as well as its more well known civil replacement. Here you will find information on how certain key days were calculated when needed. These later chapters also provide related material on the mysteries of the Northern Constellations.

Finally, there are descriptions of the thirty lunar days of each month and lunar omens. So in total, this is the most complete and authoritative guide to the ritual wheel of the year at all stages of its use in the Ancient Egyptian magical religion.

 

Making Talismans

Featured

Nick Farrell

Making Talismans cover



Making Talismans
Nick Farrell
Format: Softcover/284 pp/illustrated.
ISBN: 978-1-906958-57-2
£19.99 /US$25
Subjects: Magic/Occult.

Discover the secret keys and practical techniques to turn mundane objects into “living entities of power,” bringing real change in your life. By pooling magical practices from shamanism, paganism, the Order of the Golden Dawn, and Dion Fortune, Making Talismans offers training and techniques for performing advanced magical talismanic operations.

For many years this occult classic has been “out of print” and now has been reworked by the author to reveal more detailed and advanced magical work.

This book is nearly entirely practical and tells the reader how to create talismans which work and how this specialist form of magical work can be part of a spiritual path.

Nick Farrell is the author is the Chief Adept of the Magical Order of the Aurora Aurea which is a modern Golden Dawn dedicated to magical experimentation and development.

http://nick-farrell.blogspot.com/
Nick Farrell’s Blog – A blog providing training for all interested in the Golden Dawn, the magical writings of Nick Farrell and his Magical Order of the Aurora Aurea

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Phi-Neter

Featured

Power of The Egyptian Gods
Mogg Morgan

Phi-Neter
The Power of The Egyptian Gods
Mogg Morgan
Format: Softcover/228 pp.
ISBN: 978-1-906958-56-5
£15.00 / US $24.00
Subjects: Egyptian Magick

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——————————————————————-

Phi-Neter, means ‘Power of the Gods’. In hieroglyphs this is represented by the hind-quarters of a leopard, a “Typhonian” creature, a predator who exemplifies the driving force of magick. In this book the author extends the core working material of Egyptian magick for himself and others to study and use. These techniques are manifest in the cult of Lord Seth – known as Typhon by the Greeks – and by all the other Gods of the Egyptian pantheon.

The Egyptian magician wields a power that was ultimately created by the Gods for the use of anyone who wishes to do their work. It is the same underlying power whether manipulated by Gods, priests, aristocrats, the common people or even the criminal. Same power, different ends.

“Ancient Egypt is an intellectual and spiritual world that is linked to our own by numerous strands of tradition.” – Jan Assmann, The Mind of Egypt

topics include: the false door; temple; Abramelin; magick squares; Aleister Crowley; the heptagram; vowel song; cardinality; twilight language; seven charaktêres for “deliverance”; ring of power; hermeticism; colour symbolism; number; egyptian “kabbalah”; hermeneia; the Star Goddess; the Book of Nuit; ephemeris of Egyptian decans; Books of the Nightworld (duat); Book of Gates; Egyptian liturgy; a Greco-Egyptian dice oracle; Short Invocations, prayers, valedictions, maledictions etc

decans-philae

 

Deep Magic Begins Here . . .

Featured

tales and techniques of practical occultism
Julian Vayne

Deep Magic Begins Here
tales and techniques of practical occultism
Julian Vayne
Format: Softcover
ISBN: 978-1-906958-52-7
£15.00 / US$22.00
Subjects: ChaosMagick/Entheogens/Occult

Buy UK Edition

Buy US edition 


Click here for Kindle UK edition

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One could read this as a collection of tales recounting magical experiments in practical occultism. But it is also a record of a magical crisis of confidence, a literal dark night of the soul. There are various milestones on this journey, from the mysteries of Witchcraft to tales of the Elder Gods. Deep Magic is a journal written during that long dark night of the soul.

As one might expect from such an articulate commentator, it also brings together practical how-to information, academic writing, and far reaching metaphysical exploration. This book touches on many different magical systems. Informed by the experiential approach of Chaos Magick and diving deep into the Mystery as presented through many traditions, this work explores:

Psychogeography and Magick
Transgressive bodywork
Our Vision of the End Times
Gender fluidity as spiritual process
The Boscastle Museum of Witchcraft
Zombies and the New Age movement
Buddhism meets Chaos Magick
Entheogenic magick, the law and social transformation
Mindfulness practice as the still point in the storm of chaos
The esoteric metaphysics of Pooh Bear, Tigger and Eeyore


…and much more!

The Peacock’s Egg

Featured

Ron Wyman

The Peacock’s Egg
Ron Wyman
Format: Softcover
ISBN: 978-1-906958-34-3
£15.00+p&p / US $23.00+p&p
Subjects: Alchemy/Magic/Occult.

Click HERE for USA

Click HERE for UK


Special offer

Get The Peacock’s Egg & The Black Toad for only $30.00 / £20.00

The Peacock’s Egg & The Black Toad Click Here for the UK offer

The Peacock’s Egg & The Black Toad Click Here for the USA & Rest offer



The Peacock’s Egg describes a transformation of the psyche. This is based in the alchemy in which an alchemical dream process is set into motion, acquiring highly resolute manifestation through phases of the opus. An intensive and lengthy occult praxis is entered in which dreams and dreaming practices are developed. Advanced levels of occult experience are attained in which ethereal energy becomes mastered, involving a purification. These attainments adhere to beliefs regarding this type of paranormal experience that include the author’s interest in the work of Carlos Castaneda. The intricacies of a crucial alchemical image are described—a Vision of the Peacock’s Egg, an accessible metaphysical anatomy. The spatiality of the rose garden, the alchemical death, and attainment of the lapis are then brought into the practice.



Village Witch

Featured

Life as a village wisewoman in the wilds of West Cornwall
Cassandra Latham-Jones

9781906958237covb

Village Witch
Life as a village Wisewoman in the wilds of West Cornwall
Cassandra Latham-Jones
Format: Softcover
ISBN: 978-1-906958-23-7
£15.00 / US$24.00

Click HERE for UK edition

Click HERE for USA & AUS

Click here for Kindle UK edition

Click here for Kindle USA edition

Village Witch describes life as a Village Wisewoman in the wilds of West Cornwall. The first part of the book documents the tortuous and sometimes harrowing journey to achieve this unusual occupation. It is a tale that ultimately moves through surviving and into thriving. Cassandra’s past experiences directly inform her present practice and are intrinsic to being a wisewoman – she acquires wisdom from actively experiencing and observing the vagaries of life. As part of her work she travels around the country giving talks about her profession, and without exception is asked each time what brought her to become a village wisewoman. Many people want to hear about that journey and this is one of the reasons for deciding to write the book.

Following on from this, Cassandra tells of the practice of her craft, which includes many stories and observations regarding the day-to-day experiences of a traditional wisewoman including her personal approach to magic.

At present the market is flooded with ‘how-to-do’ books on witchcraft and associated themes. Almost without exception they inform in an authoritative way often including a cookbook of spells. There is far more to the Craft of the Wise than simply following someone else’s recipes for performing magic. It entails old-fashioned qualities such as hard work, discipline, dedication and commitment. This book differs in that it describes the ‘why’ as well as the ‘how’ and in that sense challenges the reader to question and explore their own experiences of the worlds magical.

VILLAGE WISEWOMAN WEBSITE
www.villagewisewoman.co.uk/id6.html

CASSANDRA LATHAM-JONES BLOG
www.cassandralathamjones.wordpress.com

 

The Return Of The Tetrad

Featured

Christopher McIntosh
(Occult Fiction)

The Return of The Tetrad
Christopher McIntosh
Format: Softcover
ISBN: 978-1-906958-18-3
£9.99 / US$15.00
Subjects: Magical/Occult Fiction/Occult Thriller.


Click HERE for UK

Click HERE for USA&AUS

Click here for Kindle 


Paul Cairns, the narrator of this story, is a young journalist with a penchant for the occult. Prompted by a mysterious recurring nightmare, he seeks the advice of Gilbert North, scholar, country squire and occultist, who leads him on an extraordinary series of adventures involving a quest for the Tetrad, four primal magical objects corresponding to the elements and the suits of the Tarot. Cairns’ life becomes full of weird and supernatural happenings in a great magical battle between dark and light. But in the world of Gilbert North things are not quite what they seem. Layers of reality and unreality are peeled away until the deeper meaning of the whole quest is revealed.

REVIEW
Herbie Brennan (Ireland) –

This review is from: The Return Of The Tetrad (Kindle Edition).

Christopher McIntosh’s `Return of the Tetrad` is that rarest of commodities, an intelligent, vivid, well-written and, above all, authentic occult thriller that grips like a man-trap and provides an ending at once surprising and ultimately satisfying. The McIntosh style is reminiscent of Colin Wilson’s early novels, presenting thought-provoking ideas and deep-rooted esoteric concepts in an easily-digestible form that never becomes either difficult or patronising. This is occult fiction as it should be, but seldom is.

McIntosh, himself an academic expert in the esoteric, has mastered the art of suspending reader disbelief until the time comes for revelations that are as convincing as they are unexpected. According to the author,the first draft of the work was completed 40 years ago and has undergone various rewrites and revisions ever since. The end result is worth the wait. I read this book with enormous enjoyment and no little admiration.


Highly recommended.

Sacred Mountains

Featured

Stories of The Mystic Mountains
An Anthology
Michael Berman

Sacred Mountains
Stories of The Mystic Mountains
An Anthology
Michael Berman
Format: Softcover
ISBN: 9781906958220
£15.00 / US$24.00
Subjects: Shamanism/Mysticism/Spirituality/Myths & Legends.

Click HERE for Sacred Mountains / USA

Click HERE for Sacred Mountains /UK

On the mountains of truth, you can never climb in vain: either you will reach a point higher up today, or you will be training your powers so that you will be able to climb higher tomorrow.
~ Friedrich Nietzsche

What mountains mean to me: in one word, awe-inspiring. Although we can measure them, our minds are incapable of actually grasping the very small or the very large things in nature: neither atomic particles nor astronomical distances. How big is a mountain, how much does it weigh? Our limited minds can only cope with subjective assessments such as how difficult is it to climb, how dangerous would an avalanche be? So the feelings it produces are awe, a little fear, and possibly exhilaration if and when we think that we have conquered the mountain – but in reality we never can.
~ Professor David Hunt

All the stories presented in this collection contain shamanic elements, so the obvious starting point is to explain what is meant by this. The term ‘shaman’ is a controversial one. Initially employed by early anthropologists to refer to a specific category of magical practitioners from Siberia, the term is now widely used to denote similar practitioners from a variety of cultures around the world. This application of an originally culture-specific term to a more general usage has caused problems with regard to definition, with disagreements among scholars over whether certain features, such as soul flight or possession, or certain types of altered states of consciousness, should or should not be listed among the core characteristics of shamanism.
(Wilby, 2011, p.252.)

Introduction
What are Mountains for you?
Soul Captivation on White Bone Mountain
The Magic Brush and the Golden Mountain
The Legend of Amirani
The Story of Jumping Mouse
The Children of Hamelin: A Shamanic Journey into Mount Poppenberg
The Crystal Clear Waters of Mount Elbruz
The Vision Quest, Mount Sinai, and a Dream Fulfilled
Mount Ararat
Mount Koya-san, the Hermit’s Cave, and Fujiyama
Sacred Towers
The Fool on the Hill and the Book of Mysteries
The Tobacco of Harisaboqued
The Princess of the Tower

Appendix:
The Baal Shem Tov –
Rabbi, Religious Formulator or Shaman?

***
cover photograph by Joe Page shows Rennes Le Château seen from castle of Rennes Les Bains.


Launch 17th of January 2012 at the Georgian Embassy the author will talk about this book and give a reading. Starting promptly at 7.30 pm. The event is free and Georgian wine will be served at no cost too. The address is 4 Russell Gardens, West Kensington, London W14 8EZ. The hall holds about 60 people and we are hoping for a full house.

*************************************************************************************
RESOURCES FOR THE SACRED MOUNTAINS EXPERIENCE
Arts & Culture, Folklore, Myths & Legends, Food & Drink.

*************************************************************************************

Tbilisi Opera & Ballet Theatre
www.opera.ge

*

Georgia Cradle of Wine
www.georgia.gov.ge/5225

*

TAMADA,
Authentic Georgian Restaurant,
122 Boundary Road, St John’s Wood,
London NW8 0RH, UK.
www.tamada.co.uk


*

Images of Set

Featured

Changing Impressions of a multi-faceted God
Joan Ann Lansberry


Images of Set
Changing Impressions of a multi-faceted God
Joan Ann Lansberry
Format: Softcover
ISBN: 978-1-906958-21-3
£15.00/US$24.00
Subjects: Ancient Egypt/Egyptology

Click HERE for Images of Set / USA & AUS

Click HERE for Images of Set / UK

The god Set (aka Seth) has been much of a puzzle to Egyptologists. If we go with the attitude of later Egyptians, we find Set blamed for every misfortune that can befall humanity. However, if we go with the attitude of earlier times, in particular the Ramesside period, when Egypt was at its peak in prosperity, we find a completely different picture. For we find a god who was very much adored. Most of the surviving imagery is from that period, although even in Ptolemaic and Roman times we occasionally find a piece that was a part of worship and magical rites. Set was always seen as ‘Great of Power’, even when he was feared. Putting all his imagery together, placing it in chronological context, sheds new light on the Dark god.

“Joan Lansberry is a place where three roads meet: solid academic research, strong talent as a working artist and a deep magical intuition for the magical current represented by Set. Her collection provides Keys to some doors long-unopened and will prove invaluable to the modern Left Hand Path. I’ll be thumbing through this book for years to come.”

Don Webb
High Priest of Set (Emeritus)

www.joanannlansberry.com

 

Nightshades

Featured

A Tourist Guide to the Nightside
Jan Fries


Nightshades
A Tourist Guide to the Nightside
Jan Fries
Format: Hardback – Cased Matt Laminate A4 216 pp.
ISBN: 978-1-906958-45-9
£24/US$40
Subjects: Aleister Crowley & Thelema/Kenneth Grant/Typhonian Magick/Occult Art.

UK Edition £24.00+p&p

USA/AUS Edition $40.00+p&p

“Nightshades is the record of one remarkable magician’s exploration of the inverse regions of the Tree of Life. Aleister Crowley’s Liber 231 provides the map and Kenneth Grant’s Nightside of Eden a travelogue. “Liber 231, apparently started life as a text within the Hermetic Order of the Golden Dawn, as an exercise to develop astral and trance abilities or perhaps in other more elaborate rites. The nightside aspect requires some care and alertness in case of accident. The correct attitude is said to be one of self or ego-less witness. Or maybe it’s just one needs the use of an all-embracing rather than a limited kind of identity and self-identification” (mmm)

“The Nightside is always with us. It’s so much older than the Dayside. Before the light began to shine, the night was there. Some assume that we are dealing with a simple polarity. On one hand the radiant world of colours and forms, more or less thinkable, reasonable and meaningful. Like the pretty picture of the Tree of Life it has its scenic cites, its hotels, restaurants, shopping opportunities and highways in between.

On the other hand the chaotic world of uncertain and incomprehensible mysteries. Both of them connected by the voidness that makes them possible. It looks symmetrical. But when you reach the Nightside it doesn’t work like that. The Nightside is not simply a reflection of the dayside with a few confusing and spooky bits thrown in.


The Dayside is a tiny island of experience in a huge ocean, the Nightside, full of currents, island chains and continents of the possible and impossible. All and Nothing are present everywhere. Our island is not the opposite of the world-ocean, it is simply a tiny and comprehensible part of it.” (jf)


Jan Fries Nightshades comprises 72 intense drawings prefaced by an explanatory essay detailing the background and genesis of this ultimate magical adventure.

Angelic Magick

Featured

A Guide to Angelic Beings and how to walk with them
Judith Page
(Preface by Aaron Leitch)


Angelic Magick
A Guide to Angelic Beings and how to walk with them
Judith Page
preface by Aaron Leitch
Format: Softcover
ISBN: 978-1-906958-47-3
£15.00/US$22.00
Subjects: Angelic Magick

Click HERE for UK edition

Click HERE for USA & AUS editions

“The visualizations here draw their imagery from classical grimoires and Qabalistic philosophy. Plus, they have a specific and useful goal. Each visualization takes you on a journey into the symbolic realm of an archangel, where you are introduced to the entity’s sigils and symbols and other sacred imagery before encountering the archangel himself. Each visualization builds upon those before it, until the aspirant has been led through the seven circles of heaven and has established a personal link to the archangel that governs each one. At the end, the aspirant will have learned to recognize the images, seals and symbols they will encounter in the Solomonic and other advanced systems of angel summoning.

Such guided visualizations are certainly absent from the medieval texts about angels. So, why should I urge anyone who wishes to work with angels – even Solomonic practitioners – to follow the instructions in this book? Simply put, this book is based upon the same principle I described above: safely establishing first contact. It accomplishes this without resort to the full-fledged summoning ceremonies intended to call the angel down to the physical plane – an advanced practice the grimoires tend to jump into without preamble.

This book even includes simple rituals by which you can submit petitions to the archangels in times of need – and these rituals are not entirely removed from the methods of the grimoires. Therefore, working through the steps outlined in this book can serve as a wonderful bridge between “square one” and the fully adept practices of angelic summoning.”
: From Aaron Leitch’s Preface

Contents
Preface
Introduction
Authors Notes
Practical matters and preparation

Chapters

1 Legend of Luc’ifer
Path to Luc’ifer
2 Legend of Mikh’ael
Path to Mikh’ael
3 Legend of Gabri’el
Path to Gabri’el
4 Legend of Sama’el
Path to Sama’el
5 Legend of Rapha’el
Path to Rapha’el
6 Legend of Zadki’el
Path to Zadki’el
7 Legend of Ana’el
Path to Ana’el
8 Legend of Cassi’el
Path to Cassi’el
9 Legend of Uri’el
Path to Uri’el
10 Legend of Enoch
Path to Enoch & the Watchers
Magical Alphabets
Table of correspondences (Charts for angels and Hours)
Notes on the Seal of Truth
Bibliography

 

The Book of Baphomet

Featured

Julian Vayne & Nikki Wyrd

 


USA & AUS $34.00

UK £25.00

Click here for Kindle UK edition

Click here for Kindle USA edition


The Book of Baphomet
Julian Vayne & Nikki Wyrd
Format: Hardback/232 pp.
ISBN: 978-1-906958-46-6
£25.00 / US$3400
Subjects: Chaos Magick


You hold in your hands the material result of many years’ hard craft.
This Book contains some of the secrets of Life itself; or rather, the
occult deity of Life on Earth, Baphomet. Horned, vital, beautiful,
awful, our aeons old Chaos Magick idol finds a name from the Knights Templar, then goes incognito through the Enlightenment (when flourished those great natural philosophers beloved of science historians), before emerging via devil worship and witchcraft into this era of Deep Ecology.

Darwin could have used a picture of Baphomet as his frontispiece, to
demonstrate the one flesh from which all species originate. Contacting
this Great Spirit, the anima mundi, allows access to a new way of
ordering the world, with fresh visions of how and why we could Live.
Here the authors weave strands from their lives into a rich tapestry
of images, which might give you a pointer or two towards your own
self-realisation, whilst amusing, entertaining, and instructing along
the way.

Revolution, evolution, leap beyond the apocalypse to the Now!

“An excellent read, consisting as it does of such a wealth of information, research, anecdote, experience and vision” – Peter J. Carroll

“It is a very fine book, in which your two voices form a harmonious whole, and which manages to interweave cosmology, history, science, autobiography and drugs in a very effective way which probably nobody else could have managed.” – Prof. Ronald Hutton

“I have finished the book and found nothing I would object to. It is most excellent. The so-called Occult world is full of really bad books that are a sad waste of trees. Yours shines amongst this dross.” – Ian Read

“Altered state of consciousness just reading it…”- Alistair Livingston

“A fascinating, poetic revisioning of the concept of deity for the 21st century”
– Levannah Morgan

Watch The Book Of Baphomet (Trailer)
vimeo.com/41602409

Check out
The Blog of Baphomet, a magickal dialogue between nature and culture.
theblogofbaphomet.com

Sexual Magick

Featured

Secrets of Sexual Gnosis in Western Magick
Katon Shual

Sexual Magick
Secrets of Sexual Gnosis in Western Magick
Katon Shual
Format: Softcover
ISBN: 978-1-906958-48-0
£15.00 / US $24.00
186pp
Subjects: Sexual Magick/Aleister Crowley/Thelema/Tantra

Sexual Magick / UK / £15.00

Sexual Magick / USA & AUS / US$24.00


Click here for Kindle UK Edition

Click here for Kindle USA Edition

Sexuality is one of the keys to magick. In this book, first published in 1988, Katon Shual presents some of the secrets of sexual gnosis within  western magick – a system that is often misunderstood. The book begins with a look at the revival of sexual magick in the early part of the 20th century, especially within the ranks of the Hermetic Order of the Golden Dawn and some of the post Golden Dawn magical groups such as Aleister Crowley’s Thelemic cult. The book goes on the look at the modern fusion of western Hermetic and eastern Tantrik sexual gnosticism. On the way it discusses in a progressive manner gay, straight and solitary sexual magick. The book goes on to introduce the ancient deity Seth as an archetype of the sexual magician. The book includes an unpublished grimoire of sexual magick, as well as several other unusual sources, including an authoritative exploration of the chakra system, a magical approach to Kundalini and an introduction to the relationship between the sacred sexuality and the external landscape.

‘Makes the subject of sexual magick accessible and lucid and above all relevant to contemporary magical practice’
– Phil Hine reviewing in Talking Stick magazine

body magick cover art and insides by Michael R Goss

 

Taromancy

Featured

Gerald Boak


Taromancy
Gerald Boak
Format: Softcover/210 pp.
ISBN: 9781906958336
£12.99+p&p / US$22.00+p&p


Click HERE for UK edition

Click HERE for USA & Elsewhere

A simple set of 84 oracles, based on the Thoth Tarot, that one does not need a card deck or an experienced reader in order to consult!  Simply think of a question, then either toss a coin or dice in the prescribed manner. Then read your answer.

The 84 Taromancy oracles were first published in 1985. They were intended for the experienced hand at divination, and have remained in widespread demand ever since. This fully revised edition, contains the same oracles but in less technical language, will appeal to those only now setting out to explore fortune telling. After a quarter of a century in use, I believe their following justifies this major revision.

Apart from their plainer style, a new Summary and in-depth Conclusion now accompanies each oracle. These replace the earlier and limited Notes, and explain even the smallest areas of interest. Together with extra and helpful background material in the first three chapters, I believe these sizeable additions will provide a more complete and user-friendly tool of divination.

Finally, and on a purely technical note, the astrological aspects behind the oracles agree with the work of Aleister Crowley in his dictionary of correspondences, Liber 777 vel Prolegomena Symbolica ad Systemam (etc.) published privately in 1909 and adopted since as a standard work of reference. Two of those correspondences were amended in his 1944 edition of The Book of Thoth. In that book Crowley made a fundamental error in his Key Scale of the tables, incorrectly assigning Aries to tarot trump XVII and Aquarius to trump IV, whereas, and by his own admission, they should be counterchanged. Fearing more hawk-eyed diviners will question my choice of attributions, I thought it safest to explain in advance.

A Contemporary Western Book Of The Dead

Featured

An Anthology
Edited by Charlotte Rodgers & Lydia Maskell

A Contemporary Western Book of The Dead
An Anthology
Edited by Charlotte Rodgers & Lydia Maskell
Format: Softcover
ISBN: 978-1-906958-04-6
£15.00 +P&P / US$22+P&P


Click HERE for UK edition

Click HERE for USA & Elsewhere

Click here for Kindle UK Edition

Click here for Kindle USA edition


‘I was musing on Singapore in all its affluent glory still having shrines for the dead on every street corner during ‘The Festival of the Hungry Ghosts’. Then I was musing on how the socially mobile of modern western society eschew death rites and grieving in the name of ‘holding it together’ and being progressive. I thought of which civilizations are falling and which are rising again, and wondered whether acknowledging death and the ancestors is a vital part of a maintaining personal identity and our place in society. I remember how my grieving father mourned for all the information he had relied on his deceased wife remembering; information which was now lost. I recalled Michael Crichton’s words ‘If you don’t know (your family’s) history, then you don’t know anything. You are a leaf that doesn’t know it is part of a tree.’

Then I thought maybe someone should write about the cults of the ancestors and death, perhaps an anthology, perhaps cross relate experiences of loss to personal spirituality and magick and history. I know that years of working with the dead in the name of art and spirituality, didn’t prepare me for the death of my mother. What helped me was the advice of someone from a long tradition of working with the ancestors. I think that collecting the experiences of spiritual practitioners in their working with grief and death is part of a living and necessary tradition that will give respect to the dead and strength, identity and support to our own personal spirituality.’

Within this book are rituals, stories, traditions and experiences of magicians’ scholars and artists who work with death. Some of the contributors such as Nema, Mogg Morgan, Louis Martine and Nevill Drury (to name but a few) have helped define contemporary transformative spirituality. Others are less well known but just as learned. As there should be in such a collection there is comedy, anger confrontation and practicality. This anthology is about who we are, and where we come from. It is also about how we change. A Contemporary Western Book of the Dead contains voices and visions that acknowledge our past, feed our present and guide the direction of our future.

Introduction/Charlotte Rodgers
Loved One/Nema
All a Do about Death /Josephine McCarthy
Clans For The Memory / Sarah Grimstone
Learning About Death / Nevill Drury
A Thoughtful Wake / Louis Martinie
Break On Through To The Other Side /Louise Hodgson
Death the Final Frontier / Sue Fox
The Bardo Thodol – Bon Voyage / John Power
You Only Live Twice / Ode bi Tola
On Speaking with the Dead: The Cult of the Dead in Traditional Culture / Michael Clarke
Body / Mishlen Linden
The Great Western Hoax / Ode bi Tola
The Book of Gates: A prose arrangement / Mogg Morgan
Biographies of Contributors

Photographers:
Sue Fox, Ruth Kenyon, Ariadne Spyridonos Xenou (Cover: Gerald Hutton)

Epoch

Featured

The Esotericon & Portals of Chaos

By Peter Carroll and Matt Kaybryn

The Epoch – Hardbound Folio Book & Altar Icon Card Deck.

The Book: This fully illustrated and illuminated hardback opens with a detailed historical resume of magical and esoteric thought (where it came from and where it may go) before presenting the reader with three complete grimoires.

The Deck: A Cartomagical tool for the 21st century, the Deck presents 54 glorious Altar Icons spanning the three Spheres of Elements, Bi-Planets and Stellar god-forms. Hardcover: 216 pages, 28cmx23cm
Publisher: Arcanorium College (21 Mar 2014)
ISBN-10: 0992848822
ISBN-13: 978-0992848828

UK Price – Elsewhere, use same buttons, see below for guide to worldwide postage.

Book £40.00+p&p Click HERE

Deck £15.00 (VAT inc)+p&p Click HERE

Both for £50.00+p&p Click HERE

Postage outside UK is expensive as this is a premium book, could be an additional 50% of order total, eg it costs about £40 to send both items, we will contact you with the actual cost, and refund if preferred. Why not start with the book and come back for the cards if you find you need them, it works out same postage wise


” This really is a pantheon for the present day: up-to-date technowizard
artwork, a commentary which soars over millennia of tradition, picking out
what is useful and relevant at the present, and icons which sum up what
deities from the whole span of Western and not-so-Western culture have
cumulatively come to mean. This is a book to which goddesses and gods,
historically so sensitive about their images, should be happy to belong.”

Professor Ronald Hutton – Fellow of the British Academy

” Not content to release a new grimoire, the Chancellor of Arcanorium College has produced three. Oh, also, one of them is a Necronomicon.

Elemental, Planetary, and Lovecraftian grimoires are joined by an accompanying tome of digitally and painstakingly rendered icons. The  Portals of Chaos, and its Chaobala systemisation, marks a particularly cohesive collection of Carroll’s work. But it also contains much exciting new material. Exploration of bi-planetary sorcery – a central component of Renaissance magic somewhat absent in modern occult discourse – is a particularly important feature.

Epoch is a useful resource both for those just starting out and for experienced magicians. There is something here to excite and challenge
occultists of many different dispositions and practices. ”    Alexander Cummins – Author of ‘The Starry Rubric’

“The enormous scope of the theory expounded within, coupled with the extraordinary pictures (which are better than anything of this ilk since Freida got down with her paintbrushes), provoke many thoughts as well as providing a neat summary of some complex ideas. Simultaneously a history and a prediction, it casts a spell covering spacetime and beyond, allowing your magick to have results.” Nikki Wyrd -Author of ‘The Book of Baphomet’

Pulled together, it is a fantastic cohesion of ideas in need of cohering, doubly so because the cohesion makes no claims to antiquity and doesn’t have to fit with either Neoplatonic emanations or Sanskrit body centres. Getting your head around the Chaobala is getting your head around a substantially updated magical cosmology. If that kind of thing is your jam, this kind of book is your toast. Gordon White – Runesoup

Without a doubt, the Epoch will have a great influence on the chaos magick paradigm and modern magick in general for years to come. I think every magician, even if they have their own correspondences, should examine the Chaobola system for its elegance and breadth. James Wilber – Scroll of Thoth

Peter Carroll


Aromagick Online Course

Gallery

This gallery contains 2 photos.

Discover the enchanting blend of aromatherapy and practical magic in this transformative course. Beyond mere study, Aromagick invites you to explore the mystical realm where fragrance meets intuition. Here’s what awaits you: 1. Basic Principles of Aromagick:    – Develop your … Continue reading

The K-23

The highest function of Love is that it makes the loved one a unique and irreplaceable being. (Tom Robbins, Jitterbug Perfume)

According to the Greek historian Herodotus, Pan was the most ancient of the gods. The K-23 embody the primal, erotic, and mysterious spirit of Pan, a fusion of rare aromas to create a stunning, enigmatic, earthy and sensual perfume oil.

Base notes – the unique beetroot essence, middle note – leather & Jasmine, top note – bergamot (for full ingredients list see Aromagick, chapter 12, Green Magick)

USA $35.00

UK £25.00

Aromagick Book & Perfume Deal (UK only)

UK £35.00


Blue Lotus Perfume Oil

The unfolding petals of the Blue Lotus flower suggest the soul’s expansion. The growth of its pure beauty from the mud of its origin holds a spiritual promise. When Shiva requested the gift of knowledge from Kali, he embraced the thirst for knowledge that permeates the vast conscious universe. This is the same hunger that drives us to create art, music and life. The hunger that ignites in our hearts the passion to study and learn science, medicine, alchemy, philosophy and magic.

In both Egyptian and Hindu cultures, the Blue Lotus is well known for promoting spiritual growth, healing, balancing and rejuvenation.

The captivating scent of Blue Lotus Absolute essential oil is truly one-of-a-kind. Blending warm, spicy, sweet, and floral notes all at once, the fragrance has a complex intensity that is perfectly balanced with subtle refinement. The Egyptians and Hindus of ancient times believed that such exquisite smells were signs of the divine’s presence – symbols of transformation and rebirth. This theory has been extended to suggest that fragrances can shape our mental and emotional states as well. Upon first inhalation, Blue Lotus evokes a sense of longing for both the past and future; love is not far away. As the aroma fills your senses, they become filled with pure pleasure and appreciation for the physical world’s beauty. And with every breath, an overwhelming sense of euphoria begins to take hold – comforting us like a hug from the Goddess herself.

10ml bottle of pure Blue Lotus essential oil (1ml dilution in grapeseed oil)

Blue Lotus Perfume oil UK £15.00

Blue Lotus Perfume oil USA $20.00 


Black Magick Perfume Oil

“To those before, to those that came after. To us now, And those beyond.
Seen and unseen here but not here”
The Midnight Club

Black Magick Perfume Oil:

UK £35.00

USA $45.00

Aromagick Book & Black Magick Perfume Oil Deal (UK only) £42.00

*USA/AUS/EUR – Spend $75.00 or more and get free shipping

Kurukulla, is the enchantress, the sorceress of dark magic. She is “the cause of wisdom” and she uses her magnetizing powers to bring conditions favourable to the path to Enlightenment. Kurukulla uses her power to attract, magnetize and mesmerise, to lead us on to the path of transformation and enlightenment. Kurukullas’s magic works on the deeper levels of our subconscious mind. By visualising ourselves as one with Her, and connecting to Her divine essence, we begin to realise our internal beauty. 

Black Magick Perfume Oil is the perfect perfume to tap into Kurukulla, the Black Sorceress qualities. A unique blend of Wormwood which is also sacred to Artemis and Lilith, will raise you to a higher level of psychic awareness and will aid in divination and clairvoyance. Mugwort is closely connected to the planet Venus and is sacred to the Goddesses Artemis & Diana and the Chinese fox spirit Hu Xian. Both Wormwood and Mugwort are considered witch herbs and in most of the literature I found it is said that both plants will support, strengthen and enhance visualisation, psychic abilities and lucid dreaming. As both plants are dedicated to Venus, the embodiment of all queen witches and black sorceresses, their influence on our psyche will be much greater on the equinoxes or solstices which are the ‘in-between’ times; the time of the Witches’ Sabbat. Kurukulla represents the transitional period, where Lalita’s brightness and Kali’s darkness are harmonized. Mimosa is the third ingredient and together with Wormwood, and Mugwort, they forge a visionary lucid dreaming experience which gives us a peek into the mysteries of the spiritual realm. These three oils encourage deep restorative sleep as well as prophetic dreams. The next ingredient in this unique blend is White Lotus which represents mental purity and spiritual perfection. The White Lotus awakens the essence of the primaeval sorcerers that dwell in the realms of dreams. Its golden sunset colour shines through and illuminates our vision. The final ingredient is the most precious Ambergris which is formed from a secretion of the bile duct in the intestines of the sperm whale. Kurukulla’s essence is of the precious Ambergris which comes from the depth of her reality.

*Black Magick Perfume oil is not suitable during pregnancy!

*Might cause irritation







Aleister Crowley MI6 : The Hess Solution

(Press Release)

“You can pluck someone like an instrument if you know the way to tune their heart.” 

In May 1941, Ian Fleming of Naval Intelligence recruits Aleister Crowley to crack the recently captured Rudolf Hess by exploiting their mutual fascination with the occult. To fill in the background to Hess’s disastrous flight, Fleming provides the diary of Albrecht Haushofer, the deputy Führer’s assistant. 1945 finds Crowley in a boarding house in Hastings where he tutors Will, a fledgling priest, in Latin. Will stumbles on a file that reveals the devastating consequences of Crowley’s mission and discovers the true identities of the Reception Committee waiting for Hess in Scotland. Is the file genuine or a black-ops fake concocted by British Intelligence? Can a crazed rocket scientist in California supply the answer, or ‘M’, the Beast’s controller? Featuring Dion Fortune, Anthony Blunt, Hitler, Jack Parsons, and the Beatles, Aleister Crowley MI6 is a riveting spy thriller anchored in fact.

Aleister Crowley as himself in all his occult and charismatic glory – a manipulative, overbearing, bizarre yet compelling character. Fiction could hardly have invented him: he is a gift of a character to any novelist and Richard C McNeff has accepted him, unwrapped the parcel and given him his head. — Martin Booth (author of Crowley biography A Magick Life – on Aleister Crowley MI5).Aleister Crowley MI6

The Hess SolutionSynopsis
In May 1941, Ian Fleming of Naval Intelligence lunches with Aleister Crowley in a Mayfair hotel. Fleming wants the Beast to crack the recently captured Rudolf Hess by exploiting their mutual fascination with the occult. He gives Crowley the diary of Albrecht Haushofer, Hess’s principal adviser, which fills in the background to the deputy führer’s disastrous flight. 

In 1945, Crowley moves to Netherwood, a boarding house in Hastings and tutors Will, the teenage handyman who intends to become a Catholic priest, in Latin. Left alone in Crowley’s room, Will stumbles on a file that describes the Beast’s wartime encounter with Hess. Believing Crowley is Churchill, Hess reveals the date of the attack on Russia. Bent on revenge, Polish troops attack Hess’s Surrey prison and shoot him dead. MI6 decide to substitute a double. 

Several visitors come to Netherwood: Dion Fortune, the occultist; Lady Frieda Harris, creator of the Thoth Tarot paintings; a female professor researching a book on magicians; John Symonds, the Beast’s future biographer; and a pupil of Crowley called Maxwell Knight, in fact the spymaster ‘M’ who runs a division of MI5. Meanwhile, in a German castle, another MI5 operative, Anthony Blunt, burns correspondence that implicates the Duke of Kent in Hess’s mission. A Hungarian professor and his wife come to stay at Netherwood, in fact Soviet agents hunting the Hess file.

Will is the victim of a honeytrap and agrees to fetch it. He discloses the plot to ‘M’. At the handover, commandos ambush and kill the couple. In disgust, Will renounces the idea of becoming a priest. Crowley dies at Netherwood in 1947. ‘M’ tells Will that Crowley has sent the Hess file to Jack Parsons, an American disciple and rocket scientist.

In 1952, Will visits him and his wife Cameron in Pasadena. He and Jack perform an Enochian ritual in the desert. Ten days later Parsons blows himself up before he can give Will the file as promised. In April 1965, Will is working in the music business. The year is one of rapid growth for the counterculture that Crowley prophesied. Will works with the bandleader Graham Bond, who claims to be Crowley’s son. Later, in a Soho club, Will encounters John Lennon and George Harrison on their first LSD trip.

The next day he runs into Maxwell Knight who tells him the Hess File was fabricated by Fleming. In May Knight invites Will to his suburban home. Will comes across a photo taken at Hess’s Scottish destination which reveals the true identities of the reception committee awaiting him. 

Notes For Editors:   About Richard C McNeff: Richard C McNeff is the author of the cult short story ‘Sybarite among the Shadows’ which grew into the occult and espionage-themed novel, Aleister Crowley MI5. He also wrote the memoir, With Barry Flanagan: Travels through Time and Spain, and the satire, The Dream of Boris. He is a contributor to the Guardian, Fortean Times, Wormwood and Boulevard Magenta. He has lived in Barcelona, the Basque Country, Ibiza and Baku. He was born in London, his current home.


About Aleister Crowley

About Mandrake: Independent publisher of essential occultural books – covers of most of its current, in-print titles are shown here.   

  • Release date: 31st October 2023
  • ISBN: 9781914153204
  • Format: Hardback 266pp

Links:

 Download assets.   Media contact: Diane M. Hinds, Tel: 020 7748 3003 or email: info@TEBagency.biz.  

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Ritual Year Ancient Egypt Course

“Tankhem” ie Hindu Tantrik and Khemetic perspective

(Accepting Enrolments – Contents may change)
A course in Magick through the medium  of Egypt. Useful for all whether witch, natural magician, pagan or tantrik.

Course Aims
To Teach Ancient Egyptian Magical Religion via a knowledge of its reconstructed Ritual Year of 12 “god bearing” months”

Continue reading

Tankhem/AMOOKOS (Tantra) course

In construction –

A 12 part course on “Tantra” from the AMOOKOS Kaula-Nath perspective leading to possible initiation into the current. Covering history and practices of a religious culture that originated in India, was introduced to the West in the 19th century where it has become an important East-West esoteric tradition in its own right.

Michael E Salihovic

Michael E. Salihovich (Brahmananda) was a student of Yogeshwar Muni’s (Charles Berner) teachings since the mid-1980s. He was initiated into Sahaj yoga in 2011 and has been giving Enlightenment Intensive retreats, meditation seminars and individual counselling for more than 30 years.

Baphomet Perfume Oil

The essence of Baphomet restores the balance of our universe.

“Baphomet represents the equilibrium of all living things and beyond. Baphomet consciousness helps us to understand the harmonious balance between humans and mammals, reptilians and fish, humans and beasts, angels and demons, heaven and earth, light and dark, left and right, and to accept the sacred cycle of life and death, the eternal existence.
The blended oils are designed as an opening portal and will awaken the powers of shapeshifting and psychic dreams. It will invoke a sense of being one with nature and promote the feeling of well-being, passion and love.” 

“Baphomet oil is suitable for use on any day of the year, but its essence will resonate with your higher vibrations in the most intense way, on the winter solstice or the full moon.” (Diti Morgan – Aromagick 2023)

10ml bottle of the most unique blend of essential oils that capture the essence of Baphomet.

£25.00 / €30.00 / $35.00

Baphomet Perfume oil UK £25.00

Baphomet Perfume oil USA $35.00

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Carlos Atanes

CARLOS ATANES (b. Barcelona, 1971). Is an essayist, underground filmmaker, playwright and seeker of the occult. He has always conceived his work, both fiction and non-fiction, as a tool to cleave and widen cracks in the walls of consensus reality. His encounters with Chaos Magic are both predictable and inevitable. Currently, he resides in Madrid and his website is Carlos Atanes, author and filmmaker

ZOS KIA

Un Saggio Introduttivo all’Arte e la Magia di Austin Osman Spare

Gavin W Semple

£25.00

€30.00

$30.00

Gavin Semple’s highly respected essay and introduction to the art and magic of Austin Osman Spare. Italian edition paperback in mint condition illustrated in black & white, essential reading.

The Rupture & The Poliverse

Get The Rupture & The Polyverse for only £12.99 / UK
Get The Rupture & The Polyverse for only $19.99 / USA /AUS

Beneath The Pleasure Zones – The Rupture and Beneath The Pleasure Zones – The Polyverse are extensions of Paul Green first novel The Qliphoth in that they share the same protagonist Lucas, whose youthful dabblings have released the Qliphothic forces of chaos and fractured the reality of everyday Britain. But both Pleasure Zones books can be read independently. In The Rupture, an oligarch builds a cybernetic virtual reality complex on an ancient site in the middle of a rural neo-pagan community of warlocks, who are also besieged by fundamentalist militias. As a consequence, inThe Polyverse the Lobe (aka the internet) generates its own demonic entities, the prankster Quantum Brothers, who create further ordeals for Lucas and the two women in his life Viv and Carla. There’s apocalyptic destruction but also a glimmer of hope…

Fox Magic

Fox Magic – Handbook of Chinese Witchcraft and Alchemy in the Fox Tradition

Jason Read

978-1-914153-07-5 (pbk) 168pp

UK £15.00+p&p Order

USA $22.00+p&p Order

Ebook Order

Special “Altar” edition, jacketed case laminate, colour images

978-1-914153-08-2 (Jacketed cased laminate) 172pp

£30 UK Order

$40 USA Order

According to ancient legends, thousands of years ago a mysterious being known as the Nine Tail Fox taught her devotees the secrets of witchcraft and alchemy. This witch cult survives to this day and is practiced in many Chinese and Japanese communities in relative secrecy.

From her origins with the ancient Wu Shamans and the Tantric dakinis, the author explores this unique and often overlooked form of witchcraft.

Learn the history of the Fox Immortal and her influence on Asian politics and history. Investigate the Tantric origins of the Fox Goddess.

Learn the secret rituals from the Chinese grimoires that invoke the help and aid of the Fox Immortal as a personal magical tutor.

Learn the ways of glamour and fascination taught to devotees of the Fox Temple. Investigate the mysterious tantric rites of the Tachikawa Ryu.

Investigate the Mysteries of the white branch of death and the red branch of sexuality.

Learn some of the many spells used by the Fox cult of witches.

Wolfman Denny Sargent reviews Fox Magic

Amduat: The Great Awakening

“This is the most erudite, interesting and beautifully produced commentary upon, and ritual use of, an ancient Egyptian text by a modern occultist that I have yet seen.”
-RONALD HUTTON, Professor of History, Bristol University, UK

434pp, large format hardback 8″x10″ (Royal Octavo)
isbn 978-1-914153-04-4 casebound – full colour images $55/£45
isbn 9781914153068 Softcover – standard colour $45/£35
isbn 978-1-914153-05-1 Softcover – monochrome images $35/£25

Choose Amduat Edition

Amduat Choose Edition

For orders outside the USA, AUS, UK & EU, please contact us

The Egyptian Amduat, “Book of the Hidden Chamber”, is a fascinating text from ancient Egypt that describes the journey of the deceased. It tells of a twelve-hour long voyage beyond death through a mysterious realm known as the Duat. Every human being, embarking on this journey, will renew themselves to eventually rise from the dead.
In the decade the author worked on this text, she discovered that the journey, as described in the Amduat, is a voyage of Initiation. During the journey, the old consciousness, symbolised by the Sungod Râ, is dissolved and transformed into the birth and awakening of a renewed consciousness, which is symbolised by the God Khepri. The process is not limited to the post mortem state, for it occurs during life as well. Therefore, not only the deceased, but every living being on earth can embark on the voyage in question.

Today, the Amduat is still a system qualified to heighten our consciousness. The inner Sungod teaches us how to navigate safely and transform the psyche’s destructive forces into constructive powers. This life-changing magical journey is a wake-up call to allow us to see who we really are— divine beings— and to become reborn as our Greater Self.


The book, Amduat: The Great Awakening presents the entire Egyptian system in a unique and interesting blend of academic and esoteric knowledge, intertwined with the author’s personal experience of the system itself. It is also a practical workbook to teach the reader how to embark on the Sun barque, to make the inspiring voyage of inner awakening.

Some Reviews:

“Diana has spent over 10 years reading, absorbing, and seeking to understand the hidden teachings within the ancient writings of one of the Egyptian books of the Afterlife; The Egyptian Amduat. Yes, many books have been written about the journey afterlife, but Diana detected within the Amduat something rarely understood. That the Journey, as described in the Amduat, was not just a way to Passover into the Fields of Osiris…. But also a journey INTO LIFE, an awakening into the full awareness of the Higher Self, its powers, its ability to recognise and use the hidden side of that Self. This book is a very different and demanding presentation of an ancient teaching system. I am proud to promote it for I know how much time, effort and intent have gone into it.” – DOLORES ASHCROFT-NOWICKI founder of the Solar Light Video Club, retired Director of Studies of the Servants of the Light School and the author of over 30 books including The Shining Paths, Illuminations and The Guardians Albion Trilogy.

“This is the most erudite, interesting and beautifully produced commentary upon, and ritual use of, an ancient Egyptian text by a modern occultist that I have yet seen.” -RONALD HUTTON, Professor of History, Bristol University, UK, author of 18 books, including Britain’s Pagan Heritage, The Triumph of the Moon: A History of Modern Pagan Witchcraft, Physical Evidence for Ritual Acts, Sorcery and Witchcraft in Christian Britain: A Feeling for Magic and The Stations of the Sun: A history of the Ritual Year in Britain.

“For centuries, scholars have puzzled over an obscure hieroglyphic text dating from the New Kingdom of Ancient Egypt. Referred to as the Amduat, it seems, on the face of it, to be nothing more than the Sun God’s recurring journey through the dark hours of the night. But mystics and even some Egyptologists have long suspected there was more to it than that. And now, thanks to years of scholarly research work by author Diana Kreikamp, a secret has been revealed. The ancient story is not only a cypher for the post mortem journey of Egypt’s Pharaohs but also a sophisticated and deeply complex system of spiritual development. One of supreme importance to the present day. And now, everything you need to practise this extraordinary system is in your hands, backed up by Diana’s personal experience and illustrated by the author herself. This is your guide to an initiatory experience that has been lost for more than three millennia. This is your opportunity to walk the path of Egypt’s Kings.” – HERBIE BRENNAN is a lecturer, a professional writer and the author of 114 books including Death; the Great Mystery of life, Nectanebo and The Secret History of Ancient Egypt.

“Any student of the western esoteric tradition, theurgy, the work of the ancient Egyptian priesthood, or the process of initiation through the Mysteries would benefit from studying this book which presents a fusion of erudite scholarly research and illuminating interpretation of ancient initiatory lore. Symbols, terminology, and complex concepts are discussed by the author in-depth and with clarity of understanding. Diana Kreikamp has succeeded in bringing ancient, key, teachings to life in a way that will be practically useful to students in modern mystery schools.” – DR STEVEN CRITCHLEY, Director of Studies of the Servants of the Light School, wrote his PhD on Thomas Taylor the Platonist (1758-1835) and enjoys writing and teaching internationally.

“Diana Kreikamp has done something very difficult. She has unearthed symbols (and indeed energies) from the very depths of Khem and painted them up onto the walls of our everyday consciousness. Amduat: The Great Awakening shows us how to approach the Great Journey we all will have, and how marvellous it will be. The book is beautiful, packed with imagery that lies deeper than any pharaonic tomb. At every Hour of the journey through the Amduat, there is a new revelation of the sort that makes the reader cry: This is it! This is what I’ve been looking for! As a text, it is far above anything else written by any modern author. Quite simply it is brilliant.” – ALAN RICHARDSON, author of Priestess, The Magical Kabbalah, Al-Khemy, Aleister Crowley and Dion Fortune and numerous novels in his local area, especially On Winsley Hill and co-author of The Inner Guide to Egypt.

Preview here:

Diana Kreikamp

Diana Kreikamp was born in the Netherlands. She is an esoteric practitioner and a fully initiated member of the esoteric school of the Western Mystery Tradition, the Servants of the Light. In her life she has been on a grand quest to find answers to the questions; who am I, where do I come from and why am I here in this present life. In her search she examined various religions and philosophies as well as spiritual, occult and mystic traditions. She engaged in the Western Mystery Tradition and took practical and theoretical teachings in the esoteric sciences.

Eventually, she discovered her own way and focused all her attention entirely on the Ancient Egyptian Tradition. She investigated the myths of the Egyptian Gods, the tombs, temples and the lives of the ancient Egyptians. The original texts, like the Pyramid Texts, Coffin Texts and the Books of the Afterlife, are her main sources. She has studied hieroglyphs and made several trips to Egypt to examine the ancient sites, tombs and temples.

Diana has more than 30 years of experience with different meditation techniques, pathworking, trance and ritual work. In addition to her research, she used all of these techniques to explore the Knowledge of the Amduat. For a decade she meditated daily while focussing on the hundreds of Deities of the Amduat with the accompanying texts. This is where she discovered that the Amduat is in fact a spiritual system to transform your entire life in a very powerful and positive way. The fascinating experience of her journey through the Duat inspired her to share her knowledge in a book.

Her work as a visual artist is another aspect of her life. Her artwork consists of photographic drawings and portraits, realistic and free hand creations made in acrylic paint. She specialises in classic oil paintings while following the techniques of the old Masters of the Renaissance like Raphael, Michelangelo, Botticelli and Giotto.

As a psychic illustrator Diana creates Soul drawings with the help of a photograph of the person in question. With these drawings accompanied with a reading she offers a unique view into one’s inner soul and a better understanding of their potential.

The Three Realities

The Three Realities

Physical, Perceived, Represented

Xavier Bolot

ISBN 978-1-914153-03-07
£15.00 / $24.00
160pp paperback published 2021

Click here for UK

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An understanding of the three realities (physical, perceived, and represented) enables us to make sense of concepts encountered in everyday life, in a negotiation, observing a physical phenomenon, a sports competition, biology, psychology or architecture.
Why is it that, in a cathedral, if we take notice, we can see curved pillars whereas we know that they have been built straight and that is taking a photo we can see another curve?


According to individuals, eras, civilizations, these three realities have co-existed in a balanced way or not, evolving at different rates.


What is happening at the present time?


What kind of reaction does postmodern man have, faced with antiquated institutions inherited from modernity: trade unions, political parties, fellowships, religions, academies, old schools? How can we account for absenteeism at elections, the disaffection of institutional arts, the development of tribes, huge drinks parties, raves, Hip Hop where we dance on our head?


This book involves us in a multiple and decompartmentalized approach to the world.

Rainbow Bridge

The Shakta Tantrika of the Uttarakaulas

John Power

The Rainbow Bridge – The Shakta Tantrika of the Uttarakaulas

John Power

ISBN: 978-0-9542286-3-7

£15.00+p&p / $24.00+p&p

Click HERE for UK edition

Click HERE for USA & AUS

John was a student of Tantrik guru Dadaji Mahendranath [1911-91] in a correspondence that lasted from 1971 to 1991 and with occasional meetings. The last few years were difficult after Dadaji suffered strokes that affected his memory and ability to write with joined up lettering.

Dadaji was a Londoner by birth, whose maternal family included hereditary witches, and after meeting Aleister Crowley in his final years, when he was translating Chinese Taoist texts, he advised Dadaji to travel East if he wished to discover the pinnacle of mystical practices. At length, after interceding war activity, he did just that, via Australia to the far East, before settling in Gujarat, India. In so doing he did indeed bridge the range of Eastern and Western philosophies. It was in respect of this that he first borrowed the Norse image of the Rainbow Bridge when seeking to create a fusion of Eastern and Western practices.

The two main streams of activity that Dadaji was most keen to see made available to westerners came from the two main initiations he received in India: The Adi Nath lineage from Matsyendranath and the Uttarakaula Tantrik tradition of North India. 

The former emerged as the Arcane Magical Order of the Knights of Shambala, AMOOKOS; the latter as the Fellowship of Uttara Circles of Kaulas, which he asked John to organise for him. Most of the contents of this book are the collected essays created as guidance for those taking initiation in the group, and others with interest.

Otherwise, John has worked as an Art teacher and therapist in schools, colleges and prisons, having achieved his Masters Degree in Jungian Psychology and Art Therapy from London University in 1982. Some of his paintings illustrate this volume.

Gregory Peters is a writer and researcher who has written about Tantra, non-duality, and the intersection of East-West spiritual practices. He is an initiate of Adinatha and Uttara Kaula lineages of tantrika, as well as Dzogchen and western esoteric orders. His latest book was the Magickal Union of East & West from Llewellyn Publications.

Aleister Crowley MI5

Richard C McNeff
(Occult Fiction)

Aleister Crowley MI5 
Richard McNeff
ISBN: 978-1-914153-02-0
£15.00+p&p / US $22.00+p&p

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Audiobook (auto-narated)

An unsettling encounter with Aleister Crowley in a Soho pub launches Dylan Thomas on an adventure whose first stop is the opening of the Surrealist Exhibition on June 11, 1936. With the Welsh poet is his first editor Victor Neuburg, the Beast’s lapsed apprentice. In the bohemian fleshpots of Fitzrovia and Soho they connect with such luminaries of the period as Nina Hamnett, Augustus John, Tom Driberg, King Edward VIII and Wallis Simpson, as well as Crowley himself. Neuburg confronts the terrifying magick of his youth and something even more menacing — a Crowley orchestrated MI5 plot to avert the abdication. Aleister Crowley MI5 is an exhilarating work of fiction with highly researched fact at its core.

Richard McNeff on Aleister Crowley MI5 from ‘LASHTAL’

From the reviews:

‘McNeff’s book is so different from anything you usually find on a bookshelf that it should perhaps be a compulsory purchase.’ Independent on Sunday

‘Probably the finest modern novel featuring Aleister Crowley.’ Lashtal

‘Aleister Crowley as himself in all his occult and charismatic glory – a manipulative, overbearing, bizarre yet compelling character. Fiction could hardly have invented him: he is a gift of a character to any novelist & Richard McNeff has accepted him, unwrapped the parcel and given him his head.’ Martin Booth, author of A Magick Life

‘A swaggering romp of a novel. Plot by Buchan; characters by Beardsley; setting Art Deco — difficult to better that.’ Wormwood

‘A very clever idea, fleshed out with wit and style and an excellent sense of the times.’ Silverstar

 ‘Full of fascinating nuggets…..Neuburg’s crisis of identity with AC is very well observed.’ — Snoo Wilson:   

Richard C McNeff’s early acquaintance with John Symonds, Crowley’s literary executor and biographer, sparked an interest that developed into the 1977 cult short story ‘Sybarite among the Shadows’. This grew into Aleister Crowley MI5. He is also the author of With Barry Flanagan: Travels through Time and Spain (the Lilliput Press), a memoir which grew out of his experience of curating shows for the sculptor, the Brexit satire, The Dream of Boris, and has written for the Guardian, Fortean Times, and Boulevard Magenta. He lived and worked in Barcelona, the Basque Country, Ibiza and Baku. His current home is in London where he was born.

Richard C McNeff

Richard C McNeff’s early acquaintance with John Symonds, Crowley’s literary executor and biographer, sparked an interest that developed into the 1977 cult short story ‘Sybarite among the Shadows’. This grew into Aleister Crowley MI5. He is also the author of With Barry Flanagan: Travels through Time and Spain (the Lilliput Press), a memoir which grew out of his experience of curating shows for the sculptor, the Brexit satire, The Dream of Boris, and has written for the Guardian, Fortean Times, and Boulevard Magenta. He lived and worked in Barcelona, the Basque Country, Ibiza and Baku. His current home is London where he was born.

Caliban’s Redemption

Buy in UK & Europe (£10.99 + pp)

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Elsewhere – use USA button, extra postage if needed will be confirmed later

In this collection of surrealist prose-poetry and Dada versicles, Parry’s alter-ego Caliban muses on queer sexuality and existential seclusion from the perspective of Shakespearean Noir. Moreover, by trying to capture the dark and twisted dwarf’s metaphysical lyrics moment by moment, the author slowly deconstructs himself as a willing prisoner on the magical island of violence and desire. After all, Caliban would claim that neither Browning nor Nietzsche had fully grasped the ethics of redemption, pure transcendence, or romantic passion, which can only be found in an unadulterated selfhood.

One of the few, if not only, works of Gnostic Fantasy in modern times. An “edge” literary movement, re-evaluating received perspectives on classical works and discovering “gnosis”, in the sense of a Knowledge of our human hearts. Beautiful, invigorating and strikingly lucid. Its images need weeks to fully unpack, while its disturbing implications haunt a reader’s unsettled moods’ – Daniele-Hadi Irandost FRSA, founder and curator of TEDxLambeth

‘It is a descent into an underworld and a return as a sweat and semen stained, dirty, ugly, angry and very empowered God’ – Charlotte Rogers, award-winning author of P is for Prostitution

Parry is particularly adept at descriptions of the tenebrous side of life. He paints numerous pictures of darkness and evil in a very persuasive manner’ – Dr Bernard Hoose, former lecturer of Moral Theology at Heythrop College, University of London

‘Parry’s poetry traverses inner worlds reminiscent of those of Lautréamont, Bataille and the demonologist Collin De Plancy’ – Richard Rudgley, author and Channel 4 television presenter

Thunder Magic

Jason Read

Thunder Magic
Jason Read
ISBN: 9781906958954, 68pp
 
£15.00 / US $24.00

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For thousands of years in comparative isolation, the Chinese developed powerful systems of magic largely still unknown in the West. This series of books, perhaps for the first time in English, give a workable and practical introduction to Chinese magic and sorcery. In this book are the secrets of Thunder Magick, one of the most respected and feared of the many branches of Chinese sorcery. Thunder magic harnesses the yang forces of nature in a kind of yogic sadhana and use of spells and talismans. This compact volume shows you how. 

The mysteries of Chinese occultism have long been hidden from the West, largely due to the cultural and language barriers between us. Also because of the reluctance of the Chinese Masters to part with their knowledge. For this reason, we are producing this series of books to fill that gap in the knowledge of most western magicians. This knowledge comes from both oral and written sources that can only be found in Chinese communities. The author has travelled extensively in China and Malaysia and personally learned under several teachers from a school of practical magic known as Maoshan. Maoshan is a school of magic dealing with the interaction of the seen and unseen worlds, with a knowledge base dating back thousands of years to the time of the ancient shaman kings who ruled that area of China known as the Sichuan Plateau. Over many generations, the Maoshan school developed hundreds if not thousands of unique techniques to alleviate the challenges of life as well as to explore our spiritual nature and that of the cosmos. Maoshan, the school devoted to practical magic is unveiled in these books for the first time in the English language. We hope this opens a door to the mysterious world of the ancient Chinese sorcerers. Forthcoming volumes include Thunder Magic. Secrets of Chinese necromancy. Chinese love and sex magic and alchemy. Mysteries of Chinese Star magick. Chinese talismanic magick.


Reader Ryan Hampton Review:

Thunder Magick by Jason Read is a first of its kind translation. For anyone interested in the study of Taoist Nei Kung this is a very important read, and don’t let the length of this book fool you. For most, the subject of developing inner power and the dantian is often full of cryptic information and misunderstandings that have been strung together over the years, of people trying to understand this elusive subject. Jason Read is an amazing translator, that for the first time has come forward, with specific direct knowledge and instructions on the psycho-energetic dynamics, of what is occurring and is done on this subject that has been kept secret or only written cryptic for so long. Reading this book is your chance to leave the world of internet forums that are mostly full of half understanding people trying to capitalize on their limited knowledge. Jason is a translator of ancient Chinese which is basically a dead language. His information is accurate, specific and direct. The book does tend to lean more to the religious aspects of Taoism and covers information that I have seen very few in the English speaking world. The methods of Maoshan are similar to the closed-door methods of other Taoist lineages. Even if you are only interested in understanding the psycho-energetic dynamics of Taoist Nei Kung, this book covers that in detail and the religious principles of where these practices come from. Many have not been fortunate enough to have found someone qualified in this subject and have searched only to find partial information, that usually has cost people loss of time and money. This is a first opportunity to leave that all behind and finally learn the information that you have been looking for. This is just the beginning of Jasons works and I hope that they may be featured in Taoist conferences in the United States. I have yet to see any book written with the amount of detail and accurate information on this subject yet.

Enochian Chess Trilogy

Get the Enochian Chess Trilogy for only £70.00 postage free / UK

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Khemetic Enochian ChessRosicrucian Chess of The Golden Dawn
Enochian Chess Series Vol.I
Steve Nichols
– over 200 illustrations many in colour.
ISBN: 978-1-906958-78-7
US$39.99 / UK£30.00

Khemetic Enochian Chess
Hypermodern Magick
Steve Nichols
Illustrations many in colour.
ISBN: 978-1-906958-86-2
US$39.99 / UK£30.00

Celtic Chess: W.B. Yeats’s Celtic Enochian Chess
Enochian Chess Series Vol.III
Steve Nichols
– over 100 illustrations many in colour.
ISBN:
978-1906958947
US$39.99 / UK£30.00

mandrake.uk.net/celtic-chess/

Egyptian Magick

A Spirited Guide

ISBN 9781906958992. 432pp

£20.00+p&p /$26.00+p&p, softcover

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ISBN 9781914153006,

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“Within its own ‘world view’ Egyptian Heka was of far more exalted significance than its Coptic descendant or Western approximation.”

Robert Ritner, The Mechanics of Ancient Egyptian Magical Practice 247

Western magick is no longer an approximation; through practice and study it has recovered its memory. This magick is “Amoral and quintessentially effective” or to use the Egyptian term, it is called Akh, an effective or cunning power. This is a power to which gods, men, and all nature are subject. It was still the same force “whether used by god, king, priest, private individual, rebel or foreign enemy, whether hostile or beneficent, sanctioned or suppressed.” Does this mean that one can use magick for bad things with impunity? Absolutely not, for one is punished for what one does rather for the means one used, which are just the natural laws of the universe. Ultimately all this magick is theurgy, literally the work of the gods. Ideally, this becomes part of a practical theology by which the practitioner becomes, through “dynamic resonance” the image of the gods or divine forces he or she emulates. Thus the ultimate aim of the magician is knowledge and transcendence. 

So here is an authoritative guide aimed at those who actually want to practice this magick. The scholarly reader may also find the experimental theurgy a useful perspective. Essentially a compilation, bringing together with some revision, all of the material and core ideas on the Egyptian magical religion from previous books, presenting them here as a complete working system. Topics including openings, initiations, imaginal realms, basic techniques and applications through a ritual year of the gods.

Demonic Calendar Ancient Egypt

Demonic Calendar Ancient Egypt

Mogg Morgan

ISBN: 978-1-914153-01-3

$22.00+p&p / £14.99+p&p

Ebook:$9.99

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The ancient Egyptians divided the year into 36 weeks of ten days duration,  hence “decan” from Greek “ten”. The iconography of the decans predates that of all famous European books of magick such as the Testament of Solomon or the Goetia. But one thing all these spirits have in common is their malign character. 

Each decan is ruled over by particular stars, rising in succession over the course of a year. These can be observed rising on the eastern horizon just before dawn. 

You and I were born into this intricate web of stars. The 36 decans are in effect an earlier Egyptian equivalent of the later Greek system of twelve zodiacal signs. The twelve culminating decans are also the equivalent of the twelve “houses”.

All information needed to use this calendar either in a ritual or for prognostications is included, as well as an ephemeris as well as information on how it is compiled, in case you want to make your own. 

The Key of Solomon the King

The Key of Solomon the King

ISBN 9780877288473

Condition: New

Buy now (UK)

The work is traditionally divided into two books detailing the Key of King Solomon. Book One explains the operation of conjurations, curses, spells and other magical works. Book Two instructs the practitioner on the proper attire, purification rituals and other means of obtaining the goals of the Goetia. Between these two books is the list of plates that contain numerous illustrations and secret seals of Solomon, including the Mystical Seal of Solomon, the Pentacles of Solomon, and the Mystical Alphabet, which impart the mechanisms and requirements for the invocation of spirits and demons and other magical works or spells.

Sometimes referred to as the Greater Key of Solomon, this work should not be confused with the Lesser Key of Solomon or Clavicula Salomonis Regis, or Lemegeton, which is based on similar source material and was also researched by S. L. MacGregor Mathers with the aid of Aleister Crowley. It is thought that The Greater Key of Solomon later inspired The Lesser Key as a derivative work: one with its own substantial value through the addition of various illustrations and guides such as the Magic Circle of Solomon, the 72 Seals of Solomon or King Solomon Seals, and the Pentagram of Solomon. But, although both grimoires are inspired by the same material, they are separate and distinct works.

It is important to note the Solomon Key is not any one particular book. The material has been collected in various forms and published by many authors, including Armand Delatte, and L. W. de Laurence. The earliest versions of the text can be found in ancient manuscripts in different languages all dating from the 16th century or later and spread across the globe in various libraries or private collections. For example, a Hebrew edition survives in the British Library, while a Latin version is kept at the University of Wisconsin. Various French editions as well as English translations are located throughout the world.

According to the mythical history of the document, King Solomon wrote the book for his son Rehoboam and commanded him to hide the book in his sepulchre upon his death. After many years, the book was discovered by a group of Babylonian philosophers repairing Solomon’s tomb. None could interpret the text until one of them, Iohé Grevis, suggested that they should entreat the Lord for understanding. The Angel of the Lord appeared to him and extracted a promise that he would keep the text hidden from the unworthy and the wicked, after which he was able to read it plainly. Iohé Grevis then placed a conjuration on the book preventing the unworthy, unwise, and godless from attaining the desired effect of its practices.

Scholars however believe the work and its many iterations derive from the ancient practices of Jewish Kabbalah and Arab Alchemy. After time, it is thought Greek and Roman influences were added until, finally, the work was used and molded by high Renaissance magicians. This book, as well as other King Solomon books, such as the Magical Treatise of King Solomon and the Testament of Solomon, were brought back to modern times through the labors of occult practitioners such as S. L. MacGregor Mathers and others around the turn of the last century.

Mary Phelan

Mary Phelan was born in Dublin and she lived in Germany before settling in London. Today, she is a journalist and copywriter, design philosopher, photographer and art historian. She is an art history graduate of University College London, and has a Master’s degree in English Literature from the Open University.   A committed copywriter, she has written hundreds of advertising scripts for companies and organisations. She has also worked as a tutor of English literature.

Mary Phelan was born in Dublin in 1960 and she lived in Germany before settling in London. Today, she is a journalist and copywriter, design philosopher, photographer and art historian. She is an art history graduate of University College London, and has a Master’s degree in English Literature from the Open University.   A committed copywriter, she has written hundreds of advertising scripts for companies and organisations. She has also worked as a tutor of English literature.

Mary’s works of fiction include  The NightmarePandora’s Box,  Artist Wanted and Beogga the Woodman. Her short story collection is titled 13 Stories and she is currently working upon another novel, The Infidel Dreams. You can find her Design Victim posts on http://maryphelan.blogspot.com where she blogs about the intricacies and annoyances of design in modern life and you can read longer, travel articles by her at https://hubpages.com/@maryphelan 

Sickert & The Ripper Crimes

The 1888 Ripper Murders and the artist Walter Richard Sickert
Jean Overton Fuller

Sickert & The Ripper Crimes
The 1888 Ripper Murders and the artist Walter Richard Sickert
Jean Overton Fuller
Format: Softcover
ISBN: 1869928687
£15.00/ US$24.00
Subjects: Art/Ripperology/True Crime.

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In the autumn of 1888, London women lived under the shadow of the Ripper murders-killings perhaps unmatched in their sadistic brutality.

Sickert & The Ripper Crimes derives from the unsuspected testimony of the woman who had particular reason to fear for her life.

Florence Pash, friend and colleague of the artist Walter Sickert and herself an artist, confided to the author’s mother when in her late eighties, a terrible story that she had kept even from those closest to her.

‘timely and welcome…remains a curious and important book’
– Paul Begg in Ripperologist, April 2002

*Ripperologist, The Journal of Jack The Ripper, East End and Victorian Studies is available in electronic format, on subscription www.ripperologist.co.uk

JEAN OVERTON FULLER
OBITUARY

The author, biographer and Theosophist Jean Overton Fuller was born on 7th March 1915, of Captain John Henry Fuller and the artist Violet Overton Fuller. The posthumous child of her father, who was killed in East Africa in the winter of 1914, her mother brought the young Jean up, with an entourage of intellectuals and artists.

Jean Overton Fuller is known in the field of Ripperology for her book Sickert and the Ripper Crimes. A study of the enormously talented Edwardian painter Walter Richard Sickert, in which, using her artist eye she scrutinises the paintings he produced for clues about the 1888 Ripper murders. Sickert found thrill and inspiration in the music halls, and the murky regions of the demi-monde and its inhabitants. The man was an enigma, his obsession with the Ripper murders, and the atmosphere of impending gory death, with the nudity, garishness, the strong scarlet hues, and the threatening shadows depicted so disturbingly in The Camden Town Murder series of his paintings, have raised questions and suspicion about the nature of Sickert’s fascination.

Jean, through her mother, was a contemporary link to these events, and with Sickert and the Ripper Crimes had generated a considerable amount of interest from the public as well from among her fellow writers, such as for instance the American best-selling author Patricia Cornwell and her contribution to the subject with her Portrait of A Killer: Jack The Ripper, Case Closed.

Paul Begg and Adam Wood of Ripperologist had invited Jean Overton Fuller to speak at the 2003 Ripper Conference in Liverpool. Mogg drove from Oxford to Wymington, a small locality in Northamptonshire to collect Jean en route to the Conference. This weekend in August was one of the hottest in the year. After the nightmare journey of the A5 to Liverpool with cars slowly moving head to tail, they were rewarded and arrived at the gigantic and labyrinthine Britannia Adelphi Hotel, a venue specially chosen for this Conference because of its Ripper connection. Jean greatly enjoyed this event and the very good and erudite company of the international fraternity of Ripperologists. The late Jeremy Beadle was the Master of Ceremony and introduced Jean to the audience, and she came alight on stage and spoke entertainingly for about half an hour without notes.

This was Jean’s penultimate public engagement. The last being Jean’s talk on C.W. Leadbeater, at the 2005 Theosophical History Conference in London.

Jean was hard of hearing which at times made her appear distant. She was a great English eccentric, humorous, kind, highly intelligent with a far ranging culture. She was extraordinary.

Her friends and those who met her will remember her with great warmth and affection. When you met Jean, even though the age gap, there was no sense of an age barrier. She was a rare soul.

Dear Jean rest in Peace and enjoy Devachan with your loved ones who departed before.

‘Om Mani Padme Om, the Sunrise comes!
The dewdrop slips into the shining sea!’
(From The Light of Asia by Sir Edwin Arnold)

Jean Overton Fuller: Author, Astrologer, Biographer, Theosophist, Ripperologist.
Born London, 7th March 1915 – Died Kettering, Wednesday 8th April 2009.

Pagan Heart of the West V

The Pagan Heart of the West:
Embodying Ancient Beliefs and Practices
from Antiquity to the Present
Vol. V  The Arts and Philosophy

Randy P. Conner PhD
ISBN 9781906958909
£20.00+p&p /$28.00+p&p

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In this fifth and final volume, we consider the persistence and transformation of pagan traditions in philosophy and the arts. This final volume also includes the extensive bibliography for the series.

The Pagan Heart of the West challenges current academic notions that paganism died when Christianization occurred; that the transition from paganism to Christianity was a fairly easy, nonviolent one; that persons once pagan were happy to accept the new religion because it fulfilled them or because they viewed it as superior – as if the Inquisition never happened; and that all things pagan are in fact Christian prior to the mid-twentieth century, even though they demonstrate little or no connection to the Christian New Testament. Likewise, Pagan Heart challenges narrow conceptions of “the West.”

Applying Indigenous and decolonial theories, together with Michel Foucault’s conception of subjugated knowledge, Pagan Heart suggests that instead, paganism should be explored as an ancient and indigenous set of common beliefs and practices, at once ubiquitous and local, that includes the reverence of deities; the veneration of nature; rites celebrating the seasons and the life cycle; practices of healing, divination, and magic, often guided by ritual specialists; and arts and philosophies giving expression to pagan figures, concepts, and narratives.

In this first of five volumes, Pagan Heart focuses on the utilization of theories that contest absolutist language supporting the so-called death of paganism; and on the worship and veneration of ancient deities and kindred beings. Like the other volumes, this volume demonstrates that paganism has not only persisted over the course of millennia but that it has also undergone metamorphosis and innovation.

Most importantly, Pagan Heart emphasizes that the ancient gods did not die when Christian authorities forbade their worship and sought, in N. Scott Momaday’s terms, to commit deicide, but instead that they continue to exist and thrive.

Randy P. Conner, Ph.D., is the author of several works on the intersection of gender, sexuality, mythology, and the sacred. He teaches Humanities, including World Mythology, in the Chicago area.

Pagan Heart of the West III & IV

The Pagan Heart of the West
Volume III “Rituals and Ritual Specialists”
& Volume IV “Christianisation” (two volumes bound together)

Randy P. Conner PhD
ISBN-13: 978- 1906958893
£20.00+p&p / US$28.00+p&p

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In these third and fourth volumes, Pagan Heart focuses on ritual specialists, including shamans and witches, and on the campaign of Christianization.

The Pagan Heart of the West challenges current academic notions that paganism died when Christianization occurred; that the transition from paganism to Christianity was a fairly easy, nonviolent one; that persons once pagan were happy to accept the new religion because it fulfilled them or because they viewed it as superior – as if the Inquisition never happened; and that all things pagan are in fact Christian prior to the mid-twentieth century, even though they demonstrate little or no connection to the Christian New Testament. Likewise, Pagan Heart challenges narrow conceptions of “the West.”

Applying Indigenous and decolonial theories, together with Michel Foucault’s conception of subjugated knowledge, Pagan Heart suggests that instead, paganism should be explored as an ancient and indigenous set of common beliefs and practices, at once ubiquitous and local, that includes the reverence of deities; the veneration of nature; rites celebrating the seasons and the life cycle; practices of healing, divination, and magic, often guided by ritual specialists; and arts and philosophies giving expression to pagan figures, concepts, and narratives.

In this first of five volumes, Pagan Heart focuses on the utilization of theories that contest absolutist language supporting the so-called death of paganism; and on the worship and veneration of ancient deities and kindred beings. Like the other volumes, this volume demonstrates that paganism has not only persisted over the course of millennia but that it has also undergone metamorphosis and innovation.

Most importantly, Pagan Heart emphasizes that the ancient gods did not die when Christian authorities forbade their worship and sought, in N. Scott Momaday’s terms, to commit deicide, but instead that they continue to exist and thrive.

Randy P. Conner, Ph.D., is the author of several works on the intersection of gender, sexuality, mythology, and the sacred. He teaches Humanities, including World Mythology, in the Chicago area.

Pagan Heart of the West II

The Pagan Heart of the West
Volume II “Nature and Rites”
Randy P. Conner PhD ISBN: 978-1906958886
£20.00+p&p / US$28.00+p&p

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In this second volume, Pagan Heart focuses on the veneration of nature — flora, fauna, elements, celestial bodies — and on rituals of the seasons, life cycle, healing, divination, and magic.

The Pagan Heart of the West challenges current academic notions that paganism died when Christianization occurred; that the transition from paganism to Christianity was a fairly easy, nonviolent one; that persons once pagan were happy to accept the new religion because it fulfilled them or because they viewed it as superior – as if the Inquisition never happened; and that all things pagan are in fact Christian prior to the mid-twentieth century, even though they demonstrate little or no connection to the Christian New Testament. Likewise, Pagan Heart challenges narrow conceptions of “the West.”

Applying Indigenous and decolonial theories, together with Michel Foucault’s conception of subjugated knowledge, Pagan Heart suggests that instead, paganism should be explored as an ancient and indigenous set of common beliefs and practices, at once ubiquitous and local, that includes the reverence of deities; the veneration of nature; rites celebrating the seasons and the life cycle; practices of healing, divination, and magic, often guided by ritual specialists; and arts and philosophies giving expression to pagan figures, concepts, and narratives.

In this first of five volumes, Pagan Heart focuses on the utilization of theories that contest absolutist language supporting the so-called death of paganism; and on the worship and veneration of ancient deities and kindred beings. Like the other volumes, this volume demonstrates that paganism has not only persisted over the course of millennia but that it has also undergone metamorphosis and innovation.

Most importantly, Pagan Heart emphasizes that the ancient gods did not die when Christian authorities forbade their worship and sought, in N. Scott Momaday’s terms, to commit deicide, but instead that they continue to exist and thrive.

Randy P. Conner, PhD, is the author of several works on the intersection of gender, sexuality, mythology, and the sacred. He teaches Humanities, including World Mythology, in the Chicago area.

Journal for the Academic Study of Magic 5

JSM5
Format: Softcover
£20/US$40


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JSM5: Contents
Flavius Josephus’ Terminology of Magic: Accommodating
Jewish Magic to a Roman Audience, / Philip Jewell

The Role of Grimoires in the Conjure Tradition / Dan Harms

Hermetic/Cabalistic Ritual in Christopher Marlowe’s Doctor Faustus /
Dana Winters

Italian Cunning Craft: Some Preliminary Observations / Sabina Magliocco

Walking The Tightrope: A Study Of Secret Astrologers In Mainstream
Professions / J.A. Silver Frost

Martyrs, Magic, and Christian Conversion / Patrick Maille

“Worshiping the Devil in the Name of God ”Anti-Semitism,
Theosophy and Christianity in the Occult Doctrines of Pekka Siitoin /
Kennet Granholm

“The Witching Hour: Sex Magic in 1950s Australia” / Marguerite Johnson

Reviews

Obituaries

SURREALISM & the OCCULT

Surrealism & the Occult

Old 1st Paperback edition

BUY IT NOW for only £5

Surrealism & The Occult
Nadia Choucha
Format: Softcover/164 pp.
ISBN: 9781906958749
£11.99/US$20
Subjects: Art/Art History/Surrealism/Occult.

Many people associate Surrealism with politics, but it was also permeated by occult ideas, a fact often overlooked by art historians. This occult influence goes beyond general themes to the movement’s very heart.

This occult influence goes beyond general themes to the movement’s very heart. The antinomian stance of Surrealism can be traced directly to the influence of radical nineteenth century magi such as Eliphas Lévi, whose Dogma and Ritual of High Magic was widely read by Surrealism’s ideologues. Amongst these we find its progenitor André Breton.

The book shows how many Surrealists and their predecessors were steeped in magical ideas: Kandinsky, with his involvement with Theosophy, the sorcery of Salvador Dali; the alchemy of Pablo Picasso and the shamanism of Max Ernst and Leonora Carrington.

Surrealism did not establish itself in Britain until the 1930s but a select few felt something in the air. Almost ten years before the Surrealist experiments with automatic drawing, an obscure English artist, Austin Osman Spare had perfected the technique.

Nadia Choucha shows, convincingly, that occult and surrealist philosophies were often interchangeable. Surrealism and the Occult is seminal reading for art historians and occultists alike, while artists will find it a vital guide to the unlocking of the imagination.

Praise for Nadia Choucha’s Surrealism & the Occult
”Highly readable…seminal… fascinating” – Francis X. King
”alive, with the heady mixture of occult and pictorial symbolism treated with laudable lucidity.”- Art Book News

Jade Melany

Jade Melany is an accomplished artist, natural psychic and tarot creator. She teaches healing, tarot, and spiritual / self-development. Each of the magical images and path-workings in the Initiate’s Way has been tried and tested in the small magical groups that Jade runs from her home in the lake district in Cumbria.

Jason Read

Jason Read has held a long and deep-seated interest in magic, yoga, occult philosophy and the martial arts. Jason began training in the martial arts in his early teens and it was there he got his first glimpse of the world of Far Eastern occultism.

Graduating from Southampton University in the 1990s with a BA in History, he took the unexpected step of joining the Royal Navy working as a language specialist in the Communications Technician department. As well as taking the opportunity to travel all around the world he learned to speak and write Chinese as part of his work.

On leaving the services as a lieutenant, Jason committed himself to study occultism and magic, initially in the Western Mystery Tradition. However, still, a passionate martial artist, his interests in magic were destined to fall eastwards. To this purpose, Jason lived and travelled in Asia for over a decade searching for a real teacher of martial arts and magic. He found it. Under the apprenticeship of a Maoshan sorcerer and martial artist, Dr. Liang, he studied many aspects of Chinese magic and alchemy which are still largely unknown to most western practitioners. This series of books aims to readdress that imbalance.

Today in his hometown, Jason is involved in business law and has established the Order of the Pagoda with friend and colleague of the Shingon and magical Mikkyo lineage of Japan to teach and disseminate the Chinese and Japanese mysteries of alchemy, magic and divination in a structured way.

Celtic Chess

W.B. Yeats’s Celtic Enochian Chess

(Enochian Chess Series Vol. III)

Steve Nichols

Celtic Chess: W.B. Yeats’s Celtic Enochian Chess
Enochian Chess Series Vol.III
Steve Nichols
– over 100 illustrations many in colour.
ISBN:
978-1906958947
US$39.99 / UK£30.00

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W.B. Yeats’s Celtic Enochian Chess  

A black imitation-leather, gold unpublished notebook dated December 1898, shows us the Yeats-Gonne-Pollexfen team at work. Virginia Moore transcribes in 1954 this record of these three Celtic Twilight magicians exploring the four fabled “Cities,” of Falias, Murius, Findias, and Gorias –  regions of the four elements, earth, water, air, and fire –  under their respective Gods (the Dagda, Danu, Brigid, and Lugh) and High Druids.  

On questioning the four Druids, Maud Gonne discovered she and Yeats had received the Initiation of the Cauldron (purification/water). Gonne also received the Initiation of the Stone (earth); whereas Yeats had attracted the powers of the Wand (air) signifying supernatural inspiration. Beyond these Elemental Initiations came that of the White Globe, governed by the elder-god Elathan (front cover). Yeats and Pollexfen went – or thought they went –  with help of talismans to Falias, wherein a rough stone house George saw a skeleton of gold with diamond teeth. Next, they went to Murias (water), where a Druid showed them a bath full of indolent bathers. Trips continued to Findias (air), and Gorias (fire), where Pollexfen saw the lower part of the fire God Aengus (“passive form of Lug”). 

This amazing sixteen board sub-elemental extension to the Golden Dawn Enochian Chess system was the culmination of such endeavours by W.B. Yeats and his circle. Full board designs, details of talismanic constructions, suggested pieces, and my account of Yeats’s magickal feud with McGregor Mathers, is published here – much for the first time.   

Christopher McIntosh

Christopher McIntosh

Posted on February 20, 2013

Christopher McIntosh describes himself as a romantic who has been in search of the “strange and bizarre things of life” since his childhood. To survive in the world of mammon, he became successively a publisher, a journalist, a United Nations official and a university lecturer, while continuing to pursue his quest by writing books. As well as fiction, his works include biographies of Eliphas Lévi and King Ludwig II of Bavaria, two books on the Rosicrucians and a study of sacred and symbolic gardens. Having travelled widely, he is now settled in Bremen, north Germany.

Secrets of the Sex Witch

Tarona Hawkins (with Howard Rodway)

ISBN 9781906958145

Kindle edition only at the moment

UK Kindle edition

USA Kindle edition

Four years ago when I was discussing the subject of natural healing with practising witch Dr Tarona Hawkins, she mentioned during our conversation that she had notes, files and first draft chapters prepared about her psychic readings, counselling, past life regression work, magickal treatments and herbal remedies, all relating to clients’ sexual problems

Tarona Hawkins added that her reputation as a sex witch had gathered such momentum that most of her time was now occupied with sex counselling.

This volume is the end result of accepting Tarona’s invitation to transform her records and her knowledge into A WITCH’S GUIDE to SEX & GOOD RELATIONSHIPS.


Within this book, you will find covered an incredible variety of sex and sex-related subjects, for example, sex magick, sex massage, adult babies, fetishism, demonic sexual encounters, group sex, homosexuality, anal sex, sadomasochism, transvestism, transsexualism, sex feeders, sex for the elderly, impotence, penis enlargement, male hygiene, menstruation, past life traumas, the human sexual aura, sexual handwriting characteristics together with other sex-related subjects. Pseudonyms have been used throughout to preserve confidentiality and privacy.


To all those who read this book; individual members of the public, those with sexual problems, sex counsellors, and of course the occult community, it is hoped that you will gain new insights into the unusually varied spectrum of human sexual behaviour.

PantheaCon 2020

Stop Press!!
Dr Randy P. Conner, author of The Pagan Heart of the West will be speaking at
The Final PantheaCon
Friday, February 14 – Monday, February 17, 2020
at San Jose Doubletree Hotel,
2050, Gateway Place,
San Jose, CA, USA.

For full details, speakers program and to book go to their website pantheacon.com/wordpress/
Email: info@pantheacon.com

THE MAGICAL DILEMMA OF VICTOR NEUBURG

THE MAGICAL DILEMMA OF VICTOR NEUBURG

Old 1st Paperback edition

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The Magical Dilemma of Victor Neuburg
Jean Overton Fuller
Format: Softcover
ISBN:
£13.99/US$24
Subjects: Biography/Aleister Crowley/Thelema/Magick.

To mark the centenary of Dylan Thomas, here’s an extract from JOF’s book that narrates her first meeting with the soon to be famous poet:

“We agreed to Zoists”: Dylan Thomas & the Occultist Victor Neuburg (Aleister Crowley’s lover & collaborator)

“We agreed to Zoists.

Runia wanted us to have badges, ‘so that one Zoist can recognize another, if you meet outside, or if we have provincial centres.’

There was a murmur of dissent. Some of us felt this thing was getting inflated. And we didn’t want badges. We weren’t boy scouts; just a few people who wanted to come here and sit and talk to each other on Saturday evenings.

‘All right, no badges,’ she said. ‘But it is agreed we have a name?’

It was agreed but there was no enthusiasm for the name, our feeling being for the informal. Before we left Runia made us cups of tea.

When eventually we broke up, and I stood again in the road outside, I felt I could tell my mother I had been among distinguished people. But the truth was I felt something else as well. I felt I had been in ancient Egypt and for this feeling I could find no explanation.

Not all of those who had been present on the first evening returned the following Saturday, but as I attended every week I began to know the regulars. Arriving soon after 8 (dinner at the hotel where my mother and I lived, was at 7, so it was a rush), I always found a certain number of people there already, though there was usually some time to wait until Vicky and Runia came from the inner room. It was in this waiting time that I had to find my feet, as it were among the other young ones. Nobody was ever introduced at Vicky’s. One just found out for oneself. I did not find the young men easy although they made efforts to draw me into the circle, for they assumed an acquaintance with modern poetry and political authors greater than I possessed; I could not always follow their allusions, and I had the feeling they all participated in a form of culture slightly strange to me. I was therefore grateful when a good looking young man, quiet mannered and of a more ordinarily civilized demeanour, settled himself beside me and asked, simply, ‘How did you come to Vicky’s?’

I told him about the circular letter I had received. He knew Geoffrey Lloyd had sent some out and asked, ‘What do you do when you’re not writing poems for Vicky? What’s your background, so to speak?’

I told him I had been on the stage since I was seventeen.
He said ‘Fancy our having an actress among us!’

‘What’s your name?’ I asked him.

‘William Thomas’, was what I first thought he said, but then he added, ‘It’s a special Welsh name.’
There could be nothing very special about William, and I puckered my brows.
‘You’ll never have heard it before,’ he said. ‘Nobody in England ever has. It should really be pronounced Wullam, in Welsh.’ Or was he saying ‘Dullan’?

‘It’s a special Welsh name,’ he repeated. ‘I shall have to spell it for you. D-Y-L-A-N. In Wales, it’s pronounced Dullan. But I’d been corresponding with Vicky for some time before I came to London, and when I arrived I found he had been calling me Dillan, in his mind. I thought if Vicky didn’t know how to pronounce it nobody in England would, so I decided to take it as the standard English pronunciation of my name. Otherwise I’d spend all my time telling people it was Dull and not Dill, and I think perhaps Dillan sounds more elegant than Dullan. Only Idris objects and thinks it’s frightfully fancy! Because he’s Welsh, too, and he knows! but now I’m getting even Idris trained to call me Dillan, though it’s under protest!’
‘What part of Wales do you come from?’ I said.

‘Oh, I only come from a small town. Swansea.’

Whereas I had previously felt myself to be the most naive member of a group otherwise composed of sophisticated, bohemian intellectuals, I now felt I had, vis-à-vis Dylan Thomas, at any rate, an advantage in being a Londoner. ‘I should have thought Swansea was a large town,’ I said. ‘I was near there all last summer. If you had been to the theatre at Porthcawl you would have seen me on the stage!’

‘No, I’m afraid I didn’t’ he said. ‘What a pity!’

Giving the conversation a turn he did not expect, I said, ‘Have you ever been down a mine?’
‘No.’

‘I have!’ I explained triumphantly. ‘Near Crumlin. I once played a January date in the Rhondda. Or more exactly the Ebbw Vale.’ I told him how I had persuaded the men at a pit to take me down the shaft, and how, having arrived at the bottom, I was given a lamp to hold and escorted along a passage which had been hewed through the coal to a point where it became so low that one would have had to proceed on hands and knees. I was shown a fault seam, which I felt with my fingers.

‘You have seen something in Wales which I haven’t!’ said Dylan. He explained that his home was some distance from the mining regions. He described the part of Swansea where he lived, with a detail I cannot now recall, except that it sounded salubrious and agreeable. His father was Senior English Master at the Grammar School. ‘Living where I do one doesn’t really see anything of all that,’ he said, with reference to my allusion to the coal mining (and depressed) areas. ‘Idris comes from the Rhondda,’1 he said. ‘I haven’t been into those areas.’ As though he had been slightly shamed by my adventure, he added, ‘Perhaps I ought to have done.’

‘It’s because you live there that you wouldn’t think of it,’ I said. ‘When one is touring one feels one must see everything in case one never comes again. When I was sixteen, my mother and I made a tour of Italy, Pisa, Rome, Naples, Capri, and back through Perugia, Florence and Milan. We felt we had to go into everything, even the smallest church we passed on any street. We realized we had never “done” London half as thoroughly because we took it for granted.’

I have no ‘outrageous’ sayings of Dylan Thomas to record. His conversation with me was perfectly drawing-room and unexceptional. I remember him as a polite young man. Friendly, but not at all presuming.
He told me the origins of the circle of which I now formed part. ‘First one and then another of us found our way to Vicky’s through entering into correspondence with him or something like that, and so a circle grew up around Vicky. We’re all very fond of Vicky.’ He explained that, ‘always reading each other’s names in print we began to wonder what the ones whom we hadn’t seen were like.’ So they had had the idea ‘of sending out circulars to everybody who was a contributor. He thought it had brought in some interesting people. ‘Well, it has brought you!’ Perhaps one could name some kind of a regular thing of it. ‘The only thing I don’t like is the name Zoists!’ he said.

I laughed and said, ‘It does sound a bit like protozoa, zoophytes and zoids!’

Dylan pulled a funny face.

‘We’re always called “Vicky’s children”,’ said Dylan. ‘It’s a bit sentimental, but I don’t think we shall ever be called anything else.’

It had been at the back of my mind while he was speaking that his name, as he had spelled it out, was one which I had read in the Sunday Referee in a context more important than that of the weekly prizes. I had not taken the paper regularly before I joined the circle, or I would have known the whole build-up. I said, ‘Aren’t you the winner of a big prize? I believe you’re one of the distinguished people here!’
‘It was through Vicky and the Sunday Referee that a book of my poems has been published,’ he said. He explained that a prize was offered twice yearly, part of which consisted in the publication of the winner’s poems in book form. ‘The first was awarded to Pamela Hansford Johnson. She isn’t here tonight. I was given the second of them.’ He said that Vicky had helped him pick out what he thought were the best of the poems he had written.

‘What’s it called?’

‘Just 18 Poems. It was published just before Christmas, and I think it’s doing quite well.’ He added, ‘I’m very grateful to Vicky. It’s a big thing for me. One’s first book is the most difficult to get published. Everyone says so. Now that I have one book published, it should be easier to get the next accepted, perhaps by an ordinary firm.’

My sentiment for Vicky was already so strong that I was slightly shocked.

Dylan Thomas saw it. ‘Vicky doesn’t expect us to stay with him!’ he said. ‘This is a nursery school from which we are expected to go out into the world. When we can get published elsewhere nobody is more pleased than Vicky!’

Just then the moment for which we had been waiting arrived. The door from the inner part of the house opened and our hosts came out to join us.

Vicky came straight up to Dylan and me. I did not know which of us the distinction was meant for but it gave me joy. He stood by my chair, looking down on us beamingly, and said to Dylan, ‘You’re entertaining this little lady?’

Dylan said, ‘I’ve been telling her something of the history of the Poet’s Corner.’

*********************************

Laugharne,
Carmarthenshire,
Wales
19 June 1940
Dear Miss Fuller
I haven’t heard anything from Vicky and Runia for years, until about a fortnight ago.
Then Pamela Johnson wrote to tell me that Vicky had just died. I was very grieved to hear it; he was a sweet, wise man. Runia’s address is 84, Boundary Road, NW8. At least, I suppose she is still there. I wrote her a letter, but I haven’t had a reply yet; probably she’s too sad to write.
Yours sincerely
Dylan Thomas

——————————

Really two books in one. Firstly a record of one man’s extraordinary journey to magical enlightenment. Secondly the story of Aleister Crowley, the magus who summoned Neuburg to join him in the quest.

‘The book opens with the author’s entry into the group of young poets including Dylan Thomas and Pamela Hansford Johnson. They gather around Victor Newburg in 1935 when he is poetry editor of the Sunday Referee. Gradually the author becomes aware of his strange and sinister past, in which Neuburg was associated in magick with Aleister Crowley.

Contents: Beginnings / Mystic of the Agnostic Journal / Crowley and the Golden Dawn / Initiation / Magical Retirement / Equinox and Algeria / Rites of Eleusis / Triumph of Pan / Desert / Triangles / Moon Above the Tower / Templars and the Tradition of Sheikh El Djebel / Paris Working / The Sanctuary / Arcanum Arcanorum / Dylan Thomas

REVIEWS

‘Those interested in Western occult history will welcome this revised and expanded edition of an important work first published in 1965.

Overton Fuller’s biography of Neuburg paints an intimate portrait of this complex character who was as much mystic as poet. A prominent figure in London’s literary bohemia in the 1930s, Neuburg encouraged such writers as Dylan Thomas, Pamela Hansford Johnson, Hugo Manning and many others, including Overton Fuller.

In his earlier days, Neuburg had been a disciple, magical partner and possibly even lover of Aleister Crowley during a period of ground-breaking magical experiments.

‘Vicky encouraged me as no one else has done,’ Dylan Thomas declared on hearing of Neuburg’s death. ‘He possessed many kinds of genius, and not the least was his genius for drawing to himself, by his wisdom, graveness, great humour and innocence, a feeling of trust and love, that won’t ever be forgotten.’ ‘ . . . there was a whiff of sulphur abroad, and all of us would have liked to know the truth of the Aleister Crowley’s legends, the truth of the witch-like baroness called Cremers, the abandonment of Neuburg in the desert.’

– Pamela Hansford Johnson

‘No dry biography this but an illuminating and compelling account of a multi-faceted personality who lived during an exciting period of occult and literary history. An absolute must-have!’
– (ME) In Prediction Magazine November 2005

CANNIBAL WITHIN, THE

The Cannibal Within

Old 1st Paperback edition

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The Cannibal Within
Mark L. Mirabello
Format: Softcover
ISBN: 9781869928278
£9.99/US$16
Subjects: Cosmic Horror/Horror Fiction.


Best New Horror 2003, from The Mammoth Book of Best New Horror: vol. 14. Edited by Stephen Jones, 2003 Edition, ISBN 0786712376.

They raped me and ate my friend alive.’ Thus starts this work of erotic horror fiction filled with ‘sacrilege, blasphemy, and crime’–written in a style that is part H. P. Lovecraft, part Marquis de Sade, and part Octave Mirbeau–The Cannibal Within is literally ‘wet with sin, slippery with blood, and slimy with fornication.’

The novel’s central character is part Lara Croft part Sarah Connor. She/We has a choice: the evil may be patiently borne or savagely resisted.

We may think we are special–holy, honored, valued–god’s chosen primates–but that is a fraud. The dupes of superhuman forces, we are misfits and abominations. We have no higher purpose –no savior god died for our sins–we exist, only because our masters are infatuated with our meat.

‘The Earth is a farm,’ wrote Charles Fort.

‘We are someone else’s property.’

‘–no savior god died for our sins–we exist, only because our masters are infatuated with our meat.’
‘We have a choice: the evil may be patiently borne or savagely resisted.’

‘. . .one of the most unique horror novels to come along in a long time.’
– Dark Funeral

Reviewed by Tyler Ferguson in Dagobert’s Revenge

‘While at face value the horror fiction genre may seem to be the right label to list this book under, we may find more than fiction lying under the surface. The author, a History professor at Shawnee State University in Portsmouth, OH, has created a work that can be described as terrifying, revolting, sadistic and even fascinating. I prefer to describe it as fascinatingly terrifying, revolting, sadistic and somewhat familiar in an archetypal sense. The book makes the reader want to gasp and turn away, but it appeals to one’s morbid curiosity so well that you cannot but read on, because waiting for you is a horrific reality that you pray is only fiction. And in this (hopefully) fictitious reality you will find truth and secrets you are not ready for.

On the surface the book relates an encounter between the author and a strange women who wants to tell her story. The woman, obviously disturbed, begins to recount to the author a story involving her and her friend Maddalena. The story takes place on October 13, 1972 in Point Pleasant, West Virginia. Readers might recognize this as a setting of other notorious paranormal occurrences. Quite literally, the woman tells of the time she met God – or gods in this case. However, these gods do not follow our common idea of what a god should be. These gods are the gods of old; the jealous, lustful rulers of a forgotten past. Maybe they are the “watchers” or the reptilian deities so many pages have been devoted to. The author doesn’t clarify this point but tells us that they are the “Master Species”, a race driven by lust and hunger. And to them, humans satisfy both desires. These monsters seduce our main character and her friend by appearing in a form that they would assuredly trust, gaining that trust until they show their true nature. This is when the horror begins.

The author spares no detail in relating what the woman told him. The monsters tortured and ate her friend while she was being raped. The author goes on to recount the years our main character spent in captivity living in a subterranean world with the beasts. He describes the society and habitat of these creatures and their true intentions. Reader beware: we are spared no savage detail. As the book ends, the author tells of his last encounter with the woman and finally we realize our own horrifying destiny.

Now we must examine what hides in the dark corners of this book. The author himelf commented that, “This book is about violation in every form. In an occult context – in a style that is part H.P. Lovecraft, part Octave Mirbeau, and part Marquis De Sade, it explores crime, depravity, and madness. Some who penetrate the darkness will find illumination; others will simply despise and judge.” Read this book for only the superficial story and you have missed it entirely. The author has hidden in the text occult philosophies that many have spent lifetimes trying to understand. I tell you to read this book with your eyes open to the mysteries that are hidden on every page. I will not spoil the quest that I am sure the author hopes we undertake, but I can tell you that in this book are hidden the secrets of some of the world’s greatest societies, ideas and truths of a forgotten time, tenets of religions long believed dead, and observations of our world many know but are afraid to face. A poet once wrote:

” I used to see forever.
My future was mine.
My ideas were powerful.
Fear and hatred changes all.
I gave a body to them
Their return was a corpse.
Promises that never spoke.
But give more, they ask.
More of my death, which they began.
Do they always empty your head?
What gods that came for love
Then killed for selfish lust.
Lust, that is what they had.
Humans, the food that satisfies the thankless gods.”

‘I highly recommend adding The Cannibal Within to your occult collection.
Place it on a shelf alongside Alcheishe Bruiloft van Christiaan Rozenkruis and read it in the same manner.’

 

Michael Orlando Yaccarino

The author has read, taught, and written about the Tarot for many years. He holds degrees in psychology and film studies from New York University. Previous books co-authored with Scot D. Ryersson include: Infinite Variety: The Life and Legend of the Marchesa Casati, The Marchesa Casati: Portraits of a Muse, and The Princess of Wax: A Cruel Tale. Also with Ryersson, he co-edited Spectral Haunts and Phantom Lovers.

Visit the official ​Heart Vision ​site
marchesacasati.wixsite.com/heartvisiontarot

Learn more about the author’s work.
Visit www.marchesacasati.com

WORMWOOD STAR

WORMWOOD STAR by Spencer Kansa

Old 1st Paperback edition

BUY IT NOW for only £8 (UK – other territories msg for postage)

Wormwood Star
The Magickal Life of Marjorie Cameron
Spencer Kansa
Format: Softcover/302 pp/illustrated.
ISBN: ISBN 978-1-906958-60-2 (was 978-1-906958-08-4)
£13.99/US$24
Subjects: Biography/Magick/Thelema/Art/American Underground/Film Studies.

In the first-ever biography written about her, Wormwood Star traces the extraordinary life of the enigmatic artist Marjorie Cameron, one of the most fascinating figures to emerge from the American Underground art world and film scene.

Born in Belle Plaine, Iowa, in 1922, Cameron’s uniqueness and talent as a natural-born artist was evident to those around her early on in life. During World War 2 she served in the Women’s Navy and worked in Washington as an aide to the Joint Chiefs of Staff. But it was after the War that her life really took off when she met her husband Jack Parsons. By day Parsons was a brilliant rocket scientist, but by night he was Master of the Agape Lodge, a fraternal magickal order, whose head was the most famous magus of the 20th century… Aleister Crowley.

Gradually, over the course of their marriage, Parsons initiated Cameron into the occult sciences, and the biography offers a fresh perspective on her role in the infamous Babalon Working magick rituals Parsons conducted with the future founder of Scientology, L Ron Hubbard. Following Parsons death in 1952 from a chemical explosion, Cameron inherited her husband’s magickal mantle and embarked on a lifelong spiritual quest, a journey reflected in the otherworldly images she depicted, many of them drawn from the Elemental Kingdom and astral plane.

Throughout the 1950s and 1960s, Cameron became a celebrated personality in California’s underground art world and film scene. In 1954 she starred in Kenneth Anger’s visual masterwork, Inauguration of the Pleasure Dome, stealing the show from her co-star Anais Nin. The budding filmmaker Curtis Harrington was so taken with Cameron, he made a film study dedicated to her artwork entitled The Wormwood Star. He then brought Cameron’s powerful and mysterious presence to bear on his evocative noir thriller, Night Tide, casting her alongside a young Dennis Hopper.

Cameron was an inspirational figure to the many artists and poets that congregated around Wallace Berman’s Semina scene, and in 1957 Berman’s show at the Ferus Gallery was shut down by LA’s vice squad, due to the sexually charged nature of one of her drawings. Undaunted, she continued to carve a unique and brilliant path as an artist.

A retrospective of Cameron’s work, entitled The Pearl of Reprisal, was held at LA’s Barnsdall Art Park in 1989, and after her death, some of her most admired pieces were included in the Reflections oa New Aeon Exhibition at the Eleven Seven Gallery in Long Beach, California. Cameron’s famous Peyote Vision drawing made its way into the Beat Culture and the New America retrospective held at the Whitney Museum in 1995. And in 2006, a profile of her work was featured in the critically lauded Semina Culture Exhibition. The following year an exhibition of her sketches and drawings was held at the Nicole Klagsbrun Gallery in New York.

With so much of her life and work shrouded in mystery, Wormwood Star sheds new light on this most remarkable artist and elusive occult icon.

All Material on this page copyright © Spencer Kansa

Xavier Bolot

Xavier Bolot portrait bl w 692 Ko

Painter, Engineer of the INPG National Polytechnic Institute of Grenoble, France, Professor of Electronics at the University of Montreal, Canada, President of the French Association of Industrial Advertising in Paris, Consultant in communication and behavior, Orleans, Xavier Bolot leads his research on the various problems of perception with the support of the National Fine Art School of Bourges in France. He publishes innovative books by L’Harmattan major editor in Paris, France:
Drawing in Real Perspective, The Neutral Light, Vision in Action, The Three Realities. He is a researcher at the CEAQ (Center of Studies on the Present and Everyday Life) University of Paris V Descartes Sorbonne.

John Barber

TRUE CRIME & MURDER MYSTERIES

True Crime – Crime Fiction: entertaining and absorbing Murder Mysteries – Anthologies – Historical – Literary – Memoirs.


Out of the ordinary stories, the weird and wonderful! And don’t miss his Best of British blog!

John Barber has been writing professionally since 1996 beginning with articles for magazines on social and local history. His first published book in 2002 was a non-fiction work entitled The Camden Town Murder which re-opened an investigation into the famous murder mystery of 1907.

John Barber Website
www.johnbarber.com

Books by Johm Barber
www.johnbarber.com/books.html